Browse content similar to Time Heist. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Time Heist - what a cracking episode! | 0:00:00 | 0:00:03 | |
'In this adventure we see the Doctor and his gang of misfits | 0:00:03 | 0:00:07 | |
'break into the most secure bank in the universe. | 0:00:07 | 0:00:10 | |
'Join us as we unlock the secrets that made up this cunning caper.' | 0:00:11 | 0:00:15 | |
Countdown! | 0:00:15 | 0:00:16 | |
'A trip to the bank can be a scary experience, | 0:00:22 | 0:00:25 | |
'and on Doctor Who it's no different, | 0:00:25 | 0:00:27 | |
'especially when it's run by such a terrifying manager. | 0:00:27 | 0:00:29 | |
'But how did the producers end up casting Keeley Hawes?' | 0:00:31 | 0:00:34 | |
Douglas Mackinnon came on as director and he suggested Keeley, | 0:00:34 | 0:00:38 | |
and, of course, she's fantastic in Line Of Duty. | 0:00:38 | 0:00:40 | |
She's an extraordinary actress. | 0:00:40 | 0:00:42 | |
So we very excitedly said yes, | 0:00:42 | 0:00:44 | |
because she's just so funny and so clever. | 0:00:44 | 0:00:46 | |
'And what did Peter think about having Keeley on board?' | 0:00:46 | 0:00:50 | |
I've worked with Keeley before. She's wonderful - | 0:00:50 | 0:00:54 | |
brings great grace and class to the show | 0:00:54 | 0:00:58 | |
and great humour, so it was a delight to have her on that. | 0:00:58 | 0:01:02 | |
Yay! Doctor Who! | 0:01:02 | 0:01:03 | |
'With the excitement of landing the role, | 0:01:03 | 0:01:05 | |
'how did Keeley's children react when she told THEM the good news?' | 0:01:05 | 0:01:09 | |
Usually, if I'm asked to do something, I'll say to the children, | 0:01:09 | 0:01:12 | |
"Mummy's been asked to be in that kind of show." | 0:01:12 | 0:01:14 | |
And they'll go, "Um, oh, well, well," you know. | 0:01:14 | 0:01:17 | |
I said, "Mummy's been asked to be in Doctor Who," | 0:01:17 | 0:01:20 | |
and the three of them just went, "DO IT!" | 0:01:20 | 0:01:24 | |
For once, I'll be doing them a service. | 0:01:24 | 0:01:27 | |
It's Doctor Who. Has anybody ever said no to being in Doctor Who? | 0:01:27 | 0:01:30 | |
'Well, while Keeley heads off to become the spirited Ms Delphox, | 0:01:30 | 0:01:33 | |
'I think we should go meet the bank-busting posse!' | 0:01:33 | 0:01:36 | |
Jenna, who have we got? | 0:01:36 | 0:01:38 | |
Psi and Saibra, yeah, and they're part of the gang and team | 0:01:39 | 0:01:43 | |
and they're great. | 0:01:43 | 0:01:44 | |
They both have their own skills. Saibra has a mutant gene. | 0:01:44 | 0:01:48 | |
It's an amazing gift, and I think | 0:01:48 | 0:01:49 | |
Clara is kind of quite fascinated by it. | 0:01:49 | 0:01:51 | |
And then there's Psi. He's a cyborg. | 0:01:51 | 0:01:54 | |
Supply line. It's your basic life support. | 0:01:54 | 0:01:57 | |
He can download and all sorts of technical stuff. | 0:01:57 | 0:02:02 | |
'Time to meet Jonathan I think. He can tell us who Psi is.' | 0:02:02 | 0:02:06 | |
So I play Psi, who is an augmented human. | 0:02:06 | 0:02:10 | |
I've got two USB ports and he can get up information | 0:02:10 | 0:02:13 | |
that he's downloaded onto the mainframe. | 0:02:13 | 0:02:15 | |
That is Psi. | 0:02:15 | 0:02:17 | |
'Nice! Can you plug your phone in as well?' | 0:02:17 | 0:02:19 | |
Maybe that's a good idea. I can put it in my pocket and plug it in | 0:02:19 | 0:02:22 | |
and see if I can take a call on my Bluetooth. | 0:02:22 | 0:02:25 | |
'So, then, Jonathan, would you be a cyborg in real life?' | 0:02:25 | 0:02:28 | |
Yeah, definitely a day. There's nothing he can't really do. | 0:02:28 | 0:02:31 | |
He's got Google in his brain. | 0:02:31 | 0:02:32 | |
Can you imagine the pub quizzes that you'd win? | 0:02:32 | 0:02:34 | |
'Well, it's obvious why the Doctor picked YOU to be in his gang. | 0:02:34 | 0:02:37 | |
'But what about the other one, the one with the mutant gene? | 0:02:37 | 0:02:40 | |
'She looks like she really enjoys being a shape-shifter?' | 0:02:40 | 0:02:44 | |
Well, my costume's very cool, very drapey and kind of quite mysterious | 0:02:44 | 0:02:47 | |
and gothic, so, yeah, I love it. | 0:02:47 | 0:02:49 | |
I love it all, especially the boots. | 0:02:49 | 0:02:51 | |
When I saw the plan for my hair and my make-up and stuff, | 0:02:51 | 0:02:55 | |
I said, "Oh, my God, that is so cool - midnight blue!' | 0:02:55 | 0:02:57 | |
I'd quite like to be a shape-shifter. I think it would be quite cool. | 0:02:57 | 0:03:00 | |
It could get boring, but at first it would be fun. | 0:03:00 | 0:03:02 | |
'OK. Who would you imitate?' | 0:03:02 | 0:03:04 | |
Hands down, Beyonce. Saw her in concert, like a week ago. In love. | 0:03:04 | 0:03:07 | |
'Well, I think it's time we caught up with | 0:03:09 | 0:03:11 | |
'our spirited clone, Ms Delphox. | 0:03:11 | 0:03:13 | |
'So, is Keeley anything like her character in real life?' | 0:03:13 | 0:03:17 | |
SHE LAUGHS | 0:03:17 | 0:03:19 | |
Ms Delphox is nothing like me, I don't like to think. | 0:03:19 | 0:03:24 | |
No, she's really mean. | 0:03:24 | 0:03:27 | |
'And what about Ms Delphox?' | 0:03:27 | 0:03:29 | |
She's a bit naughty. I like her. | 0:03:29 | 0:03:31 | |
I do have a bit of sympathy for Ms Delphox, | 0:03:31 | 0:03:34 | |
because at any given moment, you know, | 0:03:34 | 0:03:36 | |
she is going to get her memory sucked out | 0:03:36 | 0:03:38 | |
Fired with pain. | 0:03:38 | 0:03:39 | |
'And it seems Jenna quite admired Keeley's character, too.' | 0:03:41 | 0:03:44 | |
She's wonderful - with her glasses and kind of that sweet vixen, | 0:03:44 | 0:03:47 | |
but you know that has that bite. | 0:03:47 | 0:03:49 | |
Are you ready for YOUR close-up? | 0:03:49 | 0:03:52 | |
It's a fantastic mix and a fantastic baddie to have. | 0:03:52 | 0:03:55 | |
Dispose of our guests. | 0:03:55 | 0:03:57 | |
'This feisty character isn't the first fearsome female | 0:03:57 | 0:04:00 | |
'the Doctor has come up against who managed to combine villainy | 0:04:00 | 0:04:03 | |
'and glamour. | 0:04:03 | 0:04:05 | |
'The Sixth and Seventh Doctors faced this Time Lady, Rani, | 0:04:05 | 0:04:09 | |
'a cold, calculating scientist, who believed her experiments | 0:04:09 | 0:04:12 | |
'were more important than human life.' | 0:04:12 | 0:04:14 | |
'And this intergalactic criminal, known as Cessair of Diplos, | 0:04:14 | 0:04:18 | |
'almost defeated the Fourth Doctor, | 0:04:18 | 0:04:20 | |
'whilst Helen A proved a ruthless dictator | 0:04:20 | 0:04:22 | |
'who tried to outlaw unhappiness. | 0:04:22 | 0:04:24 | |
'More recently, the Doctor faced one of the universe's | 0:04:26 | 0:04:29 | |
'most cunning villains, | 0:04:29 | 0:04:30 | |
'who you probably remember like this - | 0:04:30 | 0:04:32 | |
'the Lady Cassandra!' | 0:04:32 | 0:04:34 | |
Moisturise me. | 0:04:34 | 0:04:36 | |
'But in terms of pure evil, our Queen of Mean nudges ahead | 0:04:36 | 0:04:40 | |
'of the terrifying Matron Cofelia and the deadly Rosanna Calvierri. | 0:04:40 | 0:04:44 | |
'Yes, the crown goes to the murderous Madame Kovarian!' | 0:04:44 | 0:04:48 | |
- Against who? - Against you, Doctor. | 0:04:49 | 0:04:54 | |
'Well, Ms Karabraxos fits onto that list quite nicely. | 0:04:54 | 0:04:57 | |
'Anyway, in this episode we also see the introduction | 0:04:57 | 0:05:00 | |
'of a new Doctor Who creature - the Teller.' | 0:05:00 | 0:05:02 | |
What is that? | 0:05:03 | 0:05:05 | |
It's a wonderful creation. It was actually wonderful to shoot with it, | 0:05:05 | 0:05:08 | |
because with the Teller it actually looked alive. | 0:05:08 | 0:05:12 | |
The Teller will now scan your thoughts for any criminal intent. | 0:05:12 | 0:05:16 | |
KEELEY: I really liked the Teller. He's so realistic, you know, | 0:05:16 | 0:05:20 | |
with the animatronics and everything. | 0:05:20 | 0:05:22 | |
It's quite incredible that his eyes on the end of his little antennae, | 0:05:22 | 0:05:26 | |
you know, and they're blinking away | 0:05:26 | 0:05:28 | |
and sort of looking and they go like this and look at you. | 0:05:28 | 0:05:31 | |
When they started doing it, everybody was, like, "Wow!" | 0:05:31 | 0:05:34 | |
Sometimes with special effects you have to use your imagination | 0:05:34 | 0:05:37 | |
a great deal, and sometimes you're not sure whether or not | 0:05:37 | 0:05:40 | |
you are giving the right level of awe. | 0:05:40 | 0:05:42 | |
But with the Teller it was all happening, so that was great. | 0:05:44 | 0:05:47 | |
Guilt has been detected. | 0:05:47 | 0:05:49 | |
Your account will now be deleted, along with your mind. | 0:05:49 | 0:05:52 | |
KEELEY: There's something so real and vulnerable about him, | 0:05:52 | 0:05:54 | |
as strange as that seems. | 0:05:54 | 0:05:56 | |
Supper time. | 0:05:56 | 0:05:58 | |
KEELEY: Initially, we think he's a baddie. | 0:05:58 | 0:06:00 | |
I'm pleased we find out that he's not. | 0:06:00 | 0:06:02 | |
HE CRIES OUT | 0:06:02 | 0:06:03 | |
Turning his brain into soup. | 0:06:03 | 0:06:05 | |
- Turning his brain into soup. - Have a lovely day. | 0:06:05 | 0:06:07 | |
'Well, despite being able to turn your brain to soup, | 0:06:09 | 0:06:12 | |
'the Teller was good after all. | 0:06:12 | 0:06:14 | |
'Some passing fans even managed to get a sneaky glimpse of him, | 0:06:14 | 0:06:17 | |
'as he wanders off into the sunset. | 0:06:17 | 0:06:19 | |
Cut! | 0:06:23 | 0:06:24 | |
'And a lucky few also got to meet the new Doctor.' | 0:06:24 | 0:06:27 | |
PETER: It was nice. It's always nice to see people. | 0:06:29 | 0:06:32 | |
Fans are so friendly and supportive | 0:06:32 | 0:06:34 | |
and it was good that they get to get a glimpse of what is going on. | 0:06:34 | 0:06:37 | |
'With Peter being a big fan of the show, | 0:06:37 | 0:06:39 | |
'does he get to know all the storylines?' | 0:06:39 | 0:06:41 | |
I have a thing with Steven. I often say to him | 0:06:41 | 0:06:44 | |
that I don't really want to know what's going to happen because | 0:06:44 | 0:06:47 | |
I'm not sure that that knowledge would alter my performance. | 0:06:47 | 0:06:51 | |
I just want to enjoy it when I read the script. | 0:06:51 | 0:06:53 | |
DOCTOR: So much mental traffic in the universe. | 0:06:53 | 0:06:56 | |
The only solitude... | 0:06:56 | 0:06:58 | |
- It's the wrong line. - You forgot one line? | 0:07:00 | 0:07:02 | |
PETER: I get told things on a need-to-know basis, but otherwise | 0:07:02 | 0:07:06 | |
I like to let it...unfold. | 0:07:06 | 0:07:09 | |
'It turns out Peter isn't the only fan on set.' | 0:07:09 | 0:07:11 | |
Cut. | 0:07:11 | 0:07:13 | |
'The director, Douglas, isn't so reserved about | 0:07:13 | 0:07:15 | |
'getting the gossip on Doctor Who.' | 0:07:15 | 0:07:17 | |
When I first pick up a script | 0:07:17 | 0:07:19 | |
I'm thinking, "I'm ahead of everybody else," | 0:07:19 | 0:07:21 | |
and I love reading scripts. | 0:07:21 | 0:07:23 | |
I even read the scripts that I'm not directing because I love it so much. | 0:07:23 | 0:07:26 | |
It's very exciting. | 0:07:26 | 0:07:27 | |
'So what's it like working with Peter Capaldi?' | 0:07:27 | 0:07:30 | |
Peter's great. He knows his stuff, he knows his acting. | 0:07:30 | 0:07:33 | |
He just fills his boots with pleasure every day. | 0:07:33 | 0:07:36 | |
'So, then, Douglas, can you tell us a precious Doctor Who secret?' | 0:07:36 | 0:07:40 | |
When we were putting together the most precious things in the universe | 0:07:40 | 0:07:42 | |
for the Karabraxos lair, one of the objects that I wanted in there | 0:07:42 | 0:07:45 | |
was a tiny little rocket made out of a toilet roll | 0:07:45 | 0:07:48 | |
that my daughter Ruby made for me and gave to me for Christmas. | 0:07:48 | 0:07:51 | |
It's there because I think it's one of the most precious things I have. | 0:07:51 | 0:07:53 | |
'And now for something that's made a return in this episode - | 0:07:53 | 0:07:56 | |
'the memory worm.' | 0:07:56 | 0:07:57 | |
Don't touch it! | 0:07:57 | 0:07:59 | |
I love the memory worms. The memory worm was in the snowman episode. | 0:07:59 | 0:08:02 | |
It's one of the first things where Clara meets the Doctor | 0:08:02 | 0:08:05 | |
and he tries to give her a memory worm, | 0:08:05 | 0:08:06 | |
but Strax keeps getting it wrong and wiping his own memory. | 0:08:06 | 0:08:10 | |
- When? - Memory worms are great. | 0:08:10 | 0:08:11 | |
Love the memory worms. | 0:08:11 | 0:08:13 | |
'We caught up with the worm operator to find out about what makes | 0:08:13 | 0:08:15 | |
'this worm wriggle.' | 0:08:15 | 0:08:17 | |
It works a lot like a brake on a bicycle, | 0:08:17 | 0:08:20 | |
so there's four wires running down the middle. | 0:08:20 | 0:08:22 | |
As you move it, it works like the tendons in your hands, | 0:08:22 | 0:08:24 | |
so it moves the worm and pulls it and manipulates it. | 0:08:24 | 0:08:28 | |
It takes a bit of practice to get used to it, | 0:08:28 | 0:08:30 | |
but after about half an hour of practice I got it right. | 0:08:30 | 0:08:32 | |
'So, were there any difficulties when working with these wriggly worms?' | 0:08:32 | 0:08:36 | |
Definitely holding it above Peter's head so it looked like the phone. | 0:08:36 | 0:08:39 | |
That was a bit tiring and we've had two people go on the go. | 0:08:39 | 0:08:43 | |
He held one of the handles, I held the other while moving it | 0:08:43 | 0:08:45 | |
and then holding the wires high enough | 0:08:45 | 0:08:47 | |
so they'd stay out of the way of the camera. | 0:08:47 | 0:08:48 | |
Definitely the hardest part. | 0:08:48 | 0:08:50 | |
'And I hear these worms haven't quite been behaving on set?' | 0:08:50 | 0:08:53 | |
Well, we were supposed to have two. Well, I've got my one | 0:08:53 | 0:08:55 | |
but we had another one. | 0:08:55 | 0:08:57 | |
We've lost it. We have to get everyone to stop filming | 0:08:57 | 0:08:59 | |
and just look for it. | 0:08:59 | 0:09:00 | |
People are going to start losing their memories otherwise. | 0:09:00 | 0:09:02 | |
If Peter Capaldi loses his memory, we've had it! | 0:09:02 | 0:09:04 | |
'Time to hunt down that memory worm.' | 0:09:04 | 0:09:08 | |
I don't know where it is. I don't know where it's gone. I'm sorry. | 0:09:08 | 0:09:10 | |
Nnnnnnnnn... | 0:09:10 | 0:09:11 | |
- What's a memory worm? - A memory what? | 0:09:11 | 0:09:13 | |
I think it was under the catering truck. | 0:09:13 | 0:09:16 | |
'Best check under the catering truck, then! | 0:09:16 | 0:09:18 | |
'Nope, nothing there. Best ask the catering crew?' | 0:09:18 | 0:09:21 | |
Don't tell the crew, but they had it for breakfast this morning. | 0:09:21 | 0:09:24 | |
I hope they enjoyed it. Nobody complained. | 0:09:24 | 0:09:26 | |
'Memory worm for breakfast?! What's for lunch? | 0:09:26 | 0:09:28 | |
'Oh, chicken curry! | 0:09:28 | 0:09:31 | |
'Anyway, I think it's time we catch up with our bank-busting team | 0:09:31 | 0:09:34 | |
'and see how THEY'VE been getting on!' | 0:09:34 | 0:09:36 | |
We are at a power station in Newport and it's our final day today. | 0:09:36 | 0:09:41 | |
- It is our final day. - It's our final day of shooting. | 0:09:41 | 0:09:42 | |
It's hard work, but it's so rewarding | 0:09:45 | 0:09:47 | |
and Peter and Jenna have been really welcoming and everyone is great. | 0:09:47 | 0:09:50 | |
Now that you're here, you kind of want to stay. | 0:09:50 | 0:09:52 | |
Yeah. We don't want to go, do we? | 0:09:52 | 0:09:54 | |
PIPPA: I tend to enjoy most jobs I do and then I cry at the end of them, | 0:09:54 | 0:09:57 | |
- which is a bit lame. - Are you going to cry today? | 0:09:57 | 0:09:58 | |
I don't know, maybe. | 0:09:58 | 0:10:00 | |
It's so good. It's been really fun to be part of Doctor Who. | 0:10:00 | 0:10:02 | |
'So, one year on, what do you think your characters are up to?' | 0:10:02 | 0:10:06 | |
I think mine's on the straight and narrow. | 0:10:06 | 0:10:08 | |
Yeah, I think mine is, too, and I think we see the Doctor and Clara | 0:10:08 | 0:10:11 | |
from time to time and meet up for a pint. | 0:10:11 | 0:10:14 | |
- Sort of send them tweets? - Yeah. We tweet, yeah, exactly. | 0:10:14 | 0:10:16 | |
'Well, they've obviously had a great time making this episode, as did we. | 0:10:16 | 0:10:21 | |
'And you never know - | 0:10:21 | 0:10:22 | |
'we may be seeing this dynamic duo again some day.' | 0:10:22 | 0:10:25 |