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If men be truly gentle | 0:00:06 | 0:00:09 | |
and heedful of their lady's needs, | 0:00:09 | 0:00:12 | |
with tempers temperamental, pray caution now as you proceed. | 0:00:12 | 0:00:18 | |
We beg your patience and your nerve and swear we'll serve as best we can. | 0:00:19 | 0:00:25 | |
And through dark arts may shed some light upon the darker heart of man. | 0:00:25 | 0:00:32 | |
How am I doing? Is this what you wanted? | 0:00:32 | 0:00:35 | |
Perfect. Perfect, please, carry on. | 0:00:35 | 0:00:37 | |
It's not a little too... | 0:00:37 | 0:00:39 | |
A little too...? | 0:00:39 | 0:00:41 | |
Nothing. No, no, nothing. | 0:00:41 | 0:00:45 | |
And through dark arts may shed some light upon the darker heart of man. | 0:00:47 | 0:00:54 | |
So, watch us close, those keen of eye may some small secret understand. | 0:00:54 | 0:01:00 | |
So, simple folk, just see the smoke. | 0:01:00 | 0:01:04 | |
They missed the switch, this sleight of... | 0:01:04 | 0:01:07 | |
- Mr Sleight... - Edwin, please. | 0:01:07 | 0:01:10 | |
- Edwin. - Edwin Sleight. | 0:01:10 | 0:01:11 | |
Slim framed and nimble fingered. | 0:01:11 | 0:01:14 | |
Sharp of cheekbone and of mind. | 0:01:14 | 0:01:17 | |
Proud resident of the pulsating epicentre | 0:01:17 | 0:01:20 | |
of the greatest city in the world, | 0:01:20 | 0:01:22 | |
riding roughshod through streets on the brink of supernova, | 0:01:22 | 0:01:25 | |
chasing dreams and demons with equal alacrity and never drawing breath, | 0:01:25 | 0:01:29 | |
Edwin... | 0:01:29 | 0:01:30 | |
Edwin Sleight, roll up, roll up, step up, ladies and gents, don't be shy. | 0:01:30 | 0:01:34 | |
Come and see the incredible Edwin Sleight, man of a million mysteries! | 0:01:34 | 0:01:40 | |
Thank you. | 0:01:40 | 0:01:41 | |
Thank you, ladies and gentlemen. | 0:01:41 | 0:01:44 | |
Prepare to be amazed by the... | 0:01:44 | 0:01:47 | |
Oh... | 0:01:47 | 0:01:48 | |
incredible and amazing feats... | 0:01:48 | 0:01:51 | |
No, er, prepare to be incredulous. | 0:01:51 | 0:01:55 | |
Yes, incredulous at the incredible and amazing feats... | 0:01:55 | 0:01:59 | |
Get off! | 0:01:59 | 0:02:00 | |
You've been wonderful. Get a safe carriage. | 0:02:00 | 0:02:03 | |
That's Edwin Sleight, tell your friends. | 0:02:03 | 0:02:05 | |
Sleight with a E-I. | 0:02:05 | 0:02:08 | |
London was not kind to the young Edwin Sleight. | 0:02:08 | 0:02:11 | |
As a rationalist, he took the city's indifference in his stride. | 0:02:11 | 0:02:15 | |
But when met with the same response from its inhabitants, | 0:02:15 | 0:02:18 | |
the rejection stung a little more. | 0:02:18 | 0:02:21 | |
Furthermore, as a rationalist, he couldn't help but question | 0:02:21 | 0:02:25 | |
the judgement of the freethinking citizens who viewed him so unkindly. | 0:02:25 | 0:02:29 | |
For clearly he was blessed with many admirable traits. | 0:02:29 | 0:02:33 | |
A keen, enquiring mind, a natural intelligence, | 0:02:33 | 0:02:37 | |
a flair for artistry and a lean, agile fame. | 0:02:37 | 0:02:41 | |
Through any objective criteria, he reasoned, | 0:02:42 | 0:02:45 | |
there was nothing to suggest he shouldn't excel. | 0:02:45 | 0:02:48 | |
And yet, once accumulated, | 0:02:48 | 0:02:51 | |
Edwin seemed to amount to less than the sum of his parts. | 0:02:51 | 0:02:54 | |
Or rather, like a collection of excellent ingredients | 0:02:54 | 0:02:58 | |
which shouldn't necessarily be combined. | 0:02:58 | 0:03:01 | |
I'm like pineapple and herring. | 0:03:01 | 0:03:05 | |
Pineapple and herring and gin. | 0:03:05 | 0:03:09 | |
A way with words was not his strongest suit. | 0:03:09 | 0:03:13 | |
And the early performances of the amazing Mr Sleight | 0:03:13 | 0:03:17 | |
were not well received. | 0:03:17 | 0:03:19 | |
"Amazing...slightly" the papers would have declared, | 0:03:19 | 0:03:22 | |
had any been present to witness them. | 0:03:22 | 0:03:24 | |
Roll up, roll up, come and see the slightly amazing Edmond Sleight! | 0:03:24 | 0:03:28 | |
Ed-win. Edwin. | 0:03:28 | 0:03:30 | |
Edwin what? | 0:03:30 | 0:03:31 | |
- Is that a coin trick. - Oh, never mind. | 0:03:31 | 0:03:33 | |
But Edwin persevered. | 0:03:33 | 0:03:35 | |
Tenacity, another of his talents. | 0:03:35 | 0:03:38 | |
And I believe these, madam, are your pearls. | 0:03:38 | 0:03:43 | |
Oh, um... | 0:03:44 | 0:03:46 | |
And I believe these, madam, | 0:03:46 | 0:03:49 | |
are your pearls! | 0:03:49 | 0:03:52 | |
Oh, um... | 0:03:52 | 0:03:53 | |
And I believe these, madam, are your pearls. | 0:03:55 | 0:03:59 | |
Oh! Oh! | 0:03:59 | 0:04:01 | |
It isn't fair. It isn't the slightest bit... | 0:04:04 | 0:04:08 | |
And there you have it. | 0:04:08 | 0:04:10 | |
The very heart of all my woes. Sleight by name and slight by nature. | 0:04:10 | 0:04:16 | |
Slight hope, scant chance, the very faintest of impressions made. | 0:04:16 | 0:04:20 | |
Which should in my profession be a veritable boom, | 0:04:20 | 0:04:23 | |
to slip through shadows imperceptibly, | 0:04:23 | 0:04:26 | |
to vanish without the slightest trace, | 0:04:26 | 0:04:28 | |
and yet the act of disappearance is somewhat less impressive | 0:04:28 | 0:04:31 | |
when one's reappearance, and indeed departure, goes unnoticed. | 0:04:31 | 0:04:36 | |
And on this matter, his powers of perception were irrefutable. | 0:04:36 | 0:04:39 | |
However, a solution was suggested, an outlandish scheme | 0:04:39 | 0:04:43 | |
devised by his one friend and true confidant, Mr Ben... | 0:04:43 | 0:04:47 | |
Baker. | 0:04:47 | 0:04:49 | |
- This is absurd. - This is inspired. | 0:04:49 | 0:04:52 | |
Oh, Ben, please. | 0:04:52 | 0:04:54 | |
"Lend a hand", the advertisement read. | 0:04:54 | 0:04:58 | |
"If your surname is Hand, and your destiny is on the stage, | 0:04:58 | 0:05:02 | |
"report to 151 Mayfair on April 12 at noon | 0:05:02 | 0:05:05 | |
"and await further instructions." | 0:05:05 | 0:05:07 | |
I work alone. | 0:05:07 | 0:05:09 | |
You don't work at all. | 0:05:09 | 0:05:10 | |
Picture it, Edwin, Slight And Hand. | 0:05:10 | 0:05:15 | |
It's just what the act needs. | 0:05:15 | 0:05:17 | |
Look at these - the astounding Zanquanda, Amazon Queen. | 0:05:18 | 0:05:22 | |
Uri, the levitating Hun. | 0:05:22 | 0:05:25 | |
Prince Ulrich, Demon Voyager. | 0:05:25 | 0:05:28 | |
Now, you know as well as I do | 0:05:28 | 0:05:29 | |
that Ulrich has not a drop of royal blood in him. | 0:05:29 | 0:05:32 | |
Yuri is two midgets from Ealing. | 0:05:32 | 0:05:34 | |
And the only astounding thing about Zanquanda | 0:05:34 | 0:05:37 | |
is that she manages to spell her name the same way twice. | 0:05:37 | 0:05:39 | |
Image is everything. | 0:05:39 | 0:05:41 | |
But I don't even live in Mayfair! | 0:05:41 | 0:05:44 | |
Of course not, but there they will receive a series of directions | 0:05:44 | 0:05:48 | |
designed to test their cunning, resolve and moral fibre | 0:05:48 | 0:05:52 | |
to its breaking point, ultimately leading them | 0:05:52 | 0:05:55 | |
to a den of such iniquity, such extravagant squalor and decay, | 0:05:55 | 0:05:59 | |
such charismatic rot and intrigue, | 0:05:59 | 0:06:02 | |
it could only have been constructed for the purpose | 0:06:02 | 0:06:05 | |
by the greatest stage artist of the age. | 0:06:05 | 0:06:08 | |
You're talking about my apartment, aren't you? | 0:06:08 | 0:06:11 | |
Yes, I am. | 0:06:11 | 0:06:12 | |
Er, your name? | 0:06:14 | 0:06:15 | |
Herbert Hand, sir. | 0:06:15 | 0:06:17 | |
And your current occupation? | 0:06:17 | 0:06:20 | |
- Oh, I'm a butcher, sir. - I see. | 0:06:20 | 0:06:23 | |
Butchery and illusion are two quite different things, Mr Hand. | 0:06:23 | 0:06:28 | |
What makes you think this role would suit you? | 0:06:28 | 0:06:31 | |
On account of me not being a very good butcher, sir, | 0:06:31 | 0:06:34 | |
so you needn't worry about any unwanted transferable skills. | 0:06:34 | 0:06:38 | |
I see. | 0:06:38 | 0:06:40 | |
Tell me, is not having a full complement of fingers | 0:06:40 | 0:06:44 | |
likely to cause problems? | 0:06:44 | 0:06:46 | |
Capt Fitzwilliam Montgomery Hand reporting for duty, sir. | 0:06:48 | 0:06:52 | |
MIMICS BUGLE | 0:06:52 | 0:06:54 | |
Questionably discharged and ready for a front. | 0:06:54 | 0:06:57 | |
Wonderful. And in what way...? | 0:06:57 | 0:06:59 | |
Of course, I deciphered the true meaning of your rudimentary clues | 0:06:59 | 0:07:01 | |
were these. And I say the treasure's as good as ours. | 0:07:01 | 0:07:04 | |
I can sail with you tonight. | 0:07:04 | 0:07:06 | |
Although if you prefer to travel alone, | 0:07:06 | 0:07:09 | |
we can liaise in Budapest next week. | 0:07:09 | 0:07:11 | |
Ah. | 0:07:11 | 0:07:12 | |
And I say, Mr Sleight, | 0:07:12 | 0:07:14 | |
it was quite the strangest proposal I'd ever seen. | 0:07:14 | 0:07:17 | |
Of course, it will be my daughter's hand you're after. | 0:07:17 | 0:07:20 | |
Whoops! Not me own. | 0:07:20 | 0:07:24 | |
Although, if I was 20 years younger... | 0:07:24 | 0:07:26 | |
I think there may have been some kind of... | 0:07:26 | 0:07:28 | |
# Hold his hand, hold his hand | 0:07:28 | 0:07:30 | |
# And he will guide the way. # | 0:07:30 | 0:07:32 | |
- Um... - It's a good hand, | 0:07:32 | 0:07:34 | |
A Strawbridge hand. | 0:07:34 | 0:07:36 | |
Although if there are any other body parts you require, | 0:07:36 | 0:07:39 | |
I daresay we could come to some...arrangement. | 0:07:39 | 0:07:43 | |
Er, no, I don't believe that will be necessary. | 0:07:43 | 0:07:46 | |
Peter Paver, sir, at your service. | 0:07:46 | 0:07:48 | |
Mr Paver, the advertisement did clearly specify... | 0:07:48 | 0:07:52 | |
I'm his bestest friend. Happy hand worth a helping hand. | 0:07:52 | 0:07:56 | |
Next! | 0:07:56 | 0:07:57 | |
Are you offended? | 0:07:57 | 0:07:59 | |
I give you hand. | 0:07:59 | 0:08:01 | |
Monkey hand, grant three wishes. | 0:08:01 | 0:08:04 | |
Enough, enough, get out! Out, all of you, out! | 0:08:04 | 0:08:07 | |
Oh, sorry. | 0:08:07 | 0:08:08 | |
I didn't mean to trouble you. I'll be leaving then. | 0:08:08 | 0:08:11 | |
No, please, my apologies. | 0:08:11 | 0:08:14 | |
- Am I not too late? - No. Not at all. | 0:08:14 | 0:08:18 | |
I was just, um... Never mind. | 0:08:18 | 0:08:21 | |
- Please, come in, Miss... - Hand. | 0:08:21 | 0:08:25 | |
But of course, you knew that. Iphigenia Hand. | 0:08:25 | 0:08:28 | |
- It's a pleasure. - Oh, all mine. | 0:08:28 | 0:08:31 | |
- I'm most sure. - Oh. | 0:08:31 | 0:08:33 | |
Please, sit. | 0:08:33 | 0:08:34 | |
Oh, I'll stand, if you don't mind, Mr Sleight? | 0:08:34 | 0:08:38 | |
Yes. I must say, you are quite everything I expected. | 0:08:39 | 0:08:42 | |
Oh, and what might that be? | 0:08:42 | 0:08:44 | |
Oh, that would be telling. | 0:08:44 | 0:08:46 | |
Miss Hand, delicately, deliberately removes her lace gloves | 0:08:46 | 0:08:51 | |
with a palpable sense of purpose. | 0:08:51 | 0:08:54 | |
The image of the metaphorical gauntlet thrown down | 0:08:54 | 0:08:58 | |
not for a moment lost on Mr Sleight. | 0:08:58 | 0:09:00 | |
In truth, he found it a little obvious. | 0:09:00 | 0:09:03 | |
And smiled, a fleeting smile, | 0:09:03 | 0:09:05 | |
made all the more potent through its brevity. | 0:09:05 | 0:09:08 | |
Like the final sigh of a sexually charged mayfly. | 0:09:08 | 0:09:11 | |
A sexually charged Victorian mayfly, | 0:09:11 | 0:09:13 | |
who has been taught that such displays are scandalous, | 0:09:13 | 0:09:17 | |
shameful, but damn it all, a mayfly can only endure for so long, | 0:09:17 | 0:09:21 | |
and so, we throw caution to the wind | 0:09:21 | 0:09:23 | |
and wantonly remove her gloves to any gentleman mayfly she pleases, | 0:09:23 | 0:09:26 | |
laying bare indecently slender fingers | 0:09:26 | 0:09:29 | |
in all their soft, pink glory. | 0:09:29 | 0:09:33 | |
May I take your glove? | 0:09:33 | 0:09:36 | |
You may. | 0:09:36 | 0:09:37 | |
And my watch, Miss Hand. | 0:09:38 | 0:09:41 | |
Quite impressive. | 0:09:45 | 0:09:47 | |
Nonetheless, most impressive for an amateur. | 0:09:47 | 0:09:52 | |
Looking for this, Mr Sleight? | 0:09:52 | 0:09:54 | |
What did you say your name was again? | 0:09:54 | 0:09:57 | |
Iphigenia Hand. | 0:09:57 | 0:09:59 | |
Whose ancestry was not necessarily Greek, | 0:09:59 | 0:10:02 | |
but most definitely tragic. | 0:10:02 | 0:10:04 | |
My father was serious, my mother imperious, my cousins impetuous, | 0:10:04 | 0:10:08 | |
my uncles quite lecherous, my nieces vainglorious, | 0:10:08 | 0:10:10 | |
my nephews notorious, grandparents gone and good name long squandered. | 0:10:10 | 0:10:14 | |
The family as a whole maintains that sophisticated damp tang | 0:10:14 | 0:10:18 | |
of mouldering aristocracy. | 0:10:18 | 0:10:19 | |
Blue blood running deep through blue veins like vintage Stilton | 0:10:19 | 0:10:23 | |
laced with the unmistakable air of always being just on the turn. | 0:10:23 | 0:10:26 | |
Where something could still be salvaged perhaps, | 0:10:26 | 0:10:29 | |
but all is undisputedly past its best. | 0:10:29 | 0:10:31 | |
So now, when people ask me where I'm from, | 0:10:31 | 0:10:34 | |
I tell them I was raised by gypsies. | 0:10:34 | 0:10:36 | |
So, where are you from? | 0:10:36 | 0:10:39 | |
I was raised by gypsies. | 0:10:39 | 0:10:41 | |
Touche, Miss Hand, touche. | 0:10:41 | 0:10:43 | |
Well, do you not think it proper for a lady to retain | 0:10:43 | 0:10:47 | |
some air of mystery, a mystique, especially in our profession. | 0:10:47 | 0:10:52 | |
From one's audience, yes, but from one's partner... | 0:10:52 | 0:10:56 | |
Oh, I am to be your partner then! | 0:10:56 | 0:10:59 | |
One task remained. | 0:10:59 | 0:11:00 | |
To break the news to Iphigenia's parents. | 0:11:00 | 0:11:04 | |
She knew that without her family's | 0:11:04 | 0:11:06 | |
sincere and heartfelt condemnation of her chosen path, | 0:11:06 | 0:11:09 | |
she could never feel truly at ease. | 0:11:09 | 0:11:12 | |
Iphigenia rapped thrice upon the foreboding oak. | 0:11:12 | 0:11:16 | |
KNOCKING | 0:11:16 | 0:11:17 | |
Oh. | 0:11:20 | 0:11:21 | |
Rapped thrice upon the foreboding oak. | 0:11:24 | 0:11:26 | |
KNOCKING | 0:11:26 | 0:11:28 | |
Iphigenia's father was a kindly man, | 0:11:28 | 0:11:30 | |
straight-backed and proud-whiskered, | 0:11:30 | 0:11:33 | |
once radical, now tempered with the sagacity of late... | 0:11:33 | 0:11:37 | |
COUGHS ..early middle age. | 0:11:37 | 0:11:39 | |
Still, the twinkle in his eye remained more puckish than avuncular | 0:11:39 | 0:11:43 | |
and if found in the right mood | 0:11:43 | 0:11:45 | |
would surely take his daughter's seeming rebellion | 0:11:45 | 0:11:47 | |
as a fitting tribute. However... | 0:11:47 | 0:11:49 | |
..it was her mother who came to the door. | 0:11:50 | 0:11:53 | |
SQUEAKING | 0:11:55 | 0:11:56 | |
Darling...what a wonderful surprise. | 0:11:56 | 0:12:00 | |
- Mother. - This is so unexpected. | 0:12:00 | 0:12:03 | |
Her mother possessed a high, reedy voice, | 0:12:04 | 0:12:07 | |
lilting with its Mediterranean ancestry, | 0:12:07 | 0:12:10 | |
but run through with the unmistakable notes of Bow Bells | 0:12:10 | 0:12:14 | |
and the remnants of a crippling lisp that had plagued her formative years. | 0:12:14 | 0:12:18 | |
A strange, stooped woman. | 0:12:19 | 0:12:21 | |
With a club foot, but a ballerina's grace, | 0:12:22 | 0:12:26 | |
she would scuttle, float and spin across a room | 0:12:26 | 0:12:30 | |
with a strange, ethereal air that seemed more animal and human. | 0:12:30 | 0:12:34 | |
A sight that truly must be seen to be believed. | 0:12:34 | 0:12:38 | |
Er, let, er... Let me see if your father's in. | 0:12:38 | 0:12:43 | |
He wasn't. | 0:12:43 | 0:12:44 | |
Are you sure? | 0:12:44 | 0:12:46 | |
Oh, Mother, we have so much to talk about. | 0:12:46 | 0:12:50 | |
At length. | 0:12:50 | 0:12:52 | |
Walk with me. | 0:12:52 | 0:12:54 | |
And yet tragically, we are never to know | 0:12:54 | 0:12:56 | |
what they discussed that fateful day, | 0:12:56 | 0:12:59 | |
both parties refusing to speak of the incident again. | 0:12:59 | 0:13:02 | |
Whatever the details, the outcome was clear. | 0:13:02 | 0:13:05 | |
And Iphigenia received the denunciation she so sorely desired, | 0:13:05 | 0:13:09 | |
leaving her free to pursue her life on the stage unimpeded. | 0:13:09 | 0:13:13 | |
MUSIC HALL MUSIC PLAYS | 0:13:13 | 0:13:16 | |
WOLF WHISTLE | 0:13:23 | 0:13:24 | |
WOLF WHISTLE | 0:13:25 | 0:13:27 | |
AUDIENCE SHRIEKS | 0:13:32 | 0:13:34 | |
WOLF WHISTLE | 0:13:45 | 0:13:47 | |
APPLAUSE | 0:14:18 | 0:14:19 | |
APPLAUSE AND LAUGHTER | 0:14:28 | 0:14:30 | |
Ladies and gentlemen, the enchanting Iphigenia Hand. | 0:14:34 | 0:14:39 | |
- And the amazing Edward... - Edwin. | 0:14:39 | 0:14:41 | |
Edwin what? | 0:14:41 | 0:14:43 | |
Let's see, shall we? | 0:14:43 | 0:14:44 | |
Oh. | 0:14:44 | 0:14:46 | |
GASPS | 0:14:46 | 0:14:47 | |
And the astounding Edwin Sleight. | 0:14:52 | 0:14:55 | |
BOTH: Godspeed. God bless. | 0:14:55 | 0:14:58 | |
To you all, good night! | 0:14:58 | 0:15:01 | |
CHEERING AND APPLAUSE | 0:15:01 | 0:15:04 | |
Did they...? | 0:15:09 | 0:15:11 | |
- Did they really just...? - I think they did. | 0:15:11 | 0:15:13 | |
Is it always like this? | 0:15:14 | 0:15:16 | |
Hm? Oh, yes, yes. | 0:15:16 | 0:15:18 | |
Every audience is, er... | 0:15:18 | 0:15:21 | |
Well, there's always variations. | 0:15:21 | 0:15:23 | |
Is it customary to...? Shall we toast? | 0:15:23 | 0:15:26 | |
Oh, are there people we're meant to see? | 0:15:26 | 0:15:29 | |
Will they want to see us, the people? | 0:15:29 | 0:15:32 | |
I'm not sure which people exactly, but... | 0:15:32 | 0:15:34 | |
Yes, there may very well be people. | 0:15:34 | 0:15:37 | |
And would they want us to...? | 0:15:37 | 0:15:39 | |
Oh. Oh, do you think maybe there aren't people? | 0:15:40 | 0:15:44 | |
It's very hard to say, really. Maybe we maintained a sense of illusion. | 0:15:44 | 0:15:49 | |
A mystique, if we... | 0:15:49 | 0:15:52 | |
A little mystique never hurt anyone. | 0:15:52 | 0:15:54 | |
Precisely. | 0:15:54 | 0:15:55 | |
Well, good night, Mr Sleight. | 0:15:55 | 0:15:58 | |
Good night, Miss Hand. | 0:15:59 | 0:16:02 | |
Good night! | 0:16:02 | 0:16:03 | |
Extra, extra, see the stunts of our magic duo! | 0:16:04 | 0:16:07 | |
Sleight and Hand leave London spellbound. | 0:16:07 | 0:16:10 | |
Most enchanting evening. | 0:16:10 | 0:16:11 | |
You'll laugh, you'll gasp, you won't believe your eyes. | 0:16:11 | 0:16:15 | |
Three dead in Cheapside fire. | 0:16:15 | 0:16:17 | |
- Huh? - I mean, | 0:16:17 | 0:16:18 | |
double the delight with new illusion show. | 0:16:18 | 0:16:21 | |
Oh, success, it seemed, was to come overnight. | 0:16:21 | 0:16:24 | |
As if it could come in any other way. | 0:16:24 | 0:16:27 | |
This was the night the city could not sleep. | 0:16:27 | 0:16:29 | |
Its mind still racing from the wonders it had seen. | 0:16:29 | 0:16:32 | |
No rest for Edwin or Iphigenia either. | 0:16:32 | 0:16:35 | |
And now this worry had kept them from their beds. | 0:16:35 | 0:16:37 | |
A worry they now discovered to be joyously unfounded. | 0:16:37 | 0:16:41 | |
And as yet unknown to them, another figure stalked the moonlight. | 0:16:41 | 0:16:45 | |
Footfalls, soft as shadows, their actions no less impossible. | 0:16:45 | 0:16:49 | |
But thanks to the antics of the Playhouse, | 0:16:49 | 0:16:51 | |
had been pushed from the front page. | 0:16:51 | 0:16:53 | |
Jewel thief strikes city! | 0:16:53 | 0:16:55 | |
Diamonds disappear from the duchess's ball. | 0:16:55 | 0:16:58 | |
No connection. None to the untrained eye. | 0:16:58 | 0:17:01 | |
But those of Scotland Yard | 0:17:01 | 0:17:02 | |
build their careers from joining unexpected dots. | 0:17:02 | 0:17:06 | |
And the following morning, Edwin and Iphigenia | 0:17:06 | 0:17:09 | |
were to receive an unexpected visit. | 0:17:09 | 0:17:11 | |
Oh. | 0:17:11 | 0:17:13 | |
Jeremy. | 0:17:13 | 0:17:14 | |
A g-g-gentleman to see you, sir. | 0:17:14 | 0:17:17 | |
- A gentleman? - Y-Y-Yes, sir. | 0:17:17 | 0:17:19 | |
An inspector, sir, from S-S-Scotland Y-Yard. | 0:17:19 | 0:17:23 | |
Oh, well, send him in, send him in. | 0:17:23 | 0:17:26 | |
Y-Y-Yes, sir. | 0:17:26 | 0:17:27 | |
- Mr Sleight? - Yes. | 0:17:31 | 0:17:33 | |
Inspector McCaffrey. | 0:17:33 | 0:17:36 | |
Scotland Yard. | 0:17:36 | 0:17:38 | |
What can I do for you, Inspector? | 0:17:38 | 0:17:41 | |
Well, sir, that rather remains to be seen. | 0:17:41 | 0:17:44 | |
Perhaps it would be better if I could speak to you both at once. | 0:17:44 | 0:17:48 | |
Your good self and your partner. | 0:17:48 | 0:17:51 | |
- My partner? - A Miss Hand? | 0:17:51 | 0:17:53 | |
Oh, my assistant. | 0:17:53 | 0:17:55 | |
Your partner, yes. | 0:17:55 | 0:17:57 | |
Of course. Er, Miss Hand? | 0:17:57 | 0:18:00 | |
Miss Hand. | 0:18:01 | 0:18:03 | |
Well, I'm sure she's here somewhere. | 0:18:03 | 0:18:06 | |
Please, take a seat. | 0:18:06 | 0:18:08 | |
- Thank you. - You called? | 0:18:09 | 0:18:11 | |
Oh, Miss Hand. | 0:18:11 | 0:18:14 | |
Inspector McCaffrey. | 0:18:14 | 0:18:16 | |
Iphigenia Hand. It's a pleasure. | 0:18:17 | 0:18:20 | |
The inspector has come from Scotland Yard. | 0:18:20 | 0:18:22 | |
Oh, my. No problems here, I trust. | 0:18:22 | 0:18:25 | |
No, ma'am, quite the opposite, in fact. | 0:18:25 | 0:18:28 | |
The opposite? I'm afraid I don't understand. | 0:18:28 | 0:18:32 | |
Did something happen last night at the theatre? | 0:18:32 | 0:18:35 | |
Not at the theatre, no. | 0:18:35 | 0:18:37 | |
Oh, well, I must say, you're being very mysterious, Inspector. | 0:18:37 | 0:18:41 | |
Edwin, don't be rude. | 0:18:41 | 0:18:43 | |
I assure you, sir, that was not my intent. | 0:18:43 | 0:18:47 | |
Of course it wasn't. Can we get you anything, Inspector? Tea? | 0:18:47 | 0:18:51 | |
Oh, no. | 0:18:51 | 0:18:52 | |
Not if it's any bother. | 0:18:52 | 0:18:54 | |
No, it's no bother at all. Percy, Percy! | 0:18:54 | 0:18:57 | |
- I don't think Percy is in today. - Oh, of course not. | 0:18:57 | 0:19:02 | |
Doris? | 0:19:03 | 0:19:05 | |
Right... | 0:19:07 | 0:19:08 | |
- Yes, Miss? - Tea for three, please. | 0:19:19 | 0:19:21 | |
Of course, Miss. Sugar, Inspector? | 0:19:21 | 0:19:24 | |
- No, thank you. - Any cakes, Miss? | 0:19:25 | 0:19:27 | |
No, thank you, Doris. | 0:19:27 | 0:19:30 | |
Any cakes for you, Inspector? | 0:19:30 | 0:19:33 | |
- No, thank you. - Righto. | 0:19:33 | 0:19:35 | |
Oh, any scones for you? | 0:19:35 | 0:19:36 | |
That will be all, thank you, Doris. | 0:19:36 | 0:19:38 | |
Of course, Miss, thank you, Miss. | 0:19:38 | 0:19:41 | |
Thank you, Inspector. | 0:19:41 | 0:19:42 | |
Thank you, Doris. | 0:19:43 | 0:19:45 | |
Wonderful. So, if we are all settled... | 0:19:45 | 0:19:48 | |
Yes, Inspector, what exactly brings you here? | 0:19:48 | 0:19:51 | |
A request for your expertise. | 0:19:51 | 0:19:53 | |
Not made by us, I feel duty bound to add, | 0:19:53 | 0:19:56 | |
but a direct appeal from the Duchess of Bedford herself. | 0:19:56 | 0:20:00 | |
- From who? - The Duchess of Bedford. | 0:20:00 | 0:20:01 | |
Oh, gosh, I remember, dreadful woman, awful, | 0:20:01 | 0:20:04 | |
likes to patronise the Playhouse at their fundraising galas | 0:20:04 | 0:20:07 | |
with "patronise" being the operative word. | 0:20:07 | 0:20:10 | |
Aye, sir. Then you might also know | 0:20:10 | 0:20:12 | |
that dreadful woman's patronage | 0:20:12 | 0:20:14 | |
is the only thing keeping this theatre open. | 0:20:14 | 0:20:17 | |
- So, here we are. - My apologies, Inspector. | 0:20:17 | 0:20:21 | |
Do go on. | 0:20:21 | 0:20:23 | |
You said she requested our expertise. | 0:20:23 | 0:20:25 | |
Aye, Miss. | 0:20:25 | 0:20:26 | |
Last night, I'm sure you're aware, | 0:20:26 | 0:20:29 | |
was the Duchess's annual Michaelmas Ball. | 0:20:29 | 0:20:32 | |
- Of course. - We talk of little else. | 0:20:32 | 0:20:34 | |
And no doubt you'll also know she was taking the opportunity | 0:20:34 | 0:20:38 | |
to showcase the priceless Monta Rosa Diamond. | 0:20:38 | 0:20:42 | |
Long thought lost, recently discovered | 0:20:42 | 0:20:44 | |
and now vanished once again. | 0:20:44 | 0:20:47 | |
- Vanished? - You mean stolen. | 0:20:47 | 0:20:49 | |
Perhaps, ma'am. But most certainly magicked away. | 0:20:49 | 0:20:54 | |
And that of course is where you come in. | 0:20:54 | 0:20:57 | |
My word! | 0:20:57 | 0:20:59 | |
You can't think us responsible? | 0:20:59 | 0:21:01 | |
No, sir, in fact, "who" is not the question at all, but rather "how". | 0:21:01 | 0:21:06 | |
And that is why the Duchess wanted you, as experts in the impossible. | 0:21:06 | 0:21:11 | |
Oh, well, you flatter us, Inspector. | 0:21:11 | 0:21:14 | |
Please, carry on. | 0:21:14 | 0:21:16 | |
Thank you. As I say, the culprit is no great mystery at all. | 0:21:16 | 0:21:21 | |
She even left a calling card. | 0:21:21 | 0:21:24 | |
The Lady Electra, gentle woman thief. | 0:21:24 | 0:21:26 | |
Oh, thank you, Inspector. | 0:21:26 | 0:21:28 | |
It's a pleasure, Inspector. | 0:21:28 | 0:21:30 | |
But how? How is the question at hand. | 0:21:30 | 0:21:33 | |
During the daytime, the jewels are locked behind six inches of steel | 0:21:33 | 0:21:38 | |
and guarded by men with iron rods, Inspector. | 0:21:38 | 0:21:41 | |
Inspector, the jewel itself is set in a silver necklace, | 0:21:41 | 0:21:45 | |
sealed in an airtight glass case | 0:21:45 | 0:21:47 | |
and flanked by two stout guards that never leave its side. | 0:21:47 | 0:21:51 | |
- Isn't that right, Inspector? - Absolutely, Inspector. | 0:21:51 | 0:21:55 | |
The evening goes without a hitch | 0:21:55 | 0:21:57 | |
until finally the Duchess ascends the grand staircase | 0:21:57 | 0:22:00 | |
ready to raise a glass, thank her guests and bid all a good night. | 0:22:00 | 0:22:04 | |
But before she can speak, suddenly someone cries out... | 0:22:04 | 0:22:07 | |
Do you have the transcript, Inspector? | 0:22:07 | 0:22:09 | |
Indeed I do, Inspector. | 0:22:09 | 0:22:11 | |
The jewels, they cry. Look at the diamond. | 0:22:11 | 0:22:14 | |
And there it is, still within its glass case, but now glowing | 0:22:14 | 0:22:17 | |
bright and hot-cold, bright as the fires of hell themselves. | 0:22:17 | 0:22:22 | |
- The Duchess screams. - Aargh! | 0:22:22 | 0:22:23 | |
Panic descends, but after a minute or two, the flame dies out, | 0:22:23 | 0:22:28 | |
the glass case filled with smoke, but otherwise unharmed. | 0:22:28 | 0:22:32 | |
And then the key... | 0:22:32 | 0:22:34 | |
That's right, the key is fixed. | 0:22:34 | 0:22:36 | |
The one key that has been held by the Duchess all evening. | 0:22:36 | 0:22:39 | |
The case is flung open. A cloud of noxious gases belch out. | 0:22:39 | 0:22:44 | |
The smoke clears and there within | 0:22:44 | 0:22:46 | |
the twisted remnants of the silver casing, | 0:22:46 | 0:22:48 | |
but the diamond nowhere to be seen! | 0:22:48 | 0:22:51 | |
- Gosh! - Very thorough, Inspective. | 0:22:51 | 0:22:55 | |
Inspect-or. | 0:22:55 | 0:22:57 | |
Inspector. | 0:22:57 | 0:22:58 | |
Well, we'll see what we can do. | 0:22:58 | 0:23:01 | |
Truth be told, the Monte Rosa was no stranger to mayhem and mystery. | 0:23:01 | 0:23:06 | |
Magic flowed through it as much as it did through | 0:23:06 | 0:23:08 | |
the veins of Edwin or Iphigenia. | 0:23:08 | 0:23:09 | |
An observation the likes of which Mr Sleight was wont to make, | 0:23:09 | 0:23:13 | |
receiving sage nods and considered hummings from the constabulary. | 0:23:13 | 0:23:17 | |
And yet when Miss Hand was unfortunate enough to comment... | 0:23:17 | 0:23:21 | |
SHE CHUCKLES Hardly surprising! | 0:23:21 | 0:23:23 | |
Of course, I'm sure you must have heard the damn jewel is cursed. | 0:23:23 | 0:23:27 | |
Cursed, ma'am? | 0:23:27 | 0:23:28 | |
Well, that's what they say, isn't it? | 0:23:28 | 0:23:30 | |
I assure you, Miss, that is not what they say at the Yard. | 0:23:30 | 0:23:34 | |
Oh, well, I only meant that, of course, I don't believe... | 0:23:34 | 0:23:37 | |
Please! There's no need to get hysterical. | 0:23:37 | 0:23:40 | |
I am NOT getting...! | 0:23:40 | 0:23:41 | |
Calm yourself, woman! | 0:23:41 | 0:23:42 | |
Can you believe that? | 0:23:44 | 0:23:45 | |
You really needn't worry, Inspector... | 0:23:45 | 0:23:48 | |
All this conjuring talk, sir, it befuddles the enfeebled female mind. | 0:23:48 | 0:23:51 | |
Oh, that's not my experience, Inspector. | 0:23:51 | 0:23:54 | |
But hard for you to see it, sir! A great man such as yourself. | 0:23:54 | 0:23:58 | |
Oh, well, that's very kind of you to say so, Inspector. | 0:23:58 | 0:24:01 | |
But they're talking of women in the Force these days! | 0:24:01 | 0:24:03 | |
If you believe it. | 0:24:03 | 0:24:04 | |
But this is the modern age we live in. | 0:24:04 | 0:24:07 | |
Do you know, I once saw a horse that was taught to perform calculus. | 0:24:07 | 0:24:12 | |
No, sir?! Is that so, sir? | 0:24:12 | 0:24:14 | |
I swear it. Barnstaple, I think was. | 0:24:14 | 0:24:17 | |
And you saw it with your own eyes? | 0:24:17 | 0:24:19 | |
Indeed. | 0:24:19 | 0:24:20 | |
Straight from the horse's mouth. | 0:24:20 | 0:24:22 | |
CHUCKLING | 0:24:22 | 0:24:24 | |
Gentlemen! | 0:24:24 | 0:24:26 | |
Whoo... Erm... | 0:24:26 | 0:24:28 | |
Don't you worry your pretty little self about it, Miss. | 0:24:28 | 0:24:31 | |
We'll get to the bottom of this in a jiffy. | 0:24:31 | 0:24:34 | |
And they were not to hear from the inspector again for quite some time. | 0:24:34 | 0:24:39 | |
Indeed. | 0:24:39 | 0:24:40 | |
Yes... | 0:24:40 | 0:24:42 | |
Such exchanges were not uncommon for the young Iphigenia... | 0:24:42 | 0:24:47 | |
Cursed as she was with the twin afflictions of youth and beauty. | 0:24:47 | 0:24:52 | |
Truly fatal to the fairer sex. | 0:24:52 | 0:24:54 | |
And though such sleights still smarted, | 0:24:54 | 0:24:57 | |
they would not distract her from the task at hand. | 0:24:57 | 0:25:00 | |
Oh, that's very good. | 0:25:00 | 0:25:02 | |
"Sleights", "at hand". | 0:25:02 | 0:25:04 | |
It was funny, because you're... | 0:25:04 | 0:25:06 | |
- Mm. - And I'm... | 0:25:06 | 0:25:07 | |
- Oh. - Oh, never mind. | 0:25:07 | 0:25:08 | |
No, er... Nothing was to distract her from... | 0:25:08 | 0:25:11 | |
- The diamond! - The diamond, yes. | 0:25:11 | 0:25:13 | |
The Monte Rosa diamond. | 0:25:13 | 0:25:16 | |
TING! | 0:25:16 | 0:25:17 | |
More information was required - that much was clear. | 0:25:17 | 0:25:20 | |
And so... | 0:25:20 | 0:25:21 | |
a visit was planned to the grieving duchess, | 0:25:21 | 0:25:24 | |
still inconsolable at her loss. | 0:25:24 | 0:25:27 | |
Perhaps you might wait outside for this one, Miss Hand. | 0:25:27 | 0:25:31 | |
No need for us both to go in. | 0:25:31 | 0:25:33 | |
I thought you couldn't stand her. | 0:25:33 | 0:25:34 | |
No, but given the circumstances... | 0:25:34 | 0:25:36 | |
What circumstances? | 0:25:36 | 0:25:37 | |
It might just be easier if I were to - | 0:25:37 | 0:25:40 | |
alone, it would enable you to... | 0:25:40 | 0:25:43 | |
You would be available to be the... | 0:25:43 | 0:25:45 | |
Please, Mr Sleight, I insist. | 0:25:45 | 0:25:47 | |
You Ladyship! | 0:25:47 | 0:25:51 | |
Coming! | 0:25:51 | 0:25:52 | |
Thank you so much for meeting me. | 0:25:59 | 0:26:01 | |
Oh, er, not at all, Miss...? | 0:26:01 | 0:26:03 | |
Hand. Miss Iphigenia Hand. | 0:26:03 | 0:26:07 | |
It's an honour, ma'am. | 0:26:07 | 0:26:08 | |
I must say, I was hoping to speak to your superior - | 0:26:08 | 0:26:12 | |
Mr Sleight. | 0:26:12 | 0:26:14 | |
He sends his apologies. | 0:26:14 | 0:26:16 | |
Yes. | 0:26:16 | 0:26:17 | |
I'm sure he's very sorry indeed. | 0:26:17 | 0:26:20 | |
Maybe we could begin with... | 0:26:20 | 0:26:22 | |
Such a charming man. | 0:26:22 | 0:26:23 | |
Yes. Now, to begin, if I could ask you about the... | 0:26:23 | 0:26:27 | |
And SO handsome. | 0:26:27 | 0:26:30 | |
If we could just focus on the diamond, your Ladyship. | 0:26:30 | 0:26:33 | |
Oh, as you wish. | 0:26:33 | 0:26:34 | |
Perhaps we could go right back to the very beginning. | 0:26:34 | 0:26:38 | |
The beginning? | 0:26:38 | 0:26:39 | |
If you could. And please don't leave anything out. | 0:26:39 | 0:26:42 | |
Ah, very well, then. | 0:26:42 | 0:26:44 | |
The beginning. | 0:26:44 | 0:26:46 | |
Why, that takes us back almost a hundred years. | 0:26:46 | 0:26:48 | |
1754, that's when the jewel first came to my family - | 0:26:48 | 0:26:52 | |
or back 500 more if you want the very start. | 0:26:52 | 0:26:55 | |
That's when the natives first discovered it. | 0:26:55 | 0:26:57 | |
And of course they'd been hacking each other apart over it ever since. | 0:26:57 | 0:27:01 | |
All that changed once my great-grandfather came along. | 0:27:01 | 0:27:04 | |
He struck some landmark deal with the East India Company, | 0:27:04 | 0:27:07 | |
and it was his reward. | 0:27:07 | 0:27:08 | |
- And... - Well, yes, of course it upset them. | 0:27:08 | 0:27:10 | |
Greatly peeved the local Maha-whatsit, their ruling chappie. | 0:27:10 | 0:27:13 | |
But you can't make an empire without breaking heads. | 0:27:13 | 0:27:16 | |
Oh, they... | 0:27:16 | 0:27:17 | |
..did have rather an odd name for it, yes, you're absolutely right. | 0:27:17 | 0:27:21 | |
The Blood Rock, | 0:27:21 | 0:27:22 | |
on account of all those lives lost, | 0:27:22 | 0:27:24 | |
and the reddish hue the stone possesses. | 0:27:24 | 0:27:27 | |
If I could... | 0:27:27 | 0:27:28 | |
I agree, it looks far more pink to me, too. | 0:27:28 | 0:27:30 | |
It was my great-grandfather who re-christened it the Monte Rosa | 0:27:30 | 0:27:33 | |
and had it reset. | 0:27:33 | 0:27:35 | |
A far more civilised title, I'm sure you'll agree. | 0:27:35 | 0:27:38 | |
- But... - Then it disappeared, yes. | 0:27:38 | 0:27:40 | |
The curse, they called it. Seems no family could hold on to it for long. | 0:27:40 | 0:27:45 | |
Lost at sea somewhere in the South Atlantic in a great storm | 0:27:45 | 0:27:48 | |
- some five years later. - But... | 0:27:48 | 0:27:51 | |
My great-grandfather sunk with it, that's right. | 0:27:51 | 0:27:53 | |
Though why you dwell so callously on such tragedy is beyond me! | 0:27:53 | 0:27:57 | |
- If I could... - Oh, very well. | 0:27:57 | 0:27:58 | |
- I accept your apology. - Oh, I... | 0:27:58 | 0:28:00 | |
And don't grovel, girl, it's quite unseemly. | 0:28:00 | 0:28:02 | |
- But... - And don't rush me, either. | 0:28:02 | 0:28:05 | |
Besides, that was the last anyone heard of it for almost a century. | 0:28:05 | 0:28:09 | |
Until, quite out of the blue, | 0:28:09 | 0:28:12 | |
a merchant sailor called at the door and requested an audience. | 0:28:12 | 0:28:16 | |
He'd been trawling for his own lost cargo, | 0:28:16 | 0:28:19 | |
and by some inexplicable stroke of fortune | 0:28:19 | 0:28:22 | |
had discovered the stone instead. | 0:28:22 | 0:28:25 | |
His cousin was a jeweller, you see, | 0:28:25 | 0:28:26 | |
and he recognised the locket | 0:28:26 | 0:28:28 | |
from some old sketches we'd had made at the time - | 0:28:28 | 0:28:31 | |
sketches I knew only too well. | 0:28:31 | 0:28:34 | |
- But... - Of course I didn't buy it from him! | 0:28:34 | 0:28:36 | |
The jewel was mine to begin with. | 0:28:36 | 0:28:37 | |
He was happy enough to hand it over. | 0:28:37 | 0:28:39 | |
He did suggest I could make some charitable donation as thanks, | 0:28:39 | 0:28:42 | |
should I feel so inclined. | 0:28:42 | 0:28:44 | |
And now, after all this mess, I thank the Lord I have not. | 0:28:44 | 0:28:46 | |
- And even... - Miss Hand! | 0:28:46 | 0:28:48 | |
Do not dare presume to put words in my mouth. | 0:28:48 | 0:28:51 | |
Your dashing superior Mr Sleight would never be so contemptuous. | 0:28:51 | 0:28:56 | |
- I... - Do be sure to send HIM next time. | 0:28:56 | 0:28:59 | |
- If I could... - Excuses, excuses. | 0:28:59 | 0:29:01 | |
And don't forget, Miss Hand, | 0:29:01 | 0:29:02 | |
it is my good fortune that directly funds yours. | 0:29:02 | 0:29:06 | |
Should you wish to continue with your little performances at the | 0:29:06 | 0:29:09 | |
theatre, I'd suggest this mystery is solved as quickly...as... | 0:29:09 | 0:29:14 | |
possible. | 0:29:14 | 0:29:15 | |
- Of course, and... - Nothing else mysterious about it, | 0:29:15 | 0:29:18 | |
no. Except for the box, I suppose. | 0:29:18 | 0:29:21 | |
The box? AUDIENCE EXCLAIMS AND APPLAUDS | 0:29:21 | 0:29:24 | |
Just an ordinary box. | 0:29:24 | 0:29:27 | |
An absolutely ordinary box, Mr Sleight. | 0:29:27 | 0:29:30 | |
And if you could demonstrate that for us, Miss Hand. | 0:29:30 | 0:29:34 | |
With...pleasure. | 0:29:34 | 0:29:36 | |
WOLF WHISTLE | 0:29:36 | 0:29:37 | |
And it was in such a box that Her Ladyship received the diamond. | 0:29:37 | 0:29:42 | |
A very similar box, Mr Sleight. | 0:29:42 | 0:29:45 | |
A box especially constructed for the purpose. | 0:29:45 | 0:29:48 | |
The purpose of protection? | 0:29:48 | 0:29:50 | |
Indeed. | 0:29:50 | 0:29:51 | |
Observe, if you will, the delicate filigree that surrounds the stone. | 0:29:51 | 0:29:55 | |
To prevent oxidisation, | 0:29:55 | 0:29:57 | |
the jewels are hermetically sealed within the case. | 0:29:57 | 0:30:00 | |
Quite impenetrable. | 0:30:03 | 0:30:05 | |
Unquestionably impenetrable, Mr Sleight. | 0:30:05 | 0:30:08 | |
And yet one need only say the magic words... | 0:30:08 | 0:30:10 | |
Grand Larceny! | 0:30:10 | 0:30:12 | |
A-a-a-and... | 0:30:12 | 0:30:16 | |
SHE GASPS | 0:30:16 | 0:30:17 | |
The diamond is nowhere to be seen. | 0:30:17 | 0:30:19 | |
APPLAUSE | 0:30:19 | 0:30:21 | |
Very impressive, Mr Sleight. | 0:30:21 | 0:30:24 | |
But this is just a trick, after all. | 0:30:24 | 0:30:26 | |
An illusion, Inspector. | 0:30:26 | 0:30:28 | |
And the Duchess' box was nothing like this one. | 0:30:28 | 0:30:31 | |
For illustrative purposes only. | 0:30:31 | 0:30:33 | |
We tore the original apart - | 0:30:33 | 0:30:35 | |
had our best men deconstructing it piece by piece. | 0:30:35 | 0:30:38 | |
No mirrors, no hidden compartments, no jewel, sir, | 0:30:38 | 0:30:43 | |
lodged in any deep corner. | 0:30:43 | 0:30:45 | |
Any secrets, we would have discovered them. | 0:30:45 | 0:30:47 | |
There WAS something unusual, though, wasn't there, Inspector? | 0:30:47 | 0:30:51 | |
In the base. | 0:30:51 | 0:30:52 | |
Canisters, grilles - a ventilation system, | 0:30:52 | 0:30:55 | |
all to do with protecting the silver. | 0:30:55 | 0:30:58 | |
The Duchess had it all explained to her - | 0:30:58 | 0:31:00 | |
it's to do with moisture or air pressure, or...ugh. | 0:31:00 | 0:31:04 | |
Unusual, yes, but nothing untoward about it. | 0:31:04 | 0:31:08 | |
If you insist, Inspector. | 0:31:08 | 0:31:10 | |
But if you'll indulge me, | 0:31:10 | 0:31:11 | |
would you like to see another disappearing trick? | 0:31:11 | 0:31:14 | |
You're indulged, sir. | 0:31:14 | 0:31:15 | |
Observe. | 0:31:15 | 0:31:17 | |
Have you lost your senses?! | 0:31:25 | 0:31:27 | |
Mm! Delicious. | 0:31:27 | 0:31:29 | |
To solve this mystery, Inspector, you needn't consult jewellers, | 0:31:29 | 0:31:32 | |
boxmakers or even magicians - | 0:31:32 | 0:31:35 | |
merely your local confectioner. | 0:31:35 | 0:31:38 | |
A boiled sweet - that was Mr Sleight's theory. | 0:31:38 | 0:31:42 | |
Sugar, treated correctly - heated correctly, worked with - | 0:31:42 | 0:31:45 | |
at a precise temperature, could set clear as glass. | 0:31:45 | 0:31:49 | |
Clear as diamond, should it not be handled too closely. | 0:31:49 | 0:31:53 | |
The case, then, was a double blessing. | 0:31:53 | 0:31:55 | |
It prevented any nearby from getting sticky fingers, | 0:31:55 | 0:31:58 | |
but also, in his opinion, held the secret to the jewel's disappearance. | 0:31:58 | 0:32:03 | |
The base did not remove moisture, | 0:32:03 | 0:32:06 | |
but could deliver a jet of superheated steam | 0:32:06 | 0:32:09 | |
from the canisters - | 0:32:09 | 0:32:10 | |
enough to dissolve all trace of the sugar diamond. | 0:32:10 | 0:32:13 | |
The real jewel, of course, having been switched at some earlier date. | 0:32:13 | 0:32:17 | |
Edwin, ever impressed by his own genius, | 0:32:17 | 0:32:20 | |
expected nothing but slack-jawed admiration from the Yard, | 0:32:20 | 0:32:24 | |
music to his ears - to be told... | 0:32:24 | 0:32:26 | |
Utter codswallop, sir, of the highest order. | 0:32:26 | 0:32:29 | |
Edwin was given no further opportunity | 0:32:29 | 0:32:31 | |
to explain or finesse his theory, | 0:32:31 | 0:32:34 | |
and quite unceremoniously was informed... | 0:32:34 | 0:32:37 | |
Duchess or no, your services are no longer required. | 0:32:37 | 0:32:41 | |
Despite the mystery remaining resolutely unsolved. | 0:32:41 | 0:32:44 | |
And yet... | 0:32:44 | 0:32:46 | |
A...letter for you, Inspector. | 0:32:46 | 0:32:49 | |
- It's-It's just come through. - Where from? | 0:32:49 | 0:32:51 | |
Oh, erm, no address, Inspector. | 0:32:51 | 0:32:53 | |
It's quite mysterious, sir, you'll want to hear this. | 0:32:53 | 0:32:56 | |
Well, go ahead then, lad. | 0:32:56 | 0:32:58 | |
"Dear Inspector, | 0:32:58 | 0:33:00 | |
"your magical consort hit closer to home than you might expect. | 0:33:00 | 0:33:05 | |
"Of course, the first amongst us to sugar the pill were chemists, | 0:33:05 | 0:33:08 | |
"not confectioners. | 0:33:08 | 0:33:10 | |
"A way of making their medicines more palatable. | 0:33:10 | 0:33:13 | |
"But to swallow this story you'll need an iron stomach - | 0:33:13 | 0:33:15 | |
"not just a sweet tooth. | 0:33:15 | 0:33:17 | |
"Potassium, sir, looks just like tarnished silver when freshly cut, | 0:33:17 | 0:33:21 | |
"but it's far more volatile a thing. | 0:33:21 | 0:33:23 | |
"Exposed to water, it burns - blazes like the sun, | 0:33:23 | 0:33:27 | |
"quite hot enough to melt your sugar crystal in a matter of moments. | 0:33:27 | 0:33:32 | |
"Your most humble of servants, | 0:33:32 | 0:33:34 | |
"Gaslight Jackson." | 0:33:34 | 0:33:37 | |
Gaslight Jackson? | 0:33:37 | 0:33:39 | |
What kind of a ludicrous name is that? | 0:33:39 | 0:33:42 | |
Well... | 0:33:42 | 0:33:44 | |
"Gaslight Jackson - | 0:33:44 | 0:33:46 | |
"lantern-jawed, steely-eyed scourge of villainy." Huh! | 0:33:46 | 0:33:51 | |
"A blazing beacon of insight and ingenuity." | 0:33:51 | 0:33:54 | |
Is that really what it says? | 0:33:54 | 0:33:57 | |
Lantern-jawed and steely-eyed? | 0:33:57 | 0:33:59 | |
Except, of course, he's never been seen without his mask. | 0:33:59 | 0:34:02 | |
Or any closer than a hundred yards away. | 0:34:02 | 0:34:04 | |
- Must be a most penetrative gaze. - Indeed. | 0:34:04 | 0:34:08 | |
"6'6" at least, gravel-toned..." | 0:34:08 | 0:34:12 | |
Steel AND gravel? | 0:34:12 | 0:34:13 | |
"..and a rugged, craggy..." | 0:34:13 | 0:34:15 | |
Is this a character sketch or a geological survey? | 0:34:15 | 0:34:18 | |
Your point, Miss Hand? | 0:34:18 | 0:34:20 | |
Well, it's absurd, isn't it? | 0:34:20 | 0:34:22 | |
These fantasies the press creates. | 0:34:22 | 0:34:26 | |
He could be a hunchbacked oaf or a pimple-faced schoolboy | 0:34:26 | 0:34:29 | |
for all we know. | 0:34:29 | 0:34:30 | |
Yes, or lantern-jawed and steely-eyed. | 0:34:30 | 0:34:32 | |
I suppose. | 0:34:32 | 0:34:34 | |
Whoever he is, most fortunate he should arrive to save the day | 0:34:34 | 0:34:37 | |
just as the Yard and the Duchess were losing patience with us. | 0:34:37 | 0:34:41 | |
His reasoning seemed much the along the same lines as yours. | 0:34:41 | 0:34:44 | |
Yes, most fortunate indeed. | 0:34:44 | 0:34:46 | |
Nothing, of course, compared to... | 0:34:46 | 0:34:49 | |
"The Lady Electra, | 0:34:49 | 0:34:51 | |
"gentlewoman thief. | 0:34:51 | 0:34:53 | |
"Enchanting, enigmatic, dastardly and desirable in equal measure." | 0:34:53 | 0:34:59 | |
A brilliant mind, however warped. | 0:34:59 | 0:35:02 | |
Potassium and a boiled sweet! | 0:35:02 | 0:35:05 | |
Quite remarkable, yes. | 0:35:05 | 0:35:06 | |
Your family made their money in the sugar trade, | 0:35:06 | 0:35:09 | |
did they not? SHE GULPS | 0:35:09 | 0:35:10 | |
What little they ever did. | 0:35:10 | 0:35:12 | |
Not that I would have had any notion... | 0:35:12 | 0:35:14 | |
Oh, don't apologise. | 0:35:14 | 0:35:15 | |
We both should have deduced it sooner. | 0:35:15 | 0:35:17 | |
Ingenious, all the same. | 0:35:17 | 0:35:20 | |
"The femme fatale, whose scandalous and secretive nature | 0:35:20 | 0:35:24 | |
"has led many to believe that she may be some well known - | 0:35:24 | 0:35:28 | |
"though potentially deformed - member of the aristocracy." | 0:35:28 | 0:35:32 | |
My point exactly - pure conjecture, not a shred of evidence in any of it. | 0:35:32 | 0:35:35 | |
Well, then again, you can't fault the logic. | 0:35:35 | 0:35:38 | |
Beautiful women don't hide away. | 0:35:38 | 0:35:40 | |
No - they must be seen. It is their raison d'etre to be admired, adored. | 0:35:40 | 0:35:46 | |
She is admired, is she not? | 0:35:46 | 0:35:48 | |
Yes, but not for her beauty. | 0:35:48 | 0:35:50 | |
If she were a Helen of Troy | 0:35:50 | 0:35:51 | |
she wouldn't have to go to all this trouble - | 0:35:51 | 0:35:54 | |
she'd have all the attention she needed. | 0:35:54 | 0:35:56 | |
No, believe me, I don't look unkindly upon an unattractive woman, | 0:35:56 | 0:36:00 | |
Miss Hand, for through their plainness, | 0:36:00 | 0:36:03 | |
they find a far greater motivation. | 0:36:03 | 0:36:05 | |
I'd no idea you were such an expert on the female mind. | 0:36:05 | 0:36:09 | |
No. Expert? Only an enthusiastic student. | 0:36:09 | 0:36:14 | |
Please, you needn't take offence | 0:36:14 | 0:36:16 | |
on behalf of your lesser-blessed sisters, Miss Hand. | 0:36:16 | 0:36:20 | |
Of course, this is just my point. | 0:36:20 | 0:36:23 | |
You wouldn't understand, | 0:36:23 | 0:36:24 | |
for one such as you would clearly never wear a mask. | 0:36:24 | 0:36:28 | |
You were not made for the shadows, Miss Hand. | 0:36:28 | 0:36:30 | |
What makes you so sure? | 0:36:30 | 0:36:33 | |
For one as beauteous as you... | 0:36:33 | 0:36:36 | |
So now you flatter me by saying I have no ambition? | 0:36:36 | 0:36:40 | |
That was your argument, was it not? | 0:36:40 | 0:36:41 | |
No, I...I...believe... | 0:36:41 | 0:36:43 | |
Please, much depends upon your diagnosis. | 0:36:43 | 0:36:45 | |
Am I a show pony for display | 0:36:45 | 0:36:47 | |
or an old cart horse to be trotted out to work? | 0:36:47 | 0:36:50 | |
No, I never said... | 0:36:50 | 0:36:51 | |
Shall we put ribbons in my mane or blinkers over my eyes? | 0:36:51 | 0:36:54 | |
Just so long as you may find the best use for me. | 0:36:54 | 0:36:56 | |
I-I apologise, I misspoke... | 0:36:56 | 0:36:58 | |
I am more than set dressing, am I not? | 0:36:58 | 0:37:01 | |
More than an elegant solution? | 0:37:01 | 0:37:03 | |
- Of course! - And we are partners, are we not? | 0:37:03 | 0:37:06 | |
Yes. | 0:37:06 | 0:37:07 | |
Equals? | 0:37:07 | 0:37:09 | |
Indeed. | 0:37:09 | 0:37:11 | |
And yet we are "Sleight and Hand", not "Hand and Sleight". | 0:37:11 | 0:37:15 | |
Oh, well, that's just a saying - you can't go... | 0:37:15 | 0:37:17 | |
No, because clearly one must not put the horse before the ass. | 0:37:17 | 0:37:21 | |
Oh, please...! | 0:37:21 | 0:37:22 | |
I think I might have an early night. | 0:37:22 | 0:37:24 | |
Wouldn't want to look too tired for the crowds, after all. | 0:37:24 | 0:37:27 | |
Unforgivable, in my position. | 0:37:27 | 0:37:29 | |
Ugh! Good night... | 0:37:30 | 0:37:32 | |
Mr Sleight. | 0:37:32 | 0:37:34 | |
Good night, Miss Hand. | 0:37:34 | 0:37:37 | |
RAIN PATTERS | 0:37:37 | 0:37:38 | |
HE SIGHS | 0:37:38 | 0:37:39 | |
Tensions grew between HAND and SLEIGHT. | 0:37:41 | 0:37:46 | |
And soon their bickering began to make its way on stage. | 0:37:46 | 0:37:50 | |
PIANO PLAYS | 0:37:50 | 0:37:52 | |
APPLAUSE | 0:37:52 | 0:37:53 | |
If men be truly gentle and heedful of their ladies' need... | 0:37:55 | 0:37:58 | |
And what need would that be, Mr Sleight? | 0:37:58 | 0:38:00 | |
With tempers temperamental, pray caution now... | 0:38:00 | 0:38:04 | |
Indeed, to caution any man who deems his lady needs him. | 0:38:04 | 0:38:07 | |
Miss Hand! | 0:38:07 | 0:38:09 | |
No, call it not misandry, merely sense. | 0:38:09 | 0:38:11 | |
And ladies, vow to treat your husbands hence - | 0:38:11 | 0:38:14 | |
pray always flatter, always be demure, your triumphs his, | 0:38:14 | 0:38:18 | |
and all his fallings yours. | 0:38:18 | 0:38:19 | |
Remember, count your blessings and be sure to blow him kisses | 0:38:19 | 0:38:24 | |
as he walks out the door. | 0:38:24 | 0:38:28 | |
Ladies, I give you the housewife's delight. | 0:38:28 | 0:38:32 | |
LAUGHTER | 0:38:34 | 0:38:36 | |
You cannot just decide - you have no right! | 0:38:37 | 0:38:40 | |
The audience were entertained, were they not? | 0:38:40 | 0:38:42 | |
That does not give you carte blanche to... | 0:38:42 | 0:38:44 | |
Oh. PIANO PLAYS | 0:38:44 | 0:38:45 | |
Another trick. | 0:38:48 | 0:38:50 | |
If I could take a note from your wallet, Mr Sleight. | 0:38:50 | 0:38:53 | |
Of course, Miss Hand. | 0:38:53 | 0:38:54 | |
A trick all husbands will be familiar with. | 0:38:54 | 0:38:57 | |
In a matter of moments, she can make its entire contents disappear. | 0:38:57 | 0:39:01 | |
LAUGHTER | 0:39:01 | 0:39:03 | |
And yet I bow to the master - Mr Sleight, | 0:39:03 | 0:39:06 | |
who with his presence alone can make whole rooms of ladies... | 0:39:06 | 0:39:10 | |
vanish. LAUGHTER | 0:39:10 | 0:39:12 | |
Very good. | 0:39:12 | 0:39:13 | |
Now, for this next section of our performance, | 0:39:13 | 0:39:16 | |
it is vital that Miss Hand remains absolutely... | 0:39:16 | 0:39:19 | |
silent. | 0:39:19 | 0:39:21 | |
This has no bearing at all on the trick, | 0:39:21 | 0:39:23 | |
merely my sanity. | 0:39:23 | 0:39:25 | |
I believe what Mr Sleight means is... | 0:39:25 | 0:39:27 | |
Alas, no, it seems that would require a miracle beyond even my talents. | 0:39:27 | 0:39:31 | |
LAUGHTER | 0:39:31 | 0:39:32 | |
I...erm... | 0:39:32 | 0:39:35 | |
I...er...ooh... | 0:39:35 | 0:39:38 | |
Can it be true? | 0:39:38 | 0:39:40 | |
Ladies and gentlemen, my greatest achievement! | 0:39:40 | 0:39:45 | |
The eighth Wonder of the World, | 0:39:45 | 0:39:46 | |
a silent woman! | 0:39:46 | 0:39:48 | |
LAUGHTER | 0:39:48 | 0:39:51 | |
APPLAUSE | 0:39:51 | 0:39:52 | |
I cannot believe you. | 0:39:52 | 0:39:54 | |
The audience were entertained, were they not? | 0:39:54 | 0:39:57 | |
That is not the point! | 0:39:57 | 0:39:59 | |
Then, pray, tell me, what is, Miss Hand? | 0:39:59 | 0:40:02 | |
I will not be treated like a refuse. This can't go on! | 0:40:02 | 0:40:06 | |
I agree! I... | 0:40:06 | 0:40:08 | |
I-I... | 0:40:08 | 0:40:10 | |
SHE WEEPS | 0:40:10 | 0:40:11 | |
I do. I agree. I apologise. | 0:40:11 | 0:40:14 | |
I'm sorry, too. | 0:40:17 | 0:40:18 | |
Believe me, | 0:40:18 | 0:40:20 | |
you mean far more to me than just a mere... | 0:40:20 | 0:40:24 | |
And if I've struggled, it is only because, you... | 0:40:25 | 0:40:29 | |
Miss Hand, these past few weeks, I can tell you, | 0:40:31 | 0:40:36 | |
without any hesitation... | 0:40:36 | 0:40:39 | |
The paper, dear. I thought you'd want to see it. | 0:40:39 | 0:40:42 | |
Very well. | 0:40:43 | 0:40:44 | |
COCKNEY ACCENT: "Chaos in the capital! London, once more, | 0:40:44 | 0:40:47 | |
"thrown into turmoil by a..." | 0:40:47 | 0:40:49 | |
Iphigenia, whatever are you doing? | 0:40:49 | 0:40:52 | |
Oh, sorry, sir, I don't know what...come over me, sir. | 0:40:52 | 0:40:56 | |
Hmm. | 0:40:56 | 0:40:57 | |
Here. Let me read. | 0:40:57 | 0:40:58 | |
Eh, "..thrown into turmoil | 0:40:58 | 0:41:01 | |
"by another inexplicable act of brazen befuddlement, | 0:41:01 | 0:41:06 | |
"perpetrated by none other than the elusive..." | 0:41:06 | 0:41:09 | |
Of course! Who else?! Miss Hand! | 0:41:09 | 0:41:13 | |
Yes, Mr Sleight. | 0:41:13 | 0:41:14 | |
Oh. I believe this may interest you, as well. | 0:41:14 | 0:41:17 | |
Too kind. | 0:41:17 | 0:41:18 | |
Yes. Sleight and Hand were soon to learn that theirs were not the only | 0:41:18 | 0:41:22 | |
problems in the city. | 0:41:22 | 0:41:25 | |
Overnight, the Lady Electra had struck again and, as her notoriety | 0:41:25 | 0:41:28 | |
spread, so, too, her crimes became more ingenious, more audacious, | 0:41:28 | 0:41:33 | |
more baffling. | 0:41:33 | 0:41:34 | |
More baffling still were the nature of said crimes. | 0:41:34 | 0:41:37 | |
If you could even call them crimes, at all. | 0:41:37 | 0:41:39 | |
- Indeed. Pranks, perhaps. - Jokes. Tricks. | 0:41:39 | 0:41:42 | |
Illusions. | 0:41:42 | 0:41:43 | |
Illusions, yes. | 0:41:43 | 0:41:44 | |
And yet, an illusion suggests something unreal. | 0:41:44 | 0:41:47 | |
And while these acts were inexplicable, | 0:41:47 | 0:41:50 | |
they most certainly did occur. | 0:41:50 | 0:41:53 | |
As many would bear witness. | 0:41:53 | 0:41:56 | |
Ascot, Miss Hand! | 0:41:56 | 0:41:58 | |
The highlight of the season, Mr Sleight. | 0:41:58 | 0:42:01 | |
DISTANT THUNDER OF HOOVES | 0:42:01 | 0:42:04 | |
- The ladies in their finery. - The gentlemen in their finery. | 0:42:06 | 0:42:10 | |
- The horses in their finery. - The rabbits in their finery. | 0:42:10 | 0:42:13 | |
I beg your pardon? | 0:42:13 | 0:42:14 | |
Indeed! May I take your hat, Mr Sleight? | 0:42:14 | 0:42:17 | |
Too kind, Miss Hand. | 0:42:17 | 0:42:18 | |
So, you see, so it was when all the gentlemen in the Royal Box | 0:42:18 | 0:42:22 | |
removed them, placing each, as was the custom, upon the ledge | 0:42:22 | 0:42:26 | |
before them. | 0:42:26 | 0:42:27 | |
There was a shuffling. | 0:42:27 | 0:42:28 | |
A snuffling. | 0:42:28 | 0:42:29 | |
And to their amazement... | 0:42:29 | 0:42:31 | |
Oh, rabbits! | 0:42:31 | 0:42:32 | |
A rabbit within every one! | 0:42:32 | 0:42:35 | |
The young Queen stands, appalled by such effrontery. | 0:42:35 | 0:42:37 | |
When, quite without warning, a whole host of hares | 0:42:37 | 0:42:40 | |
dashes forth from beneath her underskirts. | 0:42:40 | 0:42:42 | |
Argh! Pandemonium ensues! | 0:42:42 | 0:42:45 | |
And when finally, one of the blighters is caught... | 0:42:45 | 0:42:48 | |
- The legend on the collar, really. - The Lady Electra declares | 0:42:48 | 0:42:51 | |
the game's afoot! | 0:42:51 | 0:42:52 | |
And again, less than a fortnight later. | 0:42:52 | 0:42:57 | |
The House of Commons, no less. | 0:42:57 | 0:42:59 | |
The usual crying and clamouring. | 0:42:59 | 0:43:01 | |
- Baying and braying. - Tears, jeers and assorted waffling. | 0:43:01 | 0:43:05 | |
- Bah! - Bah! | 0:43:05 | 0:43:07 | |
- Bah! - Ba-aah. | 0:43:07 | 0:43:09 | |
And it takes quite a while, far longer, in truth, | 0:43:09 | 0:43:12 | |
than any sane person would find credible... | 0:43:12 | 0:43:15 | |
..to find, somehow, | 0:43:15 | 0:43:17 | |
the back rows were now entirely filled with actual sheep. | 0:43:17 | 0:43:21 | |
Ba-aah. | 0:43:21 | 0:43:22 | |
Affixed to their underside a note that begs... | 0:43:22 | 0:43:24 | |
"The Lady Electra prays you pull the wool from your eyes." | 0:43:24 | 0:43:29 | |
Five nights after that, | 0:43:29 | 0:43:31 | |
at the Midas Club on Threadneedle Street. | 0:43:31 | 0:43:34 | |
Where the city's best and brightest come to lose what they can't spend | 0:43:34 | 0:43:38 | |
and win what they don't need. | 0:43:38 | 0:43:39 | |
The empty bottles worth more than most men's houses. | 0:43:39 | 0:43:43 | |
To toast their ingenuity, being blessed with such good fortune. | 0:43:43 | 0:43:47 | |
And, most of all... | 0:43:47 | 0:43:49 | |
to play cards. | 0:43:49 | 0:43:52 | |
Here, couched in dark oak and ox-blood leather, | 0:43:52 | 0:43:55 | |
hearts are broken and diamonds snatched. | 0:43:55 | 0:43:58 | |
Men are beaten the clubs or buried with spades. | 0:43:58 | 0:44:01 | |
All with the finest trappings of civilisation. | 0:44:01 | 0:44:04 | |
All to scratch the itch of want for those who want for nothing. | 0:44:04 | 0:44:07 | |
- All for the win. - Always the win. Above all things. | 0:44:07 | 0:44:11 | |
And yet, on the night in question, when their hands are dealt... | 0:44:11 | 0:44:15 | |
..each man looks to his cards... | 0:44:15 | 0:44:16 | |
- ..and feels that shiver... - ..that tingle... | 0:44:16 | 0:44:18 | |
- ..that prickling of hairs... - ..quickening of pulse... | 0:44:18 | 0:44:21 | |
- ..the thump of an animal heart | 0:44:21 | 0:44:22 | |
straining against its Savile Row straitjacket. | 0:44:22 | 0:44:25 | |
- But the face betrays nothing. - The benefits of breeding. | 0:44:25 | 0:44:28 | |
They raise and counter raise, raise and raise again. | 0:44:28 | 0:44:31 | |
Until, with a great ruddy-cheeked cry, each man declares... | 0:44:31 | 0:44:35 | |
BOTH: Royal flush! | 0:44:35 | 0:44:37 | |
..as each man lays down an identical hand. | 0:44:37 | 0:44:39 | |
- Panic! - Confusion! | 0:44:39 | 0:44:40 | |
- Accusation! - Voices raised. | 0:44:40 | 0:44:42 | |
- Tempers fraught! - Explanations demanded! | 0:44:42 | 0:44:44 | |
By men well versed in demanding them! | 0:44:44 | 0:44:45 | |
Until, in a fit of rage, | 0:44:45 | 0:44:47 | |
the expensively felted table is tipped over. | 0:44:47 | 0:44:50 | |
And there, pinned to the underside, a solitary card declares... | 0:44:50 | 0:44:53 | |
"The Lady Electra wishes you bonne chance." | 0:44:53 | 0:44:56 | |
Remarkable, I must say. Quite remarkable. | 0:44:56 | 0:45:00 | |
And yet, baffling as such acts were, they could not be impossible. | 0:45:00 | 0:45:04 | |
The notion that they might be, the only impossibility. | 0:45:04 | 0:45:08 | |
Given time, given thought, given the correct process of reason | 0:45:08 | 0:45:12 | |
and deduction, logical progression and lateral leaps... | 0:45:12 | 0:45:16 | |
..slowly but surely, the pieces would begin to fall into place - | 0:45:16 | 0:45:19 | |
if not the who or even the why, then, gradually, the how. | 0:45:19 | 0:45:23 | |
And yet, each time, just as Sleight and Hand were preparing to share | 0:45:23 | 0:45:27 | |
the brilliance of their insight with the Yard... | 0:45:27 | 0:45:30 | |
COCKNEY ACCENT: "Another letter for you, sir." | 0:45:30 | 0:45:33 | |
SCOTTISH ACCENT: "Another one?" | 0:45:33 | 0:45:34 | |
"Yes, sir, from the Gaslight gentleman, sir." | 0:45:34 | 0:45:37 | |
"Let's have it." | 0:45:37 | 0:45:39 | |
And, each time, with the same superior tone, | 0:45:39 | 0:45:41 | |
the casual genius...declaring... | 0:45:41 | 0:45:45 | |
Providing the seemingly irrelevant titbit that would somehow | 0:45:45 | 0:45:48 | |
provide the key to the whole affair, declaring... | 0:45:48 | 0:45:51 | |
"Look, Inspector, to the three | 0:45:51 | 0:45:53 | |
"newly-replaced screws in the far right corner, | 0:45:53 | 0:45:55 | |
"and the Duke of Cornwall's walnut allergy. | 0:45:55 | 0:45:57 | |
Or... | 0:45:57 | 0:45:58 | |
"Surely you haven't overlooked the June solstice? | 0:45:58 | 0:46:01 | |
"And the Right Honourable Member for Chorley East's rugby accident?" | 0:46:01 | 0:46:04 | |
Or... | 0:46:04 | 0:46:05 | |
"If your porcine officers could raise their heads from the trough | 0:46:05 | 0:46:08 | |
"for one moment they would surely realise the dealer was left-handed | 0:46:08 | 0:46:12 | |
"and the butler on duty had family visiting from Catalonia." | 0:46:12 | 0:46:16 | |
And each time the news would trickle down to Mr Sleight and... | 0:46:16 | 0:46:20 | |
Of course! | 0:46:20 | 0:46:22 | |
It's so obvious, Miss Hand, but do they listen me? | 0:46:22 | 0:46:25 | |
To us, Mr Sleight. | 0:46:25 | 0:46:26 | |
No, no, they don't listen at all. | 0:46:26 | 0:46:28 | |
It must be very frustrating to be so overlooked. | 0:46:28 | 0:46:33 | |
- Hm? Yes, you can only imagine. - Indeed I can. | 0:46:33 | 0:46:36 | |
This Gaslight Jackson - what do you make of him? | 0:46:36 | 0:46:40 | |
I don't know. I hadn't given him much thought. | 0:46:40 | 0:46:43 | |
No? Oh. As dangerous as the Lady Electra in my book. | 0:46:43 | 0:46:46 | |
And we must find both of them before the authorities do | 0:46:46 | 0:46:49 | |
if we're to retain the Duchess's support. | 0:46:49 | 0:46:52 | |
I suppose. | 0:46:52 | 0:46:53 | |
Don't you find him impressive? | 0:46:53 | 0:46:55 | |
- His insights into... - To a layman, perhaps. | 0:46:55 | 0:46:58 | |
The deductive reasoning - I'd say he's a professional. | 0:46:58 | 0:47:02 | |
Perhaps, or a hack that got lucky. | 0:47:02 | 0:47:05 | |
Time will tell, Miss Hand, time will tell. | 0:47:05 | 0:47:09 | |
Indeed it would. | 0:47:09 | 0:47:11 | |
But, for now, society buzzed with talk | 0:47:11 | 0:47:14 | |
of a second mystery woman returned to the capital. | 0:47:14 | 0:47:17 | |
Ms Amelia Arkwright. | 0:47:17 | 0:47:19 | |
The Queen of the Jungle and original girl gone wild. | 0:47:19 | 0:47:24 | |
AMERICAN ACCENT: Daughter of a mining heiress and a British ambassador. | 0:47:24 | 0:47:27 | |
Or, should one believe the rumours, | 0:47:27 | 0:47:29 | |
a Flemish privateer, an Afghan prince or the Archbishop of Canterbury. | 0:47:29 | 0:47:34 | |
Born in Shanghai, christened on the banks of the Amazon, | 0:47:34 | 0:47:37 | |
educated in the Congo. | 0:47:37 | 0:47:39 | |
Now, after 16 years in the wilderness, | 0:47:39 | 0:47:42 | |
her parents returned to London | 0:47:42 | 0:47:44 | |
and Amelia's indoctrination into polite society began in earnest. | 0:47:44 | 0:47:49 | |
The young Amelia had seen more than her fair share | 0:47:49 | 0:47:51 | |
of bizarre rituals and occult superstitions, | 0:47:51 | 0:47:55 | |
but nothing that could prepare her for negotiating the silverware | 0:47:55 | 0:47:58 | |
or passing the port at a Kensington Palace dinner. | 0:47:58 | 0:48:03 | |
But nothing gets monkey blood out of a Nepalese bridal gown! | 0:48:03 | 0:48:07 | |
Oh, I'm sorry, your Excellency, would you like a taste? | 0:48:09 | 0:48:12 | |
Of course, back in the Andes we drank it straight from the vulture's skull! | 0:48:12 | 0:48:16 | |
Amelia lasted precisely one season in the wastes of London | 0:48:16 | 0:48:21 | |
before the call of the wild grew too loud to ignore. | 0:48:21 | 0:48:24 | |
HOWLING | 0:48:24 | 0:48:26 | |
And she scurried back to the four corners of the earth | 0:48:26 | 0:48:29 | |
without so much as a backward glance. | 0:48:29 | 0:48:31 | |
SPLASHING, RAINFOREST SOUNDS | 0:48:33 | 0:48:37 | |
Now, another 16 years on, she returns for a second homecoming | 0:48:41 | 0:48:46 | |
recounting exploits and presenting artefacts at the Royal Academy. | 0:48:46 | 0:48:51 | |
And that, gentlemen, is how I came to be engaged | 0:48:51 | 0:48:54 | |
to the high shaman of the eastern plains, | 0:48:54 | 0:48:57 | |
a direct descendant of Ursa Pad - | 0:48:57 | 0:49:01 | |
the bear god of Peru. | 0:49:01 | 0:49:03 | |
"Daddy," I said, "if I wed this man I shall become a deity made flesh, | 0:49:03 | 0:49:09 | |
"the living embodiment of the eternal spirit." | 0:49:09 | 0:49:12 | |
He said, "Yes, Amelia, | 0:49:12 | 0:49:14 | |
"but if you marry an Englishman you may have the service at St Martins | 0:49:14 | 0:49:18 | |
"and your mother can serve her pink lemonade on the lawn." | 0:49:18 | 0:49:21 | |
Such are the great philosophical struggles of our age. | 0:49:21 | 0:49:24 | |
Amelia cast a strange figure at the Academy, | 0:49:24 | 0:49:27 | |
as alien in her own way as any of her keepsakes and curios, | 0:49:27 | 0:49:31 | |
the stuffed shirts and stiff lips hanging on her every word. | 0:49:31 | 0:49:35 | |
And now, gentlemen, for my final act - | 0:49:35 | 0:49:38 | |
my final exhibit, I should say - | 0:49:38 | 0:49:41 | |
I've shown you many titbits and trinkets from my travels, | 0:49:41 | 0:49:45 | |
but nothing thus far in the flesh. | 0:49:45 | 0:49:48 | |
And she gestured then | 0:49:48 | 0:49:49 | |
to a tall wooden shipping crate at the back of the room. | 0:49:49 | 0:49:53 | |
My friends, I'm afraid I just couldn't bring myself | 0:49:53 | 0:49:56 | |
to leave my love behind, and so here he is - | 0:49:56 | 0:50:00 | |
the great Ursa Pad! | 0:50:00 | 0:50:03 | |
Flinging the case open, | 0:50:04 | 0:50:06 | |
there - saints above! - is a Goliath of a man. | 0:50:06 | 0:50:08 | |
A square-jawed Incan chieftain built like a mountain. | 0:50:08 | 0:50:12 | |
Be not afraid! My gentle giant is in a deep, deep trance, | 0:50:12 | 0:50:17 | |
making him placid as the dead. | 0:50:17 | 0:50:20 | |
Amelia takes a bundle of dried herbs... | 0:50:20 | 0:50:23 | |
..singeing them on an oil lamp beside her - | 0:50:27 | 0:50:30 | |
a pungent, acrid stench beginning to fill the little room. | 0:50:30 | 0:50:34 | |
These sacred herbs are the only things to calm him. | 0:50:34 | 0:50:37 | |
Whoo-whoo-whoo! | 0:50:37 | 0:50:39 | |
Sleep well, my love. | 0:50:39 | 0:50:41 | |
And smiles benignly, despite the audience's growing alarm as... | 0:50:41 | 0:50:45 | |
HE COUGHS | 0:50:45 | 0:50:47 | |
..thick black coils of smoke begin to... | 0:50:47 | 0:50:51 | |
HE COUGHS | 0:50:51 | 0:50:52 | |
..coil out from within the packing crate as... | 0:50:52 | 0:50:56 | |
HE COUGHS | 0:50:56 | 0:50:57 | |
Er, um.... Oh, this really is quite a lot of smoke, Miss Hand. | 0:50:57 | 0:51:00 | |
Perhaps you could... | 0:51:00 | 0:51:02 | |
Gentlemen, calm yourselves. All is quite well. | 0:51:02 | 0:51:06 | |
Immolation is the very noblest end for members of the tribe, | 0:51:06 | 0:51:09 | |
and his ancestors await him. | 0:51:09 | 0:51:12 | |
But the hour grows late and I must leave you, too. | 0:51:12 | 0:51:16 | |
So, remember, if you have enjoyed yourselves this evening, | 0:51:16 | 0:51:20 | |
you have, in truth, been listening to the exploits of... | 0:51:20 | 0:51:24 | |
the Lady Electra! | 0:51:24 | 0:51:25 | |
SHE CACKLES | 0:51:25 | 0:51:27 | |
MAN: And with that, she let out a great cackle | 0:51:27 | 0:51:29 | |
and opened wide the crate door - | 0:51:29 | 0:51:31 | |
an inferno blazing within it. | 0:51:31 | 0:51:34 | |
Men would swear they saw her step inside and, smiling, | 0:51:34 | 0:51:37 | |
slam the door behind her, but in a moment she is gone. | 0:51:37 | 0:51:40 | |
A moment later and the fellows are on their feet, | 0:51:40 | 0:51:43 | |
the fire is soon stubbed out, but as they prise open | 0:51:43 | 0:51:46 | |
the warped and blackened crate, they find it... | 0:51:46 | 0:51:49 | |
empty. | 0:51:49 | 0:51:50 | |
No chieftain, no Amelia. | 0:51:50 | 0:51:54 | |
Nothing, save a few singed scraps of cloth. | 0:51:54 | 0:51:57 | |
SCOTTISH ACCENT: Right, I want a perimeter setting up | 0:51:57 | 0:52:00 | |
around this whole block. Men on every corner. | 0:52:00 | 0:52:04 | |
And will somebody please find what she's taken? | 0:52:04 | 0:52:07 | |
Mr Sleight. | 0:52:07 | 0:52:09 | |
I don't believe your presence was requested. | 0:52:09 | 0:52:11 | |
An oversight on your part, Inspector. But I'm prepared to forgive it. | 0:52:11 | 0:52:15 | |
I've got no time for you tonight. | 0:52:15 | 0:52:17 | |
Your men won't find her on the streets, you realise that? | 0:52:17 | 0:52:19 | |
And that's not where they're looking. | 0:52:19 | 0:52:21 | |
The corner of every rooftop, Mr Sleight. | 0:52:21 | 0:52:24 | |
We don't need you to solve THIS mystery. | 0:52:24 | 0:52:27 | |
We found a window ajar right behind that shipping crate | 0:52:27 | 0:52:29 | |
and a set of footprints in the snow heading out over the slate. | 0:52:29 | 0:52:33 | |
We'll have her soon enough. | 0:52:33 | 0:52:35 | |
The only thing you'll have is a bill from the Academy | 0:52:35 | 0:52:37 | |
for property damage. | 0:52:37 | 0:52:39 | |
As your men are currently discovering, | 0:52:39 | 0:52:41 | |
no-one can walk on slates that old without breaking them, | 0:52:41 | 0:52:43 | |
not if they were as light as a bird. | 0:52:43 | 0:52:45 | |
Besides which, the ice crystals show those footprints were planted | 0:52:45 | 0:52:48 | |
hours before the talk. You've been played, Inspector. | 0:52:48 | 0:52:51 | |
How else did she get out, then? There were men downstairs all evening. | 0:52:51 | 0:52:55 | |
- Quite simple. She never left. - What?! | 0:52:55 | 0:52:59 | |
Mere misdirection, Inspector. | 0:52:59 | 0:53:01 | |
I assure you, your culprit is still in the building! | 0:53:01 | 0:53:03 | |
No. She's... There's no way she could have... | 0:53:03 | 0:53:06 | |
Oh, Jesus Christ! | 0:53:06 | 0:53:08 | |
Wentworth, Martin, with me, now! | 0:53:08 | 0:53:10 | |
You're welcome, Inspector. There's really no shame in asking for help. | 0:53:10 | 0:53:15 | |
- ENGLISH ACCENT: Mr Sleight! - Miss Hand! | 0:53:18 | 0:53:21 | |
Whatever are you doing here? | 0:53:21 | 0:53:23 | |
Oh, I... I was passing by, just by chance, in fact, on my way from... | 0:53:23 | 0:53:28 | |
I heard all the commotion and slipped in downstairs. | 0:53:29 | 0:53:32 | |
- Oh. - You? | 0:53:32 | 0:53:34 | |
Yes, yes. Much the same. | 0:53:34 | 0:53:36 | |
Funny that I didn't see you when... Oh, never mind. | 0:53:36 | 0:53:40 | |
- So...care to fill me in? - The long and short of it was this. | 0:53:40 | 0:53:44 | |
No sign of the Lady Electra could be found inside or out, | 0:53:44 | 0:53:48 | |
and the constabulary were still no closer to apprehending her. | 0:53:48 | 0:53:52 | |
One matter, that of the disappearing chieftain, was resolved soon enough. | 0:53:52 | 0:53:56 | |
Of course! It isn't a chieftain after all, but a waxwork in the fire! | 0:53:56 | 0:54:01 | |
It's just like the melting diamond. She's getting bigger, bolder. | 0:54:01 | 0:54:05 | |
- Who knows what she'll do next? - Yes, who knows indeed? | 0:54:05 | 0:54:08 | |
The Yard believe they did, | 0:54:08 | 0:54:10 | |
identifying her next target all too quickly. | 0:54:10 | 0:54:14 | |
The Madonna of the Mount. | 0:54:14 | 0:54:16 | |
A vast oil canvas from none other than the great Leonardo da Vinci. | 0:54:16 | 0:54:22 | |
A masterpiece described in many records of the day, | 0:54:22 | 0:54:24 | |
but never seen, until it was discovered walled up | 0:54:24 | 0:54:27 | |
within a remote chapel near Modena. | 0:54:27 | 0:54:29 | |
Loaned to Queen Victoria as a gesture of diplomatic goodwill, | 0:54:29 | 0:54:33 | |
it was to form the centrepiece of a new exhibition | 0:54:33 | 0:54:36 | |
at the National Gallery. | 0:54:36 | 0:54:37 | |
How she would go about it, the police had no idea. | 0:54:37 | 0:54:41 | |
But they were certain she would try to make it hers. | 0:54:41 | 0:54:44 | |
Despite their best efforts, they knew in their hearts | 0:54:44 | 0:54:46 | |
only one man and one man alone stood between her and her goal. | 0:54:46 | 0:54:51 | |
Gaslight Jackson! | 0:54:51 | 0:54:53 | |
Brooding, enigmatic man crumpet, Gaslight Jackson, | 0:54:53 | 0:54:57 | |
had come to realise something. | 0:54:57 | 0:54:59 | |
- It was all a sham! - No. | 0:54:59 | 0:55:01 | |
Perhaps "sham" was too harsh a word. | 0:55:01 | 0:55:05 | |
But to borrow a term from Sleight and Hand's vocabulary, | 0:55:05 | 0:55:08 | |
it had all been an act of misdirection. | 0:55:08 | 0:55:12 | |
After scouring their catalogue in great detail, | 0:55:12 | 0:55:15 | |
the fellows could find nothing stolen from the Academy, | 0:55:15 | 0:55:19 | |
and further investigations into the whereabouts | 0:55:19 | 0:55:21 | |
of the genuine Miss Arkwright suggested she was still... | 0:55:21 | 0:55:24 | |
Quite happily gallivanting through deepest, darkest Peru. | 0:55:24 | 0:55:29 | |
And so, Jackson began thinking back, | 0:55:29 | 0:55:31 | |
right back to the very beginning and... | 0:55:31 | 0:55:34 | |
the Duchess's diamonds! | 0:55:34 | 0:55:35 | |
Again, there was no physical evidence to suggest | 0:55:35 | 0:55:38 | |
the jewel had ever been rediscovered. | 0:55:38 | 0:55:40 | |
Only the Duchess' strange story of the mysterious merchant sailor | 0:55:40 | 0:55:44 | |
and his cousin, the jeweller, who had identified them. | 0:55:44 | 0:55:47 | |
Had they ever been re-found at all, then? Far easier... | 0:55:47 | 0:55:50 | |
- He supposed. - ..to make something vanish | 0:55:50 | 0:55:53 | |
if it had never truly been there in the first place. | 0:55:53 | 0:55:56 | |
The other acts... | 0:55:56 | 0:55:57 | |
The rabbits at Ascot and the sheep at Parliament! | 0:55:57 | 0:56:00 | |
Nothing had been gained or taken there, despite the opportunity. | 0:56:00 | 0:56:03 | |
Even the card trick at the Midas Club. | 0:56:03 | 0:56:06 | |
Although each man duped was furious not to have won anything, | 0:56:06 | 0:56:09 | |
neither of them left with their wallets any lighter. | 0:56:09 | 0:56:12 | |
So, the Lady Electra is no gentlewoman thief after all. | 0:56:12 | 0:56:16 | |
And then he saw it! | 0:56:16 | 0:56:18 | |
It isn't riches that she seeks, but notoriety. | 0:56:18 | 0:56:21 | |
She wishes to create a legend. | 0:56:21 | 0:56:23 | |
And now the missing Leonardo fitted an altogether different pattern. | 0:56:23 | 0:56:27 | |
Who can actually account for its existence? | 0:56:27 | 0:56:30 | |
No-one had yet seen the painting in the country. | 0:56:30 | 0:56:32 | |
Plenty of gossip, rumour, speculation. | 0:56:32 | 0:56:34 | |
But as for hard proof, any solid record... | 0:56:34 | 0:56:38 | |
- And so a painting appears. - Or is said to. | 0:56:38 | 0:56:41 | |
Not a soul is to be allowed in the room | 0:56:41 | 0:56:43 | |
while the painting is being hung. | 0:56:43 | 0:56:44 | |
In fact, no-one, not even the gallery manager shall see it | 0:56:44 | 0:56:47 | |
until its grand public unveiling. | 0:56:47 | 0:56:50 | |
Jackson could see it now. | 0:56:50 | 0:56:52 | |
The curtain falls...to reveal a bare wall. Or an empty frame. | 0:56:52 | 0:56:55 | |
And amongst the chaos and confusion, no-one would stop to think | 0:56:55 | 0:56:58 | |
that perhaps the picture had never been there at all. | 0:56:58 | 0:57:01 | |
It's audacious, brazen, inspired! | 0:57:01 | 0:57:03 | |
But no match for Gaslight Jackson. | 0:57:03 | 0:57:06 | |
- The stage was set, but this time... - This time... | 0:57:06 | 0:57:09 | |
I will be ready. | 0:57:09 | 0:57:11 | |
All society is present at the gallery. | 0:57:11 | 0:57:14 | |
All bar Sleight and Hand whose invitations must have been misplaced. | 0:57:14 | 0:57:19 | |
COCKNEY ACCENT: D-D-Doris... Didn't know you'd be here. | 0:57:19 | 0:57:22 | |
Oh, Jeremy. They asked if I could give a hand with the teas. | 0:57:22 | 0:57:26 | |
Quite a do. | 0:57:26 | 0:57:27 | |
IRISH ACCENT: Doris! Wonderful to see you. | 0:57:27 | 0:57:29 | |
I trust you are taking good care of our Mr Sleight. | 0:57:29 | 0:57:32 | |
I believe that's my daughter's job nowadays. | 0:57:32 | 0:57:35 | |
Mr Baker, Lady Philomena Hand. | 0:57:35 | 0:57:39 | |
Iphigenia's mother. | 0:57:39 | 0:57:41 | |
AMERICAN ACCENT: Amelia. Charmed. | 0:57:41 | 0:57:43 | |
Sorry about the... Only just arrived this morning. | 0:57:43 | 0:57:47 | |
Our ship capsized out of Dover and we rode up the Thames on porpoises. | 0:57:47 | 0:57:50 | |
POSH: Oh. Miss Arkwright. | 0:57:50 | 0:57:53 | |
Such a pleasure. | 0:57:53 | 0:57:55 | |
We've all heard so much about you. | 0:57:55 | 0:57:58 | |
POSH: Captain Fitzwilliam Montgomery-Hand, my lady. | 0:57:58 | 0:58:00 | |
SHE IMITATES BUGLE | 0:58:00 | 0:58:02 | |
Served with your father in Nagpur. | 0:58:02 | 0:58:04 | |
Oh, marvellous! | 0:58:04 | 0:58:05 | |
COCKNEY: Mind your backs. Side of beef coming through. | 0:58:05 | 0:58:08 | |
Captain, you... | 0:58:08 | 0:58:10 | |
Ichabod Hand, of the Sawbridge Hands. | 0:58:10 | 0:58:12 | |
We saw to your late husband's arrangements. | 0:58:12 | 0:58:15 | |
Yes, of course. | 0:58:15 | 0:58:17 | |
Captain. | 0:58:17 | 0:58:18 | |
All right, kiddies, who wants to see a trick? Gather round! | 0:58:18 | 0:58:22 | |
Excuse me. Captain Hand... | 0:58:22 | 0:58:23 | |
FOREIGN ACCENT: Forgive me, friend. Read palm. Tell fortune. | 0:58:23 | 0:58:27 | |
Yes. Let go of me. Just shoo, shoo. | 0:58:27 | 0:58:30 | |
SCOTTISH ACCENT: Right, is everything set to Mr Jackson's specification? | 0:58:30 | 0:58:35 | |
Just as you requested, Inspector. | 0:58:35 | 0:58:38 | |
- So, everyone here really is... - Aye. | 0:58:38 | 0:58:41 | |
One of ours. | 0:58:41 | 0:58:43 | |
- Scrub up nicely, don't they? - So they did. | 0:58:43 | 0:58:46 | |
For these glamorous great and good were not, in fact, | 0:58:46 | 0:58:50 | |
the chattering classes after all, | 0:58:50 | 0:58:52 | |
but highly trained undercover officers of the law, | 0:58:52 | 0:58:55 | |
officers who, at a given moment, would, in perfect unison, | 0:58:55 | 0:58:58 | |
drop to the floor, leaving only one person standing. | 0:58:58 | 0:59:02 | |
A solitary slender figure in a crimson crinoline. | 0:59:02 | 0:59:07 | |
A decorative fan held up high, obscuring her face. | 0:59:07 | 0:59:11 | |
The Lady Electra, I presume. | 0:59:11 | 0:59:13 | |
If she is surprised by her discovery, she does her best to hide it. | 0:59:13 | 0:59:18 | |
Reaches into her purse to produce a small vial, | 0:59:18 | 0:59:20 | |
which she swiftly sends dashing to the floor. | 0:59:20 | 0:59:23 | |
CRASH | 0:59:23 | 0:59:25 | |
A cloud of billowing smoke fills the room and, in an instance, | 0:59:25 | 0:59:29 | |
she is gone. | 0:59:29 | 0:59:31 | |
The officers, clumped together, give quick pursuit, | 0:59:31 | 0:59:33 | |
and, convinced they see a flash at her at the end of the long hallway, | 0:59:33 | 0:59:36 | |
turn right and give chase. | 0:59:36 | 0:59:38 | |
Jackson, however, knows better, knows they have, in fact, | 0:59:38 | 0:59:41 | |
seen her reflection in the grand ornate mirror at the corridor's end. | 0:59:41 | 0:59:44 | |
So left he goes. | 0:59:44 | 0:59:45 | |
Turning a corner, he spies an open door | 0:59:45 | 0:59:48 | |
leading up to the rooftops, up to the darkening skies and icy slate. | 0:59:48 | 0:59:52 | |
But, no, she's played this hand before. | 0:59:52 | 0:59:55 | |
And besides, she'd never be so careless as to leave a door ajar. | 0:59:55 | 0:59:58 | |
He takes the closed door instead. | 0:59:58 | 0:59:59 | |
SQUEAKING | 0:59:59 | 1:00:01 | |
A small spiralling service station that winds down to the sewers. | 1:00:01 | 1:00:07 | |
A labyrinth down there. | 1:00:07 | 1:00:09 | |
It's a warren. | 1:00:09 | 1:00:10 | |
That's where he'll find her. | 1:00:10 | 1:00:12 | |
And so close now he can taste it. | 1:00:12 | 1:00:15 | |
WOMAN: The door slams shut behind him. | 1:00:16 | 1:00:18 | |
BANG | 1:00:18 | 1:00:20 | |
And Jackson feels all the light sucked from his world, | 1:00:20 | 1:00:23 | |
the putrid reek of the hot, wet air making him gag. | 1:00:23 | 1:00:27 | |
But then he hears it. DRIPPING | 1:00:27 | 1:00:30 | |
A pitter-patter of footprints echoing off the dripping walls. | 1:00:30 | 1:00:34 | |
One breath to get his bearings, and the chase is on. | 1:00:34 | 1:00:39 | |
Little by little, he can feel himself gaining on her, | 1:00:39 | 1:00:42 | |
his eyes gradually adjusting to the murk. | 1:00:42 | 1:00:45 | |
And there, up ahead, a pinprick of light that grows and grows. | 1:00:45 | 1:00:51 | |
A grate, an exit pipe, | 1:00:51 | 1:00:53 | |
a means of escape. | 1:00:53 | 1:00:55 | |
Electra knows she might just make it. | 1:00:55 | 1:00:58 | |
MAN: But can he let her, having come this far? | 1:00:58 | 1:01:01 | |
Her silhouette now right within his sight! | 1:01:01 | 1:01:05 | |
WOMAN: Wait! | 1:01:05 | 1:01:07 | |
- Miss Hand. - Mr Sleight! | 1:01:07 | 1:01:11 | |
No. It can't have been. You? | 1:01:11 | 1:01:14 | |
The Lady Electra? | 1:01:14 | 1:01:16 | |
All this time? | 1:01:16 | 1:01:18 | |
Gaslight Jackson? You! Lantern-jawed and steely-eyed. | 1:01:18 | 1:01:23 | |
- Yes, well... - You knew all along, knew that I... | 1:01:23 | 1:01:26 | |
No, I didn't know. I deduced what Electra was planning, but I didn't... | 1:01:26 | 1:01:30 | |
- I would never have dreamt that... - No? | 1:01:30 | 1:01:32 | |
So I got something past you after all. | 1:01:32 | 1:01:35 | |
- What is this, Edwin? - You wouldn't understand. | 1:01:35 | 1:01:40 | |
Try me. What is your purpose? | 1:01:40 | 1:01:43 | |
Do you hold us women in such contempt that you look to discredit | 1:01:45 | 1:01:48 | |
or ridicule our sex? | 1:01:48 | 1:01:50 | |
Deny? No, no, I never intended... | 1:01:50 | 1:01:53 | |
What, then? Or is it simply just another trick? | 1:01:53 | 1:01:55 | |
Another act of misdirection? Something no-one would suspect? | 1:01:55 | 1:01:59 | |
- Please. - What, then? Why? | 1:01:59 | 1:02:00 | |
- What possible reason... - I might ask you the same! | 1:02:00 | 1:02:04 | |
Hmm? To out-man the menfolk, I suppose? | 1:02:04 | 1:02:07 | |
Emasculate them further? Beat them at their own game? | 1:02:07 | 1:02:10 | |
To be heard! | 1:02:10 | 1:02:12 | |
With all your power, surely that is simple enough. | 1:02:13 | 1:02:16 | |
To be heard, Edwin. | 1:02:17 | 1:02:19 | |
Do you think I wanted this? | 1:02:21 | 1:02:23 | |
Do you think, if I had any hope of speaking in my own voice, | 1:02:23 | 1:02:27 | |
under my own name, I'd humiliate myself in such a way? | 1:02:27 | 1:02:31 | |
But each time I spoke, I was shouted down. | 1:02:32 | 1:02:35 | |
By you, by the Yard, by anyone who wanted to listen. | 1:02:35 | 1:02:39 | |
Please, I am well aware of how ridiculous I must look, | 1:02:40 | 1:02:44 | |
but, no, it is born only out of desperation. | 1:02:44 | 1:02:47 | |
Do not insult me further to think I would stoop to this | 1:02:47 | 1:02:50 | |
if I had any other choice. | 1:02:50 | 1:02:52 | |
I apologise, Miss Hand. I believe we have both misjudged each other. | 1:02:54 | 1:02:59 | |
Explain yourself, Edwin. | 1:02:59 | 1:03:01 | |
You owe me that. | 1:03:01 | 1:03:03 | |
I told you once, though you won't thank me for repeating it, | 1:03:05 | 1:03:09 | |
that a plain woman must work harder than one blessed with beauty. | 1:03:09 | 1:03:13 | |
Imagine, then, the difficulties a plain man must face | 1:03:13 | 1:03:17 | |
should he seek the same end. | 1:03:17 | 1:03:19 | |
Of course, I could never be a beauty in the flesh. | 1:03:19 | 1:03:23 | |
I'm well aware of that, but in legend... | 1:03:23 | 1:03:27 | |
Without once showing my face, | 1:03:27 | 1:03:29 | |
I had the whole city comparing me to Cleopatra! | 1:03:29 | 1:03:33 | |
But, of course, it's far more than that. | 1:03:33 | 1:03:37 | |
Electra was everything that I could never be so effortlessly. | 1:03:37 | 1:03:42 | |
The toast of the town. | 1:03:42 | 1:03:44 | |
The centre of attention. | 1:03:44 | 1:03:45 | |
Whereas the more I clamoured, the more they looked away. | 1:03:45 | 1:03:49 | |
I owe you so much, Miss Hand. | 1:03:50 | 1:03:53 | |
But you only further proved my point. | 1:03:53 | 1:03:55 | |
Only hiding behind a beautiful and brilliant woman | 1:03:56 | 1:03:59 | |
could I enjoy any kind of success. | 1:03:59 | 1:04:02 | |
That isn't true. You are brilliant, Edwin. You don't need to be... | 1:04:02 | 1:04:05 | |
Oh, but I do need it. | 1:04:05 | 1:04:07 | |
It's who I am, or who I should have been. | 1:04:07 | 1:04:10 | |
The grass is always greener, my lady. | 1:04:10 | 1:04:14 | |
Indeed it is, Miss Hand. | 1:04:15 | 1:04:17 | |
Gaslight Jackson. | 1:04:19 | 1:04:21 | |
Iphigenia. | 1:04:21 | 1:04:23 | |
- Jenny. Please. - Jenny. | 1:04:23 | 1:04:26 | |
So, where do we go from here? | 1:04:29 | 1:04:32 | |
I will come quietly, but only if it is you that brings me in. | 1:04:32 | 1:04:37 | |
But which of you am I to arrest? | 1:04:37 | 1:04:39 | |
Besides, if these items never truly existed, | 1:04:39 | 1:04:43 | |
then the Lady Electra, wherever she may be, | 1:04:43 | 1:04:46 | |
has surely committed no crime. | 1:04:46 | 1:04:49 | |
That is quite the quandary. | 1:04:49 | 1:04:51 | |
And the sewers are quite the maze down here. | 1:04:51 | 1:04:53 | |
No way to tell where she might have got to. | 1:04:53 | 1:04:57 | |
True. But... What of the Duchess? The theatre? | 1:04:57 | 1:05:01 | |
I'd say our silence is worth even more than our success, | 1:05:01 | 1:05:05 | |
unless you want the whole world to know how she was taken in. | 1:05:05 | 1:05:08 | |
We will have to tell them something, though. | 1:05:08 | 1:05:11 | |
Of course. | 1:05:11 | 1:05:12 | |
But then, a great magician never reveals ALL their secrets. | 1:05:14 | 1:05:19 | |
And so, ladies and gentlemen, | 1:05:35 | 1:05:38 | |
we have been playing quite a game at your expense. | 1:05:38 | 1:05:41 | |
Over the past few weeks and months, | 1:05:41 | 1:05:43 | |
Mr Sleight and I have taken our own brand of impossible feats | 1:05:43 | 1:05:47 | |
out of the theatre and into the heart of the city itself. | 1:05:47 | 1:05:50 | |
The purported crimes of the Lady Electra were, in fact, | 1:05:50 | 1:05:54 | |
committed by our own Miss Iphigenia Hand | 1:05:54 | 1:05:57 | |
with flair, skill and daring | 1:05:57 | 1:06:00 | |
hitherto unseen by any conjurer to walk this earth, male or female. | 1:06:00 | 1:06:05 | |
Meanwhile, Mr Sleight adopted the moniker of Gaslight Jackson, | 1:06:05 | 1:06:09 | |
feeding our great friends at Scotland Yard | 1:06:09 | 1:06:12 | |
helpful scraps of information | 1:06:12 | 1:06:14 | |
to keep their investigations on the right track. | 1:06:14 | 1:06:16 | |
And we thank them wholeheartedly for their sportsmanship and cooperation. | 1:06:16 | 1:06:22 | |
If you feel deceived, then we apologise, | 1:06:22 | 1:06:24 | |
though it is an occupational hazard of our craft. | 1:06:24 | 1:06:27 | |
No real harm was done, no injury sustained to any person, | 1:06:27 | 1:06:32 | |
though a few egos may have been bruised. | 1:06:32 | 1:06:35 | |
We thank you deeply, most sincerely, for your precious time, | 1:06:35 | 1:06:40 | |
and hope you will come and see us again soon. | 1:06:40 | 1:06:43 | |
Pray, watch us close. | 1:06:43 | 1:06:44 | |
Those keen of eye may some small secret understand. | 1:06:44 | 1:06:47 | |
Those simple folk just see the smoke, | 1:06:47 | 1:06:50 | |
they miss the switch. | 1:06:50 | 1:06:52 | |
- The sleight... - ..of hand. | 1:06:52 | 1:06:54 | |
APPLAUSE | 1:06:56 | 1:06:58 | |
PIANO PLAYS | 1:07:04 | 1:07:06 |