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Also reaction to the news to the death of Alan Rickman. | :00:00. | :00:00. | |
So if you want to watch that now it's on the BBC News Channel. | :00:00. | :00:24. | |
Hello and a warm welcome to this ABC News special programme. I am Jane | :00:25. | :00:32. | |
Hill and we are just a few minutes away from learning who has been | :00:33. | :00:37. | |
nominated for the 2016 Oscars. Jason Solomons is with me for the next | :00:38. | :00:43. | |
half an hour with all his insight into what should and shouldn't be | :00:44. | :00:45. | |
short listed. Let's start by seeing the scene live in Hollywood. It is | :00:46. | :00:50. | |
of course very early in the morning, just coming up to 5:30am in | :00:51. | :00:56. | |
California. The announcements always made early because the Academy wants | :00:57. | :00:59. | |
to reach the American TV breakfast programmes. We will be hearing about | :01:00. | :01:05. | |
all 24 categories. The first includes a lot of the technical | :01:06. | :01:11. | |
nominations, which will be announced. And the main categories, | :01:12. | :01:16. | |
as we tend to think of them, they come a few minutes later, including | :01:17. | :01:21. | |
those important categories like Best film, Best actor and Best actor | :01:22. | :01:25. | |
this. They will be unveiled by the president of the Academy. The | :01:26. | :01:31. | |
Academy of motion picture arts and sciences. We will be back there for | :01:32. | :01:36. | |
that. We will not miss a moment. Also up early at the Samuel Goldwyn | :01:37. | :01:46. | |
theatre is Los Angeles correspondent, James Cook. Always an | :01:47. | :01:52. | |
exciting in Los Angeles? Yes, very good morning to you, a very early | :01:53. | :01:58. | |
good morning from the Academy here in Beverly Hills. People just | :01:59. | :02:07. | |
preparing and getting ready. It is packed with reporters, preparing to | :02:08. | :02:09. | |
hear the nominations for this year's Oscars, the 2016 Academy Awards. A | :02:10. | :02:14. | |
year when many people think the field is pretty much wide open. | :02:15. | :02:17. | |
Potential Oscar nominations for films including the revenant, | :02:18. | :02:22. | |
possibly spotlights, the Martian. But what everyone here is talking | :02:23. | :02:30. | |
about is the almost certainty that Leonardo DiCaprio will be nominated. | :02:31. | :02:35. | |
He has never one and Oscar and a lot of people talking about this is his | :02:36. | :02:42. | |
year. Thanks, James, we will be back with you in a while. The first | :02:43. | :02:45. | |
announcement is in a few minutes about dips as a chance to have a | :02:46. | :02:50. | |
think about what might be on the short list. We have to start with | :02:51. | :02:53. | |
what James alluded to. I know we shouldn't take the Golden globes as | :02:54. | :02:59. | |
gospel, but they didn't happen that long ago and the Reverend could do | :03:00. | :03:12. | |
well? Yes, it won best picture. Between the nominations and the | :03:13. | :03:15. | |
awards themselves, Leonardo DiCaprio is probably the most experienced | :03:16. | :03:22. | |
actor out there. He has been round the Mill five times. Finally I think | :03:23. | :03:28. | |
he will push through. This isn't his greatest performance, but it is a | :03:29. | :03:31. | |
different performance, playing of earth trapper who has been left for | :03:32. | :03:37. | |
dead in the forests of 1820s America, who comes back from the | :03:38. | :03:42. | |
dead to exact his revenge, but reviving himself from the dead and | :03:43. | :03:46. | |
hauling himself across the epic landscapes of America to avenge what | :03:47. | :03:52. | |
he sees as the death of his son. It is an epic performance from him. | :03:53. | :03:59. | |
viewers when we talk about things when the film has not yet hit the UK | :04:00. | :04:08. | |
box office yet. People might have seen some of these images, but | :04:09. | :04:12. | |
people cannot make up their own minds for another week or two | :04:13. | :04:17. | |
depending on where they live. Your thoughts, aside from The Revenant, | :04:18. | :04:20. | |
about what we might be looking out about what we might be looking | :04:21. | :04:27. | |
for here. One always wants to cheer one's favourites. Leonardo DiCaprio | :04:28. | :04:29. | |
on his horses one but there are modern films as well that UK | :04:30. | :04:35. | |
audiences may not know yet. The Big Short stars Steve Carell and | :04:36. | :04:41. | |
Christian Bale and is a satire of the economic swindle that was the | :04:42. | :04:44. | |
crash of 2008. Spotlight stars Michael Keaton and Mark Ruffalo | :04:45. | :04:49. | |
about the examination of child abuse about the examination of child | :04:50. | :04:54. | |
in the Catholic Church. Let's hear the first set of nominations. Let's | :04:55. | :05:01. | |
get started. For Best Original Song, the nominees are... | :05:02. | :05:27. | |
For achievement in cinematography the nominees are: | :05:28. | :09:21. | |
Congratulations. Stay tuned for the second part of our announcement with | :09:22. | :09:29. | |
the President Cheryl Boone Isaacs and John Krasinski. So those are the | :09:30. | :09:36. | |
first set of contenders and as we were listening to that, Jason, a | :09:37. | :09:39. | |
thought that went through my mind, a couple of nominations in sound | :09:40. | :09:39. | |
editing and sound mixing for Star editing and sound mixing for Star | :09:40. | :09:50. | |
Wars. I wonder what this says about the awards season, it was the only | :09:51. | :09:51. | |
thing people were talking about in the film world, and get those big, | :09:52. | :09:56. | |
money and everybody talks about big things that | :09:57. | :09:57. | |
money and everybody talks about don't necessarily get recognised at | :09:58. | :09:58. | |
awards time. It is the risk of a awards time. It is the risk of | :09:59. | :10:04. | |
film apartheid, the arthouse films that people do not go and see and | :10:05. | :10:07. | |
Wars out at the same time, hoovering Wars out at the same | :10:08. | :10:12. | |
up box office records, the bestselling film certainly in the | :10:13. | :10:15. | |
UK, the bestselling film of all time. When James Cameron did it with | :10:16. | :10:20. | |
Titanic and Avatar, you got nominated. It will be interesting to | :10:21. | :10:26. | |
see how Star Wars figures. It has a presence in the technical categories | :10:27. | :10:27. | |
but it is the film everybody's going but it is the film everybody's going | :10:28. | :10:32. | |
to see and talking about. It is saving sin are because people are | :10:33. | :10:34. | |
going to the cinema to see it and not watching it on their tablets. It | :10:35. | :10:46. | |
jumped out for you. We always have jumped out for you. We always have | :10:47. | :10:47. | |
our favourites but I know one of yours is there, Inside Out, and a | :10:48. | :10:55. | |
documentary we both loved, Amy. Congratulations to the director of | :10:56. | :10:59. | |
recognised in America for that. All recognised in America for that. All | :11:00. | :11:03. | |
this controversial film about her life. It almost breaks the mould of | :11:04. | :11:10. | |
documentary making. We also have What Happened With Simone. Biopic | :11:11. | :11:19. | |
documentaries of these tragic stars that really appeal. I think Amy | :11:20. | :11:19. | |
could go all the way with this and I am delighted to see the animation | :11:20. | :11:21. | |
Inside Out in there as well. I Inside Out in there as well. I | :11:22. | :11:26. | |
wonder if it will break out of the animated category and get nominated | :11:27. | :11:29. | |
for Best Picture as well. As far as I am concerned it is the best thing | :11:30. | :11:34. | |
I have ever seen. Well, not ever. This year! It is up there. We are | :11:35. | :11:42. | |
close to the second batch of nominations but we are discussing | :11:43. | :11:45. | |
the best films and just with in the the best films and just with | :11:46. | :11:49. | |
sad news of the death of Alan Rickman at just 69. Quite a shock to | :11:50. | :11:56. | |
stage actor but of course thanks to stage actor but of course thanks to | :11:57. | :11:57. | |
Harry Potter prolific on film as well. I cannot forget his wonderful | :11:58. | :12:03. | |
performance in lay Leos Dangereuses, on the London stage, terrific, but | :12:04. | :12:04. | |
Harry Potter opened him up to a Harry Potter opened him up to a | :12:05. | :12:11. | |
whole new audience. Also Anthony Minghella's Truly, Madly, Deeply. | :12:12. | :12:18. | |
And in die-hard as well and the Sheriff of Nottingham, where he | :12:19. | :12:23. | |
stole the movie from Kevin Costner's knows. A wonderful, witty actor. He | :12:24. | :12:24. | |
Sense and Sensibility, directed by also starred with Kate Winslet in | :12:25. | :12:31. | |
Sense and Sensibility, directed by Ang Lee, who we saw just there. This | :12:32. | :12:35. | |
stage, and he will be very sorely stage, and he will be very sorely | :12:36. | :12:40. | |
film. Very sad news on the day the film. Very sad news on the day the | :12:41. | :12:47. | |
Oscar nominations are announced. We go back to Los Angeles. Thank you | :12:48. | :12:54. | |
for kicking it off. John, let's continue. | :12:55. | :17:37. | |
And finally, we are pleased to announce the films selected for the | :17:38. | :17:42. | |
Best Picture nominees. For the complete list of all the | :17:43. | :18:45. | |
nominations, please visit Oscar .com. Join a Sunday night, Fabbri | :18:46. | :18:52. | |
the 20 -- February the 28th with our the 20 -- February the 28th with our | :18:53. | :19:01. | |
host Chris Rock. See you then. So it is. We have several weeks now to | :19:02. | :19:05. | |
speculate on what might happen at the end of February. Sun intakes of | :19:06. | :19:09. | |
breath from both of us at various points. Let's get the thoughts of | :19:10. | :19:14. | |
James Cook at the Samuel Goldwyn Theatre. Any intake of breath | :19:15. | :19:18. | |
gathered from all the journalists gathered in the theatre where you | :19:19. | :19:26. | |
are? I think what might be a surprise is the absence of Carol | :19:27. | :19:29. | |
from these nominations, certainly for Best Picture and Best Director, | :19:30. | :19:33. | |
for the British director Haynes. But plenty of British | :19:34. | :19:38. | |
interest in those top categories. Eddie Redmayne in The Danish Girl, | :19:39. | :19:42. | |
last year's winner for The Theory Of Everything. Mark Rylance in Bridge | :19:43. | :19:47. | |
Of Spies, well-known for his work on stage as much as on-screen. He will | :19:48. | :19:51. | |
be delighted with that. About to play the BFG as well this year. | :19:52. | :19:57. | |
Charlotte Rampling in Years. That is her first as an Oscar nominee. And | :19:58. | :20:13. | |
people missing. Nothing for Dame people missing. | :20:14. | :20:18. | |
Helen Mirren in her role in Trumbo and nothing for day Maggie Smith for | :20:19. | :20:22. | |
her performance this year either. Some intrigue there. Some facts to | :20:23. | :20:28. | |
give you. At the age of 25, the Oscar darling Jennifer Lawrence is | :20:29. | :20:33. | |
now on her fourth nomination. He is the youngest four time Academy | :20:34. | :20:37. | |
Awards nominee. Stephen Spielberg has set the record for the most Best | :20:38. | :20:41. | |
Picture nominations for an individual producer with nine | :20:42. | :20:44. | |
individual nominations. He was nominated of course for Bridge Of | :20:45. | :20:50. | |
Spies. Plenty happening this year and plenty of excitement. And also I | :20:51. | :20:53. | |
suppose a lot of focus on The Revenant and on Mad Max, which seems | :20:54. | :20:59. | |
to have found favour with the members, the 6000 members of the | :21:00. | :21:05. | |
academy as well. Yes, we noticed that. James Cook up bright and early | :21:06. | :21:12. | |
in Los Angeles and Hollywood. Jason Solomons is with me to dissect the | :21:13. | :21:16. | |
list. James mentioning the lack of Carol. That struck me as well. We | :21:17. | :21:21. | |
will come onto that. Let's start with a Best Actress category. It has | :21:22. | :21:25. | |
been a cracking year for female performances. I expect the brilliant | :21:26. | :21:30. | |
people have been left out. What struck you? Yes, no Maggie Smith for | :21:31. | :21:35. | |
The Lady In The Van. She does not really do the Oscars anyway. She has | :21:36. | :21:39. | |
a couple in the bedroom. What strikes me is that it is a fantastic | :21:40. | :21:42. | |
category. The performances here very difficult to separate. | :21:43. | :21:48. | |
Delighted to see Charlotte Rampling recognised for the British film 45 | :21:49. | :21:54. | |
Years. She is terrific in it. And our own BAFTA academy neglected her, | :21:55. | :21:59. | |
so a shot across the chops for them. A film that we both love. Charlotte | :22:00. | :22:06. | |
Rampling, Cate Blanchett, always good, and a new generation of actors | :22:07. | :22:10. | |
that people might not know. Saoirse Ronan, so good in Brooklyn, and | :22:11. | :22:14. | |
delighted to see that get Best Picture nomination as well. She was | :22:15. | :22:18. | |
in Atonement and was nominated at the age of 13 as a supporting | :22:19. | :22:22. | |
actress. This film is about growing up as well and she is | :22:23. | :22:28. | |
this wonderful film, Brooklyn, who comes to America in the 1950s. And | :22:29. | :22:32. | |
also this nomination for Brie Larson, who I am sure many viewers | :22:33. | :22:36. | |
will not have heard of, who is extraordinary in the film Room, | :22:37. | :22:42. | |
again nominated for Best Picture and directed by Lenny Abrahamson. A | :22:43. | :22:45. | |
mother protecting a child even though he has been born in captivity | :22:46. | :22:50. | |
and they have been kept in a garden shed for seven years. It is a | :22:51. | :22:55. | |
British interest in this film baroque | :22:56. | :22:59. | |
because the novel on which it is based was written by a Brit, Emma | :23:00. | :23:03. | |
Donaghue. And she wrote the screenplay for the film as well. | :23:04. | :23:10. | |
Yes, the character is kidnapped at the age of 17. It is very harrowing. | :23:11. | :23:15. | |
And forced to give birth by her captain, who rates. The offspring | :23:16. | :23:21. | |
was unlucky not to be nominated as a supporting actor. That it is about | :23:22. | :23:25. | |
mother, her mother's love and what she will do to protect her son. | :23:26. | :23:33. | |
Delighted to see an Irish director getting nominated among the titans | :23:34. | :23:35. | |
of Hollywood as well. A little film of Hollywood | :23:36. | :23:39. | |
that is out in the UK this Friday. For me it is my favourite of that | :23:40. | :23:44. | |
but it is the tiniest one. Looking at the nominations, totting up as | :23:45. | :23:49. | |
much as I can, The Revenant is in the lead with 11 nominations, hardly | :23:50. | :23:54. | |
a category it is not nominated for. And Mad Max has eight or nine as | :23:55. | :23:59. | |
well, extraordinary for this apocalyptic tale. The Revenant and | :24:00. | :24:03. | |
world but one is that in the desert don't know what that says about | :24:04. | :24:07. | |
world but one is that in the desert and one in the snow and people | :24:08. | :24:11. | |
surviving the degradations of humanity and coming through. Very | :24:12. | :24:16. | |
interesting to me. For those interested in the statistics, I am | :24:17. | :24:19. | |
being told that The Revenant has had 12 nominations and Mad Max: Fury | :24:20. | :24:23. | |
Road has had ten. We were talking about best access. Saoirse Ronan, | :24:24. | :24:31. | |
which we both thought was wonderful in a delightful film, Brooklyn, and | :24:32. | :24:36. | |
the screenplay written by Nick Hornby, very well-known British | :24:37. | :24:37. | |
also wrote the screenplay for this author. Novelist of course | :24:38. | :24:42. | |
also wrote the screenplay for this and I am delighted to say that Nick | :24:43. | :24:45. | |
Hornby is on the line-up. Thank you so much and congratulations. Thank | :24:46. | :24:52. | |
very much. I am sure everybody asks you but what does it mean? The hard | :24:53. | :24:57. | |
work is over and your screenplay has been realised. What does the nod | :24:58. | :25:03. | |
from the academy mean? I feel when you are writing it means remarkably | :25:04. | :25:09. | |
little. I have been nominated before. The only way that you can | :25:10. | :25:13. | |
been nominated before is by telling been nominated before is | :25:14. | :25:18. | |
them and they seem very surprised because they have overlooked it. I | :25:19. | :25:20. | |
am sure it will be the same again. I am delighted for the film. This film | :25:21. | :25:25. | |
was incredibly hard to make. It took five years to get the money | :25:26. | :25:27. | |
To survive all the way through the together. Nobody wanted to fund us. | :25:28. | :25:34. | |
To survive all the way through the awards season and get to this point | :25:35. | :25:39. | |
is amazing. We have a central performance that is as good as | :25:40. | :25:43. | |
anything I have seen, so I am so proud of Saoirse. Jason here. When | :25:44. | :25:49. | |
you were writing it and adapting it, did you know that Saoirse Ronan was | :25:50. | :25:53. | |
you write the part for her? When I you write the part for her? When I | :25:54. | :26:00. | |
started this, she was 14! So no, I did not think of her at all. It is | :26:01. | :26:09. | |
wonderful in a way that it took so long to finance that eventually she | :26:10. | :26:12. | |
was old enough and now I cannot imagine anybody else doing it. That | :26:13. | :26:18. | |
is how a lot of the audience felt as well actually. There are strong | :26:19. | :26:22. | |
supporting cast, Julie Walters, but supporting cast, Julie | :26:23. | :26:28. | |
Saoirse Ronan just held it together. And before we go and celebrate, Nick | :26:29. | :26:32. | |
Hornby, talk to us again about the difficulty, if it is a difficulty, | :26:33. | :26:38. | |
of taking a novel that was so loved by so many people. Hugely well | :26:39. | :26:43. | |
received, that novel, and doing it justice and making the best of it on | :26:44. | :26:48. | |
the big screen. Is there an element of that being nerve wracking? Well, | :26:49. | :26:52. | |
actually, there are so many hurdles actually, there are so many hurdles | :26:53. | :26:57. | |
to jump over, that if you do not do it right, nobody will make the film. | :26:58. | :27:02. | |
If you are able to attract in the end money and a good director and an | :27:03. | :27:07. | |
amazing cast, then that takes some of the nerves away because you | :27:08. | :27:10. | |
think, well, they like it so there must be something in there that is | :27:11. | :27:15. | |
OK. If I was just going to publish the screenplay, then of course it | :27:16. | :27:19. | |
would be enormously nerve wracking. But you get votes of confidence | :27:20. | :27:24. | |
along the way. Well we are delighted it got made in the end even though | :27:25. | :27:26. | |
congratulations again. Nick Hornby it took a few | :27:27. | :27:31. | |
congratulations again. Nick Hornby nominated for Best Adapted | :27:32. | :27:34. | |
Screenplay for Brooklyn. Jason, let's talk about actors again. Eddie | :27:35. | :27:40. | |
Redmayne is in that list. Of course, he was the winner last year. I | :27:41. | :27:44. | |
suppose he is the reigning champion, if you like. And Inarritu returns as | :27:45. | :27:55. | |
well. That amazing performance with Stephen Hawking in The Theory Of | :27:56. | :28:01. | |
Everything, he does it again, transforming into a totally | :28:02. | :28:08. | |
different character, in The Danish Girl. It is a very physical | :28:09. | :28:12. | |
portrayal, very different to his role as Stephen Hawking, and this is | :28:13. | :28:18. | |
a very young British actor who has been nominated again. I think he | :28:19. | :28:21. | |
went from brandishing that Oscar and went | :28:22. | :28:26. | |
two days later he was on set playing Lile in The Danish Girl. An | :28:27. | :28:29. | |
extraordinary run of form and he needs to be congratulated for | :28:30. | :28:33. | |
carrying it through. When you become Best Actor, your next choice is | :28:34. | :28:37. | |
crucial and you could make a misstep and he has not done that and it is | :28:38. | :28:41. | |
amazing to still be talking about him when you later. I am not sure he | :28:42. | :28:45. | |
will win. He is up against Leonardo DiCaprio again. I think he will take | :28:46. | :28:53. | |
his revenge this year! Is it a Leonardo's year? A lot of people | :28:54. | :28:56. | |
voting in the academy. They fair to say, a slightly older | :28:57. | :29:04. | |
membership. Will they be of the mindset where they think he has been | :29:05. | :29:08. | |
nominated so many times, Paul Lamb, it is his turn? Not to downplay his | :29:09. | :29:15. | |
performance but that factors in. Yes, he is known as Martin | :29:16. | :29:19. | |
Scorsese's collaborator and he was nominated about five times before he | :29:20. | :29:25. | |
won for The Departed, which starred Leonardo DiCaprio of course. He has | :29:26. | :29:29. | |
been overlooked. It is the most physical, most dominating | :29:30. | :29:32. | |
performance in that category. Michael Fassbender is fantastic as | :29:33. | :29:36. | |
Steve jobs. But for showiness and an anchoring performance, The Revenant | :29:37. | :29:42. | |
is two and a half hours, and he is with us every step of the way, | :29:43. | :29:44. | |
eating raw fish and raw bison liver. eating raw fish | :29:45. | :29:49. | |
Not to go on about his diet, that is just acting, but an epic performance | :29:50. | :30:00. | |
on an epic movie. And to close we have Asif on the phone, nominated | :30:01. | :30:04. | |
for Amy. Congratulations. They took a long time to get Brooklyn made but | :30:05. | :30:09. | |
having seen Amy, it was a remarkable work of journalism but remind us how | :30:10. | :30:15. | |
long it took. It took about three years for us to make actually. And | :30:16. | :30:20. | |
It is amazing. There are many slog to be nominated for an | :30:21. | :30:26. | |
It is amazing. There are many moments during the making of the | :30:27. | :30:31. | |
film that you think things might not happen. People did not want to talk | :30:32. | :30:35. | |
to us because it was so harrowing but it has been like therapy. People | :30:36. | :30:40. | |
have opened up to us. It started off in Cannes last May and it has kept | :30:41. | :30:47. | |
going. It is incredible. Sorry to cut you off. Many congratulations. | :30:48. | :30:52. | |
They with us and we will continue our coverage of the Oscars and the | :30:53. | :30:56. | |
Oscars themselves at the end of February. Jason and I will be back | :30:57. | :30:58. | |
British awards, the BAFTAs, on together on the red carpet for the | :30:59. | :31:04. | |
British awards, the BAFTAs, on Sunday the 14th. For now, goodbye. | :31:05. | :31:08. |