Browse content similar to Michael Palin Meets Jan Morris. Check below for episodes and series from the same categories and more!
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"For years, I felt myself an exile from normality, | 0:00:08 | 0:00:12 | |
"and now I feel myself one of those exiles from time. | 0:00:12 | 0:00:16 | |
"The past is a foreign country, | 0:00:18 | 0:00:20 | |
"but so is old age. | 0:00:20 | 0:00:22 | |
"And as you enter it, you feel you're treading unknown territory, | 0:00:24 | 0:00:27 | |
"leaving your own land behind." | 0:00:27 | 0:00:29 | |
These are the words of one of the most extraordinary writers of the | 0:00:36 | 0:00:38 | |
20th century who, this year, turns 90 years old. | 0:00:38 | 0:00:43 | |
Jan Morris has written some of my favourite books | 0:00:43 | 0:00:46 | |
of the last five decades. | 0:00:46 | 0:00:48 | |
Her volume on Venice inspired me to write and to travel | 0:00:48 | 0:00:51 | |
and, even these days, when I go to a new destination, | 0:00:51 | 0:00:53 | |
I often pick up one of her books | 0:00:53 | 0:00:55 | |
just to really whet my appetite for the road. | 0:00:55 | 0:00:59 | |
Her life reads like a Boys' Own adventure. | 0:01:03 | 0:01:06 | |
After serving as a World War II intelligence officer, | 0:01:06 | 0:01:09 | |
Morris became one of the most celebrated journalists of the 1950s, | 0:01:09 | 0:01:14 | |
and witnessed many of the events that defined the century. | 0:01:14 | 0:01:16 | |
The Cuban Revolution, the Eichmann Trial, and the Suez Crisis. | 0:01:19 | 0:01:24 | |
She was part of the team that climbed Everest for the first time | 0:01:25 | 0:01:28 | |
in 1953 and, in the years since, she's become an acclaimed author, | 0:01:28 | 0:01:33 | |
described by Alistair Cooke as the Flaubert of the jet-set age. | 0:01:33 | 0:01:38 | |
But if you look at the spines of those early books, | 0:01:39 | 0:01:41 | |
or the by-lines on those newspaper reports, | 0:01:41 | 0:01:44 | |
you won't see the name Jan Morris. | 0:01:44 | 0:01:46 | |
You'll see the name James. | 0:01:47 | 0:01:49 | |
And that's because in 1972, | 0:01:49 | 0:01:51 | |
Jan Morris became one of the first public figures in this country to | 0:01:51 | 0:01:54 | |
undergo gender reassignment. | 0:01:54 | 0:01:56 | |
The publication of her account of the transition made her | 0:01:57 | 0:02:00 | |
one of the most controversial writers of the day. | 0:02:00 | 0:02:03 | |
"Jan Morris is still, to me, a man, who has eaten a great many pills." | 0:02:03 | 0:02:08 | |
How can I answer that? What do you expect me to say? | 0:02:10 | 0:02:13 | |
And now, as Jan Morris enters her tenth decade, | 0:02:15 | 0:02:18 | |
I've travelled north to a house in a far-flung corner of Wales | 0:02:18 | 0:02:22 | |
to pay homage to a remarkable woman and a remarkable life. | 0:02:22 | 0:02:26 | |
Having made a name for herself as a world traveller, | 0:02:37 | 0:02:40 | |
Jan's home is here in Llanystumdwy, north-west Wales, | 0:02:40 | 0:02:45 | |
snuggled away beyond Snowdonia. | 0:02:45 | 0:02:47 | |
I've travelled a long way to get here today. | 0:02:47 | 0:02:51 | |
Actually, I feel a bit nervous about just banging on the door, | 0:02:51 | 0:02:55 | |
but I have met Jan before, once or twice, | 0:02:55 | 0:02:57 | |
at sort of official functions, and actually she did contribute, | 0:02:57 | 0:03:00 | |
rather generously, an introduction to the American version of my book, | 0:03:00 | 0:03:04 | |
Around The World In 80 Days, | 0:03:04 | 0:03:06 | |
but this is still going to be basically a fan-and-hero situation, | 0:03:06 | 0:03:11 | |
so a bit of pressure. | 0:03:11 | 0:03:13 | |
-A-ha! -Hello. -I know who you are. | 0:03:21 | 0:03:23 | |
Well, I know who you are! This is wonderful to see you! | 0:03:23 | 0:03:26 | |
-Yes, you too. -Thank you very, very much for... | 0:03:26 | 0:03:28 | |
-For what? We haven't done anything yet. -Well, for letting me come here. | 0:03:28 | 0:03:31 | |
-Oh, yes. Right. -Yeah. Yes, you know. | 0:03:31 | 0:03:33 | |
-And being here! -And thank you for coming. -..being here, | 0:03:33 | 0:03:36 | |
and not in some far distant part of the world. | 0:03:36 | 0:03:38 | |
Glad to have caught you in, as they say. | 0:03:39 | 0:03:42 | |
-Ah, I'm usually in now. Not like you! -Not travelling as much? | 0:03:42 | 0:03:45 | |
No. I've got tired of taking my shoes off at airports... | 0:03:45 | 0:03:49 | |
-Oh, yes. -..and all that stuff. -Yes. -So what about you? | 0:03:49 | 0:03:53 | |
-I love going places still, I love the new. -You're not as old as I am. | 0:03:53 | 0:03:57 | |
-Well... -I've been doing it that much longer. | 0:03:57 | 0:04:00 | |
-Wait. -OK! | 0:04:00 | 0:04:02 | |
It's important to have a place to come back to, isn't it? | 0:04:02 | 0:04:05 | |
Yes, it is. I've always liked to have one foot here. | 0:04:05 | 0:04:08 | |
Because you've got to have that base from which you can then go... | 0:04:08 | 0:04:10 | |
-Yes, you've got to have one foot somewhere, I think. -Yes. Yep. | 0:04:10 | 0:04:14 | |
'Though she's a homebird, | 0:04:15 | 0:04:17 | |
'her house is filled with mementos from a life of travelling.' | 0:04:17 | 0:04:20 | |
I like this teapot very much. | 0:04:23 | 0:04:25 | |
-Ah. Is that Japanese? -Chinese. | 0:04:25 | 0:04:28 | |
'And, of course, there's the thousands of books, | 0:04:28 | 0:04:31 | |
'many of them her own.' | 0:04:31 | 0:04:33 | |
When you're here now, I mean, | 0:04:33 | 0:04:35 | |
what do you like to do on a sort of ideal day? | 0:04:35 | 0:04:39 | |
-Well, my ideal day is writing a book. -Ah. -Without question. | 0:04:39 | 0:04:42 | |
-You are still writing, then? -Yes. | 0:04:43 | 0:04:47 | |
And I read, of course. | 0:04:47 | 0:04:48 | |
People come, you know. Visitors come, make television films. | 0:04:48 | 0:04:52 | |
-Do they? -No. -We thought we were the only ones! | 0:04:52 | 0:04:55 | |
'And there's Elizabeth, her partner of almost 70 years, | 0:04:55 | 0:04:59 | |
'and mother to their four children.' | 0:04:59 | 0:05:01 | |
We started but we couldn't find you, my love. | 0:05:01 | 0:05:03 | |
I was out there! | 0:05:03 | 0:05:05 | |
-Do you want a cup? -No, thank you. -Then I'll pour it. | 0:05:07 | 0:05:10 | |
Jan's adventures around the world began when she landed her dream job | 0:05:10 | 0:05:15 | |
as a foreign correspondent for The Times. | 0:05:15 | 0:05:18 | |
-How old were you then? -20-something? I don't know. -Yeah. | 0:05:18 | 0:05:21 | |
Were you very ambitious as a journalist? | 0:05:21 | 0:05:23 | |
Oh, I was, terribly. Yes, yes. | 0:05:23 | 0:05:25 | |
In 1953, the 26-year-old James got a major career break. | 0:05:25 | 0:05:30 | |
"The bearer of this letter, Mr James Humphrey Morris, | 0:05:30 | 0:05:33 | |
"is attached to the British Mount Everest expedition and an accredited | 0:05:33 | 0:05:36 | |
"correspondent of The Times." | 0:05:36 | 0:05:37 | |
-There you are, there. -There, there, yes. | 0:05:37 | 0:05:39 | |
SHE CHUCKLES | 0:05:39 | 0:05:41 | |
Were you full of trepidation? What did you feel at the time? | 0:05:41 | 0:05:44 | |
Quite a weight on your shoulders, the only journalist. | 0:05:44 | 0:05:47 | |
Oh, I was badly ambitious, you know. | 0:05:47 | 0:05:49 | |
-Yes, so... -I was delighted. -So there was no crisis of confidence there. | 0:05:49 | 0:05:52 | |
-No, no. -You were the right person in the right place, yes. | 0:05:52 | 0:05:56 | |
"From the special correspondent." | 0:05:56 | 0:05:58 | |
The Times was anonymous in those days, of course. | 0:05:58 | 0:06:01 | |
Yes, but, I mean, an enormous amount of | 0:06:01 | 0:06:03 | |
long, complex dispatches. | 0:06:03 | 0:06:06 | |
-They were big stuff, weren't they? -Yeah, yeah. | 0:06:06 | 0:06:09 | |
And every single aspect of the journey, | 0:06:09 | 0:06:11 | |
from the use of open circuit oxygen, and then little-known | 0:06:11 | 0:06:14 | |
passes explored and all that. | 0:06:14 | 0:06:16 | |
DRAMATIC MUSIC | 0:06:16 | 0:06:18 | |
In this riveting documentary of the expedition, | 0:06:21 | 0:06:24 | |
we get a first-hand glimpse of the challenge Morris faced as part of | 0:06:24 | 0:06:28 | |
the first successful team to climb Everest. | 0:06:28 | 0:06:31 | |
This party includes the special correspondent of The Times. | 0:06:32 | 0:06:36 | |
This is the first time he has ever been up a mountain. | 0:06:36 | 0:06:40 | |
He will tell you how all this struck him. | 0:06:40 | 0:06:42 | |
Yes, struck him is the right phrase. | 0:06:42 | 0:06:45 | |
The whole thing, you see, is just like a squashed meringue, | 0:06:45 | 0:06:49 | |
only, of course, rather bigger, and men are just insects in it, | 0:06:49 | 0:06:52 | |
very small insects lost in the cream and the crumble. | 0:06:52 | 0:06:56 | |
A very dangerous meringue, too, full of crevasses. | 0:06:56 | 0:07:01 | |
CRASH | 0:07:01 | 0:07:03 | |
Look at that. That's rather nice. | 0:07:03 | 0:07:06 | |
-Yes. -"It's a boy." | 0:07:06 | 0:07:08 | |
During their weather broadcast, from the Everest expedition, | 0:07:08 | 0:07:12 | |
"a message for Mr James Morris telling him that his wife gave birth | 0:07:12 | 0:07:15 | |
-"to a son last night." That's wonderful, isn't it? -Yes. | 0:07:15 | 0:07:19 | |
There was more joy to come. | 0:07:19 | 0:07:21 | |
On the 29th of May, Edmund Hillary and Tenzing Norgay | 0:07:21 | 0:07:25 | |
became the first to successfully summit Mount Everest, | 0:07:25 | 0:07:28 | |
all 29,000 feet. | 0:07:28 | 0:07:31 | |
How high did you actually reach yourself? | 0:07:31 | 0:07:34 | |
It gets higher every year. | 0:07:34 | 0:07:35 | |
Really? Well, Everest does, we know that. | 0:07:35 | 0:07:38 | |
-Oh, well, it does do, yes! -Yeah. | 0:07:38 | 0:07:40 | |
Well, what is your current...? HE LAUGHS | 0:07:40 | 0:07:42 | |
-Sort of 23,000. -23,000 feet? | 0:07:42 | 0:07:45 | |
It fell to Jan to make the hazardous descent | 0:07:47 | 0:07:50 | |
to break the story to the rest of the world. | 0:07:50 | 0:07:53 | |
It was getting dark, | 0:07:54 | 0:07:56 | |
and we had to go down through the ice fall, | 0:07:56 | 0:07:58 | |
which is still the most dangerous part of Everest, really. | 0:07:58 | 0:08:02 | |
We stumbled down through the night. | 0:08:02 | 0:08:03 | |
I was hopeless, I lost everything, I tripped over, | 0:08:03 | 0:08:06 | |
I got tangled up in ropes and things. | 0:08:06 | 0:08:09 | |
Did you ever fear that you might not get the story out, | 0:08:09 | 0:08:12 | |
-or someone else would pick it up? -Yes, of course, yes. Oh, absolutely. | 0:08:12 | 0:08:15 | |
-So you were driven by a sort of slight panic. -Yes. | 0:08:15 | 0:08:17 | |
Oh, certainly, yes. All the same, there were moments on the journey | 0:08:17 | 0:08:21 | |
down which really was rather exciting, | 0:08:21 | 0:08:23 | |
though I say it myself, it really was. | 0:08:23 | 0:08:26 | |
As it got dark, there was a moment when I said, | 0:08:26 | 0:08:29 | |
"Well, to hell with this, I can't do this." | 0:08:29 | 0:08:31 | |
I said, "You go on, I'm going to stay here." | 0:08:31 | 0:08:33 | |
In which case, I would certainly have died, as a matter of fact. | 0:08:33 | 0:08:36 | |
-And all he said was, "Don't be ridiculous." -Yes. | 0:08:36 | 0:08:39 | |
Really?! So you were on the verge of really giving up, almost, were you? | 0:08:40 | 0:08:44 | |
-Yes, I...I was, really. -You must have been exhausted, overwhelmed. | 0:08:44 | 0:08:47 | |
But I had a tug on the rope and I went on. | 0:08:47 | 0:08:49 | |
I discovered that quite near Everest, | 0:08:51 | 0:08:53 | |
there was an Indian army radio post, | 0:08:53 | 0:08:56 | |
but I knew that if I allowed them to know what the message meant, | 0:08:56 | 0:08:59 | |
-either we'd climbed Everest or we'd failed to climb Everest... -Yes. | 0:08:59 | 0:09:02 | |
-..it would get around the world in no time... -Leak out before... | 0:09:02 | 0:09:05 | |
-..and my scoop would be lost. -Yeah. | 0:09:05 | 0:09:08 | |
And so the message that I did send was that. | 0:09:08 | 0:09:11 | |
"Snow conditions bad stop advanced base abandoned yesterday stop | 0:09:11 | 0:09:15 | |
"awaiting improvements stop all well." | 0:09:15 | 0:09:17 | |
Oh, this is your code, meaning: | 0:09:17 | 0:09:20 | |
Everest climbed, May 29, by Hillary and Tenzing. | 0:09:20 | 0:09:24 | |
And did you...you devised the code? | 0:09:24 | 0:09:27 | |
-Yes. -Very satisfying, very satisfying. | 0:09:27 | 0:09:30 | |
-Yes. Everest conquered, in fact. -Yeah. | 0:09:30 | 0:09:33 | |
The news reached London on Queen Elizabeth's Coronation Day, | 0:09:38 | 0:09:42 | |
compounding the sense of national euphoria. | 0:09:42 | 0:09:44 | |
Before the age of space travel, | 0:09:47 | 0:09:49 | |
Everest was the Earth's final frontier of human endeavour. | 0:09:49 | 0:09:53 | |
As the only remaining participant in the expedition, | 0:09:55 | 0:09:58 | |
Jan has a uniquely personal record of the feat - | 0:09:58 | 0:10:03 | |
a book that she brought to Everest and back. | 0:10:03 | 0:10:07 | |
This was a history of the various attempts on Everest. | 0:10:07 | 0:10:10 | |
-The story of Everest, yes. -Right, yeah. | 0:10:10 | 0:10:11 | |
-And they all signed it, you see. -Oh, yes. | 0:10:11 | 0:10:14 | |
-Is it all the expeditions? -That's right, Tenzing. | 0:10:14 | 0:10:17 | |
-"James Morris of The Times, who owns the book." -Yes. | 0:10:17 | 0:10:20 | |
20 years later, we had a reunion. | 0:10:20 | 0:10:23 | |
-"Jan Morris, who still owns the book." -Who still owns the book! | 0:10:24 | 0:10:28 | |
THEY LAUGH | 0:10:28 | 0:10:29 | |
Yes, afterwards, when everybody had died except me, in actual fact. | 0:10:29 | 0:10:33 | |
-Yes, well... -We still had a sort of reunion. | 0:10:33 | 0:10:37 | |
This was attended chiefly by widows. | 0:10:37 | 0:10:39 | |
-Right, OK. Yeah. -It was the 60th anniversary. -60th anniversary. | 0:10:39 | 0:10:43 | |
And here we are: "Jan Morris, who still owns the book." | 0:10:43 | 0:10:46 | |
The next time, it'll be their sort of great-grandchildren | 0:10:48 | 0:10:51 | |
and Jan Morris, who's still, still writing in the book! | 0:10:51 | 0:10:55 | |
Everest opened all sorts of doors for me, and one of the big doors | 0:10:57 | 0:11:01 | |
it opened was that I got a fellowship in America. | 0:11:01 | 0:11:05 | |
And I'm sure I wouldn't have got that if I hadn't been on Everest, | 0:11:06 | 0:11:11 | |
-which made me well-known. -It's hard to keep up with you, really... | 0:11:11 | 0:11:14 | |
-Yes. -..because you were racing through life then. | 0:11:14 | 0:11:17 | |
You also were a presenter for BBC programmes like Panorama. | 0:11:17 | 0:11:21 | |
You were one of their reporters. | 0:11:21 | 0:11:25 | |
-Yes, odd things I did for them. -Yeah. | 0:11:25 | 0:11:27 | |
And I went to Hiroshima to see what that was like after the bombing. | 0:11:27 | 0:11:30 | |
13 years ago, on just such a morning as this, | 0:11:35 | 0:11:37 | |
at just about this time in the morning, | 0:11:37 | 0:11:39 | |
there occurred the first atomic bombing raid in the history of war | 0:11:39 | 0:11:43 | |
and this bridge behind me in Hiroshima was its target. | 0:11:43 | 0:11:47 | |
One gaunt ruin, only one, | 0:11:47 | 0:11:49 | |
is deliberately left standing as a memorial to that moment. | 0:11:49 | 0:11:53 | |
In 1961, as one of the most eminent journalists in the world, | 0:11:56 | 0:12:01 | |
Jan was sent to Jerusalem to cover the trial of Adolf Eichmann, | 0:12:01 | 0:12:06 | |
the man responsible for Hitler's extermination camps. | 0:12:06 | 0:12:10 | |
It was broadcast around the world. | 0:12:10 | 0:12:12 | |
"There he sits, between his policeman, unchanging, impassive, | 0:12:13 | 0:12:18 | |
"characterless but unforgettable. | 0:12:18 | 0:12:20 | |
"He never looks afraid, he never looks despairing, | 0:12:22 | 0:12:25 | |
"he never gives the impression that he may throw himself screaming | 0:12:25 | 0:12:29 | |
"against the glass walls of his cage or burst into tears | 0:12:29 | 0:12:33 | |
"or even pluck our hearts | 0:12:33 | 0:12:35 | |
"with the agonising old dilemmas of patriotism and loyalty." | 0:12:35 | 0:12:40 | |
You met some...pretty extraordinary people. | 0:12:43 | 0:12:46 | |
I mean... | 0:12:46 | 0:12:48 | |
great names like Kim Philby, Eisenhower, Che Guevara. | 0:12:48 | 0:12:53 | |
I mean, what were your impressions of these people? | 0:12:53 | 0:12:56 | |
Were you starstruck? | 0:12:56 | 0:12:58 | |
No, I wasn't really, I can't say I was. | 0:12:58 | 0:13:00 | |
THEY LAUGH | 0:13:00 | 0:13:01 | |
Che Guevara, let's... | 0:13:01 | 0:13:02 | |
Che was a different matter because he wasn't a star then. | 0:13:02 | 0:13:06 | |
-Oh. -It was soon after the revolution. | 0:13:06 | 0:13:09 | |
Jan was dispatched to Cuba to cover the aftermath of the Communist | 0:13:09 | 0:13:13 | |
uprising in the late 1950s. | 0:13:13 | 0:13:15 | |
She found herself face-to-face with the leader of the rebels. | 0:13:15 | 0:13:19 | |
-And he was, I think, the head of a bank, the local bank. -Yes. | 0:13:19 | 0:13:23 | |
-The Bank of Cuba. -Oh, really? -And I interviewed him there. | 0:13:23 | 0:13:26 | |
-Yeah. -And it was only later | 0:13:26 | 0:13:28 | |
that I came to know that he was such a figure. | 0:13:28 | 0:13:31 | |
Young people used to... Do you remember? | 0:13:31 | 0:13:34 | |
-They carried bags with Che Guevara on them. -Oh, yes. | 0:13:34 | 0:13:37 | |
And I used to say, "Do you know, I've met Che Guevara", | 0:13:37 | 0:13:41 | |
and they couldn't believe it! | 0:13:41 | 0:13:43 | |
-But he was a bank manager. -Yes, quite! | 0:13:43 | 0:13:45 | |
-Bad for his image. -Yes, bad for his image! | 0:13:45 | 0:13:48 | |
Through the places she travelled to and the people she met, | 0:13:49 | 0:13:52 | |
Jan developed her own distinctive outlook on the world. | 0:13:52 | 0:13:56 | |
She brought these insights not just to far-flung corners of the globe, | 0:13:56 | 0:14:00 | |
but also much closer to home. | 0:14:00 | 0:14:02 | |
Why Ickham? Well, why not? | 0:14:03 | 0:14:06 | |
It's a good place. | 0:14:06 | 0:14:08 | |
We dedicate this little film, | 0:14:08 | 0:14:11 | |
with affection but not, I hope, with slush, | 0:14:11 | 0:14:14 | |
to all the inhabitants of the village, | 0:14:14 | 0:14:17 | |
young and old, nice and nasty. | 0:14:17 | 0:14:20 | |
And you also got to do some fairly wacky things. | 0:14:20 | 0:14:24 | |
I've seen a little programme you did on a village in Kent. | 0:14:24 | 0:14:28 | |
-Oh, yeah, I remember. -You interviewed the local people... -Yes. | 0:14:28 | 0:14:32 | |
..about their, you know, beliefs and their morals and all that. | 0:14:32 | 0:14:36 | |
-That's right. -It was rather bizarre. | 0:14:36 | 0:14:37 | |
-It was rather revolutionary, as a matter of fact. -Yes! | 0:14:37 | 0:14:40 | |
It was quite a small village called Ickham, | 0:14:40 | 0:14:42 | |
and we decided we'd build a sort of tower of ladders and things, | 0:14:42 | 0:14:47 | |
and we invited the entire population of the village | 0:14:47 | 0:14:50 | |
to come to this place, | 0:14:50 | 0:14:52 | |
and we filmed them at the foot of the tower, | 0:14:52 | 0:14:55 | |
and then we could divide them. We'd take people who, | 0:14:55 | 0:14:58 | |
I don't know, had origins in France and moved there, | 0:14:58 | 0:15:01 | |
and people who had origins in Ireland, that sort of thing, | 0:15:01 | 0:15:04 | |
instead of statistics. | 0:15:04 | 0:15:06 | |
And at least one, like Mrs Holliday, has never been to London. | 0:15:06 | 0:15:10 | |
I've never been to London and I don't want to, | 0:15:11 | 0:15:14 | |
and I don't like Ickham either. | 0:15:14 | 0:15:16 | |
-It's very...extremely inventive. -Yes! | 0:15:16 | 0:15:18 | |
-A sort of mixture of It's A Knockout and Panorama. -Yes! | 0:15:18 | 0:15:21 | |
Vivian, can I ask a question? | 0:15:23 | 0:15:26 | |
Tell me, do you think there's any point in trying to keep Britain | 0:15:26 | 0:15:29 | |
as a first-class power in the world? | 0:15:29 | 0:15:32 | |
Yes, I do. I think that Britain has fought | 0:15:32 | 0:15:35 | |
for her place in the world, and I think she should keep it | 0:15:35 | 0:15:38 | |
so enemies don't take it away from her. | 0:15:38 | 0:15:41 | |
How would you feel if your daughter married a black man? | 0:15:41 | 0:15:44 | |
I would feel very annoyed. | 0:15:44 | 0:15:46 | |
-Why? -I should say, "You married a black man?" | 0:15:47 | 0:15:49 | |
"If you can't find an Englishman, | 0:15:51 | 0:15:54 | |
"a nice Englishman to marry, stay single." | 0:15:54 | 0:15:56 | |
Jan's journalistic career had taken her all over the world. | 0:16:01 | 0:16:05 | |
At the start of the 1960s, | 0:16:05 | 0:16:07 | |
she turned her attention to writing books | 0:16:07 | 0:16:09 | |
about the cities she was visiting. | 0:16:09 | 0:16:11 | |
These volumes of discovery were soon to eclipse her journalism, | 0:16:17 | 0:16:21 | |
and were later complimented by acclaimed works of memoir, | 0:16:21 | 0:16:25 | |
history and fiction. | 0:16:25 | 0:16:27 | |
And what I like about your books, particularly, | 0:16:31 | 0:16:34 | |
is that you tend to fall in love with places, | 0:16:34 | 0:16:37 | |
you fall in love with cities like New York or... | 0:16:37 | 0:16:39 | |
-Yes, I do. -..Istanbul or Cairo. -..and I feel I possess them, too. | 0:16:39 | 0:16:44 | |
I feel I've grabbed them for myself, awful cheek! | 0:16:44 | 0:16:47 | |
Well, you know, your most notorious love affair and probably most | 0:16:47 | 0:16:51 | |
successful was with Venice. | 0:16:51 | 0:16:53 | |
-Yes. -I mean, how did that come about? | 0:16:53 | 0:16:56 | |
-I have a melancholic streak in me, I like melancholy. -Ah, yes. Yes. | 0:16:56 | 0:16:59 | |
And the first appeal of Venice to me was a melancholy one. | 0:16:59 | 0:17:04 | |
And much of my book is, as a matter of fact, melancholy. | 0:17:04 | 0:17:07 | |
At that time, of course, it was a dead city, really. | 0:17:07 | 0:17:10 | |
It had been defeated in war, everything was closed, | 0:17:11 | 0:17:14 | |
there was nothing much to do. | 0:17:14 | 0:17:16 | |
-And it was half empty and dispirited. -Mm. | 0:17:16 | 0:17:19 | |
And I liked it, I enjoyed that. | 0:17:21 | 0:17:23 | |
I admired it, too. | 0:17:23 | 0:17:25 | |
They were very nice people, the Venetians, you know, | 0:17:25 | 0:17:27 | |
-even in sadness. -Mm. | 0:17:27 | 0:17:29 | |
And that struck me greatly and has stayed with me ever since. | 0:17:30 | 0:17:34 | |
I still think of Venice as a place of melancholy, | 0:17:34 | 0:17:37 | |
when it is anything but now, isn't it? | 0:17:37 | 0:17:39 | |
It's a place of constant joy. | 0:17:39 | 0:17:42 | |
Well, you seem to be rather suspicious of constant joy. | 0:17:42 | 0:17:47 | |
Yes! | 0:17:47 | 0:17:48 | |
"It's very old, very grand and bent-backed. | 0:17:58 | 0:18:01 | |
"Its towers survey the lagoon in crotchety splendour, | 0:18:02 | 0:18:06 | |
"some leaning one way, some another. | 0:18:06 | 0:18:08 | |
"There are glimpses of flags and fretted rooftops, marble pillars, | 0:18:10 | 0:18:15 | |
"cavernous canals. | 0:18:15 | 0:18:16 | |
"And incessant bustles of boats pass before the quays of the place. | 0:18:16 | 0:18:21 | |
"A great white liner slips towards its port, | 0:18:21 | 0:18:24 | |
"a multitude of tottering palaces, brooding and monstrous, | 0:18:24 | 0:18:29 | |
"press towards the waterfront like so many invalid aristocrats | 0:18:29 | 0:18:34 | |
"jostling for fresh air. | 0:18:34 | 0:18:36 | |
"It's a nulled but gorgeous city, and as the boat approaches the last | 0:18:39 | 0:18:44 | |
"church-crowned islands and a jet fighter screams splendidly | 0:18:44 | 0:18:49 | |
"out of the sun, so the whole scene seems to shimmer | 0:18:49 | 0:18:54 | |
"with pinkness, with age, | 0:18:54 | 0:18:56 | |
"with self-satisfaction, with sadness, with delight. | 0:18:56 | 0:19:01 | |
"The navigator stows away his charts and puts on a gay straw hat. | 0:19:01 | 0:19:06 | |
"For he has reached that paragon among landfalls, Venice." | 0:19:09 | 0:19:13 | |
It's one of those difficult things now that constantly comes up | 0:19:19 | 0:19:22 | |
between tourism and travellers and all of that. | 0:19:22 | 0:19:24 | |
I mean, you have written most beautifully and exquisitely | 0:19:24 | 0:19:28 | |
about places and cities and all that. | 0:19:28 | 0:19:30 | |
-Mm. -Do you see yourself as a travel writer or is that...? | 0:19:30 | 0:19:33 | |
No, I've never thought of myself... | 0:19:33 | 0:19:36 | |
I hate being thought a travel writer or called a travel writer at all | 0:19:36 | 0:19:41 | |
because I don't write about journeys, you know. I never have. | 0:19:41 | 0:19:44 | |
But do you think that travel writing itself is rather prescriptive, | 0:19:44 | 0:19:48 | |
it's saying I'm just writing about travel, whereas, in fact, | 0:19:48 | 0:19:51 | |
you're just writing about life and people and feelings... | 0:19:51 | 0:19:54 | |
-Yes, it's the word... -..wherever they are in the world? -Yes. | 0:19:54 | 0:19:57 | |
It's the phrase that I dislike, of course - the travel writers. | 0:19:57 | 0:20:00 | |
It implies that you're writing about movement and about travel. | 0:20:00 | 0:20:04 | |
And I never have been, I'm not a great mover. | 0:20:04 | 0:20:07 | |
Perhaps the most well-known journey Jan has made is a metaphorical one, | 0:20:13 | 0:20:18 | |
the transition from male to female. | 0:20:18 | 0:20:20 | |
Though she's often reluctant to dwell too long on this topic, | 0:20:23 | 0:20:26 | |
she chronicled it with searing honesty in her 1974 autobiography, | 0:20:26 | 0:20:32 | |
Conundrum. | 0:20:32 | 0:20:34 | |
Although all your books are sort of about yourself, | 0:20:34 | 0:20:38 | |
autobiographical, in a way, | 0:20:38 | 0:20:40 | |
-the one classic acknowledged autobiography is Conundrum. -Mm. | 0:20:40 | 0:20:46 | |
And, um... | 0:20:46 | 0:20:47 | |
..tell me the story behind Conundrum | 0:20:49 | 0:20:51 | |
and why you decided to write the book? | 0:20:51 | 0:20:53 | |
Good lord. That's very hard to say. | 0:20:55 | 0:20:59 | |
-The story behind it... -Well... -..the story behind it is | 0:20:59 | 0:21:03 | |
-untellable, it seems to me. -Mm. | 0:21:03 | 0:21:06 | |
And I've never pretended to understand it. | 0:21:06 | 0:21:10 | |
I've always said that it was something | 0:21:10 | 0:21:13 | |
sort of spiritual and metaphysical in the feelings I had, | 0:21:13 | 0:21:16 | |
that I had been born into the wrong body. | 0:21:16 | 0:21:19 | |
That was it. I still don't know what it meant, | 0:21:20 | 0:21:23 | |
why it happened to me, | 0:21:23 | 0:21:26 | |
but I felt it so powerfully that I felt I had to do something about it. | 0:21:26 | 0:21:30 | |
And you felt, because you're a writer, | 0:21:30 | 0:21:33 | |
that you should write an account, | 0:21:33 | 0:21:35 | |
your own view of it, because it's very clearly written and expressed - | 0:21:35 | 0:21:40 | |
all your doubts, all your feelings are in there. | 0:21:40 | 0:21:43 | |
Did you ever worry about writing an account of it? | 0:21:43 | 0:21:47 | |
Well, I thought you were either keeping something secret | 0:21:47 | 0:21:50 | |
which couldn't be kept secret anyway, you know, | 0:21:50 | 0:21:53 | |
which was gradually seeping out into odd newspapers and stuff, | 0:21:53 | 0:21:57 | |
I thought it was better to come out into the open and say what I felt | 0:21:57 | 0:22:00 | |
-about it all. -Yeah. | 0:22:00 | 0:22:03 | |
On the book's release, the public was shocked that such | 0:22:03 | 0:22:06 | |
a well-known figure could undergo such a process. | 0:22:06 | 0:22:09 | |
Jan was attacked in television shows of the day for revealing the truth. | 0:22:09 | 0:22:13 | |
Don't you think that it's extraordinarily arrogant to assume | 0:22:13 | 0:22:16 | |
that merely by taking off your penis and having your external genitalia | 0:22:16 | 0:22:21 | |
now similar to a woman, | 0:22:21 | 0:22:23 | |
isn't it an extraordinary assumption that you really can say, | 0:22:23 | 0:22:27 | |
"I am now a woman"? | 0:22:27 | 0:22:29 | |
I haven't said that. | 0:22:30 | 0:22:32 | |
What I've said is, I was a person who was born a male | 0:22:32 | 0:22:37 | |
who felt herself to be of the feminine gender | 0:22:37 | 0:22:40 | |
and who has so adjusted the body | 0:22:40 | 0:22:43 | |
as to fit, as far as possible, with my inner spirit. | 0:22:43 | 0:22:47 | |
You said, I think, at one point, you know, | 0:22:47 | 0:22:49 | |
that during the transition period, that it was 50% miracle | 0:22:49 | 0:22:54 | |
and 50%...um, a freak show. | 0:22:54 | 0:22:59 | |
-Mm. -What were you meaning there? | 0:22:59 | 0:23:02 | |
Was that just the way people saw what you were doing? | 0:23:02 | 0:23:05 | |
Yes, yes, of course. | 0:23:05 | 0:23:07 | |
It was a sort of... Well, it's different now, isn't it, | 0:23:07 | 0:23:11 | |
it's so common nowadays, but in those days, it was sort of freakish, | 0:23:11 | 0:23:16 | |
such a thing to happen all of a sudden, wasn't it? | 0:23:16 | 0:23:20 | |
Are you ever able sufficiently to stand back and see yourself | 0:23:20 | 0:23:25 | |
and see a tiny element of absurdity in it? | 0:23:25 | 0:23:28 | |
No, I think it's beautiful. | 0:23:28 | 0:23:30 | |
I can't think it's funny because I think it's a truth that has been | 0:23:32 | 0:23:35 | |
revealed, and I think it's a magical thing that's happened to me, and to | 0:23:35 | 0:23:40 | |
have such a happiness and fulfilment given to one halfway through life | 0:23:40 | 0:23:44 | |
seems to be very unabsurd. | 0:23:44 | 0:23:46 | |
And did that make you feel bitter at the time? | 0:23:48 | 0:23:51 | |
No, no, I didn't, because nearly everybody I knew | 0:23:51 | 0:23:53 | |
-was very kind about it, you know. -Yeah, yeah. | 0:23:53 | 0:23:56 | |
I mean nowadays people are talking about transsexuals... | 0:23:56 | 0:24:00 | |
-Now you can't get away from it! -THEY CHUCKLE | 0:24:00 | 0:24:02 | |
Well, they've made a film recently, The Danish Girl. | 0:24:02 | 0:24:05 | |
-Have you seen it? -I haven't, no, | 0:24:05 | 0:24:07 | |
but the director said he'd been greatly influenced by | 0:24:07 | 0:24:11 | |
-Conundrum. -Yes. | 0:24:11 | 0:24:12 | |
"I got out of bed rather shakily, for the drug was beginning to work | 0:24:16 | 0:24:21 | |
"and I went to say goodbye to myself in the mirror. | 0:24:21 | 0:24:25 | |
"We would never meet again. | 0:24:25 | 0:24:27 | |
"And I wanted to give that other self a long, | 0:24:27 | 0:24:30 | |
"last look in the eye and a wink for luck. | 0:24:30 | 0:24:33 | |
"As I did so, a street vendor outside played a delicate arpeggio | 0:24:35 | 0:24:41 | |
"upon his flute, a very merry, gentle sound, | 0:24:41 | 0:24:44 | |
"which he repeated over and over again in sweet diminuendo | 0:24:44 | 0:24:49 | |
"down the street. | 0:24:49 | 0:24:50 | |
" 'Flights of angels', I said to myself, | 0:24:52 | 0:24:55 | |
"and so staggered back to my bed and oblivion." | 0:24:55 | 0:24:59 | |
-That's me in Budapest. -Yes, yes. | 0:25:07 | 0:25:10 | |
-You're looking very bonny. -Yes, I was. | 0:25:12 | 0:25:15 | |
And Elizabeth, I mean, you've known Elizabeth both as a man and a woman, | 0:25:15 | 0:25:19 | |
-you know, in your case. -Yes, well. | 0:25:19 | 0:25:22 | |
And she was happy to be with all that? | 0:25:22 | 0:25:24 | |
Yes, she just thought it was me. | 0:25:24 | 0:25:25 | |
-She took it on board because it was you, it was all you. -Yes! | 0:25:25 | 0:25:27 | |
-Quite. I didn't think it was very important. -Mm. | 0:25:27 | 0:25:31 | |
-And she obviously felt... -Well, I'd done my duties anyway! | 0:25:31 | 0:25:35 | |
Yes, you'd had your children. | 0:25:35 | 0:25:37 | |
But she obviously felt you hadn't changed as much as people might | 0:25:37 | 0:25:40 | |
-think you'd changed. -No. | 0:25:40 | 0:25:43 | |
I feel exactly the same. | 0:25:43 | 0:25:44 | |
Yes. Yeah. Was there ever a moment when Elizabeth thought, | 0:25:44 | 0:25:48 | |
"Oh, well, you know, this is not going to work"? | 0:25:48 | 0:25:51 | |
I wonder, I don't know. | 0:25:51 | 0:25:53 | |
-She never said it to me. -She's never said it! -No! -In all those years! | 0:25:53 | 0:25:56 | |
-She never actually talked about that. -Yes. | 0:25:56 | 0:25:58 | |
You've had such an extraordinary life, Jan. | 0:26:10 | 0:26:13 | |
I mean, some of it seems like a medieval morality play | 0:26:13 | 0:26:18 | |
or a myth or whatever. | 0:26:18 | 0:26:19 | |
-I mean... -Myth more than morality. | 0:26:19 | 0:26:22 | |
Well, that's for you to tell! | 0:26:22 | 0:26:25 | |
How do you, how do you sum it up in your own mind, if you like, | 0:26:25 | 0:26:29 | |
when you look back on your life? | 0:26:29 | 0:26:31 | |
-Or do you? -Yes, I do, as a matter of fact, | 0:26:31 | 0:26:34 | |
because I've enjoyed this life very much, | 0:26:34 | 0:26:36 | |
and I admire it as a matter of fact. | 0:26:36 | 0:26:39 | |
I think it's been a very good and interesting life. | 0:26:39 | 0:26:42 | |
And I've made a whole of it quite deliberately, | 0:26:42 | 0:26:45 | |
and I've done all the books to be, all my books | 0:26:45 | 0:26:49 | |
to make one big, long autobiography. | 0:26:49 | 0:26:53 | |
So the whole thing, my life has been one whole self-centred | 0:26:53 | 0:26:57 | |
exercise in self-satisfaction. | 0:26:57 | 0:27:00 | |
-At least that's honest. -It is, isn't it? -That's wonderful. | 0:27:00 | 0:27:04 | |
-So you have a sense of... -Yes. -..this is what you wanted to do, | 0:27:04 | 0:27:06 | |
-and you've... -I do. -..mainly done it or you're still doing it. | 0:27:06 | 0:27:09 | |
It happened beyond my control, so to speak, | 0:27:09 | 0:27:12 | |
but I have tried to mould it into one whole. | 0:27:12 | 0:27:16 | |
Nowhere has made its mark on Jan like the Italian city of Trieste, | 0:27:18 | 0:27:23 | |
once part of the Austro-Hungarian Empire, | 0:27:23 | 0:27:26 | |
which she first visited at the end of World War II. | 0:27:26 | 0:27:29 | |
Her 2001 meditation on the city is a masterpiece. | 0:27:29 | 0:27:33 | |
I think you said at the time, and I wonder why, | 0:27:33 | 0:27:36 | |
that Trieste And The Meaning Of Nowhere | 0:27:36 | 0:27:39 | |
-was going to be your last book. -Yes. -That was it. What made you... | 0:27:39 | 0:27:44 | |
decide it should be your last book? | 0:27:44 | 0:27:46 | |
Well, partly because I, forgive me, but I think it's a very good book. | 0:27:46 | 0:27:50 | |
-I think it's the best book I wrote. -I thoroughly agree. | 0:27:50 | 0:27:53 | |
And I don't believe that I could do it as well again, | 0:27:53 | 0:27:56 | |
and so I thought it was really time to stop doing it. | 0:27:56 | 0:28:00 | |
"As for me, when my clock moves on for the last time, | 0:28:10 | 0:28:14 | |
"the angel having returned to heaven, | 0:28:14 | 0:28:16 | |
"the angler having packed it in for the night and gone to the pub, | 0:28:16 | 0:28:21 | |
"I shall happily haunt the two places | 0:28:21 | 0:28:23 | |
"that have most happily haunted me. | 0:28:23 | 0:28:26 | |
"Most of the after time, I shall be wandering with my beloved along the | 0:28:27 | 0:28:31 | |
"banks of the Dwyfor River in Wales, | 0:28:31 | 0:28:35 | |
"but now and then you may find me | 0:28:35 | 0:28:37 | |
"in a boat beneath the walls of Miramare, | 0:28:37 | 0:28:41 | |
"watching the nightingales swarm." | 0:28:41 | 0:28:43 | |
Come, I'll show you something interesting. | 0:28:49 | 0:28:51 | |
It's all interesting. | 0:28:51 | 0:28:53 | |
'Even as she approaches 90, | 0:28:53 | 0:28:55 | |
'Jan isn't fazed by thoughts of the grave. | 0:28:55 | 0:28:58 | |
'In fact, she's more prepared than most.' | 0:28:58 | 0:29:00 | |
Well, how about that. | 0:29:00 | 0:29:03 | |
"Here are two friends, Jan and Elizabeth Morris." | 0:29:03 | 0:29:06 | |
Oh, that's beautiful. | 0:29:06 | 0:29:08 | |
-Isn't that touching? -Yes. | 0:29:08 | 0:29:09 | |
-I've got a little island in the river down here... -Have you? | 0:29:09 | 0:29:12 | |
-Oh, right. -..where my ashes, I suppose, | 0:29:12 | 0:29:15 | |
-and Elizabeth's, too, are going to be scattered. -Yeah. | 0:29:15 | 0:29:17 | |
And this will be on top of that. | 0:29:17 | 0:29:19 | |
Ah. But you've got to wait till you both go, really. | 0:29:19 | 0:29:22 | |
On the whole, I think you should, don't you?! | 0:29:22 | 0:29:24 | |
HE LAUGHS | 0:29:24 | 0:29:26 | |
You have meant so much to each other. | 0:29:26 | 0:29:28 | |
Before I go, I have to ask Jan if there's any one thing she's learned | 0:29:30 | 0:29:36 | |
from her incredible life. | 0:29:36 | 0:29:38 | |
So what's the secret to having one life together? | 0:29:38 | 0:29:42 | |
Kindness. Kindness, in my opinion. | 0:29:42 | 0:29:45 | |
-It's the secret to all life's problems. -Kindness? -Yes. -Mm. | 0:29:45 | 0:29:48 | |
To be kind. It's much easier to be kind than to be not kind. | 0:29:48 | 0:29:52 | |
Yes. Why do people find it so difficult? | 0:29:52 | 0:29:55 | |
I don't know. For one thing, they think | 0:29:55 | 0:29:58 | |
-love is more important than kindness. -Mm. | 0:29:58 | 0:30:01 | |
-And love implies all sorts of demands. -Yes. | 0:30:01 | 0:30:04 | |
Kindness isn't demanding at all. | 0:30:04 | 0:30:06 | |
-There we are. -Yeah. There we are. | 0:30:06 | 0:30:08 | |
-Kindness is inclusive and love is exclusive. -Yes. | 0:30:08 | 0:30:11 | |
And here endeth the first and last lesson. | 0:30:11 | 0:30:13 | |
HE LAUGHS | 0:30:13 | 0:30:15 | |
-..of the Book Of Jan! -Of the Book Of Jan! | 0:30:15 | 0:30:18 |