Browse content similar to Episode 17. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to Film 2012 with me, Claudia Winkleman. And me, | :00:24. | :00:28. | |
Danny Leigh. We're live and if you want to get | :00:28. | :00:31. | |
in touch, then please tweet or e- mail. The details are on the screen | :00:31. | :00:41. | |
:00:41. | :00:42. | ||
now. On tonight's show: taming the tiger in Ang Lee's Life of Pi. Tom | :00:42. | :00:50. | |
Cruise is Jack Reacher. Do you think I'm a hero? I'm not a hero. | :00:50. | :00:53. | |
There is something magical about Salman Rushdie's Midnight's | :00:54. | :01:03. | |
Children. Saleem has the greatest gift of all. You can fly! | :01:03. | :01:06. | |
Plus Antonia, Catherine and Chris are here to reveal their films of | :01:06. | :01:08. | |
the year. Tonight, all the films we are | :01:08. | :01:10. | |
reviewing are big-screen adaptations of best-selling novels | :01:10. | :01:13. | |
and we start with Ang Lee's adaptation of Yann Martel's Life of | :01:13. | :01:23. | |
:01:23. | :01:23. | ||
Pi. Where to begin. I was born and raised in one of the most beautiful | :01:23. | :01:33. | |
places on Earth. When my family chose to move us half-way around | :01:33. | :01:37. | |
the world, that was when my greatest journey began. It is a | :01:37. | :01:43. | |
story about a 16-year-old Indian boy. A storm hits. He ends up | :01:43. | :01:50. | |
across the Pacific on a lifeboat with a Bengal tiger named Richard | :01:50. | :01:56. | |
Parker. It is a story of adventure, survival, hope, wonder. There is a | :01:56. | :02:01. | |
spirituality and faith. That is grand material. It gives you hope. | :02:01. | :02:05. | |
There are times in everybody's life when there is nothing you can do, | :02:05. | :02:08. | |
you feel helpless, alone, you feel there is nothing you can do that | :02:09. | :02:18. | |
:02:19. | :02:19. | ||
can get you out of the situation. You have to believe. I would say it | :02:19. | :02:26. | |
was a great challenge. Some part of the book is great literature, but | :02:26. | :02:32. | |
unfriendly to cinema, water and tiger. Working on 3D can be | :02:32. | :02:35. | |
difficult. Everything - not everything - a lot of the things | :02:35. | :02:43. | |
seems to be uphill. I never thought a small piece of shade could bring | :02:43. | :02:48. | |
me so much happiness. We got lucky with the kids. I I love him so much | :02:48. | :02:54. | |
I want to torture him! I guess at some points you did feel like you | :02:54. | :03:04. | |
:03:04. | :03:05. | ||
were in this Ang Lee bootcamp, but not torture. He is inspiro. Is that | :03:05. | :03:12. | |
a word?! We have been left orphaned. Without Richard Parker, I would | :03:12. | :03:22. | |
:03:22. | :03:23. | ||
have died by now. My fear of him keeps me alert. I need to see it | :03:23. | :03:29. | |
again! Life of Pi could have been one big nightmare. It isn't. It's a | :03:29. | :03:35. | |
joy. It works. It works beautifully. I use "puefl" because it is a | :03:35. | :03:44. | |
beautiful fill -- "beautiful" because it is a beautiful film. | :03:44. | :03:53. | |
have had lots of communication and a couple of people are anti it. "It | :03:53. | :03:59. | |
takes too long in getting started." Would you like to reply? People are | :03:59. | :04:05. | |
hard to please(!) It is so visually stunning, the magic is that you | :04:05. | :04:09. | |
forget about the technical wizardry. Maybe it is me. I think this is a | :04:09. | :04:13. | |
film which makes you feel like a kid again. It is hugely original. | :04:13. | :04:17. | |
It is a one-off. Also, there is something deeply old-fashioned | :04:17. | :04:25. | |
about it. This is an old adventure yarn. It reminds me of Robinson | :04:25. | :04:29. | |
Crusoe. People are being mean- spirited. What do you think about | :04:29. | :04:39. | |
:04:39. | :04:45. | ||
the 3D? You are totally immersed? think the 3D is an intrinsic part | :04:45. | :04:51. | |
of why this film works. I don't think Life of Pi would be the film | :04:51. | :04:56. | |
it is without the 3D. It is easy to be cynical. It is so open-hearted. | :04:56. | :05:00. | |
I'm not sure why you would do that. You can pick it apart because it is | :05:00. | :05:06. | |
flawed. Now and again one of the sunsets is a bit too pink, the odd | :05:06. | :05:10. | |
line of dialogue sounds like something from a self-help book. | :05:10. | :05:18. | |
I'm not a man that gets dewy-eyed about things. I think this film is | :05:18. | :05:24. | |
phenomenal. It is the film James Cameron would have made if he had a | :05:24. | :05:27. | |
soul. Oh my God! Next, Tom Cruise stars in the | :05:27. | :05:30. | |
thriller Jack Reacher. The film is adapted from the highly-successful | :05:30. | :05:33. | |
series of novels by Lee Child and is directed by Usual Suspects | :05:33. | :05:41. | |
screenwriter Christopher McQuarrie. Jack Reacher is a ghost, served in | :05:41. | :05:47. | |
the Military Police. A brilliant investigator. Troublemaker, too. | :05:47. | :05:51. | |
Then two years ago he disappears. You don't find this guy unless he | :05:51. | :05:57. | |
wants to be found. Excuse me, Sir? There is a Jack Reacher here to see | :05:57. | :06:01. | |
you. There's been a sniper attack in Pittsburgh and five people have | :06:01. | :06:05. | |
been killed. They quickly arrest a suspect. The evidence against this | :06:05. | :06:08. | |
guy is overwhelming. It is clear that he did it. Reacher takes one | :06:09. | :06:16. | |
look and realises something doesn't add up. He was framed. What does an | :06:16. | :06:22. | |
army cop do mostly? What you do with one minor difference. Every | :06:22. | :06:28. | |
suspect is a trained killer. He is a mythical character in the vain of | :06:28. | :06:34. | |
those western cowboys. Do you think I'm a hero? I'm not a hero. | :06:34. | :06:39. | |
philosophy is simple. Bad guys should be taken care of and | :06:39. | :06:45. | |
goodness should prevail. I will have to contend with one or two | :06:45. | :06:55. | |
:06:55. | :06:56. | ||
enthusiastic wing men. Last two guys... Remember, you wanted this. | :06:56. | :07:00. | |
A lot of people have been talking about the differences between Tom | :07:00. | :07:03. | |
Cruise and Jack Reacher. The more that I watch the whole thing, the | :07:03. | :07:09. | |
more I ended up impressed by the similarities. Really? What appeared | :07:09. | :07:15. | |
to me about Reacher is his mind and the way he approaches the | :07:15. | :07:20. | |
situations. It is akin to who Tom is. I'm deeply grateful they have | :07:20. | :07:25. | |
an opinion. It is a mark of success if they care who plays the guy in | :07:25. | :07:30. | |
the movie. I predict most will come out and say, "What was I worried | :07:30. | :07:40. | |
:07:40. | :07:40. | ||
about? This is the guy." I'm going to say it's never explained why | :07:40. | :07:44. | |
that man gives Tom Cruise the hat. That is a spoiler. What did you | :07:44. | :07:49. | |
think? Some fans of the Jack Reacher books are very angry. They | :07:50. | :07:56. | |
see a ten-inch problem. Jack Reacher is 6ft 5in and Tom Cruise | :07:56. | :08:01. | |
is a respectable 5ft 7in. A child would be better suited to playing | :08:01. | :08:05. | |
this role. I don't have a problem with that. The star of the film is | :08:05. | :08:10. | |
the dialogue, which stays true to the books. The plot is pulpy and | :08:10. | :08:20. | |
:08:20. | :08:22. | ||
snappy. I think this is a sturdy, straightforward B-movie. Some of it | :08:22. | :08:27. | |
is genuinely hilarious. In that clip, there was, "You want me to be | :08:27. | :08:36. | |
a hero?" I swear he goes, "That's right, I'm a drifter." He only has | :08:36. | :08:42. | |
one top. "My top got wet, I washed it!" I will do whatever Tom wants | :08:42. | :08:45. | |
other than believe in lizards. I will follow him anywhere. This time | :08:45. | :08:51. | |
last year, I was saying Mission Impossible 4 was brilliant. I have | :08:51. | :08:58. | |
to read out one tweet. "Jack Reacher occasionally good, often | :08:58. | :09:03. | |
bad. Cruise, dyed hair, shirt off, a showgirl's cult in the making." | :09:03. | :09:13. | |
:09:13. | :09:16. | ||
I'm happy to join that cult? secret weapon for the movie is | :09:16. | :09:19. | |
Werner Herzog. This is effective and efficient. People are being | :09:19. | :09:23. | |
weirdly picky. If the magic of cinema can take us out to sea with | :09:23. | :09:27. | |
a tiger in Life of Pi, it can take a funny actor sucking his cheeks | :09:27. | :09:31. | |
who have a valet to deliver his pants and socks every morning and | :09:31. | :09:36. | |
they can make us believe he is Jack Reacher. Yeah. Anything they say is | :09:36. | :09:40. | |
pointless because they are making the sequel to this film anyway! | :09:40. | :09:45. | |
sure they are. It's already happening! There is nothing you can | :09:45. | :09:50. | |
do about that. Next, Midnight's Children. Salman Rushdie adapts his | :09:50. | :09:53. | |
own book for the big screen. It tells the story of a group of | :09:53. | :09:58. | |
children all born on the cusp of Indian's independence from Britain | :09:58. | :10:08. | |
:10:08. | :10:10. | ||
and who are endowed with magical powers. It is a story about the | :10:10. | :10:13. | |
generation that was born at the time of independence with India and | :10:13. | :10:18. | |
Pakistan. It is about two boys - one rich, one poor. They were | :10:18. | :10:25. | |
swapped at birth. They grew up having each other's lives. And how | :10:25. | :10:33. | |
their lives are shaped by the big events of their time. If you don't | :10:33. | :10:43. | |
:10:43. | :10:46. | ||
have things, you fight! Saleem can bring us altogether. The life of | :10:46. | :10:52. | |
Saleem and India mirrors each other. We can show people a new way of | :10:52. | :10:56. | |
being. These magical children were special. You can fly. It was going | :10:56. | :11:06. | |
:11:06. | :11:16. | ||
to be a world which was mixed in reality but rich in its imagination. | :11:16. | :11:20. | |
These strange children are a threat to the nation. You do have to take | :11:20. | :11:23. | |
a view about the kind of vision of the book that you are going to | :11:23. | :11:28. | |
offer in the film. I think it was very important to make a film that | :11:28. | :11:32. | |
had its own authority and that worked on its own terms. We all | :11:32. | :11:36. | |
have to stay together now. Everything else is breaking apart. | :11:36. | :11:42. | |
Religions, countries. It is about love. It is about tragedy. It's | :11:42. | :11:46. | |
about finding a home. In the end, I think it is just important not that | :11:46. | :11:50. | |
people think it is a good adaptation of the book, or bad, I | :11:50. | :11:57. | |
want people to come out thinking, "That was a good movie." | :11:57. | :12:04. | |
Conventional wisdom says no novelist should get involved with a | :12:04. | :12:08. | |
film doing their own book. Salman Rushdie produced the film, he | :12:08. | :12:15. | |
narrated it. This is a film which is overstuffed. You have every sub- | :12:15. | :12:19. | |
plot from Midnight's Children. By the end of it, it feels like you | :12:19. | :12:26. | |
have a read a 700-page novel. I found it exhausting. I wasn't | :12:26. | :12:32. | |
exhausted. I think the book is so beautiful. The book was one of my | :12:32. | :12:36. | |
favourites. I thought the film was good. I thought it was beautifully | :12:36. | :12:41. | |
directed. I loved the soundtrack. It was too long. Am I allowed to | :12:41. | :12:46. | |
say that? If they had just shaved something off? I didn't need all | :12:46. | :12:49. | |
that information. Midnight's Children is not a great adaptation. | :12:49. | :12:53. | |
I think it is a good book. There is terrific stuff happening in the | :12:53. | :12:58. | |
early part of this film. Yeah. There's vim and energy. It is the | :12:58. | :13:04. | |
further it goes on, the actors seem like they are drowning in the set- | :13:04. | :13:10. | |
dressing and you don't know whether you are watching a fairytale or a | :13:10. | :13:14. | |
deranged soap opera. Salman Rushdie is looming in the background the | :13:14. | :13:18. | |
whole time. The whole thing is overstuffed. It is jammed. Do you | :13:18. | :13:25. | |
think we were at a disadvantage, let me say this to you, if it is | :13:25. | :13:31. | |
not too long-winded, because we have read the book? Is it better - | :13:31. | :13:35. | |
I think arriving at a cinema and seeing this fresh might be a | :13:35. | :13:40. | |
wonderful thing to do? If you come to it without having seen the book, | :13:40. | :13:46. | |
you will wonder what is going on. Right. So by the time you get to | :13:46. | :13:54. | |
the end of the film and you are supposed to be having this rousing | :13:54. | :13:59. | |
crescendo - the pace is just dizzy. What is your film of the week? | :13:59. | :14:05. | |
is Life of Pi. It's the Christmas film this year. OK. For any kid, | :14:05. | :14:09. | |
with a sense of adventure, Life of Pi. All right. | :14:09. | :14:11. | |
Midnight's Children and Jack Reacher will both be released on | :14:11. | :14:15. | |
Boxing Day. Next, a look ahead to some of the films being released in | :14:15. | :14:25. | |
:14:25. | :14:47. | ||
The Impossible chronicles how one family survived the 2004 tsunami. | :14:47. | :14:51. | |
When you watch these movies, you find yourself asking the questions, | :14:51. | :14:55. | |
"How would I deal with this?" I am sure I would never be able to keep | :14:55. | :14:59. | |
it together as well as Maria did and that's why I was always like | :14:59. | :15:05. | |
struck by her story and when I was talking to her. | :15:05. | :15:11. | |
You are always clear not to make this family's story, they didn't | :15:12. | :15:18. | |
survive because of their her owism, they survived because they were | :15:18. | :15:25. | |
lucky. Will you be all right? promise. | :15:25. | :15:31. | |
A man aims to lose his virginity in The Sessions. | :15:31. | :15:36. | |
When you are ready, we will start doing some body awareness exercises. | :15:36. | :15:42. | |
What are body awareness exercises? One of the unique things about the | :15:42. | :15:47. | |
movie, often when two come come together in a movie or real life, | :15:47. | :15:51. | |
they are looking out for themselves, whereas in this case, they come | :15:51. | :15:56. | |
together for one of them. They come together for him. You are going to | :15:56. | :16:00. | |
start to listen to signals from your body. That way you will be | :16:00. | :16:03. | |
able to have control. To find the humour was hugely | :16:03. | :16:09. | |
important to me and you know, Helene brings a bit of that, but | :16:09. | :16:14. | |
the scenes are out and out funny. I was in bed with a naked woman. | :16:14. | :16:22. | |
She complimented me on my my shirt and my hair and she complimented on | :16:22. | :16:31. | |
my penis. Am I sharing too much, Father? No, I am used to it. | :16:31. | :16:40. | |
Our lives are not our own. We are bound to others - past and present. | :16:40. | :16:46. | |
The thing that got me about the screenplay when I read it was this | :16:46. | :16:51. | |
idea of we are all connected and it doesn't matter when we are alive or | :16:51. | :16:57. | |
not. If you want to call it reincarnation or something. We are | :16:57. | :17:01. | |
connected by the things we create and the decision that we make. | :17:01. | :17:07. | |
They spent probably about two years thinking about this movie. By the | :17:07. | :17:11. | |
time we got involved, they had it very clear in their minds how this | :17:11. | :17:15. | |
all connected so where we didn't always understand it or we weren't | :17:15. | :17:19. | |
all aware of how we were connecting to one another, they always knew | :17:19. | :17:22. | |
that. There was a natural order to this | :17:22. | :17:31. | |
world and those who try to fe fend it -- offend it do not farewell. | :17:31. | :17:39. | |
-- fair well. 75 -year-old Dustin Hoffman makes | :17:39. | :17:43. | |
his debut with Quartet. It is about people who love their | :17:43. | :17:47. | |
art and love to perform and they have reached a stage in life where | :17:47. | :17:53. | |
their instrument is culpable to ageing, but their spirit has | :17:53. | :17:57. | |
actually enlarged. After doing this for 45 years, I | :17:57. | :18:04. | |
was humbled by the directors who you faced these problems that come | :18:04. | :18:07. | |
every day, that you don't share with the actors. The actor shows up | :18:08. | :18:12. | |
and you say, "Hey, how are you doing?" But you found out that you | :18:12. | :18:16. | |
lost the location and something is costing triple and an actor that | :18:16. | :18:20. | |
you wanted wasn't available. That's what I learned. That's the toughest | :18:20. | :18:28. | |
part. Django Unchained is a tale of | :18:28. | :18:35. | |
bounty hunting. It really is kind of ploughing | :18:35. | :18:39. | |
verging ground -- virgin ground a little bit. The movie will be | :18:39. | :18:43. | |
controversial because of the of the subjects it deals with and it is | :18:44. | :18:46. | |
risking a lot and it is chancy because it is violent and stuff. | :18:46. | :18:56. | |
:18:56. | :18:57. | ||
What's your name? Jango. | :18:57. | :19:07. | |
Anthony Hopkins and Helen mirin play the Hitchcocks. There is a roe | :19:07. | :19:10. | |
ject out there - project out there waiting for you. | :19:11. | :19:16. | |
The story is the untold story about Hitchcock, all of us know the | :19:16. | :19:23. | |
brilliant genius film-maker, but what people don't know his greatest | :19:23. | :19:26. | |
collaborator was a lady he was married to. | :19:26. | :19:31. | |
Everyone said how important she was to him. How she was the only person | :19:31. | :19:36. | |
he would take advice from. Her opinion was the only opinion that | :19:37. | :19:45. | |
counted as far as he was concerned. Just think of the shock value | :19:45. | :19:51. | |
getting rid of your leading lady half-way through. | :19:51. | :19:56. | |
You shouldn't kill her half-way through, kill her after 30 minutes. | :19:56. | :20:02. | |
And Tom Hooper with his on screen adaptation of Les Miserables. | :20:02. | :20:10. | |
loved getting to take a long like I Dreamed A Dream and provoked so | :20:10. | :20:15. | |
much thought and emotion. I have been in many musicals and | :20:15. | :20:21. | |
many movies, one thing you have got got to be prepared to sign up to is | :20:21. | :20:26. | |
make a fool of yourself. It is easy to forget that we are | :20:26. | :20:30. | |
singing at all. I think what is key to this movie | :20:30. | :20:33. | |
that Tom took the bold decision to sing everything live. | :20:33. | :20:41. | |
The other wi which is making an album and making a long music video | :20:41. | :20:47. | |
which you lip sync. I think it added an element of | :20:47. | :20:51. | |
danger. When I saw the movie, I was blown away. I felt so grateful to | :20:51. | :21:01. | |
:21:01. | :21:05. | ||
And there is an interview with Dustin Hoffman on the Film 2012 | :21:05. | :21:14. | |
website. Look who is here, the Film... Let's not say the F word. | :21:14. | :21:17. | |
We are going it talk about your films of the year. You and I almost | :21:17. | :21:25. | |
had a tustle, but -- tussle, but we didn't. Yes, handbags at dawn. | :21:25. | :21:30. | |
Can you discuss what you are most looking forward to seeing. I can I | :21:30. | :21:34. | |
can only imagine that it isn't something made in the last 20 years, | :21:34. | :21:38. | |
but what are you look forward to seeing? These films are very old. | :21:38. | :21:44. | |
January at London's BFI Southbank is good and they have 21 comedies | :21:44. | :21:48. | |
from the 1930s and 1940s and some of them really familiar and others | :21:48. | :21:53. | |
that have have never been screened before and they are screening some | :21:53. | :21:58. | |
days that are three or four back- to-back. That's Way to spend New | :21:58. | :22:03. | |
Year's Day. These films are eccentric about love and they turn | :22:03. | :22:07. | |
the world up on its head and they are terrific and to see them on the | :22:07. | :22:12. | |
big screen would be a real treat. No, I'm in. I'm in! You didn't need | :22:12. | :22:20. | |
to say anymore. Three in one day! Let's do it. Let's do it. I will by | :22:20. | :22:26. | |
the popcornpm. What are you looking forward to? Mine has 2013 after its | :22:26. | :22:31. | |
brackets, it is The Impossible. It is a tsunami disaster drama which | :22:31. | :22:38. | |
is devastating and uplifting at the same time and features astonishing | :22:38. | :22:43. | |
performances, Ewan McGregor. They deserve Oscar nomination, it will | :22:43. | :22:48. | |
break your heart Docofthebay they deal with the CJI? | :22:48. | :22:57. | |
It is shot in a water tank. It is not long, long minutes of | :22:57. | :23:00. | |
grey, fake sea. You know how much I love that! | :23:00. | :23:09. | |
Catherine, what are you most looking forward to? Quentin | :23:09. | :23:13. | |
Tarantino. I will be going to see it again because I loved it. It is | :23:13. | :23:17. | |
just, it is his best one for a long time, I think. In Glorious which | :23:17. | :23:22. | |
lots of other people loved and now he is back to being his brilliant | :23:22. | :23:26. | |
self apparently? It has got a lot of the same themes, but it is a lot | :23:26. | :23:33. | |
more controlled and they go on this journey. It It rolls out, it it is | :23:33. | :23:38. | |
like a massive boulder going down a hill. | :23:38. | :23:48. | |
:23:48. | :23:51. | ||
You loved Jango? Yes. I am not going to say too much more, but | :23:51. | :23:55. | |
Catherine Bigelow. I am going to say quickly, Lincoln. | :23:55. | :23:59. | |
That's all I have to say. Films of 2012, again I look to Antonio | :23:59. | :24:08. | |
hoping that maybe this was made in 20 2012, but I assume not? No, but | :24:08. | :24:14. | |
at least it is in colour. What is it? My film of 2012 is the most | :24:14. | :24:22. | |
poetic and literate, beautiful, exciting, action movie ever made | :24:22. | :24:28. | |
and it is the re-release of Laurence of Arabia. This particular | :24:28. | :24:35. | |
cut is David Liens -- Leans 1988 cut which has the intermission | :24:35. | :24:39. | |
music and the theatre of the thing is extraordinary and the most | :24:39. | :24:49. | |
:24:49. | :25:05. | ||
beautiful performance by Peter owe I love it. Only an Antonia, the | :25:05. | :25:14. | |
film of 2012, Laurence of Arabia. Very, very good and yours? Mine is | :25:14. | :25:23. | |
a toss teen The -- between The Raid... And you brought to our | :25:23. | :25:27. | |
attention. I had to go something that connected with the public and | :25:27. | :25:37. | |
:25:37. | :25:40. | ||
me and that's the Avengers. Comics don't always translate to the big | :25:40. | :25:47. | |
screen, but it was directed with style and wit and a fantastic | :25:47. | :25:54. | |
dialogue and fantastic moments with The Hulk. Let's have a look. | :25:54. | :26:04. | |
:26:04. | :26:18. | ||
Enough. I am a God, you dull It is a good choice. | :26:18. | :26:23. | |
Moments like that. Tas good present if you are | :26:23. | :26:26. | |
wondering what to put in stockings, that. | :26:26. | :26:32. | |
Catherine, what is your film of 2012. We gof fought -- we could | :26:32. | :26:40. | |
have fought? It is a small film. It is a black British comedy and it is | :26:40. | :26:50. | |
from a director director called Ben Wheatley and it is a film about a | :26:50. | :26:57. | |
middle couple on a caravanning trip. It will put you off caravanning. | :26:57. | :27:02. | |
If you don't pick up this excrement, I am going to have to inform the | :27:02. | :27:06. | |
the National Trust. I don't think you are sorry. | :27:06. | :27:13. | |
Did he touch you? I don't know. I wasn't concentrating. Have a think. | :27:13. | :27:18. | |
Can you remember everything? Yes, yes, he did touch me. | :27:18. | :27:28. | |
This is preposterous. What else did he do? Details. | :27:28. | :27:35. | |
tried to put the puppy's balls in his mouth. | :27:36. | :27:43. | |
I am going to mention the kid with the bike and and The Master. Half | :27:43. | :27:53. | |
:27:53. | :27:55. | ||
the people who see it hate it and you? I love la love Lamour. We are | :27:55. | :28:05. | |
:28:05. | :28:06. | ||
off for Christmas, but we are back on the 9th January. Playing out is | :28:06. | :28:10. | |
Baz Luhrmann's, The Great Gatsby. I am certainly glad to see you | :28:10. | :28:15. | |
again. # I think about you day and night | :28:15. | :28:20. | |
# It's only right # I am certainly glad to see you as | :28:20. | :28:24. | |
well. # So happy together # | :28:24. | :28:32. |