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Two years ago, BBC Young Dancer launched | 0:00:04 | 0:00:06 | |
as a showcase for the UK's best young dance talent. | 0:00:06 | 0:00:09 | |
Six were selected to perform in the grand final. | 0:00:12 | 0:00:15 | |
Judged by some of the leading figures from the dance world. | 0:00:18 | 0:00:22 | |
Performing in front of such an enormous audience | 0:00:22 | 0:00:24 | |
and to be seen by so many important people in the dance world, | 0:00:24 | 0:00:28 | |
what an incredible thing for them. | 0:00:28 | 0:00:30 | |
It showed how great these young dancers are | 0:00:30 | 0:00:33 | |
and it gave us hope for the future. | 0:00:33 | 0:00:35 | |
The winner is Connor. | 0:00:35 | 0:00:37 | |
APPLAUSE AND CHEERING | 0:00:37 | 0:00:39 | |
At the end of an unforgettable evening, | 0:00:39 | 0:00:41 | |
competition ambassador Carlos Acosta | 0:00:41 | 0:00:44 | |
announced 17-year-old contemporary dancer Connor Scott | 0:00:44 | 0:00:47 | |
as the first ever winner. | 0:00:47 | 0:00:50 | |
When they announced my name, literally, | 0:00:50 | 0:00:53 | |
it was just shock because I couldn't quite believe it. | 0:00:53 | 0:00:57 | |
The whole thing was such a beautiful experience | 0:00:57 | 0:01:00 | |
and to share it with some absolutely beautiful people, as well, | 0:01:00 | 0:01:04 | |
it was...it was amazing. | 0:01:04 | 0:01:06 | |
In just four weeks' time, BBC Young Dancer | 0:01:13 | 0:01:16 | |
returns to Sadler's Wells | 0:01:16 | 0:01:19 | |
and this world-famous stage for the 2017 grand final. | 0:01:19 | 0:01:22 | |
The winners of each of the four categories - | 0:01:22 | 0:01:25 | |
Street, Contemporary, | 0:01:25 | 0:01:26 | |
Ballet and South Asian dance, plus one wild card - | 0:01:26 | 0:01:29 | |
will perform here, in front of some of the biggest names in dance, | 0:01:29 | 0:01:33 | |
which is a prize in itself. | 0:01:33 | 0:01:35 | |
But at the end of the evening, | 0:01:35 | 0:01:36 | |
one of our dancers will walk away with the title - | 0:01:36 | 0:01:40 | |
BBC Young Dancer 2017. | 0:01:40 | 0:01:42 | |
Dance has rarely been more popular or as diverse. | 0:02:13 | 0:02:17 | |
People of all ages are taking up dance classes, | 0:02:17 | 0:02:20 | |
watching live performances in theatres and cinemas | 0:02:20 | 0:02:24 | |
and there's also a certain Saturday night entertainment show. | 0:02:24 | 0:02:29 | |
Dance is fun. People take great pleasure in doing it. | 0:02:31 | 0:02:34 | |
It's part of who we are as human beings. | 0:02:34 | 0:02:36 | |
Currently, these is so much diversity, | 0:02:36 | 0:02:39 | |
that's the diverse society that we live in, | 0:02:39 | 0:02:41 | |
and it's projected in the dance world. | 0:02:41 | 0:02:43 | |
Dance is extremely important | 0:02:44 | 0:02:46 | |
and I think, the more people dance, the more happy we'll be. | 0:02:46 | 0:02:49 | |
Last summer, BBC Young Dancer invited applications | 0:02:49 | 0:02:53 | |
from the best ballet, contemporary, | 0:02:53 | 0:02:56 | |
South Asian and street dancers aged 16-21. | 0:02:56 | 0:03:00 | |
Over the course of the series, we'll be following 20 dancers | 0:03:01 | 0:03:04 | |
and their journeys through the competition, | 0:03:04 | 0:03:06 | |
getting an insight into what it takes to be a dancer, | 0:03:06 | 0:03:09 | |
and showcasing the very best of their performances | 0:03:09 | 0:03:12 | |
from the category finals. | 0:03:12 | 0:03:14 | |
Tonight, we begin with the poppers and the lockers | 0:03:17 | 0:03:20 | |
as street dance takes centre stage. | 0:03:20 | 0:03:22 | |
From the DVD auditions, ten from this category | 0:03:25 | 0:03:28 | |
were selected to compete in the second round. | 0:03:28 | 0:03:30 | |
Held at the Midlands' Art Centre in Birmingham back in October, | 0:03:32 | 0:03:35 | |
it was judged by dancer and choreographer Marso Riviere, | 0:03:35 | 0:03:39 | |
popper and robot performer Nicholas Marvel, | 0:03:39 | 0:03:42 | |
and dancer and CEO of Boadicea Crew Rhimes Lecointe. | 0:03:42 | 0:03:46 | |
It's about being funky, it's about being unique, being creative, | 0:03:47 | 0:03:50 | |
being entertaining and enjoying yourself. | 0:03:50 | 0:03:53 | |
And I found tonight that they were really enjoying themselves, | 0:03:53 | 0:03:56 | |
so it was enjoyable to watch. | 0:03:56 | 0:03:58 | |
I just felt I was really blown away by the level of the dancers, | 0:03:58 | 0:04:01 | |
technically speaking and on a performance level, as well. | 0:04:01 | 0:04:04 | |
When it came to picking five dancers, it was quite hard, | 0:04:04 | 0:04:08 | |
but we managed to get five | 0:04:08 | 0:04:10 | |
and they were all very creative and original in their styles. | 0:04:10 | 0:04:13 | |
You guys are in for a real treat. | 0:04:13 | 0:04:15 | |
There's a lot of talent going on there. Wait until you see them. | 0:04:15 | 0:04:18 | |
And the five dancers selected for the street dance final are - | 0:04:19 | 0:04:24 | |
19-year-old Harry Barnes from Merseyside. | 0:04:24 | 0:04:28 | |
Two years ago, Harry won this category | 0:04:28 | 0:04:30 | |
and a place in the grand final. | 0:04:30 | 0:04:32 | |
He's back this year to defend his title. | 0:04:32 | 0:04:35 | |
It's real when you've got an actual audience. | 0:04:35 | 0:04:38 | |
You've just got to get them all on your wavelength. | 0:04:38 | 0:04:41 | |
And I really enjoy that task of trying to win people over... | 0:04:41 | 0:04:46 | |
without even saying a word. | 0:04:46 | 0:04:48 | |
18-year-old Tom Hughes Lloyd from Wrexham. | 0:04:49 | 0:04:53 | |
He's a former Junior World Street Dance Champion. | 0:04:53 | 0:04:56 | |
I'd had a few doubts over whether I'd be good enough, really. | 0:04:56 | 0:05:00 | |
And then I just thought, "I've got to do something, | 0:05:00 | 0:05:02 | |
"I've got to push myself." | 0:05:02 | 0:05:04 | |
And this came up and I just thought it would be perfect. | 0:05:04 | 0:05:06 | |
I'm going into this just to learn something new about myself, | 0:05:06 | 0:05:10 | |
but hopefully so that people can enjoy what I'm doing. | 0:05:10 | 0:05:13 | |
21-year-old Jodelle Douglas lives in Cardiff and, like Harry, | 0:05:14 | 0:05:17 | |
made it to this stage in the competition two years ago. | 0:05:17 | 0:05:21 | |
This show, I feel like it's one of the best platforms I've ever been | 0:05:22 | 0:05:25 | |
put on in terms of an experience, opportunity. | 0:05:25 | 0:05:28 | |
As long as I get what I want across to the audience, whoever, | 0:05:28 | 0:05:31 | |
happy days! | 0:05:31 | 0:05:33 | |
At just 17 years old, Kate Morris from Maesteg in South Wales | 0:05:35 | 0:05:39 | |
is the youngest dancer to make it through. | 0:05:39 | 0:05:41 | |
I watched Jodelle and Harry when I was 15 and I was, like, | 0:05:43 | 0:05:46 | |
"Oh, I want to do this". | 0:05:46 | 0:05:48 | |
So then I had to wait until I was old enough to do BBC Young Dancer, | 0:05:48 | 0:05:52 | |
so I'm glad I'm here. I'm really glad. | 0:05:52 | 0:05:54 | |
And completing the line-up, | 0:05:56 | 0:05:58 | |
21-year-old Darren Hamilton from Glasgow. | 0:05:58 | 0:06:01 | |
The best thing about dance is literally being able to | 0:06:02 | 0:06:05 | |
create and not worry about what you're creating. | 0:06:05 | 0:06:08 | |
That's the best thing, just that and connecting with people. | 0:06:08 | 0:06:12 | |
# Clap your hands, everybody | 0:06:14 | 0:06:16 | |
# If you got what it takes... # | 0:06:16 | 0:06:18 | |
Originating on the streets of New York, street dance first | 0:06:20 | 0:06:24 | |
arrived in the UK in the 1980s. | 0:06:24 | 0:06:27 | |
# Get on down. # | 0:06:27 | 0:06:29 | |
In the UK at the moment, | 0:06:29 | 0:06:30 | |
there's an absolutely massive street dance scene. So much going on. | 0:06:30 | 0:06:35 | |
If you're part of that community, | 0:06:35 | 0:06:36 | |
it feels like that's all there is in the world. | 0:06:36 | 0:06:38 | |
And it's getting bigger and bigger and bigger by the minute. | 0:06:38 | 0:06:41 | |
We're getting world champions now. | 0:06:41 | 0:06:43 | |
We're actually making a global impact. | 0:06:43 | 0:06:46 | |
People are afraid of battling our dancers now - that's a reality now. | 0:06:46 | 0:06:49 | |
The umbrella term street dance comes from the fact that it started | 0:06:52 | 0:06:56 | |
as a dance in the street. | 0:06:56 | 0:06:58 | |
But actually, street dance is in the theatre. | 0:06:58 | 0:07:01 | |
It's not street dance anymore. | 0:07:01 | 0:07:03 | |
It's a beautiful, legitimised dance form that is growing | 0:07:03 | 0:07:07 | |
and is successful and commercial. | 0:07:07 | 0:07:10 | |
Street dance is such a broad genre with | 0:07:11 | 0:07:13 | |
a myriad of different styles from locking to breaking. | 0:07:13 | 0:07:17 | |
This year, the dancers who've made it through to the category final | 0:07:17 | 0:07:21 | |
are all poppers. | 0:07:21 | 0:07:22 | |
Fundamentally, popping is the contraction and release of a muscle. | 0:07:24 | 0:07:29 | |
It appears like an electrical pulse, | 0:07:29 | 0:07:31 | |
so you contract and release and that is a pop. | 0:07:31 | 0:07:35 | |
Within it though there are many other styles. | 0:07:35 | 0:07:37 | |
Like animation, you can become a creature or a character. | 0:07:37 | 0:07:42 | |
Waving, you can use undulations to create the illusion of water. | 0:07:42 | 0:07:47 | |
Robot, you can become a mechanical automaton. | 0:07:47 | 0:07:50 | |
So there's all these things. | 0:07:50 | 0:07:52 | |
Then you can mix them up and just make good stories with them. | 0:07:52 | 0:07:55 | |
I look at some of these younger dancers. | 0:08:00 | 0:08:03 | |
What they are doing is WAY beyond my understanding and my thinking. | 0:08:03 | 0:08:07 | |
And they are pushing the boundaries and doing | 0:08:07 | 0:08:10 | |
new and exciting things and I LOVE it. | 0:08:10 | 0:08:13 | |
And good on them. | 0:08:13 | 0:08:14 | |
And I can't wait to see what happens in the next 50 years. | 0:08:14 | 0:08:17 | |
It's January and our five street dance finalists are in | 0:08:22 | 0:08:25 | |
Newport, South Wales to meet the mentors who will guide them | 0:08:25 | 0:08:29 | |
through the competition. | 0:08:29 | 0:08:30 | |
-Well done for getting this far, guys. -Thank you. -Awesome. | 0:08:31 | 0:08:35 | |
They are choreographers and street dance pioneers | 0:08:35 | 0:08:38 | |
Rhimes Lecointe and DJ Renegade. | 0:08:38 | 0:08:41 | |
I would really hope that all competitors get just | 0:08:44 | 0:08:47 | |
a sense of who they are as artists out of this. | 0:08:47 | 0:08:50 | |
By the end of it, they should be proud, | 0:08:51 | 0:08:53 | |
they should feel like they've accomplished something. | 0:08:53 | 0:08:57 | |
Some dancers just want to be in the background doing the same thing | 0:08:57 | 0:09:01 | |
as everyone else and some actually have a story to tell, | 0:09:01 | 0:09:04 | |
and I want to talk to the people who want to tell their own story. | 0:09:04 | 0:09:07 | |
Let someone else do the people-in-the-background stuff. | 0:09:07 | 0:09:10 | |
All five dancers are required to present two solos | 0:09:11 | 0:09:15 | |
and a duet in the category finals. | 0:09:15 | 0:09:18 | |
Newport provides the opportunity to work through their ideas | 0:09:18 | 0:09:21 | |
with their mentors. | 0:09:21 | 0:09:22 | |
First to work with DJ Renegade is Harry Barnes. | 0:09:23 | 0:09:27 | |
Yeah, way into the distance. | 0:09:28 | 0:09:30 | |
'Harry's way past capable.' | 0:09:30 | 0:09:32 | |
He knows exactly what he wants to do but I want him to push beyond that. | 0:09:32 | 0:09:38 | |
I want to see - what does Harry Barnes bring | 0:09:38 | 0:09:41 | |
to the dance form? | 0:09:41 | 0:09:42 | |
I want you to feel it in your skin, bro. | 0:09:42 | 0:09:45 | |
I've been finishing off and just making little changes and stuff | 0:09:45 | 0:09:49 | |
to my pieces in this last week. | 0:09:49 | 0:09:50 | |
It's been a little bit stressful and so he reassured | 0:09:50 | 0:09:53 | |
me that it was at the level it should be and, yeah, happy now. | 0:09:53 | 0:09:57 | |
In her session with Tom, Rhimes focuses on his stage presentation. | 0:09:58 | 0:10:02 | |
I LOVE to watch Tom dance. Ah! | 0:10:07 | 0:10:10 | |
I just think it's beautiful what he does... | 0:10:10 | 0:10:14 | |
but it could be the projection of his face and his eye line. | 0:10:14 | 0:10:17 | |
So, we looked to raise the head up, pierce out, look at your audience. | 0:10:17 | 0:10:22 | |
What are you saying? What do you want them to feel? | 0:10:22 | 0:10:25 | |
What he is saying is no place to go and I feel like | 0:10:25 | 0:10:28 | |
you could use that, like, in the beginning, you were... | 0:10:28 | 0:10:31 | |
like that. | 0:10:31 | 0:10:32 | |
-Yeah. -So use that. -Yeah. -Because it really, really worked. | 0:10:32 | 0:10:36 | |
I'm so happy with the feedback that I got and it's really helped me. | 0:10:36 | 0:10:39 | |
I know exactly what I need to do for the next round. | 0:10:39 | 0:10:42 | |
Yeah! Awesome. | 0:10:42 | 0:10:44 | |
In the past two years, | 0:10:47 | 0:10:48 | |
Jodelle has been developing his own style of popping. | 0:10:48 | 0:10:51 | |
He now breaks it down with DJ Renegade. | 0:10:51 | 0:10:54 | |
-Nothing too awkward yet. -OK. | 0:10:54 | 0:10:56 | |
'He's very experimental.' | 0:10:56 | 0:10:57 | |
He has a lot of great ideas that I think he has been afraid | 0:10:57 | 0:11:00 | |
of expressing before. | 0:11:00 | 0:11:01 | |
So, I just wanted to say to him, | 0:11:01 | 0:11:03 | |
"Don't worry about winning this competition." | 0:11:03 | 0:11:05 | |
Stop looking at them. | 0:11:05 | 0:11:06 | |
It's about you, as an artist, | 0:11:06 | 0:11:08 | |
using the platform to say what you want to say. | 0:11:08 | 0:11:11 | |
Good. Remember to zigzag. | 0:11:11 | 0:11:13 | |
Instead of me just walking straight in a line, | 0:11:13 | 0:11:15 | |
he would think of, like, a zigzag. | 0:11:15 | 0:11:17 | |
Just those little finishing touches that I'm going to personally | 0:11:17 | 0:11:20 | |
take away for myself, so if I'm ever creating or choreographing, | 0:11:20 | 0:11:24 | |
I'm going to think of Renegade's advice. | 0:11:24 | 0:11:26 | |
In her workshop with Rhimes, | 0:11:28 | 0:11:30 | |
Kate is challenged to bring out her personality in the pieces. | 0:11:30 | 0:11:34 | |
She's so interesting to watch. She's so quirky. | 0:11:35 | 0:11:39 | |
She's so experimental. | 0:11:39 | 0:11:41 | |
It's not too often that you will see a girl pop like a lady. | 0:11:41 | 0:11:45 | |
There's not many girls who embody their femininity with the popping, | 0:11:45 | 0:11:48 | |
but I feel like you could kind of tease us a little bit with, | 0:11:48 | 0:11:51 | |
-"I can go into that style but I'm going to hold it back." -OK. | 0:11:51 | 0:11:55 | |
Going in with Rhimes, I felt like, "Ugh, I need to get my game on," | 0:11:57 | 0:12:02 | |
but then coming out, I was so relieved. | 0:12:02 | 0:12:04 | |
Like, she made me feel like I had two strong solos | 0:12:04 | 0:12:07 | |
and I was ready to perform them. | 0:12:07 | 0:12:08 | |
Darren is a freestyle dancer, which means that much of his | 0:12:12 | 0:12:15 | |
performance will be improvised. | 0:12:15 | 0:12:17 | |
But for DJ Renegade, there's work needed on his storytelling. | 0:12:17 | 0:12:20 | |
'He's very competent at his style, but it's trying to get him to | 0:12:22 | 0:12:27 | |
'structure his freestyles so he has a better idea of what narrative | 0:12:27 | 0:12:30 | |
'he's trying to put across.' | 0:12:30 | 0:12:33 | |
Think of the space as, like, this is your... | 0:12:33 | 0:12:35 | |
This is where you're writing your story, right? | 0:12:37 | 0:12:39 | |
'Even though he's freestyling,' | 0:12:42 | 0:12:44 | |
'he needs to think about where he's starting, the point he's going to go | 0:12:44 | 0:12:47 | |
'through and how he's going to end his piece.' | 0:12:47 | 0:12:50 | |
How do you feel? | 0:12:50 | 0:12:51 | |
'He basically told me how to use the stage a wee bit more' | 0:12:51 | 0:12:53 | |
and told me how to be comfortable in my movement, | 0:12:53 | 0:12:56 | |
and how to continue my moves a bit longer | 0:12:56 | 0:12:58 | |
instead of just having that adrenaline rush | 0:12:58 | 0:13:01 | |
and throwing it away, which was really cool. | 0:13:01 | 0:13:03 | |
With only a week between the mentor sessions and the category finals, | 0:13:07 | 0:13:11 | |
the dancers leave with plenty to work on. | 0:13:11 | 0:13:13 | |
After winning this stage last time round, | 0:13:15 | 0:13:18 | |
there is a little pressure there. | 0:13:18 | 0:13:19 | |
Next week is crucial, really. | 0:13:19 | 0:13:22 | |
I've just need to take on board everything that I've been told | 0:13:22 | 0:13:25 | |
and just drill it. | 0:13:25 | 0:13:26 | |
Now, it's just about putting the graft in, | 0:13:27 | 0:13:30 | |
just making sure I really home in on the little details. | 0:13:30 | 0:13:33 | |
Now I've got to really step up my game and produce something special. | 0:13:33 | 0:13:37 | |
What I'm going to be working on is my performance, | 0:13:39 | 0:13:42 | |
really trying to tweak little bits and bobs. | 0:13:42 | 0:13:45 | |
I want to take risks, so I'm going to be practising | 0:13:45 | 0:13:48 | |
a lot more movement to take risks cos that's just how I work. | 0:13:48 | 0:13:51 | |
Over the next week, I'm literally banging in rehearsals while | 0:13:53 | 0:13:57 | |
doing college work, so it's going to be a bit of balance, | 0:13:57 | 0:14:00 | |
but I will be getting those hours in in the studio. | 0:14:00 | 0:14:03 | |
Sometimes I'm a bit too harsh on myself. | 0:14:04 | 0:14:06 | |
I just need to enjoy it instead of being that much of a critic. | 0:14:06 | 0:14:12 | |
I suppose that's the judges' job more than mine. | 0:14:12 | 0:14:15 | |
I should just enjoy it. | 0:14:15 | 0:14:16 | |
The Lowry Centre, Salford Quays. | 0:14:20 | 0:14:23 | |
It's late January and the day of the street dance final. | 0:14:23 | 0:14:27 | |
The dancers arrive for their stage rehearsals. | 0:14:27 | 0:14:30 | |
It's their first opportunity to run through their three pieces | 0:14:30 | 0:14:34 | |
with lighting and cameras. | 0:14:34 | 0:14:36 | |
On hand, their mentors Rhimes and DJ Renegade. | 0:14:36 | 0:14:40 | |
For the dancers, it's been months of preparation to get to this | 0:14:41 | 0:14:45 | |
stage of the competition. | 0:14:45 | 0:14:46 | |
The challenge now is to impress three of the UK's | 0:14:46 | 0:14:49 | |
leading dance experts. | 0:14:49 | 0:14:51 | |
They are, Tony Adigun, | 0:14:52 | 0:14:55 | |
founder and Artistic Director of Avant Garde Dance company. | 0:14:55 | 0:15:00 | |
I'm looking for their relationship with music. | 0:15:00 | 0:15:02 | |
I'm a big fan of music and how we move to music, | 0:15:02 | 0:15:05 | |
so for me it's how they marry those two things together. | 0:15:05 | 0:15:09 | |
Bringing what they've been training to the stage | 0:15:09 | 0:15:11 | |
and making it into a performance. | 0:15:11 | 0:15:12 | |
I'm looking for the dancer to have fun and let loose tonight. | 0:15:12 | 0:15:16 | |
Clara Bajadoo, a dancer, choreographer and lecturer, | 0:15:16 | 0:15:20 | |
specialising in house dance and hip-hop. | 0:15:20 | 0:15:24 | |
I'm going to be looking for something organic that would | 0:15:24 | 0:15:27 | |
come out from the dancer. | 0:15:27 | 0:15:29 | |
The winning performance for me tonight will have | 0:15:30 | 0:15:33 | |
a really good projection, cleanness of the movement, | 0:15:33 | 0:15:37 | |
understanding of the style, character and creativity. | 0:15:37 | 0:15:42 | |
And our general adjudicator Shobana Jeyasingh, | 0:15:42 | 0:15:45 | |
critically-acclaimed choreographer | 0:15:45 | 0:15:47 | |
and founder of Shobana Jeyasingh Dance company. | 0:15:47 | 0:15:50 | |
She'll be chairing the jury in all four Young Dancer category finals. | 0:15:50 | 0:15:54 | |
We need someone who can actually, while showing off their technique, | 0:15:54 | 0:15:57 | |
will also make us forget the technique | 0:15:57 | 0:16:00 | |
and just look at them as the person. | 0:16:00 | 0:16:03 | |
You need to be a super performer and communicate yourself as an artist. | 0:16:03 | 0:16:08 | |
First to dance in this street dance final | 0:16:15 | 0:16:18 | |
is 19-year-old Harry Barnes from Merseyside. | 0:16:18 | 0:16:22 | |
Every different dancer has their own character. | 0:16:32 | 0:16:34 | |
My character when I go on stage is very fun and jokey. | 0:16:34 | 0:16:39 | |
I'm very smiley throughout life anyway, so I like to dance that way. | 0:16:39 | 0:16:44 | |
Before he started dancing, there was another obsession driving Harry. | 0:16:47 | 0:16:51 | |
I started playing golf when I was seven, I think. | 0:16:54 | 0:16:57 | |
I played golf seriously for years and I didn't think anything | 0:16:57 | 0:17:01 | |
would take me away from golf. | 0:17:01 | 0:17:04 | |
Every day I was practising, practising hard. | 0:17:04 | 0:17:06 | |
When I was 12, I went to see a dance show. | 0:17:06 | 0:17:10 | |
I just enjoyed it that much that the next week I joined my first | 0:17:15 | 0:17:18 | |
dancing class. | 0:17:18 | 0:17:20 | |
Then I was just dancing all the time and golf just slowly got | 0:17:20 | 0:17:23 | |
pushed to the side. | 0:17:23 | 0:17:25 | |
Harry returns to BBC Young Dancer as reigning street dance champion. | 0:17:26 | 0:17:30 | |
# Go all the way if you know | 0:17:30 | 0:17:32 | |
# I'll give you the rest | 0:17:32 | 0:17:33 | |
# Now tell me what do... # | 0:17:33 | 0:17:35 | |
Harry Barnes. | 0:17:35 | 0:17:37 | |
Just had such a good time last time and it was just such | 0:17:37 | 0:17:41 | |
a positive experience that I just want to do it all over again. | 0:17:41 | 0:17:45 | |
I definitely move a little bit different now, | 0:17:47 | 0:17:49 | |
but a dancer's style always progresses, always moves on. | 0:17:49 | 0:17:52 | |
You'll never find something and just stick with it forever. | 0:17:52 | 0:17:55 | |
We're always looking to push ourselves and improve. | 0:17:55 | 0:17:58 | |
It's pretty exciting, to be honest, | 0:18:00 | 0:18:02 | |
especially when you've worked really hard on something, | 0:18:02 | 0:18:04 | |
to finally get to the day where, you know, | 0:18:04 | 0:18:07 | |
I get to share what I've made. | 0:18:07 | 0:18:09 | |
I'm excited and ready. Ready. | 0:18:09 | 0:18:11 | |
It just needs an audience for me to perform to now. | 0:18:11 | 0:18:14 | |
And, in the audience, Harry has plenty of support. | 0:18:16 | 0:18:19 | |
He opens his programme with a piece he's titled Trapped. | 0:18:19 | 0:18:23 | |
The idea of the whole piece is, like, | 0:18:29 | 0:18:31 | |
I'm trapped in the spotlight, I'm trying to get out and I can't. | 0:18:31 | 0:18:34 | |
URBAN MUSIC PLAYS | 0:18:36 | 0:18:40 | |
For his duet, Harry is joined on stage by Chase Willoughby. | 0:19:45 | 0:19:51 | |
'I'm most excited to be doing the duet,' | 0:19:51 | 0:19:54 | |
pas de deux, as some say. | 0:19:54 | 0:19:56 | |
Just because, you know, I've never stood there and performed | 0:19:56 | 0:19:59 | |
a duo before, so I'm really excited for that. | 0:19:59 | 0:20:02 | |
It's starts slow and then we just bang it out. | 0:20:02 | 0:20:05 | |
REMIX OF HOLY GHOST BY MESSINIAN PLAYS | 0:20:05 | 0:20:09 | |
CHEERING AND APPLAUSE | 0:21:31 | 0:21:34 | |
Harry is going to end his performance by showcasing his | 0:21:37 | 0:21:41 | |
locking skills in a piece he's called It's My Birthday. | 0:21:41 | 0:21:45 | |
My everyday personality comes out a little bit more in this one. | 0:21:45 | 0:21:49 | |
It's going to be my birthday tomorrow, | 0:21:49 | 0:21:51 | |
so it's like my birthday party, I suppose, and everyone's invited. | 0:21:51 | 0:21:55 | |
# Throw some perm on your attitude | 0:21:57 | 0:22:00 | |
# Girl, you gotta relax, ooh | 0:22:00 | 0:22:04 | |
# Let me show you what you got to do | 0:22:05 | 0:22:08 | |
# You gotta lay it back | 0:22:08 | 0:22:10 | |
# Matter of fact | 0:22:10 | 0:22:11 | |
# Band, show her how to lay it back | 0:22:11 | 0:22:13 | |
# Show her how to lay it back | 0:22:16 | 0:22:17 | |
# Show her how to lay it back | 0:22:19 | 0:22:21 | |
# Show her how to lay it back | 0:22:23 | 0:22:25 | |
# Hey, now you got it baby | 0:22:29 | 0:22:31 | |
# You trying to have some fun tonight | 0:22:31 | 0:22:33 | |
# You just got to follow these simple instructions, you ready? | 0:22:33 | 0:22:36 | |
-# You need activate your sexy -Activate your sexy | 0:22:36 | 0:22:39 | |
-# Silky smooth and snap -Silky smooth and snap | 0:22:39 | 0:22:43 | |
-# Now lean with it -Lean | 0:22:43 | 0:22:45 | |
-# Throw a lil sheen in it -Sheen | 0:22:45 | 0:22:47 | |
# Then pat, pat, pat till it's flat | 0:22:47 | 0:22:50 | |
# I'll say it again | 0:22:50 | 0:22:51 | |
# Throw some perm on your attitude | 0:22:51 | 0:22:55 | |
# Girl, you gotta relax | 0:22:55 | 0:22:57 | |
# Ooh | 0:22:57 | 0:22:59 | |
# Let me show you what you got to do | 0:22:59 | 0:23:02 | |
# You gotta lay it back | 0:23:02 | 0:23:04 | |
# Matter of fact | 0:23:04 | 0:23:05 | |
# Band, show her how to lay it back | 0:23:05 | 0:23:07 | |
# Show her how to lay it back | 0:23:10 | 0:23:12 | |
# Show her how to lay it back now | 0:23:13 | 0:23:16 | |
# Show her how to lay it back | 0:23:17 | 0:23:19 | |
# All right! # | 0:23:20 | 0:23:23 | |
Charismatic and very popular, | 0:23:29 | 0:23:32 | |
that was Harry Barnes opening this street dance final. | 0:23:32 | 0:23:35 | |
You can see Harry and all of tonight's performances in full | 0:23:35 | 0:23:38 | |
on our website - bbc.co.uk/youngdancer | 0:23:38 | 0:23:42 | |
Harry's performance was very, very strong. | 0:23:46 | 0:23:49 | |
When he worked with his partner, | 0:23:49 | 0:23:50 | |
the way they moved in the space was very impressive. | 0:23:50 | 0:23:52 | |
More than dance, it was a great performance. | 0:23:52 | 0:23:55 | |
Outstanding performer for sure. | 0:23:55 | 0:23:57 | |
He got the audience, he got us, he's got a great all-round energy. | 0:23:57 | 0:24:02 | |
Really great. | 0:24:02 | 0:24:03 | |
Tonight, in one word, was just amazing. | 0:24:03 | 0:24:07 | |
The crowd seemed to enjoy it. I had a lot of supporters. | 0:24:07 | 0:24:09 | |
So, yeah, thanks to them for coming. | 0:24:09 | 0:24:11 | |
I came off buzzing after every piece. It was just amazing. | 0:24:11 | 0:24:15 | |
Next to dance, it's Tom Hughes Lloyd, | 0:24:21 | 0:24:23 | |
who is 18 and comes from Wrexham in North Wales. | 0:24:23 | 0:24:26 | |
I started dancing about eight years ago. | 0:24:38 | 0:24:41 | |
I never went to any classes. | 0:24:44 | 0:24:46 | |
I used to just copy dancers I'd see on YouTube. | 0:24:46 | 0:24:49 | |
I really like Michael Jackson, so I danced like him. | 0:24:49 | 0:24:52 | |
Then, afterwards, I went more into popping. | 0:24:52 | 0:24:55 | |
Now it feels like I have developed my own dance, | 0:24:55 | 0:24:56 | |
so I don't copy anybody anymore. | 0:24:56 | 0:25:00 | |
I just use what they do as inspiration and it gives | 0:25:00 | 0:25:04 | |
me ideas for my own thing. | 0:25:04 | 0:25:05 | |
Last summer, Tom completed a performing arts course | 0:25:07 | 0:25:10 | |
at Coleg Cambria in Wrexham and he's back to help out | 0:25:10 | 0:25:13 | |
with their winter showcase. | 0:25:13 | 0:25:15 | |
Tutor Jamie Jenkins saw his potential early on. | 0:25:16 | 0:25:19 | |
'It was amazing, like, I'd never seen anyone move like that. | 0:25:21 | 0:25:24 | |
'And the fact he has passion, the passion that he had for dancing | 0:25:24 | 0:25:27 | |
'just kind of came out.' | 0:25:27 | 0:25:28 | |
I was kind of like, "Whoa, this boy's got something." | 0:25:28 | 0:25:32 | |
I benefited a lot from the stuff we did at college. | 0:25:32 | 0:25:35 | |
Not only the dance technique, but the acting side | 0:25:35 | 0:25:38 | |
and how the dance and acting are actually, they relate. | 0:25:38 | 0:25:42 | |
Because, within acting, you're telling a story, | 0:25:42 | 0:25:44 | |
and with dance, you're telling a story. | 0:25:44 | 0:25:46 | |
So it's kind of, for me, it's very similar. | 0:25:46 | 0:25:48 | |
As well as working with the college students, | 0:25:49 | 0:25:52 | |
Tom also teaches dance one-to-one. | 0:25:52 | 0:25:55 | |
I met Rion a few years ago now. | 0:25:55 | 0:25:58 | |
He was going to quit dance at one point, | 0:25:58 | 0:26:00 | |
so I felt like I had seen potential in him and I said, | 0:26:00 | 0:26:03 | |
"No, you shouldn't quit. You're really good." | 0:26:03 | 0:26:05 | |
What we're doing is we're going this way. | 0:26:05 | 0:26:07 | |
Yeah, and your head will just go naturally with it. | 0:26:07 | 0:26:10 | |
'I began mentoring him after that and, since then,' | 0:26:10 | 0:26:13 | |
we've trained together and become really good friends. | 0:26:13 | 0:26:15 | |
Since I left college and I started working, | 0:26:18 | 0:26:20 | |
I've been doing as much dancing as I can, | 0:26:20 | 0:26:22 | |
making sure I'm just having fun with it, really. | 0:26:22 | 0:26:24 | |
But they always catch me at work dancing, | 0:26:24 | 0:26:27 | |
and I'm always trying to sneak in a bit of dancing | 0:26:27 | 0:26:29 | |
while I'm behind the bar. | 0:26:29 | 0:26:30 | |
At the moment, it's hard to find the time to dance, | 0:26:30 | 0:26:33 | |
but I make sure that I make time for dance. | 0:26:33 | 0:26:35 | |
CHEERING AND APPLAUSE | 0:26:37 | 0:26:41 | |
The whole process has been so fun and, you know, | 0:26:41 | 0:26:43 | |
there was times where I felt really nervous, | 0:26:43 | 0:26:45 | |
but now I can't wait to just get on stage | 0:26:45 | 0:26:48 | |
and do what I've been working towards this whole time. | 0:26:48 | 0:26:51 | |
My first solo is Holding On. | 0:26:51 | 0:26:54 | |
I would say this one's like a release for me. | 0:26:57 | 0:27:00 | |
Because popping is associated with something | 0:27:01 | 0:27:05 | |
a bit more up-tempo, | 0:27:05 | 0:27:06 | |
doing this, really, I think, shows off what my style is | 0:27:06 | 0:27:10 | |
and how it's different to other people's. | 0:27:10 | 0:27:13 | |
MUSIC: Holding On by Disclosure featuring Gregory Porter | 0:27:14 | 0:27:19 | |
CHEERING AND APPLAUSE | 0:28:35 | 0:28:40 | |
In a self-choreographed programme, | 0:28:43 | 0:28:46 | |
Tom also performed a solo piece titled Down The Road. | 0:28:46 | 0:28:50 | |
MUSIC: Down The Road by C2C | 0:28:50 | 0:28:53 | |
And for his duet performance in this final, | 0:29:31 | 0:29:33 | |
Tom is joined by dance partner Max Ravel. | 0:29:33 | 0:29:37 | |
We decided to go for, like, an old-man theme. | 0:29:37 | 0:29:41 | |
We've tried to go for a bit of comedy, | 0:29:43 | 0:29:45 | |
but the main theme is that anybody can dance | 0:29:45 | 0:29:47 | |
and anybody can have fun with dance. | 0:29:47 | 0:29:49 | |
MUSIC: Freakshow On The Dance Floor by The Bar-Kays | 0:29:49 | 0:29:53 | |
CHEERING AND APPLAUSE | 0:31:29 | 0:31:32 | |
I found a kind of fluency | 0:31:38 | 0:31:40 | |
in Tom's work, which was very pleasing, | 0:31:40 | 0:31:43 | |
and I particularly liked the duet. | 0:31:43 | 0:31:45 | |
I found it really witty and I really kind of got the story. | 0:31:45 | 0:31:50 | |
I think he made some great choices tonight. I loved his duet. | 0:31:50 | 0:31:53 | |
I loved the characterisation, the movement. | 0:31:53 | 0:31:56 | |
My highlight was dancing with Max. | 0:31:56 | 0:31:58 | |
That's the first time I've ever done a duo. | 0:31:58 | 0:32:00 | |
Yeah, all the hard work paid off, so I'm really happy. | 0:32:00 | 0:32:04 | |
Still to come in this street dance final, | 0:32:05 | 0:32:08 | |
17-year-old Kate Morris... | 0:32:08 | 0:32:10 | |
..and 21-year-old Darren Hamilton. | 0:32:11 | 0:32:14 | |
Next to perform, 21-year-old Jodelle Douglas. | 0:32:14 | 0:32:19 | |
This is the second time Jodelle has taken part in the competition, | 0:32:23 | 0:32:27 | |
having reached the category finals in 2015. | 0:32:27 | 0:32:31 | |
I took a lot from it and I've gained a lot of experience | 0:32:31 | 0:32:34 | |
from the show last time, | 0:32:34 | 0:32:36 | |
so I was just very privileged to have got through | 0:32:36 | 0:32:40 | |
to that stage back then, and I'm here again. | 0:32:40 | 0:32:43 | |
My dancing has changed a lot. | 0:32:45 | 0:32:48 | |
Now I have a name for my movement, which I call the art within. | 0:32:48 | 0:32:52 | |
My vision, the person I am today, has changed dramatically. | 0:32:55 | 0:32:59 | |
MUSIC: Uptown Funk by Mark Ronson featuring Bruno Mars | 0:32:59 | 0:33:04 | |
Since his appearance in BBC Young Dancer two years ago, | 0:33:04 | 0:33:07 | |
Jodelle has moved from his hometown of Bristol to Cardiff. | 0:33:07 | 0:33:11 | |
Back in Bristol, we didn't have the privilege of a dance studio. | 0:33:11 | 0:33:14 | |
Now I've realised that it's really important. | 0:33:14 | 0:33:17 | |
Moving to Cardiff, when I first went in the studio, | 0:33:17 | 0:33:20 | |
I just didn't know what to do with myself. | 0:33:20 | 0:33:23 | |
It's just crazy to have mirrors in front of you, | 0:33:23 | 0:33:26 | |
to be able to just roll along the floor and really, like, | 0:33:26 | 0:33:28 | |
express your movement to the fullest was amazing. | 0:33:28 | 0:33:32 | |
We used to use the shop windows and whatever reflection. | 0:33:34 | 0:33:38 | |
Even to this day, I find it hard to dance to myself in the mirror. | 0:33:38 | 0:33:42 | |
Yeah, and then chest to the other side. | 0:33:42 | 0:33:45 | |
To prepare for his final, | 0:33:45 | 0:33:46 | |
Jodelle has been working with Liara Barussi, | 0:33:46 | 0:33:49 | |
creative director of Cardiff-based Jukebox Collective. | 0:33:49 | 0:33:52 | |
Jodelle's dance has matured, I'd say, | 0:33:52 | 0:33:55 | |
from becoming a dancer to an artist. | 0:33:55 | 0:33:57 | |
He's really come to know himself and identify his vision, | 0:33:57 | 0:34:03 | |
and it's really beautiful to just see how that's developed, | 0:34:03 | 0:34:07 | |
and he has a very clear identity | 0:34:07 | 0:34:09 | |
of how he wants to present his work as an artist. | 0:34:09 | 0:34:13 | |
I want people to see the change - the change in the vision, | 0:34:15 | 0:34:20 | |
my movement, and the direction I'm taking me, as an artist, in. | 0:34:20 | 0:34:23 | |
I just want to be able to express what I feel inside to people | 0:34:25 | 0:34:30 | |
and, yeah, whoever gets inspired, then good on you. | 0:34:30 | 0:34:34 | |
-CHEERING AND APPLAUSE -When I'm waiting in the wings, | 0:34:35 | 0:34:38 | |
I'm excited just to get out there and just showcase what I do. | 0:34:38 | 0:34:42 | |
Jodelle's first solo is called From The Shadows. | 0:34:45 | 0:34:49 | |
It's just about me being this character | 0:34:49 | 0:34:52 | |
and it's got a little bit of a theme to it, which is my heart, | 0:34:52 | 0:34:55 | |
and I kind of build it throughout the piece | 0:34:55 | 0:34:58 | |
and it affects my movement and my mood. | 0:34:58 | 0:35:00 | |
URBAN MUSIC PLAYS | 0:35:00 | 0:35:04 | |
HEARTBEAT | 0:35:25 | 0:35:29 | |
CHEERING AND APPLAUSE | 0:37:56 | 0:37:59 | |
Jodelle's second solo, titled Fallen Silence, | 0:38:02 | 0:38:06 | |
featured a sinister alter ego. | 0:38:06 | 0:38:08 | |
URBAN MUSIC PLAYS | 0:38:08 | 0:38:11 | |
And, for his duet, | 0:38:17 | 0:38:19 | |
Jodelle teams up with Matthew Mindtrick Holt. | 0:38:19 | 0:38:23 | |
MUSIC: Lotus by Canvas | 0:38:23 | 0:38:26 | |
CHEERING AND APPLAUSE | 0:39:36 | 0:39:40 | |
Jodelle has this mysterious character | 0:39:46 | 0:39:49 | |
that you want to know and that you want to understand. | 0:39:49 | 0:39:53 | |
He's a unique mover. I like the quality that he has. | 0:39:53 | 0:39:56 | |
He can dance very big | 0:39:56 | 0:39:58 | |
and, also, he can dance very minute and minuscule. | 0:39:58 | 0:40:00 | |
He's got a great quality about him. | 0:40:00 | 0:40:03 | |
The crowd was amazing, | 0:40:03 | 0:40:05 | |
just that energy in the room - loving it, so all good. | 0:40:05 | 0:40:08 | |
Next to dance, and the only female in this street dance final, | 0:40:14 | 0:40:18 | |
Kate Morris from Maesteg in South Wales. | 0:40:18 | 0:40:21 | |
MUSIC: Baby Girl by Mofak | 0:40:21 | 0:40:24 | |
Dance is my go-to. | 0:40:27 | 0:40:28 | |
Like, if I'm down, if I'm happy, I'm always dancing. | 0:40:28 | 0:40:31 | |
Like, there's not a day where I don't dance. | 0:40:31 | 0:40:32 | |
It's everything for me. | 0:40:32 | 0:40:34 | |
I started dancing at the age of three and a half | 0:40:39 | 0:40:42 | |
in my hometown, Maesteg, at Miss Sian Dixon's ballet school. | 0:40:42 | 0:40:46 | |
It's always been in my life. It has never not been in my life. | 0:40:48 | 0:40:51 | |
Two, two, three. One, two, three. Two, two, three. | 0:40:51 | 0:40:54 | |
Kate is now studying dance | 0:40:54 | 0:40:56 | |
as part of a performing arts diploma at Bridgend College. | 0:40:56 | 0:41:00 | |
I'm doing jazz and contemporary and ballet. | 0:41:00 | 0:41:03 | |
I feel like all dance intertwines, like, of course. | 0:41:03 | 0:41:06 | |
Like, the performance, | 0:41:06 | 0:41:07 | |
when you get on a stage, you perform, you're a performer. | 0:41:07 | 0:41:10 | |
You're not just flouncing around the stage. | 0:41:10 | 0:41:13 | |
You are there to show off what you can do, | 0:41:13 | 0:41:16 | |
so, yeah, I do feel like they all link in some way. | 0:41:16 | 0:41:19 | |
Two. One, two, four, one. | 0:41:19 | 0:41:21 | |
Kate first discovered a love for street dance | 0:41:21 | 0:41:24 | |
when she took up classes at Jukebox Studios in Cardiff, | 0:41:24 | 0:41:27 | |
where she now teaches in her spare time. | 0:41:27 | 0:41:30 | |
I love being in the studio every second of every minute of every day. | 0:41:32 | 0:41:35 | |
It's where it all started. It is my life, so... | 0:41:36 | 0:41:40 | |
Like Jodelle, Kate has been working with Jukebox Collective's | 0:41:42 | 0:41:45 | |
creative director Liara Barussi | 0:41:45 | 0:41:48 | |
to prepare for this street dance final. | 0:41:48 | 0:41:50 | |
Let's talk about your piece. | 0:41:50 | 0:41:52 | |
'I start a new piece with a story in my head. | 0:41:52 | 0:41:55 | |
'It's normally already planned out in my head, | 0:41:55 | 0:41:57 | |
'just how I'm going to' | 0:41:57 | 0:42:00 | |
embody it in the movement. | 0:42:00 | 0:42:01 | |
Kate really understands her movement. | 0:42:04 | 0:42:06 | |
She understands how to story tell or to describe an emotion. | 0:42:06 | 0:42:10 | |
She really has a bit more of a personal relationship with dance. | 0:42:10 | 0:42:15 | |
-SHE LAUGHS -You're making me laugh! | 0:42:18 | 0:42:21 | |
There's loads of dancers in there. Like, there's a lot. I just do... | 0:42:21 | 0:42:24 | |
I, like, want to stand out from the crowd and be very unique. | 0:42:24 | 0:42:28 | |
The preparations for the category finals are so exciting. | 0:42:29 | 0:42:33 | |
I'm ready. I'm confident with all my three pieces, so I'm ready to go. | 0:42:33 | 0:42:37 | |
Kate's first dance is called Lotus. | 0:42:37 | 0:42:41 | |
I called it Lotus because they grow up to be a beautiful thing, | 0:42:41 | 0:42:45 | |
so that's what I feel like I am doing within the dance. | 0:42:45 | 0:42:48 | |
MUSIC: Bad Blood by NAO | 0:42:48 | 0:42:51 | |
CHEERING AND APPLAUSE | 0:45:30 | 0:45:34 | |
For her duet, Kate teamed up with dancer Evion Hackett | 0:45:38 | 0:45:41 | |
to perform a piece titled Kindred. | 0:45:41 | 0:45:44 | |
She ends her performance with another self-choreographed work | 0:45:50 | 0:45:54 | |
called Drifter. | 0:45:54 | 0:45:56 | |
MUSIC: HSKT by Sylvan Esso | 0:45:56 | 0:46:00 | |
It's literally about me, my personality. | 0:46:03 | 0:46:05 | |
It's like a bedroom scene, how, like, I just like to dance. | 0:46:05 | 0:46:08 | |
-Like, any distractions, I'm like... -SHE SIGHS | 0:46:08 | 0:46:11 | |
I just want to... Just let me dance! | 0:46:11 | 0:46:12 | |
CHEERING AND APPLAUSE | 0:47:44 | 0:47:47 | |
I just loved watching Kate. | 0:47:55 | 0:47:56 | |
She brought a real special quality. | 0:47:56 | 0:47:59 | |
I just found her very fascinating | 0:47:59 | 0:48:01 | |
because she just seemed very different to the other dancers. | 0:48:01 | 0:48:04 | |
Kate's a thinker. I like her presentation. | 0:48:04 | 0:48:06 | |
It's not just about her movement, it's about what happens around it. | 0:48:06 | 0:48:09 | |
So, the context she's putting her dance into | 0:48:09 | 0:48:12 | |
is really interesting and really entertaining at the same time. | 0:48:12 | 0:48:15 | |
Being up there on stage, they just come to life, my performances, | 0:48:15 | 0:48:18 | |
so I'm really happy with all of them. | 0:48:18 | 0:48:20 | |
The atmosphere backstage has been, like, amazing. | 0:48:20 | 0:48:22 | |
Everyone's hugging each other, like, "Oh, yeah, sick. Well done." | 0:48:22 | 0:48:25 | |
Last to perform in this street dance final | 0:48:32 | 0:48:35 | |
is 21-year-old Darren Hamilton from Glasgow. | 0:48:35 | 0:48:39 | |
I don't think I ever thought | 0:48:43 | 0:48:44 | |
that dancing was going to be a major part of my life. | 0:48:44 | 0:48:46 | |
I think it was just one of those things that just kind of happened. | 0:48:46 | 0:48:49 | |
Once I was involved, it's like there was no getting out of it. | 0:48:49 | 0:48:51 | |
Originally from Fife, Darren moved to Glasgow two years ago | 0:48:51 | 0:48:55 | |
to develop his dancing. | 0:48:55 | 0:48:56 | |
The dancing's good in Glasgow. | 0:48:56 | 0:48:58 | |
Once you're here, you kind of fall in love with it, | 0:48:58 | 0:49:01 | |
so there was no going back after that. | 0:49:01 | 0:49:03 | |
He's a freestyler - | 0:49:03 | 0:49:04 | |
a form of street dance that's largely improvisational. | 0:49:04 | 0:49:08 | |
The style of dance that I do is popping. | 0:49:09 | 0:49:11 | |
It's like we've got a tool box of styles, | 0:49:11 | 0:49:14 | |
and we can use it any way we want and we can create anything we want. | 0:49:14 | 0:49:17 | |
We just have fun with it. It's fun. | 0:49:17 | 0:49:20 | |
When he's not dancing, | 0:49:23 | 0:49:24 | |
Darren works as an apprentice chef in a busy hotel. | 0:49:24 | 0:49:28 | |
I do enjoy my work. I'm finding a real passion for it, | 0:49:28 | 0:49:31 | |
as much as a passion for my dancing, | 0:49:31 | 0:49:33 | |
so it's good that I've got two things in my life | 0:49:33 | 0:49:36 | |
that I really enjoy, you know. | 0:49:36 | 0:49:38 | |
Like, after a shift, you're really tired | 0:49:43 | 0:49:45 | |
and you're trying to motivate yourself to dance, | 0:49:45 | 0:49:48 | |
but as soon as you start, like, | 0:49:48 | 0:49:50 | |
the training's worth it and you enjoy it. | 0:49:50 | 0:49:51 | |
Twice a week, Darren attends Dimestop, | 0:49:54 | 0:49:57 | |
a collective promoting the popping dance style. | 0:49:57 | 0:50:00 | |
Dimestop was set up basically to build the scene | 0:50:00 | 0:50:04 | |
and make sure that, if people were teaching it, | 0:50:04 | 0:50:06 | |
they were teaching it right. When I started dancing, | 0:50:06 | 0:50:09 | |
it was like just learning from videos and copying stuff. | 0:50:09 | 0:50:12 | |
But when I came to Dimestop, | 0:50:12 | 0:50:13 | |
I noticed a difference because I was learning the real popping, | 0:50:13 | 0:50:17 | |
and there's a massive growth in me, | 0:50:17 | 0:50:18 | |
so, like, that's why I love it here so much. | 0:50:18 | 0:50:20 | |
I feel pumped. Like, there is a definite rush. | 0:50:23 | 0:50:26 | |
It's an excitement, as well, like, | 0:50:26 | 0:50:28 | |
cos I've never done nothing quite like this. | 0:50:28 | 0:50:31 | |
And everybody's really good, like, | 0:50:31 | 0:50:32 | |
and it's exciting just to be part of it. | 0:50:32 | 0:50:34 | |
To begin, Darren is freestyling to a track by Justice | 0:50:34 | 0:50:38 | |
called Waters Of Nazareth. | 0:50:38 | 0:50:40 | |
MUSIC: Waters Of Nazareth by Justice | 0:50:40 | 0:50:43 | |
CHEERING AND APPLAUSE | 0:51:45 | 0:51:49 | |
For his duet, Darren is joined by his friend Stephen Blake. | 0:51:54 | 0:51:59 | |
Working with Stephen is perfect. | 0:52:01 | 0:52:03 | |
Like, when we dance on our own, a lot of the time, | 0:52:03 | 0:52:05 | |
our doubts and anxieties hold us back with what we're doing. | 0:52:05 | 0:52:07 | |
But when we're on stage together, I think we become, like, | 0:52:07 | 0:52:10 | |
really cheeky lads. Just enjoy ourselves. | 0:52:10 | 0:52:13 | |
MUSIC: Feel Like That by Dogg Master | 0:52:13 | 0:52:16 | |
And to bring this street dance final to a close, | 0:52:55 | 0:52:58 | |
Darren's final piece is titled To My Soul. | 0:52:58 | 0:53:01 | |
MUSIC: To My Soul by Jerry Folk | 0:53:01 | 0:53:05 | |
CHEERING AND APPLAUSE | 0:54:43 | 0:54:47 | |
Darren, I thought, made some really, | 0:54:56 | 0:54:58 | |
really strong choices | 0:54:58 | 0:55:00 | |
and was very entertaining. | 0:55:00 | 0:55:02 | |
You can see his maturity within his technique. | 0:55:02 | 0:55:05 | |
He comes, really, from an improvisation background, | 0:55:05 | 0:55:09 | |
as a freestyler, and it was good to see him | 0:55:09 | 0:55:11 | |
develop characters on stage. | 0:55:11 | 0:55:13 | |
When you're there, you see all the faces and that | 0:55:13 | 0:55:16 | |
and you're like, "Oh, my days. This is a big performance." | 0:55:16 | 0:55:18 | |
It went really well. I did what I set out to do and I enjoyed it. | 0:55:18 | 0:55:22 | |
Darren Hamilton bringing this BBC Young Dancer | 0:55:22 | 0:55:26 | |
street dance final to a close. | 0:55:26 | 0:55:28 | |
If you'd like to see all of tonight's performances in full, | 0:55:28 | 0:55:32 | |
check out our website... | 0:55:32 | 0:55:34 | |
Now, before we have the result, | 0:55:37 | 0:55:39 | |
here's a quick reminder of all the dancers. | 0:55:39 | 0:55:41 | |
I thought it was an absolutely terrific evening. | 0:55:43 | 0:55:45 | |
As a judge, it was very tough because each one of them had | 0:55:45 | 0:55:48 | |
a very special quality. | 0:55:48 | 0:55:50 | |
The standard tonight was amazing, | 0:55:50 | 0:55:52 | |
very energetic, very well thought through. | 0:55:52 | 0:55:55 | |
All five dancers used popping, | 0:55:55 | 0:55:57 | |
but they all brought the technique with their own character, | 0:55:57 | 0:56:00 | |
so it was really versatile and really interesting to watch. | 0:56:00 | 0:56:04 | |
To try and find who was the best was quite a difficult task. | 0:56:04 | 0:56:07 | |
Their performative skills were very, very impressive | 0:56:07 | 0:56:10 | |
and I really enjoyed watching all of them. | 0:56:10 | 0:56:12 | |
CHEERING AND APPLAUSE | 0:56:16 | 0:56:20 | |
I would like to begin by congratulating | 0:56:21 | 0:56:24 | |
each and every one of the dancers that we saw tonight. | 0:56:24 | 0:56:27 | |
I'm really pleased to announce | 0:56:27 | 0:56:29 | |
that the winner of the BBC Young Dancer 2017 | 0:56:29 | 0:56:34 | |
street dance final is... | 0:56:34 | 0:56:37 | |
Jodelle Douglas. | 0:56:37 | 0:56:39 | |
CHEERING AND APPLAUSE | 0:56:39 | 0:56:43 | |
-Thank you. -You really deserve it. Very well done. | 0:56:53 | 0:56:55 | |
CHEERING AND APPLAUSE | 0:56:57 | 0:57:01 | |
Jodelle, I really liked because of his character, | 0:57:01 | 0:57:04 | |
and because of the creativity of his movement. | 0:57:04 | 0:57:08 | |
I think there's an element of his virtuosity, but also | 0:57:08 | 0:57:11 | |
he kept it real, so there was a great amount of integrity. | 0:57:11 | 0:57:15 | |
He delivered, to a very good standard | 0:57:15 | 0:57:18 | |
on all the three pieces of performance. | 0:57:18 | 0:57:21 | |
All three of the judges were very impressed. | 0:57:21 | 0:57:23 | |
It's something, like, above technique that we were looking for | 0:57:23 | 0:57:27 | |
and Jodelle was definitely a winner tonight. | 0:57:27 | 0:57:31 | |
-PHONE RINGS ON PHONE: -'Jodelle?' | 0:57:31 | 0:57:33 | |
Hi, Mum. I won. | 0:57:33 | 0:57:35 | |
'Oh, my goodness! That's amazing!' | 0:57:35 | 0:57:40 | |
CHEERING AND APPLAUSE | 0:57:40 | 0:57:45 | |
Being able to, like, express is just amazing | 0:57:45 | 0:57:48 | |
and to actually win, it's just a bonus, you know. | 0:57:48 | 0:57:51 | |
It's a cherry on top. So, yeah, very happy. | 0:57:51 | 0:57:54 | |
Jodelle Douglas - the winner of this year's street dance final. | 0:57:57 | 0:58:02 | |
A huge congratulations to him. | 0:58:02 | 0:58:04 | |
We'll be seeing him again in four weeks' time | 0:58:04 | 0:58:06 | |
when the competition moves here, to Sadler's Wells, | 0:58:06 | 0:58:09 | |
for the grand final of BBC Young Dancer 2017. | 0:58:09 | 0:58:13 | |
Next week, five more dancers are out to impress our expert jury | 0:58:13 | 0:58:17 | |
as we turn the spotlight on ballet. | 0:58:17 | 0:58:20 | |
It can grab your attention like that and suck you in. | 0:58:21 | 0:58:25 | |
We do dance because we love to do it. | 0:58:25 | 0:58:27 | |
It's not all serious all the time. Yeah, there's fun with it, so... | 0:58:27 | 0:58:31 | |
It's exciting. It's terrifying. | 0:58:31 | 0:58:34 | |
It means quite a lot to me that, all the work that I put in, | 0:58:34 | 0:58:37 | |
I can show to other people. | 0:58:37 | 0:58:40 | |
Never done a competition like BBC Young Dancer. | 0:58:40 | 0:58:43 | |
-It's really great. -When you're on stage, | 0:58:43 | 0:58:45 | |
it just feels so natural and it's just a beautiful feeling. | 0:58:45 | 0:58:48 | |
The winner of the BBC Young Dancer 2017 | 0:58:48 | 0:58:51 | |
ballet final is... | 0:58:51 | 0:58:54 |