Browse content similar to The Dispute. Check below for episodes and series from the same categories and more!
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BUZZ OF DOOR LOCK | 0:00:00 | 0:00:02 | |
WHIRRING | 0:00:02 | 0:00:04 | |
CARISE: '18 years ago, | 0:00:09 | 0:00:12 | |
'a dispute arose in a wealthy man's home. | 0:00:12 | 0:00:14 | |
'Who was the first to be unfaithful in love? | 0:00:16 | 0:00:18 | |
'Men... | 0:00:18 | 0:00:20 | |
'or women? | 0:00:20 | 0:00:21 | |
'To know the answer to this question, one would have had to have been | 0:00:23 | 0:00:27 | |
'present at the beginning of the world...of society. | 0:00:27 | 0:00:30 | |
'The man was a scientist. | 0:00:32 | 0:00:34 | |
'He resolved to settle the matter by means of an experiment, | 0:00:34 | 0:00:37 | |
'the result of which would be conclusive. | 0:00:37 | 0:00:40 | |
'He would have to interrogate Mother Nature herself. | 0:00:40 | 0:00:44 | |
'She was the only one who could answer his question.' | 0:00:44 | 0:00:47 | |
ELECTRONIC FIZZLING | 0:00:47 | 0:00:49 | |
'These are the facts. | 0:00:49 | 0:00:51 | |
'Four babies - two girls and two boys - | 0:00:52 | 0:00:54 | |
'were taken to this place built especially for them. | 0:00:54 | 0:00:57 | |
'Each of them was housed apart. | 0:00:57 | 0:01:00 | |
'At this moment, they occupy a place from which they have never strayed, | 0:01:01 | 0:01:05 | |
'the world beyond which they have never seen.' | 0:01:05 | 0:01:08 | |
CLICK | 0:01:08 | 0:01:09 | |
'They have been raised and cared for by me. | 0:01:09 | 0:01:12 | |
'But they have never been allowed to see my face. | 0:01:13 | 0:01:16 | |
'They will be all the more amazed when they first see other people. | 0:01:17 | 0:01:20 | |
'Today they will be released from their enclosure. | 0:01:22 | 0:01:26 | |
'They will meet each other for the first time. | 0:01:26 | 0:01:29 | |
'They have been taught our language. | 0:01:29 | 0:01:31 | |
'We will watch them as though we are watching | 0:01:31 | 0:01:34 | |
'the first day of the world. | 0:01:34 | 0:01:36 | |
'The first loves will begin again. | 0:01:36 | 0:01:39 | |
'Yes, | 0:01:41 | 0:01:43 | |
'men and women from that time | 0:01:43 | 0:01:45 | |
'are about to reappear before our eyes, | 0:01:45 | 0:01:47 | |
'exactly as they were. | 0:01:47 | 0:01:48 | |
'It won't perhaps be the familiar story | 0:01:49 | 0:01:52 | |
'but it will be played out by familiar characters. | 0:01:52 | 0:01:54 | |
'You will see hearts and souls as pure as Eden. | 0:01:55 | 0:01:59 | |
'Purer - if that is possible? | 0:01:59 | 0:02:01 | |
'Everything is ready. | 0:02:02 | 0:02:04 | |
'The stage is set for a very curious spectacle.' | 0:02:04 | 0:02:08 | |
LOCK CLUNKS | 0:02:12 | 0:02:13 | |
GASPS | 0:02:16 | 0:02:18 | |
LIGHT BIRDSONG | 0:02:18 | 0:02:19 | |
Oh... | 0:02:24 | 0:02:25 | |
SQUEALS | 0:02:32 | 0:02:33 | |
CATCHES BREATH | 0:02:33 | 0:02:35 | |
GIGGLES | 0:02:42 | 0:02:43 | |
METALLIC CLUNKING | 0:02:45 | 0:02:46 | |
GASPS | 0:02:48 | 0:02:50 | |
BIRDSONG | 0:02:52 | 0:02:54 | |
CARISE: 'Come, Egle, here is a new place you have never seen.' | 0:03:02 | 0:03:06 | |
'You can explore. | 0:03:15 | 0:03:17 | |
'It's safe.' | 0:03:17 | 0:03:18 | |
WHIMPERS | 0:03:21 | 0:03:23 | |
WHIMPERS | 0:03:35 | 0:03:37 | |
What am I seeing? | 0:03:44 | 0:03:46 | |
- What a lot of new worlds. - 'It's the same world. | 0:03:46 | 0:03:50 | |
'You just don't know all of it.' | 0:03:51 | 0:03:53 | |
What a lot of... | 0:03:53 | 0:03:55 | |
country! | 0:03:55 | 0:03:56 | |
What a lot of... | 0:03:58 | 0:03:59 | |
..house? | 0:04:00 | 0:04:01 | |
GRUNTS | 0:04:06 | 0:04:07 | |
Uh... | 0:04:13 | 0:04:14 | |
GRUNTS AND GIGGLES | 0:04:15 | 0:04:18 | |
Oh... | 0:04:18 | 0:04:19 | |
I feel like... | 0:04:20 | 0:04:22 | |
nothing in this big space. | 0:04:22 | 0:04:25 | |
I like it but... | 0:04:25 | 0:04:27 | |
I'm frightened. | 0:04:27 | 0:04:29 | |
What's this? | 0:04:35 | 0:04:36 | |
Huh... | 0:04:42 | 0:04:43 | |
FRIGHTENED GIGGLES | 0:04:47 | 0:04:48 | |
SHRIEKS Water! | 0:05:01 | 0:05:02 | |
What's this water that moves about the place? | 0:05:02 | 0:05:05 | |
I've never seen any such thing in the world where I come from. | 0:05:05 | 0:05:09 | |
'You're right. | 0:05:09 | 0:05:10 | |
- 'It's what we call a stream.' - A stream? | 0:05:10 | 0:05:14 | |
WHIMPERS | 0:05:17 | 0:05:19 | |
GIGGLES | 0:05:26 | 0:05:27 | |
Oh! SHRIEKS | 0:05:30 | 0:05:32 | |
Carise! | 0:05:32 | 0:05:34 | |
There's something living in the stream! | 0:05:34 | 0:05:36 | |
It's shaped like a person. | 0:05:36 | 0:05:37 | |
It seemed as surprised to see me as I was to see her. | 0:05:38 | 0:05:42 | |
CARISE LAUGHS 'No, | 0:05:42 | 0:05:43 | |
'It's you that you see in there. | 0:05:43 | 0:05:45 | |
'Every stream can do that trick.' | 0:05:45 | 0:05:46 | |
What, that's... | 0:05:48 | 0:05:49 | |
..that's ME there? | 0:05:50 | 0:05:52 | |
- That's MY face? - 'Without a doubt.' | 0:05:52 | 0:05:55 | |
Why, do you know, that's... that's very nice? | 0:05:55 | 0:06:00 | |
That's a charming thing, that is. | 0:06:00 | 0:06:02 | |
What a shame not to have seen it sooner. | 0:06:02 | 0:06:05 | |
'It's true. You're pretty.' | 0:06:05 | 0:06:07 | |
What do you mean, "pretty"?! | 0:06:07 | 0:06:09 | |
Splendid! | 0:06:09 | 0:06:10 | |
Hmm... | 0:06:10 | 0:06:12 | |
GIGGLES | 0:06:12 | 0:06:14 | |
The stream makes ALL my faces. | 0:06:14 | 0:06:17 | |
I like ALL of them. | 0:06:17 | 0:06:19 | |
You must've had a lot of pleasure from looking at me. | 0:06:19 | 0:06:22 | |
I'm going to spend...the rest of my life just looking at my face! | 0:06:23 | 0:06:28 | |
I'm going to love myself in a minute. | 0:06:28 | 0:06:31 | |
'I'll leave you to explore.' | 0:06:31 | 0:06:33 | |
Oh, go! | 0:06:34 | 0:06:35 | |
I won't get bored with the stream. | 0:06:35 | 0:06:38 | |
GIGGLES | 0:06:41 | 0:06:43 | |
LIGHT, LILTING, ORCHESTRAL MUSIC PLAYS | 0:06:43 | 0:06:46 | |
GIGGLES | 0:06:50 | 0:06:54 | |
GIGGLES | 0:07:02 | 0:07:03 | |
EGLE CONTINUES TO GIGGLE | 0:07:11 | 0:07:12 | |
Oh! | 0:07:29 | 0:07:30 | |
EGLE GASPS | 0:07:30 | 0:07:32 | |
What's that? | 0:07:33 | 0:07:35 | |
A person... | 0:07:36 | 0:07:38 | |
like me? | 0:07:38 | 0:07:40 | |
DON'T come any closer! | 0:07:40 | 0:07:42 | |
HE SCOFFS | 0:07:42 | 0:07:44 | |
HE LAUGHS | 0:07:44 | 0:07:45 | |
The person laughs. | 0:07:45 | 0:07:46 | |
He admires me! | 0:07:49 | 0:07:50 | |
Oh, wait! | 0:07:50 | 0:07:52 | |
He's quite nice-looking. | 0:07:57 | 0:07:59 | |
Do you know how to speak? | 0:08:03 | 0:08:05 | |
I... I... | 0:08:06 | 0:08:08 | |
The pleasure of seeing you has robbed me of words. | 0:08:10 | 0:08:13 | |
Oh, the person can hear me | 0:08:13 | 0:08:16 | |
and answer me. And she does it so nicely. | 0:08:16 | 0:08:19 | |
I'm... | 0:08:19 | 0:08:21 | |
thrilled! | 0:08:21 | 0:08:22 | |
That's...good. | 0:08:22 | 0:08:23 | |
I'm enchanted. | 0:08:23 | 0:08:25 | |
I like you...too. | 0:08:25 | 0:08:26 | |
W-Why then do you forbid me from coming closer? | 0:08:26 | 0:08:30 | |
I don't... | 0:08:30 | 0:08:32 | |
forbid you so much any more. | 0:08:32 | 0:08:34 | |
- I'll come closer, then. - I'd like that. | 0:08:34 | 0:08:37 | |
EERIE WHISTLING WIND | 0:08:39 | 0:08:45 | |
Oh, no, stop a minute! I... | 0:08:51 | 0:08:53 | |
I'm so...full of feeling. | 0:08:53 | 0:08:57 | |
I obey because I'm yours. | 0:08:57 | 0:08:59 | |
She obeys. | 0:09:01 | 0:09:02 | |
Well, come here now, then, | 0:09:03 | 0:09:05 | |
so that we can be all close up. | 0:09:05 | 0:09:08 | |
Oh...here she is. It's... | 0:09:25 | 0:09:28 | |
..you. | 0:09:30 | 0:09:31 | |
And how well-made she is. | 0:09:35 | 0:09:37 | |
Really! | 0:09:37 | 0:09:39 | |
You are as pretty as me. | 0:09:39 | 0:09:41 | |
I'm dying with joy to be beside you. | 0:09:41 | 0:09:43 | |
I...give myself to you. | 0:09:43 | 0:09:47 | |
I don't' know what I'm feeling. I don't know how to say it! | 0:09:47 | 0:09:51 | |
- I-I feel like that too. - I'm happy! | 0:09:51 | 0:09:54 | |
- I'm restless. - I'M...SIGHING! | 0:09:54 | 0:09:56 | |
THEY GRUNT | 0:09:58 | 0:10:00 | |
No matter how close I am to you, I still can't get enough of you. | 0:10:00 | 0:10:03 | |
Well, that's how I'm feeling but... | 0:10:03 | 0:10:05 | |
we can't see each other very well like this! | 0:10:05 | 0:10:08 | |
My heart wants your hands. | 0:10:10 | 0:10:12 | |
Oh, take them! Mine gives them to you. | 0:10:12 | 0:10:14 | |
- Are you happier? - Yes. | 0:10:14 | 0:10:16 | |
But not more peaceful. | 0:10:16 | 0:10:18 | |
Well, that's what's happening to me. We're the same in EVERYTHING! | 0:10:18 | 0:10:20 | |
No, we're so different. | 0:10:20 | 0:10:23 | |
My whole self is worth less than your...eyes. | 0:10:23 | 0:10:27 | |
They're so... | 0:10:27 | 0:10:29 | |
- ..gentle. - And yours are... | 0:10:30 | 0:10:33 | |
They're... | 0:10:33 | 0:10:34 | |
they're... | 0:10:34 | 0:10:35 | |
they're so ALIVE! | 0:10:35 | 0:10:37 | |
You're so tiny. EGLE GIGGLES | 0:10:37 | 0:10:39 | |
- So...delicate. - Yes. | 0:10:39 | 0:10:42 | |
But it suits you not being like me. | 0:10:42 | 0:10:46 | |
It's a different kind of perfection. I don't deny mine but... | 0:10:46 | 0:10:50 | |
- keep yours for me. - I won't change. | 0:10:50 | 0:10:52 | |
- I'll stay like this for ever. - Tell me... | 0:10:52 | 0:10:54 | |
..where were you when I didn't know you? | 0:10:55 | 0:10:57 | |
In a world of my own, | 0:10:58 | 0:11:00 | |
where I will never return since you're not there. | 0:11:00 | 0:11:02 | |
I want to have your...hands always. | 0:11:04 | 0:11:06 | |
I don't know how to be without them and... | 0:11:06 | 0:11:09 | |
nor does my mouth. | 0:11:09 | 0:11:10 | |
My hands don't know how to be without your mouth. | 0:11:10 | 0:11:14 | |
BEEPING | 0:11:14 | 0:11:15 | |
Did you hear that? | 0:11:15 | 0:11:17 | |
It's the person from my world. | 0:11:17 | 0:11:19 | |
So you don't frighten her, hide in the trees and I'll call for you. | 0:11:19 | 0:11:22 | |
Yes, but you'll leave my sight. | 0:11:22 | 0:11:23 | |
No, you only need to find some water - | 0:11:23 | 0:11:25 | |
my face is in it. You'll see it there. | 0:11:25 | 0:11:28 | |
Oh... | 0:11:33 | 0:11:34 | |
He... | 0:11:34 | 0:11:36 | |
Oh... | 0:11:36 | 0:11:37 | |
I'm already bored with him not being here. | 0:11:37 | 0:11:39 | |
CARISE: 'Egle? | 0:11:39 | 0:11:41 | |
'You seem worried. What's wrong? | 0:11:41 | 0:11:43 | |
'Your eyes are wider than normal.' | 0:11:45 | 0:11:48 | |
It's because... | 0:11:48 | 0:11:49 | |
..there's big news. | 0:11:50 | 0:11:52 | |
You think that there are only two of us. | 0:11:53 | 0:11:56 | |
I tell you, there are THREE! | 0:11:56 | 0:11:59 | |
I found myself something that's been holding my hands just now. | 0:11:59 | 0:12:03 | |
'Who's been holding your hand, Egle? | 0:12:03 | 0:12:05 | |
'Why didn't you call for help?' | 0:12:05 | 0:12:06 | |
Help? | 0:12:06 | 0:12:07 | |
From what? | 0:12:07 | 0:12:08 | |
From the pleasure it gave me?! | 0:12:08 | 0:12:10 | |
I was delighted that it held it. I said it could. | 0:12:10 | 0:12:14 | |
It kissed it as much as it could and... | 0:12:15 | 0:12:17 | |
I only have to ask for it back and it'll kiss it again. | 0:12:17 | 0:12:20 | |
Just to please me and itself. | 0:12:20 | 0:12:22 | |
'I know who it is. | 0:12:22 | 0:12:23 | |
'I think I glimpsed him when he drew back. | 0:12:23 | 0:12:26 | |
'This is something called "a man". | 0:12:26 | 0:12:28 | |
'It's Azor, I know him.' | 0:12:28 | 0:12:29 | |
It's...Azor? | 0:12:29 | 0:12:32 | |
What a pretty name. | 0:12:33 | 0:12:35 | |
Dear...Azor. | 0:12:35 | 0:12:38 | |
Dear man! | 0:12:38 | 0:12:40 | |
'I'm not surprised that he loves you. | 0:12:40 | 0:12:42 | |
- 'You were made for each other.' - Exactly! | 0:12:42 | 0:12:45 | |
We sensed that ourselves. | 0:12:45 | 0:12:48 | |
Azor! MY Azor! | 0:12:48 | 0:12:51 | |
- Come quickly. - It's Carise! | 0:12:51 | 0:12:53 | |
- She's my friend. - She just told me. | 0:12:53 | 0:12:56 | |
You were made especially for me and I was made especially for you. | 0:12:56 | 0:13:01 | |
That's why we love...each other. | 0:13:01 | 0:13:04 | |
I'm your Egle. You are my Azor. | 0:13:04 | 0:13:07 | |
'One is the man, the other is the woman.' | 0:13:07 | 0:13:10 | |
My... | 0:13:10 | 0:13:11 | |
Egle! | 0:13:11 | 0:13:13 | |
My joy, my delight, my...woman! | 0:13:13 | 0:13:16 | |
Here, take my hands. Make up for having to hide. | 0:13:16 | 0:13:18 | |
Look, this is how he was doing it before. | 0:13:18 | 0:13:21 | |
You see why I didn't call for help? | 0:13:21 | 0:13:23 | |
'Children, I already told you, | 0:13:23 | 0:13:24 | |
'it's only natural you should be so charmed by one another.' | 0:13:24 | 0:13:27 | |
There's nothing so clear. | 0:13:27 | 0:13:28 | |
'But there is one rule to observe if you are to stay in love.' | 0:13:28 | 0:13:32 | |
Yes, I know. It's always to be together. | 0:13:32 | 0:13:34 | |
'On the contrary. | 0:13:34 | 0:13:35 | |
'It's that sometimes you must deprive yourselves | 0:13:35 | 0:13:37 | |
'of the joy of seeing each other.' | 0:13:37 | 0:13:39 | |
- How? - What? | 0:13:39 | 0:13:41 | |
'Yes, it's true, otherwise the joy will diminish | 0:13:41 | 0:13:43 | |
'and you will become indifferent.' | 0:13:43 | 0:13:45 | |
In...different? | 0:13:45 | 0:13:47 | |
Indifferent... | 0:13:48 | 0:13:49 | |
my Azor?! | 0:13:49 | 0:13:51 | |
- What... What a funny thought. - Yes, what a funny thought! | 0:13:51 | 0:13:54 | |
'Don't laugh. | 0:13:54 | 0:13:55 | |
'I'm giving you very good advice. | 0:13:55 | 0:13:57 | |
'It's only by separating myself sometimes from you | 0:13:57 | 0:14:01 | |
'that I still love you.' | 0:14:01 | 0:14:02 | |
I love you. | 0:14:02 | 0:14:04 | |
But when I don't see you, | 0:14:04 | 0:14:06 | |
I don't MISS you, I don't NEED your presence. Why? | 0:14:06 | 0:14:10 | |
It... | 0:14:10 | 0:14:12 | |
It's because YOU have nothing BEAUTIFUL to show me. | 0:14:12 | 0:14:15 | |
You aren't attractive, whereas Azor and I, | 0:14:15 | 0:14:19 | |
we are attracted to one another! | 0:14:19 | 0:14:22 | |
He is so handsome and I'm... | 0:14:22 | 0:14:23 | |
so beautiful, so exquisite to look at! | 0:14:23 | 0:14:27 | |
We're thrilled just by looking at each other. | 0:14:27 | 0:14:29 | |
Just one of Egle's hands. See? | 0:14:29 | 0:14:31 | |
Just her hand. I ACHE when I don't hold it. | 0:14:31 | 0:14:35 | |
And when I DO hold it, I DIE if I don't kiss it. | 0:14:35 | 0:14:38 | |
And when I do kiss it, I die again. | 0:14:38 | 0:14:40 | |
Man is right. | 0:14:40 | 0:14:42 | |
Everything that he says, I feel it too. It's where we are. | 0:14:42 | 0:14:45 | |
And you speak of our pleasure, but you don't know what it's like. | 0:14:45 | 0:14:49 | |
WE don't understand it and we're feeling it. It's... | 0:14:49 | 0:14:53 | |
infinite! | 0:14:53 | 0:14:54 | |
'I only propose that you separate yourselves for two or three hours | 0:14:54 | 0:14:57 | |
- 'during the day.' - Not for a minute. | 0:14:57 | 0:14:59 | |
'That's too bad.' | 0:14:59 | 0:15:00 | |
I'm losing patience with you, Carise! | 0:15:00 | 0:15:03 | |
Just by seeing each other, we'll become ugly?! | 0:15:04 | 0:15:07 | |
- Will we stop being attractive? - 'No. | 0:15:09 | 0:15:11 | |
'But you will stop feeling as though you are.' | 0:15:12 | 0:15:13 | |
What would stop us from feeling as though we are, when we ARE?! | 0:15:13 | 0:15:17 | |
- Egle will always be Egle. - Azor will always be Azor. | 0:15:17 | 0:15:20 | |
'That's true. But you never know what might happen. | 0:15:20 | 0:15:22 | |
'Let's suppose, for example, | 0:15:22 | 0:15:24 | |
'that I turned into something as lovely as Azor or Egle.' | 0:15:24 | 0:15:27 | |
SCOFFS What would that do to us(?) | 0:15:27 | 0:15:29 | |
'Maybe once you'd had enough of seeing each other, | 0:15:29 | 0:15:31 | |
'you would both be tempted to leave the other to love me.' | 0:15:31 | 0:15:33 | |
Tempted... | 0:15:33 | 0:15:35 | |
to leave what one loves? | 0:15:35 | 0:15:37 | |
Is that logical(?) | 0:15:37 | 0:15:38 | |
Azor and I, | 0:15:38 | 0:15:40 | |
we love each other. | 0:15:40 | 0:15:41 | |
That's the end of it. | 0:15:41 | 0:15:43 | |
You can become as beautiful as you like. | 0:15:43 | 0:15:45 | |
That would be your business. Ours is finished. | 0:15:45 | 0:15:47 | |
She'll never understand anything about it. | 0:15:47 | 0:15:49 | |
You have to be US to know what it's like. | 0:15:49 | 0:15:52 | |
'As you wish.' | 0:15:52 | 0:15:53 | |
Who I love - it's my life. | 0:15:53 | 0:15:56 | |
Do you hear what he said? | 0:15:56 | 0:15:57 | |
He called me his "life". How could he leave me? | 0:15:57 | 0:16:00 | |
- He needs to live and I do too. - Yes, my life! | 0:16:00 | 0:16:04 | |
Look, how is it possible for someone to be so beautiful, | 0:16:04 | 0:16:07 | |
look at you so beautifully, | 0:16:07 | 0:16:09 | |
have such a beautiful mouth, | 0:16:09 | 0:16:11 | |
beautiful EVERYTHING? | 0:16:11 | 0:16:13 | |
I love how he loves me. | 0:16:13 | 0:16:14 | |
'It's true that he ADORES you.' | 0:16:14 | 0:16:17 | |
HE CLAPS That's the right word! | 0:16:17 | 0:16:20 | |
I ADORE her! | 0:16:20 | 0:16:22 | |
Carise understands me. I ADORE you! EGLE SHRIEKS | 0:16:22 | 0:16:24 | |
Adore me, yes, but let me breathe. | 0:16:24 | 0:16:26 | |
'Such tenderness. I have to say I am enchanted by it. | 0:16:26 | 0:16:30 | |
'But there's only one way to conserve it, | 0:16:30 | 0:16:32 | |
'that is to trust me. | 0:16:32 | 0:16:33 | |
'If you have any sense, you'll take my advice. | 0:16:33 | 0:16:36 | |
'Egle... | 0:16:36 | 0:16:37 | |
'..look in the jar labelled "Specimen A". | 0:16:39 | 0:16:40 | |
'Give it to Azor. | 0:16:49 | 0:16:50 | |
'It will help him endure your absence.' | 0:16:50 | 0:16:52 | |
What's this? | 0:16:52 | 0:16:53 | |
I recognise myself. It's... | 0:16:55 | 0:16:57 | |
It's me again, | 0:16:57 | 0:16:59 | |
and so much better than in the stream. | 0:16:59 | 0:17:01 | |
GIGGLES It's got all of me. | 0:17:01 | 0:17:04 | |
ALL of my beauty! Azor, look, it's my body! | 0:17:04 | 0:17:07 | |
Oh, it's Egle. It's my dear woman! There she is. | 0:17:07 | 0:17:12 | |
Although the real thing is even better! | 0:17:12 | 0:17:16 | |
'At least this is a reminder.' | 0:17:16 | 0:17:17 | |
- Yes, it makes you want her. - Ah, there's only one problem. | 0:17:17 | 0:17:20 | |
When he kisses it, my copy has everything. | 0:17:20 | 0:17:22 | |
Well, let's solve that problem. | 0:17:22 | 0:17:24 | |
Ah, no, that's not what I meant. | 0:17:24 | 0:17:26 | |
I want one to play with. | 0:17:26 | 0:17:27 | |
'Choose. You can have his portrait or yours.' | 0:17:27 | 0:17:30 | |
I'll take them both. | 0:17:30 | 0:17:31 | |
'Oh, sorry. You've got to choose. | 0:17:31 | 0:17:33 | |
- 'I want to keep one.' - Oh. | 0:17:33 | 0:17:35 | |
Well, in that case, | 0:17:35 | 0:17:37 | |
I only have to do this to see Azor | 0:17:37 | 0:17:39 | |
because I already have his portrait in my mind. | 0:17:39 | 0:17:42 | |
So...give me mine and I'll have both. | 0:17:42 | 0:17:44 | |
'I'll give it to you in another form. | 0:17:44 | 0:17:47 | |
'Look in the jar labelled "Specimen B". | 0:17:47 | 0:17:49 | |
'This is a mirror. | 0:17:54 | 0:17:57 | |
'Press the button to open it. | 0:17:58 | 0:18:00 | |
'I'll come back and find you later but, please, | 0:18:01 | 0:18:03 | |
'think about those little separations.' | 0:18:03 | 0:18:06 | |
EGLE GRUNTS | 0:18:08 | 0:18:10 | |
Oh, here, I can't open it. You try. | 0:18:10 | 0:18:12 | |
- She said to press there. - Right. | 0:18:12 | 0:18:14 | |
AZOR GASPS | 0:18:14 | 0:18:16 | |
Oh, it's just me, I think. | 0:18:16 | 0:18:19 | |
It's my face. The stream showed it to me. | 0:18:19 | 0:18:21 | |
Well, let me see. | 0:18:21 | 0:18:22 | |
No, it isn't, it... | 0:18:26 | 0:18:28 | |
It's really your Egle. | 0:18:28 | 0:18:31 | |
It's the real one. Come here. | 0:18:31 | 0:18:34 | |
Oh, yes, it is you. Wait... | 0:18:34 | 0:18:37 | |
it's both of us. It's half one and half the other. | 0:18:37 | 0:18:41 | |
I'd like it more if it was just you. | 0:18:42 | 0:18:44 | |
I'm getting in the way of seeing all of you. | 0:18:44 | 0:18:46 | |
Oh, no, I like seeing a bit of you in it too. | 0:18:46 | 0:18:49 | |
You don't spoil anything. | 0:18:49 | 0:18:51 | |
Look, hold it. | 0:18:51 | 0:18:52 | |
Our faces are going to touch. | 0:18:56 | 0:18:58 | |
Look. Now they're touching. | 0:18:59 | 0:19:02 | |
I can really feel you. | 0:19:02 | 0:19:04 | |
I like it! | 0:19:04 | 0:19:06 | |
If our mouths got closer... | 0:19:08 | 0:19:10 | |
EGLE SHRIEKS | 0:19:23 | 0:19:24 | |
Isn't a mirror an excellent invention? | 0:19:24 | 0:19:27 | |
A portrait's an excellent thing too. | 0:19:27 | 0:19:30 | |
Carise is a good person. | 0:19:31 | 0:19:33 | |
She only wants what's best for us. | 0:19:33 | 0:19:35 | |
I was going to talk to you about her and the advice she gave us. | 0:19:35 | 0:19:38 | |
It's about those little separations, isn't it? | 0:19:38 | 0:19:39 | |
- I was thinking about those too. - Yes. | 0:19:39 | 0:19:41 | |
Her prediction frightened me. | 0:19:41 | 0:19:43 | |
Nothing would change on my part but don't go getting bored with me, | 0:19:43 | 0:19:46 | |
even a little bit, I'd be desperate. | 0:19:46 | 0:19:47 | |
It's you you should worry about. | 0:19:47 | 0:19:48 | |
Don't you ever get tired of adoring me. I know how pretty I am | 0:19:48 | 0:19:53 | |
but your fear frightens me. | 0:19:53 | 0:19:55 | |
You're perfection. You're not the one who should be worried. | 0:19:55 | 0:19:58 | |
What are you thinking? | 0:19:58 | 0:19:59 | |
Well, taking everything into consideration, my mind is made up. | 0:19:59 | 0:20:04 | |
Let's make ourselves unhappy. Let's separate for two hours. | 0:20:04 | 0:20:07 | |
I love your love and your adoring me more than your BEING here. | 0:20:07 | 0:20:11 | |
- Oh, no, that's nice too. - What, leave each other? | 0:20:11 | 0:20:14 | |
Go! I'll change my mind in a minute. | 0:20:14 | 0:20:16 | |
Uh, I don't have the nerve! | 0:20:16 | 0:20:18 | |
Goodbye, Egle! | 0:20:21 | 0:20:23 | |
If we must... | 0:20:23 | 0:20:24 | |
HE SOBS | 0:20:25 | 0:20:26 | |
Are you... | 0:20:26 | 0:20:28 | |
crying? | 0:20:28 | 0:20:30 | |
Well, stay, then, if there's no danger. | 0:20:30 | 0:20:32 | |
- What if there is? - Go, then! | 0:20:32 | 0:20:35 | |
SIGHS | 0:20:40 | 0:20:41 | |
Oh... | 0:20:41 | 0:20:43 | |
he's gone. | 0:20:43 | 0:20:44 | |
I'm alone. | 0:20:55 | 0:20:57 | |
Mm... | 0:21:06 | 0:21:08 | |
SHRIEKS | 0:21:08 | 0:21:09 | |
I can't see his face any more. | 0:21:09 | 0:21:12 | |
And there's NOTHING here. | 0:21:12 | 0:21:14 | |
Oh, except the mirror. | 0:21:14 | 0:21:17 | |
It was a mistake to send my man away. | 0:21:22 | 0:21:24 | |
Carise doesn't know what she's talking about. | 0:21:24 | 0:21:27 | |
If I had just looked at myself... | 0:21:28 | 0:21:31 | |
properly, | 0:21:31 | 0:21:32 | |
Azor wouldn't have had to go away. | 0:21:32 | 0:21:34 | |
You can never stop loving what you see in there. | 0:21:34 | 0:21:36 | |
There's no need for separation! | 0:21:36 | 0:21:39 | |
Right... | 0:21:40 | 0:21:41 | |
I'm just going to sit down here... | 0:21:43 | 0:21:45 | |
beside the stream. | 0:21:45 | 0:21:46 | |
At least it's another mirror. | 0:21:51 | 0:21:53 | |
RASPING BIRDSONG | 0:21:53 | 0:21:54 | |
GASPS | 0:22:03 | 0:22:04 | |
What's THAT? | 0:22:07 | 0:22:08 | |
Another person?! | 0:22:10 | 0:22:12 | |
What new thing is this? | 0:22:12 | 0:22:15 | |
She's looking at me | 0:22:16 | 0:22:18 | |
carefully, but... she's NOT adoring me. | 0:22:18 | 0:22:22 | |
It's not an Azor. | 0:22:22 | 0:22:24 | |
GIGGLES | 0:22:24 | 0:22:26 | |
It's even less of an Egle. | 0:22:26 | 0:22:28 | |
I think she's making comparisons. | 0:22:30 | 0:22:33 | |
I don't know what to think of this face. | 0:22:33 | 0:22:36 | |
I don't know what it's lacking | 0:22:36 | 0:22:38 | |
but there's something... insipid about her. | 0:22:38 | 0:22:42 | |
She's a species I don't like the look of. | 0:22:42 | 0:22:46 | |
Well, has she any conversation? Let's see. | 0:22:47 | 0:22:50 | |
- Are you a person? - Yes, of course. | 0:22:51 | 0:22:54 | |
I'm a REAL person. | 0:22:54 | 0:22:57 | |
Well, don't you have anything to say to me? | 0:23:02 | 0:23:05 | |
No. | 0:23:05 | 0:23:06 | |
Normally people want to say things to me. | 0:23:06 | 0:23:10 | |
- But are you not charmed by me? - By you?! | 0:23:10 | 0:23:12 | |
It's ME that charms people. | 0:23:12 | 0:23:15 | |
What? | 0:23:24 | 0:23:25 | |
You're not pleased to see me? | 0:23:25 | 0:23:27 | |
Sadly, neither pleased nor... | 0:23:27 | 0:23:30 | |
displeased. | 0:23:30 | 0:23:32 | |
What does that mean?! | 0:23:32 | 0:23:34 | |
And what a peculiar thing - | 0:23:34 | 0:23:37 | |
you stare at me and I allow you to. | 0:23:37 | 0:23:40 | |
Huh, and you feel nothing? | 0:23:40 | 0:23:43 | |
You're distracted. Get a better look at me. | 0:23:45 | 0:23:48 | |
Here! Well, how do you find me? | 0:23:49 | 0:23:51 | |
But why so many questions about YOU? | 0:23:51 | 0:23:54 | |
What ARE you?! | 0:23:54 | 0:23:56 | |
I tell you, it's ME that gets looked at, | 0:23:56 | 0:24:00 | |
it's ME that gets told how I look, | 0:24:00 | 0:24:03 | |
and still you expect ME to look at YOU, while I'm around?! | 0:24:03 | 0:24:07 | |
Of course! | 0:24:07 | 0:24:08 | |
The most beautiful person must wait | 0:24:08 | 0:24:10 | |
until SHE is noticed and the OTHER person is struck... | 0:24:10 | 0:24:14 | |
So, be STRUCK! | 0:24:14 | 0:24:16 | |
Did you not hear? | 0:24:16 | 0:24:18 | |
"The MOST beautiful person must wait," | 0:24:18 | 0:24:20 | |
- as one said. - As one replies, | 0:24:20 | 0:24:22 | |
"She's waiting." | 0:24:22 | 0:24:24 | |
Well, if it... Well, if it isn't me, where is she? | 0:24:24 | 0:24:26 | |
I'm adored by the other people who live in the world. | 0:24:26 | 0:24:29 | |
I don't know YOUR people but I do know that there are two | 0:24:29 | 0:24:32 | |
who are delighted by ME and who treat ME as a wonder. | 0:24:32 | 0:24:35 | |
Well, then, I know that I'm so beautiful, SO beautiful, | 0:24:35 | 0:24:38 | |
that I'm FASCINATED every time I look at myself! | 0:24:38 | 0:24:41 | |
Why are you telling me?! I'd never think that I'm not entrancing! | 0:24:41 | 0:24:43 | |
Entrancing?! | 0:24:43 | 0:24:45 | |
Well, it's true that you're passable, even quite pleasant, | 0:24:45 | 0:24:49 | |
but to think that you compare to me is ridiculous, | 0:24:49 | 0:24:52 | |
as one can CLEARLY see! | 0:24:52 | 0:24:53 | |
One can CLEARLY see. And one finds you quite... | 0:24:53 | 0:24:56 | |
UGLY! | 0:24:56 | 0:24:58 | |
Oh... | 0:24:58 | 0:24:59 | |
It's your jealousy that prevents you from seeing my beauty. | 0:25:01 | 0:25:04 | |
It's your FACE that prevents me! | 0:25:04 | 0:25:05 | |
Huh? My FACE?! | 0:25:05 | 0:25:07 | |
Well, that doesn't upset me because I've seen it. | 0:25:07 | 0:25:10 | |
Go ask the water in the stream or ask Mesrin, who adores me. | 0:25:10 | 0:25:14 | |
The water in the stream, | 0:25:14 | 0:25:16 | |
which is playing a trick on YOU, | 0:25:16 | 0:25:19 | |
will tell me that there is no-one lovelier than me. | 0:25:19 | 0:25:22 | |
In fact, it's already shown me. | 0:25:22 | 0:25:24 | |
Now, I don't know what a Mesrin is | 0:25:24 | 0:25:26 | |
but I do know that he wouldn't even look at you if he saw me. | 0:25:26 | 0:25:30 | |
I have an Azor who is worth ten of him. | 0:25:30 | 0:25:34 | |
An Azor who says that I am his life! | 0:25:34 | 0:25:37 | |
You aren't anyone's life | 0:25:39 | 0:25:41 | |
and...I have a mirror... | 0:25:41 | 0:25:44 | |
..that proves everything the water and Azor have told me. | 0:25:45 | 0:25:48 | |
GIRL GIGGLES A mirror? | 0:25:48 | 0:25:50 | |
You have one too? | 0:25:50 | 0:25:52 | |
Well, what do you use yours for? To look at yourself? | 0:25:52 | 0:25:55 | |
I knew I wouldn't like YOU. | 0:25:55 | 0:25:56 | |
Here's a better one! | 0:25:56 | 0:25:58 | |
Learn to recognise yourself and shut your mouth! | 0:25:58 | 0:26:01 | |
Cast your eyes on this one! | 0:26:01 | 0:26:02 | |
Know your own mediocrity and the modesty appropriate in MY presence! | 0:26:02 | 0:26:06 | |
Oh, go away! | 0:26:06 | 0:26:07 | |
As long as you refuse to take pleasure in the sight of me, | 0:26:07 | 0:26:11 | |
you are of no use to me. | 0:26:11 | 0:26:12 | |
I'm not going to speak to you any more. | 0:26:12 | 0:26:14 | |
Oh... | 0:26:14 | 0:26:16 | |
I don't even know you're there! | 0:26:16 | 0:26:18 | |
She's mad! She's seeing things! What world does she come from?! | 0:26:18 | 0:26:22 | |
MUSICBOX CHIMES | 0:26:22 | 0:26:25 | |
CARISE: 'What are you two doing so far apart and not speaking?' | 0:26:25 | 0:26:28 | |
It's a new person that I've met, whom I've driven mad with my beauty. | 0:26:28 | 0:26:32 | |
Oh! What do you think of this BLAND thing? | 0:26:32 | 0:26:35 | |
This ABSURD excuse of a person, | 0:26:35 | 0:26:38 | |
who asks ME how I feel when I look at her! | 0:26:38 | 0:26:41 | |
Who wants me to take PLEASURE in the sight of her! | 0:26:41 | 0:26:44 | |
Who says to me, "Oh, gaze upon ME. Oh, how do you find ME?" | 0:26:44 | 0:26:50 | |
And who claims to be as beautiful as me. | 0:26:50 | 0:26:54 | |
Huh! I didn't say that. | 0:26:54 | 0:26:55 | |
I said "more beautiful" as it's clear to see in the mirror! | 0:26:55 | 0:26:58 | |
Cast your eyes on this one if you dare! | 0:26:58 | 0:27:00 | |
But I only ask that she glance in mine, which is the more accurate! | 0:27:00 | 0:27:03 | |
'Gently, no need to lose your temper. | 0:27:03 | 0:27:06 | |
'Make the most of your chance meeting. Let's all be together. | 0:27:06 | 0:27:08 | |
'You two, make friends | 0:27:08 | 0:27:11 | |
'and enjoy both being adored. | 0:27:11 | 0:27:13 | |
'Egle by the lovely Azor, who she loves. | 0:27:13 | 0:27:15 | |
'Adine by the lovely Mesrin, who she loves. | 0:27:15 | 0:27:18 | |
'Come on, make up.' | 0:27:18 | 0:27:20 | |
Only if she ditches her deluded opinion of herself. | 0:27:20 | 0:27:23 | |
Well, now I know how to make her see sense. | 0:27:23 | 0:27:26 | |
I'll have to take her Azor from her. | 0:27:26 | 0:27:28 | |
Not that I want him, but anything to have peace. | 0:27:28 | 0:27:31 | |
Right, where's this imbecile Mesrin? | 0:27:31 | 0:27:33 | |
Bad luck for her if I meet him. | 0:27:33 | 0:27:35 | |
Goodbye, I'm leaving. I can't BEAR to be near her. | 0:27:35 | 0:27:38 | |
ADINE GIGGLES My superiority is too painful! | 0:27:38 | 0:27:41 | |
What a...VILE face! | 0:27:41 | 0:27:44 | |
'Come on. Sticks and stones. Let her say what she likes.' | 0:27:46 | 0:27:49 | |
Really? Absolutely. I feel sorry for her. | 0:27:49 | 0:27:53 | |
'It's time for you to leave. You must come now.' | 0:27:53 | 0:27:54 | |
I'm just coming. | 0:27:55 | 0:27:57 | |
But wait. | 0:27:57 | 0:27:58 | |
I can see Mesrin. I just need to say one thing to him. | 0:27:58 | 0:28:02 | |
- 'You've only just left him.' - Oh, I won't be a minute. | 0:28:02 | 0:28:04 | |
Mesrin! | 0:28:04 | 0:28:06 | |
Oh, it's you! It's my Adine. She's come back! I'm so happy! | 0:28:08 | 0:28:13 | |
Don't be happy yet. | 0:28:13 | 0:28:14 | |
I haven't really come back. I have to leave again in a minute. Listen. | 0:28:14 | 0:28:16 | |
Listen to what just happened to me. | 0:28:16 | 0:28:19 | |
- 'Make it quick, Adine.' - I am! | 0:28:19 | 0:28:21 | |
I am beautiful, aren't I? | 0:28:21 | 0:28:23 | |
You are beautiful. You are SO beautiful. | 0:28:23 | 0:28:26 | |
See? He doesn't hesitate, he says what he sees. | 0:28:26 | 0:28:29 | |
- You're divine - beauty itself. - Oh, yes, but... | 0:28:29 | 0:28:33 | |
you, Carise and I, we've got it all wrong. | 0:28:33 | 0:28:37 | |
I'm ugly. | 0:28:37 | 0:28:39 | |
My Adine? | 0:28:39 | 0:28:40 | |
Yes, she. | 0:28:40 | 0:28:42 | |
After I left you, I met a new person from another world who, | 0:28:43 | 0:28:47 | |
instead of being AMAZED by me, being transported by me - | 0:28:47 | 0:28:50 | |
as you are and as you should be - | 0:28:50 | 0:28:52 | |
instead wanted ME to be charmed by HER. | 0:28:52 | 0:28:56 | |
And when I refused, she accused me of being UGLY. | 0:28:56 | 0:28:58 | |
You're going to make me angry. | 0:28:58 | 0:29:00 | |
And insisted that you would leave me if you saw her. | 0:29:00 | 0:29:02 | |
'That was because she was upset.' | 0:29:02 | 0:29:04 | |
- But is this really a person? - Well, she said she was | 0:29:04 | 0:29:06 | |
and she seemed like one, more or less. | 0:29:06 | 0:29:09 | |
'And she is one.' | 0:29:09 | 0:29:10 | |
And she will doubtless come back. | 0:29:10 | 0:29:12 | |
And I absolutely INSIST you treat her with contempt when you see her. | 0:29:12 | 0:29:16 | |
I want you to be horrified by her. | 0:29:16 | 0:29:19 | |
She must be REALLY revolting | 0:29:19 | 0:29:21 | |
She's called... | 0:29:21 | 0:29:22 | |
- Wait. She's called... - 'Egle.' | 0:29:22 | 0:29:24 | |
Yes. | 0:29:24 | 0:29:26 | |
It's an Egle and... she's constructed like this. | 0:29:26 | 0:29:30 | |
It's an angry, scowling face which does not glow like mine. | 0:29:30 | 0:29:35 | |
So it's not a nice face. | 0:29:35 | 0:29:36 | |
NO! Not at all. It's... Well, it's an indifferent face. | 0:29:36 | 0:29:40 | |
She has eyes. | 0:29:40 | 0:29:42 | |
How can I put this? They're eyes that don't look lovely, | 0:29:42 | 0:29:45 | |
they just LOOK, really. | 0:29:45 | 0:29:46 | |
And a mouth. | 0:29:46 | 0:29:48 | |
Not big. Not small. It's... | 0:29:48 | 0:29:50 | |
It's a mouth made for talking. And a square shape. | 0:29:50 | 0:29:53 | |
Square, which will be more or less like mine if it were better made. | 0:29:53 | 0:29:57 | |
And... Huh! And hands... | 0:29:57 | 0:30:00 | |
hands that flap around with long, thin fingers. | 0:30:00 | 0:30:02 | |
And a harsh, shrill voice. | 0:30:02 | 0:30:04 | |
You'll spot her easily. | 0:30:04 | 0:30:07 | |
I can just see her. Don't worry, | 0:30:07 | 0:30:09 | |
I'll send her back to HER world, once I've really... | 0:30:09 | 0:30:13 | |
- MORTIFIED her! - Really humiliated. | 0:30:13 | 0:30:16 | |
Really, really DEFEATED her. | 0:30:16 | 0:30:18 | |
Oh, REALLY embarrassed her. | 0:30:18 | 0:30:20 | |
Give me your hands. ADINE GIGGLES | 0:30:20 | 0:30:22 | |
I only have them for you. | 0:30:22 | 0:30:23 | |
'Come on, it's all done. Let's go.' | 0:30:23 | 0:30:25 | |
Oh, after he's finished kissing my hands. | 0:30:25 | 0:30:27 | |
'Leave it, then, Mesrin.' | 0:30:27 | 0:30:29 | |
Goodbye, my only love. | 0:30:29 | 0:30:31 | |
I won't be long. | 0:30:31 | 0:30:32 | |
Dream of vengeance. | 0:30:32 | 0:30:35 | |
Farewell, my heart. I am ALL fury! | 0:30:35 | 0:30:38 | |
GIGGLING | 0:30:38 | 0:30:39 | |
THUNDERCLAPS | 0:30:39 | 0:30:40 | |
A face that doesn't glow. | 0:30:40 | 0:30:42 | |
A square shape. | 0:30:42 | 0:30:44 | |
A mouth that talks. But where can I find her? | 0:30:44 | 0:30:47 | |
I see someone over there. | 0:30:52 | 0:30:54 | |
BIRDSONG | 0:30:54 | 0:30:55 | |
It's a person like me! | 0:30:57 | 0:31:00 | |
Maybe it's an Egle. | 0:31:00 | 0:31:02 | |
THEY GRUNT | 0:31:07 | 0:31:09 | |
No, she's not deformed at all. | 0:31:15 | 0:31:18 | |
You're the same as me, aren't you? | 0:31:19 | 0:31:21 | |
That's what I'm thinking. | 0:31:21 | 0:31:23 | |
So... | 0:31:23 | 0:31:24 | |
you're a man? | 0:31:24 | 0:31:26 | |
Well, that's what they told me. | 0:31:26 | 0:31:27 | |
The told me that too. | 0:31:27 | 0:31:29 | |
They told you? | 0:31:29 | 0:31:31 | |
Do you know people? | 0:31:31 | 0:31:32 | |
Yes. I know all of them. | 0:31:32 | 0:31:34 | |
Well, well, me too. Where do you come from? | 0:31:34 | 0:31:38 | |
From the world. | 0:31:38 | 0:31:39 | |
The same one as me? | 0:31:39 | 0:31:40 | |
Oh, I don't know. | 0:31:40 | 0:31:42 | |
- There are so many now! - Ooh... | 0:31:42 | 0:31:45 | |
It doesn't matter. | 0:31:45 | 0:31:46 | |
THEY GRUNT AND GIGGLE | 0:31:46 | 0:31:49 | |
I like your face. | 0:31:55 | 0:31:57 | |
Give me your hands. | 0:31:57 | 0:31:59 | |
- We should fall in love. - All right. | 0:32:00 | 0:32:03 | |
THEY LAUGH | 0:32:17 | 0:32:20 | |
You make me happy. | 0:32:20 | 0:32:22 | |
I like looking at you, even though you're NOT pretty. | 0:32:22 | 0:32:25 | |
You're not either. | 0:32:25 | 0:32:27 | |
I'm not really that bothered about you, except... | 0:32:27 | 0:32:30 | |
- I think that you're a GOOD man. - Exactly. | 0:32:30 | 0:32:32 | |
I feel the same about you. You're a good...friend. | 0:32:32 | 0:32:37 | |
I'm a good friend. | 0:32:37 | 0:32:38 | |
What do faces matter anyway? | 0:32:38 | 0:32:40 | |
Oh, whatever. | 0:32:40 | 0:32:42 | |
I'm just feeling REALLY...happy. | 0:32:44 | 0:32:47 | |
Oh, by the way, do you eat food? | 0:32:49 | 0:32:52 | |
- Yeah, every day. - Oh, brilliant! | 0:32:52 | 0:32:54 | |
Let's eat food together so that we stay friends! | 0:32:54 | 0:32:57 | |
We'll have a laugh, won't we? | 0:32:57 | 0:32:59 | |
We'll jump, won't we? | 0:32:59 | 0:33:00 | |
- Well, I'm already jumping around. - Me too. | 0:33:00 | 0:33:03 | |
We'll be a pair. | 0:33:03 | 0:33:04 | |
Maybe a three, because I'll tell my woman, | 0:33:04 | 0:33:07 | |
who has such a FACE - you've got to see it! | 0:33:07 | 0:33:10 | |
She's got one that is worth twice one of ours. | 0:33:10 | 0:33:12 | |
Oh, I believe it, friend. Because you are nothing, really nothing | 0:33:12 | 0:33:16 | |
in comparison to this other face I know. | 0:33:16 | 0:33:18 | |
You'll meet her. I'm mad about her. She has these... | 0:33:18 | 0:33:22 | |
hands. So tiny, so... | 0:33:22 | 0:33:24 | |
sweet. And she lets me kiss them a lot. | 0:33:24 | 0:33:27 | |
Hands, friend. My woman has... | 0:33:27 | 0:33:30 | |
heavenly ones, and don't I get to stroke them just as much as I like? | 0:33:30 | 0:33:34 | |
- I'm LONGING for them. - Oh, brilliant! | 0:33:34 | 0:33:36 | |
I've just left mine and... | 0:33:36 | 0:33:38 | |
and now I must leave you to get on with some business. | 0:33:38 | 0:33:42 | |
Stay here until I come back with my Adine. | 0:33:42 | 0:33:46 | |
PLAYFUL MUSIC | 0:33:46 | 0:33:47 | |
Oh, let's just jump one more time to celebrate this happy encounter. | 0:33:47 | 0:33:51 | |
THEY LAUGH | 0:33:51 | 0:33:54 | |
- Oh, oh, oh... - Oh. | 0:33:54 | 0:33:56 | |
GROWLS | 0:33:56 | 0:33:58 | |
ROARS | 0:33:58 | 0:34:00 | |
THEY LAUGH | 0:34:00 | 0:34:04 | |
MUSIC ENDS ABRUPTLY | 0:34:04 | 0:34:06 | |
What beautiful thing is this? | 0:34:06 | 0:34:08 | |
- It's my woman. It's Egle! - Egle? | 0:34:08 | 0:34:10 | |
- That's angry face? - I'm so happy! | 0:34:10 | 0:34:12 | |
Oh, this is a new friend that has appeared to us all of a sudden. | 0:34:12 | 0:34:16 | |
Yes, it's a friend that I made. | 0:34:16 | 0:34:18 | |
He's called "man" and he comes from a world near here. | 0:34:18 | 0:34:21 | |
What a lovely time you can have in this one. | 0:34:21 | 0:34:25 | |
- Is it lovelier than yours? - Yes. Absolutely. | 0:34:25 | 0:34:27 | |
Well, man, you'll just have to stay here. | 0:34:27 | 0:34:30 | |
That's what we were saying because he's a brilliant and good thing. | 0:34:30 | 0:34:34 | |
I love him. Not like I love my lovely Egle, | 0:34:34 | 0:34:38 | |
who I adore. | 0:34:38 | 0:34:40 | |
I don't care that much about him but... | 0:34:40 | 0:34:43 | |
I want to spend time with him and... | 0:34:43 | 0:34:45 | |
talk about you. | 0:34:45 | 0:34:47 | |
About your eyes, | 0:34:47 | 0:34:49 | |
your mouth, your hands - | 0:34:49 | 0:34:52 | |
all the things I've been longing for. | 0:34:52 | 0:34:55 | |
I'll take the other one, then. | 0:34:56 | 0:34:58 | |
Careful. | 0:35:05 | 0:35:06 | |
It's not YOUR woman. | 0:35:06 | 0:35:08 | |
These two hands are mine, there isn't one for you. | 0:35:08 | 0:35:11 | |
No harm done. Azor, you need to leave. | 0:35:11 | 0:35:13 | |
You know how important our separation is. Ours hasn't been long enough. | 0:35:14 | 0:35:17 | |
Well, it's been hours. Hours since I've seen you. | 0:35:17 | 0:35:20 | |
No, you're mistaken, it hasn't been long enough. | 0:35:20 | 0:35:23 | |
I do know how to count! | 0:35:23 | 0:35:25 | |
I like to accomplish what I set out to do. | 0:35:25 | 0:35:28 | |
- But then you'll be all alone. - I can look after myself! | 0:35:28 | 0:35:30 | |
Don't upset her, friend. | 0:35:30 | 0:35:32 | |
- I think you're angry at me. - Why are you being so obstinate? | 0:35:33 | 0:35:37 | |
Didn't you say, there's nothing more dangerous than us seeing each other. | 0:35:37 | 0:35:41 | |
- Maybe it's not true. - I don't think it's a lie. | 0:35:41 | 0:35:43 | |
Well, I'll go then, but only to please you. | 0:35:45 | 0:35:47 | |
I'll be back soon. | 0:35:47 | 0:35:49 | |
Come on, friend, who has business to attend to. | 0:35:50 | 0:35:53 | |
Come with me to help me pass the time. | 0:35:53 | 0:35:55 | |
- Yes, but... - What? | 0:35:55 | 0:35:57 | |
I've been walking for a really long time. | 0:35:57 | 0:35:59 | |
He needs to rest. | 0:35:59 | 0:36:00 | |
And I-I can make sure that the beautiful lady doesn't get bored. | 0:36:00 | 0:36:04 | |
Yes, he can make sure of it. | 0:36:04 | 0:36:05 | |
But didn't she say that she wanted to be left ALONE? | 0:36:05 | 0:36:08 | |
Otherwise I'd entertain her better than you. | 0:36:08 | 0:36:11 | |
Let's go. | 0:36:12 | 0:36:13 | |
Yes... | 0:36:21 | 0:36:22 | |
..go! | 0:36:23 | 0:36:24 | |
'What are you dreaming about?' | 0:36:26 | 0:36:28 | |
I'm dreaming that... | 0:36:29 | 0:36:30 | |
I'm not in a good mood! | 0:36:32 | 0:36:34 | |
- 'Are you upset?' - No, I'm not upset, I'm... | 0:36:34 | 0:36:37 | |
- confused. - 'What about?' | 0:36:37 | 0:36:39 | |
Well, you said that when you're with someone, | 0:36:39 | 0:36:40 | |
you never know what's going to happen. | 0:36:40 | 0:36:42 | |
'That's true.' | 0:36:42 | 0:36:43 | |
I don't know what's going to happen to me. | 0:36:43 | 0:36:46 | |
- 'What's the matter with you?' - I'm... | 0:36:46 | 0:36:47 | |
..ANGRY at myself! | 0:36:48 | 0:36:51 | |
I'm ANGRY with Azor! | 0:36:51 | 0:36:53 | |
I don't know what's the matter with me. | 0:36:53 | 0:36:56 | |
'Why are you angry with yourself?' | 0:36:56 | 0:36:57 | |
Because I planned to love Azor for ever | 0:36:57 | 0:36:59 | |
and now I'm worried that I won't. | 0:36:59 | 0:37:00 | |
- 'Is that possible?' - Yes. | 0:37:00 | 0:37:02 | |
Yes. | 0:37:03 | 0:37:04 | |
I blame Azor, it's his behaviour that started it. | 0:37:04 | 0:37:08 | |
'I suspect you're looking for an argument.' | 0:37:08 | 0:37:10 | |
Well, if you keep talking to me like that, | 0:37:10 | 0:37:12 | |
I'll be angry with you too in a minute. | 0:37:12 | 0:37:14 | |
'You're just in a bad mood. What has Azor done to you?' | 0:37:14 | 0:37:18 | |
What has he done to me? | 0:37:18 | 0:37:20 | |
We agree to separate, so he leaves | 0:37:20 | 0:37:24 | |
and he comes back right away! | 0:37:24 | 0:37:27 | |
In the end, your prediction will come true. | 0:37:27 | 0:37:29 | |
- 'What? You'll stop loving him?' - Of course. | 0:37:29 | 0:37:32 | |
If the pleasure of seeing one another goes away. | 0:37:32 | 0:37:35 | |
If you see each other too often. | 0:37:35 | 0:37:37 | |
Is it my fault? | 0:37:38 | 0:37:39 | |
'You assured me THAT would never happen.' | 0:37:39 | 0:37:41 | |
Oh, don't split hairs with me. What did I know? I was ignorant. | 0:37:41 | 0:37:43 | |
'Egle, it can't be his overeagerness to see you | 0:37:43 | 0:37:46 | |
'that has changed how you feel about him, | 0:37:46 | 0:37:47 | |
'you haven't know him long enough.' | 0:37:47 | 0:37:49 | |
I have known him quite a long time. | 0:37:49 | 0:37:52 | |
We've already had THREE conversations. | 0:37:52 | 0:37:54 | |
'You still haven't said what he's actually done wrong.' | 0:37:54 | 0:37:57 | |
Oh, well, it's more than one thing he does... | 0:37:57 | 0:38:01 | |
Oh, I don't know how many things! But number one - | 0:38:01 | 0:38:03 | |
he tells me what I can and cannot do and my hands are mine! | 0:38:03 | 0:38:07 | |
I think... | 0:38:09 | 0:38:10 | |
..they belong to me... | 0:38:11 | 0:38:12 | |
..yet he tells me who can and cannot kiss them. | 0:38:13 | 0:38:16 | |
'And who wanted to kiss them?' | 0:38:16 | 0:38:18 | |
Just a friend... | 0:38:19 | 0:38:21 | |
he found. | 0:38:21 | 0:38:22 | |
He's called "man". | 0:38:23 | 0:38:25 | |
- 'And he's nice?' - Oh, gorgeous. | 0:38:25 | 0:38:28 | |
GIGGLES So much better than Azor! | 0:38:28 | 0:38:30 | |
And he even offered to stay and keep me company. | 0:38:30 | 0:38:33 | |
But that mad Azor wouldn't let him have either the hand or the company, | 0:38:33 | 0:38:38 | |
snapped at him and dragged him away without even asking me what I wanted! | 0:38:38 | 0:38:44 | |
Am I not in charge of my own life any more?! | 0:38:44 | 0:38:46 | |
Doesn't he trust me? | 0:38:46 | 0:38:49 | |
Is he so afraid that someone else will fall in love with me? | 0:38:49 | 0:38:52 | |
'No. But he is afraid his friend might tempt you.' | 0:38:52 | 0:38:55 | |
Well, all he has to do is tempt me more. | 0:38:55 | 0:38:58 | |
I'm at ease with being loved. | 0:39:00 | 0:39:03 | |
To be quite clear, if he had... | 0:39:03 | 0:39:05 | |
..a hundred friends... | 0:39:06 | 0:39:08 | |
instead of one, I'd want them all to love me. | 0:39:08 | 0:39:11 | |
It's what I like. | 0:39:11 | 0:39:13 | |
And he thinks that my beauty should be only for him, but I... | 0:39:13 | 0:39:16 | |
I think it should be anyone's. | 0:39:18 | 0:39:20 | |
'Listen, your anger at Azor has nothing to do with all that. | 0:39:20 | 0:39:23 | |
'It's because now you love his friend more than him.' | 0:39:23 | 0:39:25 | |
Do you think so? | 0:39:26 | 0:39:27 | |
You might be right. | 0:39:29 | 0:39:30 | |
'Tell me, are you not ashamed at being unfaithful?' | 0:39:30 | 0:39:33 | |
Maybe - I'm blushing. But it WAS an accident. | 0:39:33 | 0:39:36 | |
I'm still ignorant about these things. | 0:39:36 | 0:39:38 | |
'That's not an excuse. You promised to love him for ever.' | 0:39:38 | 0:39:41 | |
Oh, wait! | 0:39:41 | 0:39:42 | |
When I promised that, he was the only one. | 0:39:42 | 0:39:44 | |
I needed him to stay the only one. I didn't count on there being a friend. | 0:39:44 | 0:39:48 | |
'Admit it, these are not good reasons for breaking your promise.' | 0:39:48 | 0:39:51 | |
No, I don't think they're particularly admirable. | 0:39:51 | 0:39:55 | |
But there is one really good one. | 0:39:56 | 0:39:59 | |
And that is the friend is so much better than Azor. | 0:39:59 | 0:40:03 | |
'No, that's not it. It's not that he's better. | 0:40:03 | 0:40:05 | |
'It's that he has the advantage of being new.' | 0:40:05 | 0:40:07 | |
Well, that's a considerable advantage, isn't it? | 0:40:07 | 0:40:09 | |
A new person is exciting. | 0:40:09 | 0:40:12 | |
'Plus this new arrival is going to fall in love with you.' | 0:40:12 | 0:40:14 | |
Exactly. | 0:40:14 | 0:40:15 | |
He's going to fall in love with me... | 0:40:16 | 0:40:20 | |
I hope. | 0:40:20 | 0:40:21 | |
Well, that's a good trait to have too. | 0:40:21 | 0:40:23 | |
'Whereas Azor isn't going to fall in love with you.' | 0:40:23 | 0:40:25 | |
No, because he ALREADY loves me. | 0:40:25 | 0:40:27 | |
'What a strange reason to change your mind. | 0:40:27 | 0:40:29 | |
'I bet you're not happy about it.' | 0:40:29 | 0:40:31 | |
I'm not HAPPY about anything! | 0:40:31 | 0:40:33 | |
On the one hand, | 0:40:33 | 0:40:35 | |
the change pains me. On the other, it pleases me. | 0:40:35 | 0:40:40 | |
I can't stop myself from feeling one or the other, they both matter. | 0:40:40 | 0:40:44 | |
So which one is more important? | 0:40:44 | 0:40:45 | |
'Consult your heart. | 0:40:45 | 0:40:47 | |
'You'll feel it that it hates your inconstancy.' | 0:40:47 | 0:40:49 | |
You're not listening, then. | 0:40:49 | 0:40:52 | |
My heart... | 0:40:52 | 0:40:53 | |
hates it. My heart... | 0:40:53 | 0:40:56 | |
wants it. It says, "Yes." It says, "No." | 0:40:56 | 0:40:58 | |
It's in two minds. | 0:40:58 | 0:41:00 | |
All I can do is choose the most convenient. | 0:41:01 | 0:41:03 | |
'You know what you should do? | 0:41:03 | 0:41:04 | |
'Stay away from Azor's friend, | 0:41:04 | 0:41:07 | |
'then you'll be free from your dilemma.' | 0:41:07 | 0:41:08 | |
Yes, but... | 0:41:08 | 0:41:10 | |
we're too late - the dilemma is coming. | 0:41:10 | 0:41:12 | |
- The friend is here. - 'Never mind. | 0:41:12 | 0:41:14 | |
'Just try. Be brave. Don't look at him. | 0:41:14 | 0:41:16 | |
'Stay away from her!' | 0:41:16 | 0:41:18 | |
- Why? - 'Because I am protecting you. | 0:41:19 | 0:41:21 | |
'I must have some authority over you. | 0:41:21 | 0:41:23 | |
'I am your master.' | 0:41:23 | 0:41:25 | |
My master? | 0:41:25 | 0:41:27 | |
- What's a master? - 'All right, | 0:41:27 | 0:41:29 | |
'I won't tell you, I'll ask you, and the beautiful Egle | 0:41:29 | 0:41:31 | |
- 'will support my request.' - Me? | 0:41:31 | 0:41:33 | |
No, I don't. | 0:41:34 | 0:41:35 | |
- I don't support any request. - 'Egle, you should leave. | 0:41:35 | 0:41:38 | |
'You still don't know if he loves you.' | 0:41:38 | 0:41:40 | |
Oh, we don't hope that he doesn't, | 0:41:40 | 0:41:41 | |
we'll just have to ask him why he's here. | 0:41:41 | 0:41:43 | |
What do you want, pretty friend? | 0:41:43 | 0:41:47 | |
To look at you. | 0:41:47 | 0:41:49 | |
To admire you. | 0:41:49 | 0:41:51 | |
To call you my soul. | 0:41:51 | 0:41:53 | |
You see? He's talking about his soul. | 0:41:53 | 0:41:56 | |
Do you love me? | 0:41:57 | 0:41:58 | |
Like someone lost. | 0:41:58 | 0:42:00 | |
Didn't I tell you? | 0:42:00 | 0:42:01 | |
- Do you love me too? - Ah... | 0:42:01 | 0:42:02 | |
I'd like not to because of Azor, who's counting on me. | 0:42:02 | 0:42:05 | |
'Mesrin, think like Egle. Don't be unfaithful.' | 0:42:05 | 0:42:08 | |
Mesrin? Man is called "Mesrin"? | 0:42:08 | 0:42:11 | |
- Yes. - Who is Adine's friend? | 0:42:11 | 0:42:13 | |
Who WAS Adine's friend. | 0:42:13 | 0:42:15 | |
And who no longer needs her portrait. | 0:42:17 | 0:42:21 | |
EGLE CHUCKLES | 0:42:23 | 0:42:25 | |
Adine's portrait. | 0:42:26 | 0:42:28 | |
And Adine's friend. | 0:42:29 | 0:42:32 | |
Yet another temptation. | 0:42:32 | 0:42:34 | |
Carise, there are many, too many good points, how can I resist? | 0:42:34 | 0:42:38 | |
Mesrin, come here and see how I love you. | 0:42:39 | 0:42:43 | |
Oh, what a charming hand I've got. | 0:42:50 | 0:42:52 | |
What an unrivalled friend I've found. | 0:42:52 | 0:42:54 | |
'Why are you leaving Adine? Has she done something wrong?' | 0:42:54 | 0:42:57 | |
No, it's because this beautiful face here wants me to leave her. | 0:42:57 | 0:43:01 | |
It's because he has eyes, that's why. | 0:43:01 | 0:43:03 | |
I know what I'm doing but I don't know how to stop. | 0:43:03 | 0:43:06 | |
I'm making him do it. We are making each other do it. | 0:43:06 | 0:43:10 | |
'Azor and Adine will be heartbroken.' | 0:43:10 | 0:43:12 | |
- Too bad. - Can't be helped. | 0:43:12 | 0:43:13 | |
I don't mind if Azor misses me. My beauty deserves it. | 0:43:13 | 0:43:16 | |
And it won't harm Adine to suffer a bit. | 0:43:16 | 0:43:19 | |
It'll teach her not to overrate herself. | 0:43:19 | 0:43:21 | |
'Azor's coming!' | 0:43:21 | 0:43:22 | |
My friend! How embarrassing. He's going to get a shock. | 0:43:22 | 0:43:26 | |
'From the look on his face, | 0:43:26 | 0:43:27 | |
'I'd say he's guessed the wrong you've done him.' | 0:43:27 | 0:43:30 | |
Yes. | 0:43:30 | 0:43:32 | |
He looks sad. | 0:43:32 | 0:43:33 | |
Are you upset, Azor? | 0:43:36 | 0:43:39 | |
Yes, Egle. | 0:43:39 | 0:43:41 | |
Very? | 0:43:41 | 0:43:42 | |
- Really. - I can tell. | 0:43:42 | 0:43:44 | |
How do you know that I love Mesrin? | 0:43:45 | 0:43:48 | |
- What? - Yes, friend. | 0:43:48 | 0:43:51 | |
Egle loves YOU? | 0:43:51 | 0:43:54 | |
- She doesn't care about me any more? - It's true. | 0:43:54 | 0:43:57 | |
Oh, FANTASTIC! | 0:43:58 | 0:44:00 | |
Carry on, I don't care about you any more either! | 0:44:00 | 0:44:03 | |
Wait here. I'll be right back! | 0:44:03 | 0:44:05 | |
What do you mean, you don't care about me any more? | 0:44:05 | 0:44:07 | |
What's that supposed to mean? | 0:44:07 | 0:44:09 | |
Well, hang on, you'll see in a minute! | 0:44:09 | 0:44:11 | |
You want him to come back? | 0:44:11 | 0:44:13 | |
But what does it matter, now that you love me? | 0:44:13 | 0:44:15 | |
Oh, look, let me explain. | 0:44:15 | 0:44:16 | |
If I can have him, I'll love you even more. | 0:44:16 | 0:44:19 | |
I just don't want to give anything up. | 0:44:19 | 0:44:21 | |
CARISE CHUCKLES | 0:44:21 | 0:44:23 | |
Why are you laughing at me? | 0:44:23 | 0:44:25 | |
Oh, it's the BEAUTIFUL Egle(!) | 0:44:25 | 0:44:28 | |
If you want to see what you REALLY look like, | 0:44:28 | 0:44:31 | |
come and see me. I have your portrait. I was given it. | 0:44:31 | 0:44:35 | |
Oh, here, have yours back, it's not exactly worth keeping! | 0:44:35 | 0:44:37 | |
What? | 0:44:37 | 0:44:39 | |
Mesrin, my portrait, why does she have it? | 0:44:39 | 0:44:41 | |
- Because I gave it to her. - Azor, come here, | 0:44:41 | 0:44:43 | |
- so I can talk to you. - Talk to him?! What about me? | 0:44:43 | 0:44:46 | |
Come here, Mesrin. What are you doing over there? Are you mad? | 0:44:46 | 0:44:49 | |
BUZZING | 0:44:49 | 0:44:52 | |
CLUNK OF LOCK | 0:44:52 | 0:44:53 | |
Oh... | 0:44:53 | 0:44:55 | |
who are all these people? | 0:44:55 | 0:44:57 | |
CARISE: 'This experiment ends now.' | 0:44:59 | 0:45:02 | |
BUZZING AND CLUNKING | 0:45:02 | 0:45:03 | |
BUZZING | 0:45:03 | 0:45:06 | |
MUSIC-BOX CHIMES | 0:45:06 | 0:45:08 | |
'Have them dealt with | 0:45:19 | 0:45:20 | |
'as per the instructions.' | 0:45:20 | 0:45:22 | |
MUSIC-BOX CHIMES | 0:45:22 | 0:45:25 | |
CLUNKING | 0:45:25 | 0:45:26 | |
APPLAUSE | 0:45:31 | 0:45:36 |