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I am Stephen McCauley and Derry/Londonderry is my hometown. | 0:00:04 | 0:00:08 | |
In the second instalment of our short films | 0:00:08 | 0:00:11 | |
featuring inspirational artists from the Northwest, I have come | 0:00:11 | 0:00:14 | |
back to the Playhouse Theatre to catch up with Soak, | 0:00:14 | 0:00:17 | |
AKA Bridie Monds-Watson. | 0:00:17 | 0:00:20 | |
We'll find out how the first few months of 2013 | 0:00:20 | 0:00:23 | |
have unfolded for her as a singer songwriter | 0:00:23 | 0:00:26 | |
and also for the wider music scene here in the city. | 0:00:26 | 0:00:29 | |
Well, Bridie, it's 2013. | 0:00:29 | 0:00:32 | |
It's here. There's no running away from it. | 0:00:32 | 0:00:34 | |
So it started off with Sons and Daughters. | 0:00:34 | 0:00:37 | |
That was the big opening concert. | 0:00:37 | 0:00:38 | |
It was an incredible night, wasn't it? It was pretty amazing. | 0:00:38 | 0:00:42 | |
I mean, like, just all the acts that were there were great. | 0:00:42 | 0:00:45 | |
The whole set-up and atmosphere. Did you see the atmosphere in there? | 0:00:45 | 0:00:48 | |
It was, like... It was remarkable. | 0:00:48 | 0:00:49 | |
Everybody was just so buzzing for the City of Culture | 0:00:49 | 0:00:52 | |
and just to be there and that was class! | 0:00:52 | 0:00:55 | |
I think for me the thing that really struck me was the fact that you had | 0:00:55 | 0:00:58 | |
that line-up for the first time in history together on the one stage. | 0:00:58 | 0:01:01 | |
All these massive, kind of, international Derry icons. Yes. | 0:01:01 | 0:01:04 | |
Now for tonight's youngest performer. She is only 16, | 0:01:04 | 0:01:07 | |
she's a huge talent | 0:01:07 | 0:01:09 | |
and she's here to sing her own composition, Sea Creatures. | 0:01:09 | 0:01:13 | |
Please welcome... Soak! | 0:01:13 | 0:01:15 | |
CHEERING | 0:01:15 | 0:01:16 | |
I feel like that was kind of my introduction | 0:01:16 | 0:01:18 | |
to the wider Derry audience. You know, like the people who wouldn't | 0:01:18 | 0:01:21 | |
necessarily come out and watch gigs around town. | 0:01:21 | 0:01:23 | |
'That was a great way to sort of get what I can do musically, across.' | 0:01:23 | 0:01:27 | |
I'm Soak and this is Sea Creatures. | 0:01:27 | 0:01:29 | |
'I was the youngest on that stage. Like, to be so young' | 0:01:31 | 0:01:35 | |
and among that line-up like Neil Hannon and just... everybody! | 0:01:35 | 0:01:39 | |
And then, Frank doing the orchestra was so cool. | 0:01:39 | 0:01:43 | |
# The stars and moons | 0:01:45 | 0:01:47 | |
# Remind me of you | 0:01:47 | 0:01:49 | |
# I don't know what to say | 0:01:49 | 0:01:51 | |
# It might make you worse | 0:01:51 | 0:01:53 | |
# I don't understand | 0:01:53 | 0:01:55 | |
# What her problem is I think she's just a fish. # | 0:01:55 | 0:01:59 | |
Let's talk about the orchestra, | 0:01:59 | 0:02:01 | |
because the orchestra was a major feature in your song | 0:02:01 | 0:02:03 | |
and I remember watching it | 0:02:03 | 0:02:05 | |
and, you know, I'm used to seeing you playing Sea Creatures, | 0:02:05 | 0:02:07 | |
solo acoustic, but halfway through the song, this massive orchestra | 0:02:07 | 0:02:11 | |
came through, so you know, what was that like for you, doing that live? | 0:02:11 | 0:02:15 | |
It was one of the best things I've done with that song, ever. | 0:02:15 | 0:02:19 | |
# I don't think they know what love is... # | 0:02:19 | 0:02:22 | |
I've played Sea Creatures about 400 times now, | 0:02:22 | 0:02:25 | |
and it is the same thing and I try to change it up, tempo-wise | 0:02:25 | 0:02:29 | |
and put different words in different places, | 0:02:29 | 0:02:31 | |
but the orchestra was so tight and the arrangement | 0:02:31 | 0:02:34 | |
was so brilliant that it just worked brilliantly. | 0:02:34 | 0:02:37 | |
But I suppose when you play that live yourself on your own, | 0:02:37 | 0:02:40 | |
you can dictate the tempo, | 0:02:40 | 0:02:41 | |
but when there's an orchestra you have to get that right. Exactly. | 0:02:41 | 0:02:44 | |
When playing live, I can slow down even a tiny bit, nobody will notice, | 0:02:44 | 0:02:48 | |
but when you are playing with an orchestra, | 0:02:48 | 0:02:50 | |
timing has to be completely on-time, | 0:02:50 | 0:02:51 | |
like if you mess up, the orchestra is going to mess up. | 0:02:51 | 0:02:54 | |
It is not that it was difficult, it was just scary. | 0:02:54 | 0:02:58 | |
Like, what if I don't do it, what if I go baaa... ? You know what I mean? | 0:02:58 | 0:03:01 | |
Even if I wasn't doing it, | 0:03:01 | 0:03:02 | |
but it was just that fear in the back of my head. | 0:03:02 | 0:03:06 | |
# They don't really care | 0:03:06 | 0:03:08 | |
# Sea creatures | 0:03:08 | 0:03:10 | |
# Interfere... # | 0:03:10 | 0:03:12 | |
It's funny because watching you doing that, | 0:03:12 | 0:03:14 | |
you didn't look even the slightest bit fazed! | 0:03:14 | 0:03:16 | |
People keep telling me that, | 0:03:16 | 0:03:17 | |
but really, in my head, I am going like, no, no, no, you know? | 0:03:17 | 0:03:20 | |
# They don't know... # | 0:03:22 | 0:03:23 | |
There's a great sense of pride that night as well, I think | 0:03:23 | 0:03:26 | |
about the city? Yeah. Whenever Snow Patrol walked out on that stage, | 0:03:26 | 0:03:29 | |
the crowd just went absolutely bonkers. | 0:03:29 | 0:03:33 | |
It is our great pleasure to be here tonight. | 0:03:33 | 0:03:35 | |
Thank you so much for having us. | 0:03:35 | 0:03:37 | |
Whenever I played with them back before Christmas, | 0:03:37 | 0:03:39 | |
they played Chasing Cars and the audience was really into it, | 0:03:39 | 0:03:42 | |
they were really excited and energetic and whatnot. | 0:03:42 | 0:03:45 | |
But it was a completely different atmosphere then | 0:03:45 | 0:03:48 | |
whenever they played that in Derry and it just had that little | 0:03:48 | 0:03:51 | |
special feeling and you can't really explain that but it was amazing. | 0:03:51 | 0:03:55 | |
# Ooo-ooo, for you... | 0:03:56 | 0:03:59 | |
# For me-e-e... # | 0:04:01 | 0:04:05 | |
Bridie, I have a sneaking suspicion we're going to catch up | 0:04:05 | 0:04:08 | |
with you again very soon, possibly at the Radio One Big Weekend. | 0:04:08 | 0:04:10 | |
Who knows? For the time being, thanks so much for joining us. | 0:04:10 | 0:04:13 | |
Thanks for having me again. | 0:04:13 | 0:04:14 | |
CHEERING AND APPLAUSE | 0:04:14 | 0:04:18 | |
Subtitles by Red Bee Media Ltd | 0:04:20 | 0:04:22 |