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It's Edinburgh, it's August, it's raining. | 0:00:00 | 0:00:03 | |
I am so excited I'm going to have to twirl my umbrella. | 0:00:03 | 0:00:05 | |
Whoo-hoo! Yeah! Don't worry about it, though, if you're not here, | 0:00:05 | 0:00:08 | |
cos we've got a huge selection of brilliant shows on the... | 0:00:08 | 0:00:12 | |
on the...on the... Yes, the BBC iPlayer. | 0:00:12 | 0:00:14 | |
All right, we're going to try and get backstage now? | 0:00:14 | 0:00:17 | |
- Yes. - Sure. With that face? | 0:00:17 | 0:00:19 | |
With THAT face! | 0:00:19 | 0:00:21 | |
Welcome to my dressing room. It looks like a ladies' toilet. | 0:00:26 | 0:00:30 | |
Yes, it is a ladies' toilet, | 0:00:30 | 0:00:31 | |
because the Edinburgh Fringe is nothing if not extremely glamorous. | 0:00:31 | 0:00:35 | |
And, unfortunately, I think that's going to have to do it. | 0:00:35 | 0:00:38 | |
Does it look funny? Well, we're going to find out. | 0:00:38 | 0:00:42 | |
APPLAUSE AND CHEERING | 0:00:42 | 0:00:46 | |
I personally find choice quite stressful. | 0:00:46 | 0:00:48 | |
My nightmare is that when you die, there's actually TWO white lights. | 0:00:48 | 0:00:52 | |
LAUGHTER | 0:00:52 | 0:00:54 | |
Think about that for a second! | 0:00:54 | 0:00:56 | |
Just as a final "BLEEP you", | 0:00:56 | 0:00:57 | |
can you imagine, "Come towards the light..." | 0:00:57 | 0:00:59 | |
"Argh! Which one? Which one?!" | 0:00:59 | 0:01:01 | |
"I can't tell you, but one of them goes to the gym." | 0:01:01 | 0:01:04 | |
"No!" LAUGHTER | 0:01:04 | 0:01:06 | |
My first experience of Edinburgh | 0:01:06 | 0:01:08 | |
in terms of, like, doing an hour show was 2005. | 0:01:08 | 0:01:11 | |
'And I got absolutely slated in the reviews, | 0:01:11 | 0:01:15 | |
'and it was really disheartening.' | 0:01:15 | 0:01:16 | |
So, a lot of people can't understand how you can get up on stage | 0:01:16 | 0:01:19 | |
and do stand-up, tell people jokes. | 0:01:19 | 0:01:22 | |
But for me, there is one thing in particular | 0:01:22 | 0:01:25 | |
that I could not imagine getting up and doing. | 0:01:25 | 0:01:29 | |
Poetry Slam. What is that exactly? | 0:01:31 | 0:01:35 | |
Er, I guess it's like a poetry competition. | 0:01:35 | 0:01:37 | |
- It's poetry sport. - Is it? | 0:01:37 | 0:01:39 | |
Basically, you get a fixed amount of time. | 0:01:39 | 0:01:42 | |
People judge you, X Factor-style. | 0:01:42 | 0:01:44 | |
I thought it was either like a rap battle or it's people telling poems | 0:01:44 | 0:01:47 | |
while they run at each other. | 0:01:47 | 0:01:48 | |
That would be amazing. | 0:01:48 | 0:01:50 | |
If I only had 15 seconds in which to compare you to a metaphor, | 0:01:50 | 0:01:52 | |
I would not know what to use them for. | 0:01:52 | 0:01:54 | |
I would just stand here looking dumb with ten figures, nine excuses, | 0:01:54 | 0:01:57 | |
eight reasons to never again do this, | 0:01:57 | 0:01:59 | |
and I wish that love was more like a slam poem | 0:01:59 | 0:02:00 | |
with the ending in sight because if I've time this just right, | 0:02:00 | 0:02:02 | |
it should be three, two, one... WHISTLE | 0:02:02 | 0:02:04 | |
You! | 0:02:04 | 0:02:05 | |
APPLAUSE | 0:02:05 | 0:02:08 | |
'I've been told they're quite highbrow judges. | 0:02:08 | 0:02:09 | |
'Like I said, slams are really different,' | 0:02:09 | 0:02:11 | |
so I don't know how much they'll appreciate my bottom jokes. | 0:02:11 | 0:02:14 | |
Do you have one line you could maybe give us | 0:02:14 | 0:02:16 | |
as a sneak for your most filthy bottom joke? | 0:02:16 | 0:02:18 | |
The Call Of Duty poem is about being so | 0:02:18 | 0:02:21 | |
into your online game it's really difficult | 0:02:21 | 0:02:23 | |
when you need to go to the toilet. | 0:02:23 | 0:02:25 | |
- So one of the stanzas goes... - I love that already! | 0:02:25 | 0:02:28 | |
Feel your stool's acceleration In your cruel incarceration | 0:02:28 | 0:02:33 | |
Mouth is dry, exasperation In your pants, discolouration. | 0:02:33 | 0:02:37 | |
That sounds like you're mixing a sonnet, with Call Of Duty, | 0:02:37 | 0:02:41 | |
- with shitting yourself. - What more is there? | 0:02:41 | 0:02:43 | |
Women have been hidden away in the history books. | 0:02:44 | 0:02:47 | |
After all, it is his-story, history. | 0:02:47 | 0:02:49 | |
Well, this is HER story, Her-story, goddammit, this is MY story. | 0:02:49 | 0:02:53 | |
And it will not be written in pencil and erased with guilt. | 0:02:53 | 0:02:55 | |
It will be written in pen and spoken with courage. | 0:02:55 | 0:02:58 | |
You will hear it on the radio on your way to work. | 0:02:58 | 0:03:00 | |
You will study it in English. | 0:03:00 | 0:03:02 | |
You will read about it on the bulletin boards | 0:03:02 | 0:03:04 | |
next to the flyer about yoga for babies, because I am not ashamed. | 0:03:04 | 0:03:07 | |
APPLAUSE AND CHEERING | 0:03:07 | 0:03:11 | |
Jeez, if that's the quality at the first heat, | 0:03:11 | 0:03:14 | |
I can't imagine how the grand final is going to be. | 0:03:14 | 0:03:17 | |
I really want... I am going to have to go to the final. | 0:03:17 | 0:03:20 | |
I genuinely want to see more of that. Yeah, frightening. | 0:03:20 | 0:03:23 | |
Frighteningly talented, and brilliant. | 0:03:23 | 0:03:25 | |
It was so good, I was terrified! | 0:03:25 | 0:03:27 | |
I would like to point out | 0:03:27 | 0:03:29 | |
no man has ever won the BBC Fringe Slam. | 0:03:29 | 0:03:35 | |
Just A Minute. | 0:03:41 | 0:03:42 | |
It is a radio show where you talk for... | 0:03:42 | 0:03:46 | |
- Just one minute. - Oh, a minute. I see, I get it! | 0:03:47 | 0:03:49 | |
Don't worry. This is going to be easy. | 0:03:49 | 0:03:51 | |
- That's a short programme! - No, it's just... | 0:03:51 | 0:03:53 | |
The show's not just one minute. It's half an hour. | 0:03:53 | 0:03:55 | |
I'm going to give you subject to talk about just for one minute. | 0:03:55 | 0:03:59 | |
No hesitation, deviation, repetition, OK? Edinburgh Festival. Golf. | 0:03:59 | 0:04:03 | |
OK. The Edinburgh Festival is happening. Right now. Here. | 0:04:03 | 0:04:09 | |
All-around. There are shows, and... | 0:04:09 | 0:04:13 | |
Stop. That's hesitation. | 0:04:13 | 0:04:15 | |
You can't hesitate. | 0:04:15 | 0:04:17 | |
This is horrific, why do people enjoy this? | 0:04:17 | 0:04:19 | |
I don't know. It's a pedant's dream to correct someone | 0:04:19 | 0:04:22 | |
and get rewarded for it, cos you get a point if you correct someone | 0:04:22 | 0:04:25 | |
and you're right to correct them. | 0:04:25 | 0:04:27 | |
- British like doing that, do they? - They love doing that. | 0:04:27 | 0:04:29 | |
Have you ever been when someone's gone, "Actually, no, | 0:04:29 | 0:04:32 | |
"that's not quite correct, actually." | 0:04:32 | 0:04:33 | |
I love that. Do a minute about Just A Minute, but as that guy. | 0:04:33 | 0:04:38 | |
- Go. - Erm... | 0:04:38 | 0:04:39 | |
OK, so, Just A Minute is basically a show hosted by Nicholas Parsons, | 0:04:39 | 0:04:43 | |
- it's had 900 shows. - Repetition! | 0:04:43 | 0:04:46 | |
- Why? - Shows. | 0:04:46 | 0:04:48 | |
- Shows. - You said "show" again. | 0:04:48 | 0:04:50 | |
Correct, well done. That was a test for repetition. | 0:04:50 | 0:04:52 | |
- 900 shows, people... - Wait! Repetition. | 0:04:52 | 0:04:56 | |
Oh, my God! I'm getting this all wrong. | 0:04:56 | 0:04:58 | |
- It's all right. - That's how difficult it is. | 0:04:58 | 0:05:00 | |
- I don't think we're good at it. - No, we're not. | 0:05:00 | 0:05:02 | |
But you know who is really good at it? | 0:05:02 | 0:05:04 | |
The funniest fan letter I ever got, or the most delightful one, | 0:05:04 | 0:05:07 | |
was from an American, and he is George Adams, | 0:05:07 | 0:05:09 | |
he is mentioned in the book, cos he wrote to me and said, | 0:05:09 | 0:05:12 | |
"Why is Just A Minute not on the World Service? | 0:05:12 | 0:05:15 | |
"We love it." | 0:05:15 | 0:05:16 | |
And I wrote back and said, "The World Service, | 0:05:16 | 0:05:18 | |
"in their lack of wisdom | 0:05:18 | 0:05:19 | |
"have decided that they're only going to put on programmes which | 0:05:19 | 0:05:22 | |
"emphasise the culture and background and so forth of the British nation." | 0:05:22 | 0:05:26 | |
And he wrote back and said - a lovely letter - he said, | 0:05:26 | 0:05:29 | |
"Nothing emphasises the whole nature and background | 0:05:29 | 0:05:32 | |
"and history of Great Britain than Just A Minute. | 0:05:32 | 0:05:35 | |
"It is the epitome of what is Great Britain. | 0:05:35 | 0:05:38 | |
"I feel so I feel so strongly, I'm going | 0:05:38 | 0:05:41 | |
"to send a copy of my letter to your Prime Minister." | 0:05:41 | 0:05:43 | |
And then he put at PS in, "On second thoughts, | 0:05:45 | 0:05:47 | |
"I'm also going to send a copy to your Queen." | 0:05:47 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
So, this guy, George RR Martin, is one of the stars | 0:05:53 | 0:05:56 | |
at the Edinburgh Book Festival. He created a Game Of Thrones. | 0:05:56 | 0:06:01 | |
Have you heard of it? I've heard of it. I've just never seen it. | 0:06:01 | 0:06:04 | |
I know, terrible, isn't it? | 0:06:04 | 0:06:06 | |
So, Celia has arranged for me to meet some of her friends. | 0:06:06 | 0:06:11 | |
THEY SING GAME OF THRONES THEME A CAPPELLA | 0:06:11 | 0:06:15 | |
# Game of Thrones! Game of Thrones! # | 0:06:41 | 0:06:44 | |
Game of Thrones is this medieval fantasy world. | 0:06:44 | 0:06:48 | |
- Lots of sex? - Lots of sex. | 0:06:48 | 0:06:50 | |
Violence. Incest, beards. | 0:06:50 | 0:06:53 | |
All the family-friendly stuff. | 0:06:53 | 0:06:54 | |
- Incest and beards. - Is it based in Aberdeen? | 0:06:54 | 0:06:58 | |
I think maybe you could probably experience the best through dance. | 0:06:58 | 0:07:03 | |
There's a musical, if you wanted to audition for Khaleesi, maybe? | 0:07:03 | 0:07:06 | |
We'll just see how you go in the audition. | 0:07:06 | 0:07:10 | |
I think you're going to be pretty beautiful. | 0:07:10 | 0:07:12 | |
It is a female part though, is it? | 0:07:12 | 0:07:14 | |
It is, it is. So we're just going to... | 0:07:14 | 0:07:16 | |
This is usually a skirt on Vince, but as he's quite a slight, | 0:07:16 | 0:07:20 | |
feminine man, but for you were just going to make it a cloak. | 0:07:20 | 0:07:24 | |
How's that? | 0:07:24 | 0:07:25 | |
Do you feel maybe like you might be the Mother Of Dragons? | 0:07:25 | 0:07:29 | |
I feel weirdly comfortable, to be quite honest with you. | 0:07:29 | 0:07:31 | |
- You look really beautiful. - Thank you. | 0:07:31 | 0:07:34 | |
The Mother Of Dragons, is that my part? | 0:07:34 | 0:07:36 | |
- The Mother Of Dragons. - I'd love to get a script through... | 0:07:36 | 0:07:38 | |
Liberator Of Slaves. You're so hot, dragon fire can't even burn you. | 0:07:38 | 0:07:41 | |
You can try, Michelle, OK? | 0:07:41 | 0:07:43 | |
I feel like I'm getting into this. | 0:07:43 | 0:07:45 | |
You're going to give me, "Where are my dragons?" OK? | 0:07:45 | 0:07:48 | |
And your motivation, you're searching, yeah? You can sing it. | 0:07:48 | 0:07:50 | |
- # Where are my dragons? - # Where are my dragons? # | 0:07:50 | 0:07:54 | |
- That's so good. - Thank you. | 0:07:54 | 0:07:57 | |
I am your dragon, so... Impro. | 0:07:57 | 0:08:00 | |
# Where are my dragons? # | 0:08:04 | 0:08:06 | |
We're going to go again. I need you to search more, yeah? | 0:08:06 | 0:08:08 | |
- # Where are the dragons? # - # Where are the dragons? # | 0:08:08 | 0:08:12 | |
# Hey, Khaleesi, where are your dragons? | 0:08:12 | 0:08:14 | |
# Where are the dragons, Khaleesi? # | 0:08:14 | 0:08:16 | |
No, I'm asking you, and you've got to respond as Khaleesi. | 0:08:16 | 0:08:19 | |
Ah, sorry. | 0:08:19 | 0:08:21 | |
Keep it going, I'm in this. | 0:08:21 | 0:08:22 | |
I'm still in it. | 0:08:22 | 0:08:24 | |
Stare into the middle distance. And ask where your dragons are. | 0:08:26 | 0:08:31 | |
Where are my dragons? | 0:08:32 | 0:08:34 | |
- Yes. - Yes. | 0:08:34 | 0:08:35 | |
- That was it. - Yes. | 0:08:35 | 0:08:37 | |
That was it. He's got it. | 0:08:37 | 0:08:38 | |
Erm... | 0:08:42 | 0:08:43 | |
I'm going to absolutely level with you here - | 0:08:43 | 0:08:45 | |
I'm not entirely sure even know what Game of Thrones is all about. | 0:08:45 | 0:08:50 | |
I think I'll have quite a few questions for George RR Martin. | 0:08:50 | 0:08:54 | |
I'm sure his stuff is great. Um... | 0:08:54 | 0:08:57 | |
I'm sure it is. Sure it is. | 0:08:59 | 0:09:01 | |
All you can do is write the best stories you can | 0:09:01 | 0:09:04 | |
and then put it in the hands of posterity. | 0:09:04 | 0:09:07 | |
The fact that people are arguing about my books | 0:09:08 | 0:09:12 | |
is a sign that I take very well, you know? | 0:09:12 | 0:09:15 | |
Because a writer's real enemy is obscurity. | 0:09:17 | 0:09:19 | |
I mean... And I've been there. | 0:09:21 | 0:09:23 | |
I've had a long career, like, 20 years before Ice and Fire. | 0:09:23 | 0:09:26 | |
I gave book signings when no-one came. | 0:09:26 | 0:09:29 | |
You guys are all going to be queueing up | 0:09:29 | 0:09:30 | |
to get my signature here after this, | 0:09:30 | 0:09:33 | |
but I remember sitting in malls behind a giant stack of my books | 0:09:33 | 0:09:38 | |
and two people came in in an hour and, you know, asked me | 0:09:38 | 0:09:42 | |
where the cookbooks were. | 0:09:42 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:45 | |
We're in a place called Summerhall which is a very avant-garde, | 0:09:51 | 0:09:54 | |
experimental theatre space in the centre of Edinburgh, | 0:09:54 | 0:09:57 | |
which I used to walk past, actually, on my way to school. | 0:09:57 | 0:10:00 | |
- It's not always about you. - I know it's not about me! | 0:10:00 | 0:10:02 | |
I think what's actually happened is we're slightly early. | 0:10:04 | 0:10:06 | |
- We are early. - Which is unlike us. | 0:10:06 | 0:10:08 | |
And they're currently transforming this into a theatre space. | 0:10:08 | 0:10:11 | |
This is called the "get in". | 0:10:11 | 0:10:13 | |
Get in! I've learned that from being here. | 0:10:13 | 0:10:16 | |
Is that what it's called? Get in. | 0:10:16 | 0:10:18 | |
It's going to be at 3.40 every day, it's the Hibrow Hour, | 0:10:18 | 0:10:22 | |
and they will be live streaming | 0:10:22 | 0:10:24 | |
a theatre performance from this very room. | 0:10:24 | 0:10:26 | |
How many crew do you have for the 45 minute turnaround? | 0:10:30 | 0:10:33 | |
It's about 12. | 0:10:33 | 0:10:35 | |
- 12, wow. - You can count them now, | 0:10:35 | 0:10:37 | |
- but everybody else pitches in. - Find somewhere else to stand. | 0:10:37 | 0:10:40 | |
See what I mean? This is as live as you can get. | 0:10:40 | 0:10:43 | |
We need to get out of here, we'll have a look around, | 0:10:43 | 0:10:45 | |
- speak to you in a bit. Go! - We got told off, I feel bad. | 0:10:45 | 0:10:47 | |
MEN SINGING | 0:10:48 | 0:10:52 | |
The man who killed himself. | 0:11:10 | 0:11:13 | |
Allow the light and sound to convey you to the city of Kampala. | 0:11:13 | 0:11:17 | |
The city built on hills and, blah blah blah, whatever he said. | 0:11:17 | 0:11:20 | |
The grasshopper making the grasshopper sound - chik-a-chik! - | 0:11:20 | 0:11:24 | |
as the sun begins to set over the city. | 0:11:24 | 0:11:27 | |
BUZZER | 0:11:29 | 0:11:31 | |
'18 years ago, a dispute arose in a wealthy man's home. | 0:11:38 | 0:11:43 | |
'Who was the first to be unfaithful in love? Men or women?' | 0:11:44 | 0:11:50 | |
We're on the Royal Mile in Edinburgh. | 0:11:53 | 0:11:54 | |
If you've been to Edinburgh during the Festival in August, | 0:11:54 | 0:11:57 | |
this is a very familiar scene. | 0:11:57 | 0:11:58 | |
This is where people are trying to sell their shows to you with flyers, | 0:11:58 | 0:12:01 | |
you'll see some performance. | 0:12:01 | 0:12:03 | |
It's really the hub of activity in Edinburgh in August for people | 0:12:03 | 0:12:06 | |
trying to sell themselves. | 0:12:06 | 0:12:07 | |
And I'm quite interested in some cabaret, | 0:12:07 | 0:12:09 | |
so we're going to try and speak to some people, | 0:12:09 | 0:12:11 | |
find out about their shows, and hopefully, I'm going to find | 0:12:11 | 0:12:14 | |
some wonderful cabaret for us to see. | 0:12:14 | 0:12:15 | |
That was my cabaret. Hopefully we'll find something better than that. | 0:12:15 | 0:12:18 | |
Come on, let's do this. | 0:12:18 | 0:12:20 | |
BANJO PLAYS | 0:12:20 | 0:12:21 | |
2-for-1 today if you say, "Show me your knickers," at the box office. | 0:12:21 | 0:12:24 | |
- Show me your knickers? - Yeah. | 0:12:24 | 0:12:26 | |
- We do mine. - Mime, yeah. | 0:12:28 | 0:12:30 | |
Lots of people think mime is... It's funny... | 0:12:30 | 0:12:34 | |
It's not funny. | 0:12:34 | 0:12:35 | |
# Cos all I've waited for is you | 0:12:35 | 0:12:39 | |
# If this ends now what will I do? # | 0:12:39 | 0:12:42 | |
- Can I get a photo with you, please? - Yeah, of course. | 0:12:42 | 0:12:45 | |
Thanks very much. | 0:12:45 | 0:12:47 | |
I see you've got the army gear on and everything. | 0:12:47 | 0:12:49 | |
Thank you. | 0:12:49 | 0:12:51 | |
Don't look too excited. Hey! Hey! | 0:12:51 | 0:12:55 | |
I do pay all of these people. It's really good PR. | 0:12:55 | 0:12:59 | |
Just imagine Justin Bieber in a toga, that's the idea. | 0:12:59 | 0:13:02 | |
- Wow! - Guaranteed Nudity, | 0:13:02 | 0:13:03 | |
it's a topical comedy sketch show. | 0:13:03 | 0:13:05 | |
- That's the name of it? - That's the name of the show. | 0:13:05 | 0:13:08 | |
- It's free and guaranteed nudity. - What more could you ask for? | 0:13:08 | 0:13:12 | |
Jokes? | 0:13:12 | 0:13:13 | |
There is just an awful lot of shows. | 0:13:14 | 0:13:16 | |
Loads of shows, loads of people, loads of flyers. | 0:13:16 | 0:13:19 | |
It's very difficult to choose which one's going to be a hit, | 0:13:19 | 0:13:21 | |
which one's going to be a miss. I don't know. | 0:13:21 | 0:13:23 | |
So, I could kind of do with someone choosing a show for me. | 0:13:23 | 0:13:27 | |
Let's face it, Edinburgh is completely bonkers, | 0:13:27 | 0:13:29 | |
and tonight we thought it was time to rein it all in. | 0:13:29 | 0:13:32 | |
# Mr Whatchacallim what you doin' tonight? | 0:13:32 | 0:13:36 | |
# Hope you're in the mood because I'm feeling just right | 0:13:36 | 0:13:39 | |
# How's about a corner with the table for two? | 0:13:39 | 0:13:42 | |
# Where the music's mellow In some gay rendezvous | 0:13:42 | 0:13:46 | |
# There's no chance romancing with a blue attitude | 0:13:46 | 0:13:49 | |
# You've got to do some dancing to get in the mood... # | 0:13:49 | 0:13:52 | |
THEME MUSIC | 0:13:55 | 0:13:56 | |
APPLAUSE | 0:13:58 | 0:14:00 | |
Hello and welcome to Edinburgh Later with the most excitable theme music | 0:14:00 | 0:14:04 | |
you are likely to hear. We're all awake now, I think. | 0:14:04 | 0:14:07 | |
The grown-ups have gone to bed, and so the real festival fun can begin. | 0:14:07 | 0:14:11 | |
Don't think I've ever been so tired. | 0:14:11 | 0:14:13 | |
I feel like I could actually say, "I've seen some things." | 0:14:13 | 0:14:16 | |
I didn't think you could see that many things in... | 0:14:16 | 0:14:18 | |
Has it been a day? Or five weeks? | 0:14:18 | 0:14:20 | |
I don't think it's comparable to 'Nam. | 0:14:20 | 0:14:23 | |
THEY LAUGH | 0:14:24 | 0:14:26 | |
APPLAUSE | 0:14:26 | 0:14:28 | |
PHONE RINGS | 0:14:28 | 0:14:30 | |
Private number? | 0:14:30 | 0:14:31 | |
HE SIGHS | 0:14:33 | 0:14:35 | |
- It's probably Domino's. - I think it's probably debt-related. | 0:14:35 | 0:14:38 | |
PHONE PINGS | 0:14:42 | 0:14:44 | |
Message. Are you going to listen to it? | 0:14:44 | 0:14:46 | |
'Greg, hi. It's Sue Perkins here. | 0:14:50 | 0:14:53 | |
'Loving...loving your work. | 0:14:53 | 0:14:56 | |
'I wondered if you wanted to be on the programme? | 0:14:56 | 0:14:58 | |
'Why don't you and Celia swing by the studio, 10.30 tonight? | 0:14:58 | 0:15:01 | |
'Call me. Love you. Call me!' | 0:15:01 | 0:15:03 | |
Erm... | 0:15:04 | 0:15:06 | |
We've just been invited on to Sue's show. | 0:15:08 | 0:15:11 | |
- I'm not joking. - What? | 0:15:12 | 0:15:15 | |
- We...we would have to leave now. - When? | 0:15:15 | 0:15:17 | |
- To go on the show? - We need to go down right now. | 0:15:17 | 0:15:20 | |
To be on the show. | 0:15:20 | 0:15:21 | |
I'm actually really tired. | 0:15:27 | 0:15:28 | |
It would be the most amazing opportunity ever, | 0:15:28 | 0:15:30 | |
but if I have to put my shoes back on right now, I think I'm going to cry. | 0:15:30 | 0:15:34 | |
I'm just back in the house. | 0:15:36 | 0:15:38 | |
- You know what I mean? - I know. | 0:15:38 | 0:15:39 | |
We could have not heard that. | 0:15:39 | 0:15:41 | |
We'll just watch it. It's like being there, isn't it? | 0:15:41 | 0:15:44 | |
It's like being there. | 0:15:44 | 0:15:46 | |
It's a really good show. Thanks, Sue. | 0:15:46 | 0:15:48 | |
Thank you so much for having me. Have a great night. | 0:15:48 | 0:15:51 | |
APPLAUSE | 0:15:51 | 0:15:54 |