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CHEERING | 0:00:01 | 0:00:09 | |
The festival could come and go. | 0:00:17 | 0:00:19 | |
I mean, it could go in a wink, couldn't it? | 0:00:19 | 0:00:22 | |
It's very open to fashion. | 0:00:22 | 0:00:23 | |
200,000 people might decide at some point it's not fashionable any more. | 0:00:26 | 0:00:30 | |
COWS MOO | 0:00:33 | 0:00:36 | |
But the farm and the cows and the tradition of the dairy is lasting. | 0:00:36 | 0:00:41 | |
You know, it's there for ever, really. | 0:00:41 | 0:00:43 | |
This farm is what I'm made of. | 0:00:45 | 0:00:47 | |
COW MOOS | 0:00:52 | 0:00:54 | |
Michael, is it true that you... | 0:01:01 | 0:01:02 | |
occasionally you would sing to...sing hymns to the cows sometimes | 0:01:02 | 0:01:06 | |
in the old days. Is that true or not? | 0:01:06 | 0:01:08 | |
Actually, my father used to sing hymns to the cows. | 0:01:08 | 0:01:11 | |
No, I didn't do that. No. | 0:01:11 | 0:01:13 | |
I played The Kinks to the cows. | 0:01:13 | 0:01:15 | |
-Er, Lola. You know Lola? -What, you played Lola to the cows? | 0:01:15 | 0:01:18 | |
I have played Lola to the cows, yeah. | 0:01:18 | 0:01:20 | |
And I'd play it into the dairy itself. | 0:01:20 | 0:01:23 | |
With a long pipe. | 0:01:23 | 0:01:24 | |
So the bass was absolutely fantastic. | 0:01:27 | 0:01:29 | |
# Well, I'm not the world's most passionate guy | 0:01:31 | 0:01:34 | |
# But when I looked in her eyes, well, I almost fell for my Lola | 0:01:34 | 0:01:40 | |
# Lo Lo Lo Lo Lola... # | 0:01:40 | 0:01:42 | |
Smell that. | 0:01:42 | 0:01:44 | |
Lovely, isn't it? | 0:01:44 | 0:01:45 | |
# Lola, Lo Lo Lo Lo Lola... # | 0:01:47 | 0:01:50 | |
Naughty girl! | 0:01:50 | 0:01:51 | |
Michael, what's this field called? | 0:01:55 | 0:01:57 | |
Actually, this is the main arena. | 0:01:57 | 0:01:59 | |
OK? Look at the grass. | 0:01:59 | 0:02:02 | |
No fertiliser. It's all naturally grown grass. | 0:02:02 | 0:02:05 | |
It grows like rhubarb. | 0:02:05 | 0:02:07 | |
In fact, I shouldn't really drive over it, actually. | 0:02:07 | 0:02:12 | |
So 100,000 people can actually stand in this field at the same time | 0:02:12 | 0:02:17 | |
and watch Dolly Parton or The Who or something. | 0:02:17 | 0:02:20 | |
Or Kanye West, actually. | 0:02:20 | 0:02:21 | |
Kanye's the headliner this year. | 0:02:23 | 0:02:25 | |
Kanye's going to shock and please the crowds, I'm sure. | 0:02:25 | 0:02:28 | |
MUSIC: Runaway by Kanye West feat Pusha T | 0:02:28 | 0:02:33 | |
Ah, Finn. HE LAUGHS | 0:02:49 | 0:02:52 | |
Finn's there. It's always nice to see Finn. | 0:02:52 | 0:02:55 | |
Michael, how many cows are there at Worthy Farm? | 0:02:55 | 0:02:58 | |
Well, we've got 400 cows and 400 followers. | 0:02:58 | 0:03:02 | |
That's all the young cattle coming on behind their mums. | 0:03:02 | 0:03:05 | |
And it's quite important to me that the cows should actually | 0:03:05 | 0:03:08 | |
graze for at least 100 days a year. | 0:03:08 | 0:03:13 | |
And... Oh, there's John. | 0:03:13 | 0:03:16 | |
We've been grazing these fields for 150 years. | 0:03:16 | 0:03:18 | |
And I've milked my own cows for 40 years. | 0:03:19 | 0:03:23 | |
That's virtually nonstop, you know, but I also focus on the festival | 0:03:23 | 0:03:26 | |
and worrying about whether Primal Scream are going to play or not, | 0:03:26 | 0:03:29 | |
all that sort of thing. | 0:03:29 | 0:03:31 | |
I was waiting for the phone to ring while I was milking, | 0:03:31 | 0:03:34 | |
so I had to put a land line, wire it up to the milking parlour, | 0:03:34 | 0:03:37 | |
so that I could take the calls while I was milking. | 0:03:37 | 0:03:39 | |
So it's hardly focusing 100%... | 0:03:39 | 0:03:43 | |
..on the farm, is it? Do you know what I mean? | 0:03:44 | 0:03:48 | |
# I was blind, now I can see | 0:03:48 | 0:03:53 | |
# You made a believer out of me | 0:03:53 | 0:03:58 | |
# I was blind, now I can see... # | 0:03:58 | 0:04:01 | |
There's farm work, then there's farm work at Worthy Farm. | 0:04:01 | 0:04:06 | |
I get up every morning, what - about 4.15 in the morning? | 0:04:06 | 0:04:09 | |
Especially this time of year. It's lovely. Birds singing, quiet. | 0:04:09 | 0:04:12 | |
I tell you, I'd hate to be on a bloody... | 0:04:12 | 0:04:14 | |
commuter into Bristol or something where you've got to sit in the car for an hour and a half. | 0:04:14 | 0:04:19 | |
I feel sorry for those poor people. I couldn't...ugh! | 0:04:19 | 0:04:22 | |
Tried it once. Yeah, didn't like that. You can't consider it a job. | 0:04:22 | 0:04:25 | |
Anybody who says farming is a job has got it wrong. | 0:04:25 | 0:04:27 | |
It's a lifestyle. | 0:04:27 | 0:04:28 | |
Cos those cows are here and they need looking after | 0:04:28 | 0:04:31 | |
and checking 24 hours a day, seven days a week. | 0:04:31 | 0:04:36 | |
COWS MOO | 0:04:36 | 0:04:39 | |
So, Pam, have you got a favourite cow? | 0:04:48 | 0:04:50 | |
Yes. This one. | 0:04:50 | 0:04:52 | |
And she's called Jojo. | 0:04:52 | 0:04:53 | |
What do you like about her? | 0:04:55 | 0:04:57 | |
Well, she's just so friendly. | 0:04:57 | 0:04:58 | |
-Isn't he? Yeah. -SHE LAUGHS | 0:04:58 | 0:05:01 | |
We'm here 365 days a year. | 0:05:01 | 0:05:05 | |
You know, come rain or shine, so you do get, you know, | 0:05:05 | 0:05:09 | |
you do get attached to them. | 0:05:09 | 0:05:11 | |
You don't like nothing happening to them. | 0:05:11 | 0:05:14 | |
Up, hey. | 0:05:14 | 0:05:16 | |
Up, hey. | 0:05:16 | 0:05:18 | |
It's a way of life to me. | 0:05:18 | 0:05:19 | |
All my parents, my grandparents, all been dairy farmers. | 0:05:19 | 0:05:22 | |
All Pam's family, all farmers. | 0:05:22 | 0:05:25 | |
It's a way of life, rather than a job. | 0:05:25 | 0:05:28 | |
I wouldn't know what to do. | 0:05:28 | 0:05:30 | |
Can you imagine doing anything else? | 0:05:30 | 0:05:33 | |
I'd like to work in Boots, you know, and smell nice all the time! | 0:05:33 | 0:05:36 | |
SHE LAUGHS | 0:05:36 | 0:05:38 | |
I mean, John and Pam would know every single cow. | 0:05:41 | 0:05:44 | |
They know their cows better than they know their grandchildren. | 0:05:44 | 0:05:49 | |
It's extraordinary commitment. | 0:05:49 | 0:05:51 | |
SLOW SOLO BANJO | 0:05:53 | 0:05:58 | |
SLOW SOLO BANJO | 0:05:58 | 0:06:03 | |
All right? | 0:06:03 | 0:06:05 | |
That is the best thing for this farm. | 0:06:07 | 0:06:09 | |
That heap of silage there, that will see us | 0:06:09 | 0:06:11 | |
through the whole year for feeding the cattle | 0:06:11 | 0:06:14 | |
and it's all covered with the sheets, | 0:06:14 | 0:06:16 | |
nicely protected from the sun and rain by the sheeting. | 0:06:16 | 0:06:20 | |
And Stephen does that to perfection. Look at that. It's so tidy. | 0:06:20 | 0:06:24 | |
This is why we win the Gold Cup, you see, because we're tidy farmers. | 0:06:24 | 0:06:29 | |
And now we come to the big one. | 0:06:29 | 0:06:31 | |
This wonderful Gold Cup, the NMR/RABDF Gold Cup, 2014 | 0:06:32 | 0:06:37 | |
and the winner of the Gold Cup... | 0:06:39 | 0:06:43 | |
Please congratulate Michael Eavis! | 0:06:43 | 0:06:45 | |
CHEERING AND APPLAUSE | 0:06:45 | 0:06:49 | |
'It was a complete surprise when they called out Michael's name | 0:06:51 | 0:06:55 | |
'but I couldn't have been more chuffed for him.' | 0:06:55 | 0:06:57 | |
All his work he's put in over the last 60-70 years has come to fruition. | 0:06:57 | 0:07:01 | |
You can't beat that one little bit | 0:07:01 | 0:07:03 | |
'and the culmination was them calling out Michael Eavis' name from Worthy Farm. Fantastic.' | 0:07:03 | 0:07:08 | |
Apart from being married and having kids and that, whatever, that was the highlight of my work life. | 0:07:11 | 0:07:16 | |
Absolutely fantastic and it's been a lifetime ambition for me, | 0:07:16 | 0:07:19 | |
to win the Gold Cup. I never, ever thought I'd do it. | 0:07:19 | 0:07:22 | |
'He loves it. He wants to win it another two times now, at least.' | 0:07:22 | 0:07:26 | |
So yeah, we've got our work cut out now. | 0:07:26 | 0:07:28 | |
HE LAUGHS | 0:07:28 | 0:07:29 | |
Today, however, we're here to celebrate the Gold Cup. | 0:07:38 | 0:07:42 | |
I'd like now to hand over to Michael to talk about the farm. | 0:07:42 | 0:07:45 | |
Michael Eavis, thank you. | 0:07:45 | 0:07:47 | |
OK, thank you very much. | 0:07:47 | 0:07:49 | |
There's nothing better to me than to win this award. | 0:07:54 | 0:07:57 | |
I never thought we'd actually win it. | 0:07:58 | 0:08:01 | |
I tell you what, I'm going to win it again! | 0:08:01 | 0:08:04 | |
HE LAUGHS | 0:08:04 | 0:08:06 | |
I know Michael's been presented with the marvellous Gold Cup. | 0:08:06 | 0:08:09 | |
I'd just also like to present him with this farm sign. | 0:08:09 | 0:08:12 | |
-Oh, thank you. -Fantastic. Well done. | 0:08:12 | 0:08:16 | |
Lovely, OK? | 0:08:17 | 0:08:19 | |
The farm always comes first, you know. | 0:08:19 | 0:08:21 | |
The festival comes second. | 0:08:21 | 0:08:22 | |
The rock 'n' roll and the glamour of all that stuff, you know, | 0:08:22 | 0:08:26 | |
it's not really in the same league. | 0:08:26 | 0:08:29 | |
CHEERING AND APPLAUSE | 0:08:30 | 0:08:35 | |
I want to thank this wonderful man who's had us for 40 years. | 0:08:35 | 0:08:43 | |
Happy birthday, 20 years. He's here tonight. Michael Eavis. | 0:08:43 | 0:08:48 | |
CHEERING AND APPLAUSE | 0:08:48 | 0:08:49 | |
# Happy birthday to you, happy birthday to you | 0:08:50 | 0:08:56 | |
# Happy birthday | 0:08:56 | 0:08:58 | |
# Happy birthday to you | 0:08:58 | 0:09:01 | |
# Happy birthday... # | 0:09:01 | 0:09:03 | |
Let's modulate to D flat. | 0:09:03 | 0:09:05 | |
-# Happy birthday. -# Happy birthday to you... # | 0:09:05 | 0:09:09 | |
-Tell me, Michael, is it true that in 1970, the ticket was a pound... -Yeah. | 0:09:09 | 0:09:13 | |
..and you got free milk? Can you tell me about that? | 0:09:13 | 0:09:15 | |
Well, I didn't know what I was doing in those days. | 0:09:15 | 0:09:18 | |
It was only a pound to come in, | 0:09:18 | 0:09:19 | |
because a pound in those days was quite a lot of money. | 0:09:19 | 0:09:23 | |
Especially to a farmer. | 0:09:23 | 0:09:25 | |
So I thought "Oh, well. I'll give the milk away, then." | 0:09:25 | 0:09:28 | |
And so it was included in the pound. | 0:09:28 | 0:09:31 | |
So it was really good value, it was. | 0:09:31 | 0:09:34 | |
The Kinks were going to play and they pulled out. | 0:09:34 | 0:09:37 | |
They quite rightly thought that we were amateurs | 0:09:37 | 0:09:39 | |
and we didn't know what we were doing. | 0:09:39 | 0:09:42 | |
COUNTRY MANDOLIN | 0:09:42 | 0:09:45 | |
Do you want to get through there, or not? What do you think? What? | 0:09:49 | 0:09:53 | |
Are you nervous? | 0:09:53 | 0:09:56 | |
I tell you, I'm a good driver, you know. | 0:09:56 | 0:09:59 | |
-Are we going to be stuck here, Michael? -Well, I think we're stuck. Yeah, I think we are. | 0:09:59 | 0:10:04 | |
I think that drop's on your side. | 0:10:04 | 0:10:05 | |
Yeah, it was a bad move, wasn't it? Yeah. | 0:10:05 | 0:10:08 | |
This is it. This is the view of a lifetime, really. | 0:10:11 | 0:10:15 | |
I mean, for me, because it's my... | 0:10:15 | 0:10:18 | |
I mean, it's my heritage, you know. | 0:10:18 | 0:10:20 | |
Er... | 0:10:20 | 0:10:22 | |
And my great-grandfather came to where that red... | 0:10:22 | 0:10:26 | |
There's a red building down there and that's where his house was. | 0:10:26 | 0:10:29 | |
He was a great preacher and my father was | 0:10:29 | 0:10:31 | |
and my grandmother ran the Sunday school in the village. | 0:10:31 | 0:10:34 | |
And it's part of that Methodist background. | 0:10:34 | 0:10:38 | |
They were positive people and we've inherited that tradition | 0:10:38 | 0:10:43 | |
of looking at life in the best possible way. | 0:10:43 | 0:10:46 | |
They'd be proud of you now, wouldn't they, winning the Gold Cup and everything you've achieved? | 0:10:46 | 0:10:51 | |
Oh, yeah, the Gold Cup, yeah, they would love the Gold Cup. | 0:10:51 | 0:10:53 | |
I'm not sure about the festival. What do you think? | 0:10:53 | 0:10:56 | |
Can't tell, can you? | 0:10:56 | 0:10:58 | |
Never know, will we? | 0:10:58 | 0:10:59 | |
# Love divine, all loves excelling | 0:11:02 | 0:11:08 | |
# Joy from heaven, to earth come down | 0:11:08 | 0:11:13 | |
# Fix in us thy humble dwelling... # | 0:11:13 | 0:11:20 | |
I've forgotten the words! | 0:11:20 | 0:11:22 | |
HE LAUGHS | 0:11:22 | 0:11:25 | |
Yes. That's fine. | 0:11:25 | 0:11:26 | |
-Let's try and get these brackets on. -OK. | 0:11:26 | 0:11:28 | |
-Right. -OK? | 0:11:31 | 0:11:34 | |
OK. This is the moment. | 0:11:34 | 0:11:36 | |
This is the moment of truth. One, two, three. Up. | 0:11:37 | 0:11:41 | |
A bit more? Hang onto this one. Wait! Whoa, whoa, whoa, whoa! | 0:11:42 | 0:11:46 | |
Well done. There we are, look. | 0:11:52 | 0:11:56 | |
HE LAUGHS | 0:11:57 | 0:11:58 | |
Yeah, perfect. | 0:12:00 | 0:12:02 | |
Nice blue sky behind, isn't it? Lovely, isn't it? Eh? | 0:12:02 | 0:12:07 | |
Right, we're going to leave it up there until we get the next one. | 0:12:07 | 0:12:10 | |
HE LAUGHS | 0:12:10 | 0:12:13 | |
George. Do you like the white ones? | 0:12:16 | 0:12:18 | |
Where does the milk go? | 0:12:23 | 0:12:25 | |
-It goes to the dairy. -It goes to the dairy. Spot on. | 0:12:25 | 0:12:28 | |
It goes to London. | 0:12:28 | 0:12:30 | |
And it goes to London. Yeah, that's absolutely right. | 0:12:30 | 0:12:34 | |
'I take him every day. | 0:12:34 | 0:12:35 | |
'For at least an hour a day, every single day. Including Sundays.' | 0:12:35 | 0:12:39 | |
Let's have a look. Whoa! | 0:12:39 | 0:12:41 | |
This is Grandpa's favourite, this one. Look. | 0:12:41 | 0:12:44 | |
Isn't she lovely? And she's so clean. | 0:12:44 | 0:12:46 | |
'He's very, very bright. He's very, very into it.' | 0:12:48 | 0:12:52 | |
Look at this nice sort of spotty one there. | 0:12:52 | 0:12:55 | |
The calves, they're very little. | 0:12:55 | 0:12:57 | |
Yeah, they are very little, aren't they? | 0:12:57 | 0:13:00 | |
And when you're a big boy, I hope you'll keep it going for another 100 years, maybe. | 0:13:03 | 0:13:09 | |
Let's hope so! | 0:13:10 | 0:13:11 | |
'And he can do it, I'm sure he can do it. | 0:13:15 | 0:13:17 | |
'That's why I'm doing my best, I'll tell you that. | 0:13:18 | 0:13:21 | |
'Got to keep it going, cos it's so deeply ingrained in my body,' | 0:13:21 | 0:13:25 | |
my blood, and everything. In my bones, even. | 0:13:25 | 0:13:28 | |
Er... And he can do it. I'm sure he can do it. | 0:13:30 | 0:13:33 | |
So fingers crossed, eh? | 0:13:35 | 0:13:36 |