Browse content similar to Zoolander 2, Deadpool, Pride and Prejudice and Zombies. Check below for episodes and series from the same categories and more!
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And it's a truth universally acknowledged that Jane Austen's | :00:28. | :01:01. | |
Pride and Prejudice does not feature Zombies. | :01:02. | :01:07. | |
Plus Will Smith knocks heads together in medical drama | :01:08. | :01:10. | |
And we're also joined by critic Rhianna Dhillon. | :01:11. | :01:16. | |
15 years ago, the world was introduced to Derek Zoolander - | :01:17. | :01:24. | |
Now the creator of poses such as Magnum and Blue Steel | :01:25. | :01:30. | |
He was once the world's most famous male model. But that was a long, | :01:31. | :01:49. | |
long time ago. Derek Zoolander! It has been a long time. Yes. Not long | :01:50. | :01:57. | |
enough. Derek and Hansel have been out of the limelight for 15 years. I | :01:58. | :02:03. | |
am with Interpol and we need your help. She is hot and I trust. Were | :02:04. | :02:09. | |
called back by Penelope Cruz to help solve this sinister plot where the | :02:10. | :02:14. | |
superstars of the world are being gunned down. Six pop stars have died | :02:15. | :02:21. | |
in the last year, all with that look... Peace out, world. There is | :02:22. | :02:28. | |
only one criminal mastermind who could be behind this. I am bad to | :02:29. | :02:34. | |
the core! Meanwhile, Mugatu has been locked up in the fashion prison. | :02:35. | :02:42. | |
Where is my coffee? And he is full of hatred. And he wants to seek out | :02:43. | :02:48. | |
the engines. Not only on Derek but the entire fashion world, which we | :02:49. | :03:00. | |
meet... My character! Alexandria, she is the one who tells everybody | :03:01. | :03:08. | |
what is trendy. You two are amazing. The character was supposed to | :03:09. | :03:13. | |
mispronounce words due to all of the plastic surgery. Her mouth does not | :03:14. | :03:18. | |
move much. So we just went with that. Kind of Russian, somewhere | :03:19. | :03:30. | |
along the line. I'm sorry, I cannot understand one word you are saying! | :03:31. | :03:35. | |
Toss me the knife! You've got it! Oh! We thought it would be fun to do | :03:36. | :03:44. | |
a sequel to the first movie that nobody wanted, because they did not | :03:45. | :03:55. | |
go to see the movie. Old? We can honestly say that nobody saw the | :03:56. | :03:58. | |
first movie and then it was one of these things work DVD-R and cable | :03:59. | :04:05. | |
television, it built up this cult following, which was too strong to | :04:06. | :04:11. | |
ignore. I guess fashion has changed. Argue like a male model or female? | :04:12. | :04:18. | |
All is all. Do you have a hot dog or a long? A lot has changed in fashion | :04:19. | :04:25. | |
and technology, the rise of social media but one thing these guys find | :04:26. | :04:31. | |
has not changed is it still helps to be ridiculously good-looking. He | :04:32. | :04:37. | |
seems like a nice guy. You seem like an idiot. What do you think? If you | :04:38. | :04:44. | |
are old enough to know Derek Zoolander from 2001 you will be old | :04:45. | :04:49. | |
enough to be scared by modern life, just like Derek 's a lot of the | :04:50. | :04:53. | |
jokes about him coming to terms with this terrifying world of Netflix and | :04:54. | :05:00. | |
Uber. I cannot say all of them because of product placement! It is | :05:01. | :05:04. | |
strange because the first film, there was no audience waiting for it | :05:05. | :05:08. | |
so it felt free and joyful and you would meet people at parties and you | :05:09. | :05:13. | |
would do lose deal and you had a friend for life! Like the Masons! | :05:14. | :05:20. | |
You would not have gotten in -- Blue Steel. This time there is this huge | :05:21. | :05:27. | |
marketing budget and the designers and models are in on it and it is | :05:28. | :05:31. | |
funny stuff but it also feels a little self-conscious, like a movie | :05:32. | :05:36. | |
taking a selfie of itself and it feels stiff, like a forehead with | :05:37. | :05:43. | |
Botox! I am aware that the clip makes it look like funniest film of | :05:44. | :05:48. | |
all time. There are some very funny moments and though the lead | :05:49. | :05:52. | |
characters are fantastic, I fell in love with Penelope Cruz yet again. | :05:53. | :05:57. | |
Incredible chest! I thought that Kristen Wiig was fantastic. She was | :05:58. | :06:02. | |
channelling Versace and I thought that was inspired and she will have | :06:03. | :06:06. | |
improvised every single line, and brilliant. I am over Will Ferrell as | :06:07. | :06:13. | |
Mugatu, I was never a project eagerly with him, I get quite bored | :06:14. | :06:21. | |
with his thing, he just talks very fast and hopes that something will | :06:22. | :06:26. | |
stick. That is what I do! Welcome to our world! I think you are both | :06:27. | :06:33. | |
being unfair, I thought the cameos, is that the most... I am not | :06:34. | :06:39. | |
obsessed with fashion but there is one scene and you go, it really is | :06:40. | :06:48. | |
Wang and Kate Moss! Some of it pinpoints this, Christian Wade, and | :06:49. | :06:56. | |
it does get to be 90s, that pastiche of the 90s, that advertisement for a | :06:57. | :07:02. | |
one emotion with Derek and Naomi Campbell, the essence of 90s in | :07:03. | :07:08. | |
those 30 seconds. I just kept thinking that I know that Ben | :07:09. | :07:13. | |
Stiller does not really want to be doing this, he wants to be a | :07:14. | :07:16. | |
director and he has been making great films for 20 years. I | :07:17. | :07:24. | |
disagree! I think you wanted to... There is the cameo of the dirty DJ, | :07:25. | :07:27. | |
I thought this was better than Zoolander. But I got more of the | :07:28. | :07:34. | |
references in this one than what I did in 2001, when I was 12. Why say | :07:35. | :07:41. | |
that! There is this wonderful Tiger Arbeit hipsters, films being so | :07:42. | :07:50. | |
massive, yes... Kiefer Sutherland. Acting against type, they get the | :07:51. | :07:54. | |
cameos right and Kiefer Sutherland pretending to be pregnant, that was | :07:55. | :08:01. | |
excellent. It does not work when the cameos are self-aware, perhaps. | :08:02. | :08:09. | |
There is some funny stuff. I loved it! | :08:10. | :08:11. | |
Next, Ryan Reynolds is foul-mouthed, Marvel anti-hero Deadpool. | :08:12. | :08:13. | |
Stuck in development hell for almost a decade, | :08:14. | :08:15. | |
this superhero movie is not your usual man | :08:16. | :08:17. | |
I love you. We can fight this. You are right. Cancer only affects my | :08:18. | :08:35. | |
prostate and brain, things I can live without. We can make it better. | :08:36. | :08:42. | |
You are a fighter. We can give you abilities most men only dream of. | :08:43. | :08:48. | |
Make you a Subito. Promise you will do right by me. Please do not make | :08:49. | :09:01. | |
the soup green or animated. Posh spice. Come on, you will leave me | :09:02. | :09:07. | |
alone with less angry Rosie O'Donnell is Mike! | :09:08. | :09:34. | |
Wait! You might be wondering why the red suit but that is so that the bad | :09:35. | :09:43. | |
guys cannot see me bleeding. This man has got the right idea, he wore | :09:44. | :09:47. | |
guys cannot see me bleeding. This the brown pants. Daddy needs to | :09:48. | :09:48. | |
express some rage! -- | :09:49. | :09:54. | |
the old lady pants and here. It What did you think? This made me | :09:55. | :10:27. | |
laugh more than I expected, What did you think? This made me | :10:28. | :10:37. | |
has some moody girl, some hot What did you think? This made me | :10:38. | :10:39. | |
instead of their actual names, everything is an in joke and very | :10:40. | :10:43. | |
sure of itself and I thought that was brilliant. | :10:44. | :10:51. | |
sure of itself and I thought that Deadpool breaks the fourth wall and | :10:52. | :10:53. | |
makes a joke about breaking the fourth wall. Normally I would hate | :10:54. | :10:57. | |
that when actors talk to me, I despise that but here, he made it | :10:58. | :11:02. | |
work although perhaps he could have maybe done at several times less? | :11:03. | :11:10. | |
You are not keen? It is so pleased with itself that even if I like it, | :11:11. | :11:14. | |
it is like going on a date with somebody who keeps looking anywhere! | :11:15. | :11:20. | |
You are pleasant, you have done something good but... They are | :11:21. | :11:24. | |
loving themselves. You take a deep breath before you talk about a film | :11:25. | :11:28. | |
like Deadpool because there is an army of fans of the comic who are | :11:29. | :11:33. | |
convinced this is the greatest film ever, and if you get on the wrong | :11:34. | :11:37. | |
side of that, they can say nasty things on message boards! The relief | :11:38. | :11:42. | |
is I think it is very good, it takes a lot of risks and they pay off. The | :11:43. | :11:46. | |
expression on your face! It is crude... Some parts are very funny. | :11:47. | :11:52. | |
People were howling with laughter but I think also there are moments | :11:53. | :12:00. | |
when you go, just stop! There is a whiff of smug. Another Ryan Reynolds | :12:01. | :12:05. | |
makes a joke about being Ryan Reynolds? Those things are | :12:06. | :12:11. | |
condiments in this context, this scatter-gun, taking aim at | :12:12. | :12:18. | |
everything, the later recordings of Wham!, X-Men movies. And the acting | :12:19. | :12:23. | |
talent of Ryan Reynolds. I think that works a charm. Ryan Reynolds | :12:24. | :12:28. | |
had something of Jim Kerry about him. In the beginning, talking from | :12:29. | :12:33. | |
behind with his hands up. That kind of set piece and like, I can see | :12:34. | :12:38. | |
that appealing to a massive fan base. Normally with superhero films, | :12:39. | :12:43. | |
there is a cosmic absence of a sense of humour and you can see the | :12:44. | :12:47. | |
executives, the budgets are very high, you can almost save set, so | :12:48. | :12:53. | |
the executives being very nervous about how this will pay off and this | :12:54. | :12:57. | |
film seems like it has the feel of something which was made without | :12:58. | :13:01. | |
that interference and they keep making one of the many in jokes | :13:02. | :13:05. | |
about the lack of any budget! But the lack of a budget, you can see | :13:06. | :13:12. | |
that, is the blessing. And this thing is marvel with a twist of | :13:13. | :13:13. | |
South Park. And they did the independent film | :13:14. | :13:28. | |
thing with and man. It is nice they have taken a step back. And there | :13:29. | :13:33. | |
are bit in it but were very funny, but when you talk about being | :13:34. | :13:37. | |
self-conscious, because you said zoo lander was self-conscious, and I | :13:38. | :13:42. | |
felt that it wasn't. They have made this to make us laugh, and that is | :13:43. | :13:47. | |
all they want to do, but this is so self-conscious. I sit completely | :13:48. | :13:53. | |
opposite, and isn't it refreshing to have a superhero who is interested | :13:54. | :13:58. | |
in women, so you are not Christian Bale, silently brooding your tomb of | :13:59. | :14:03. | |
torment and despair, you are engaging with the opposite sex! Yes, | :14:04. | :14:12. | |
although they did have to make her a stripper! To me it felt like a film | :14:13. | :14:17. | |
which was dating a couple of steps forward. But at least the plot was | :14:18. | :14:21. | |
quite simple and I could follow it, unlike Avenges 2, I couldn't follow | :14:22. | :14:24. | |
that. Will Smith stars as a doctor | :14:25. | :14:27. | |
determined to expose the truth about the hidden dangers | :14:28. | :14:30. | |
of American football, Hearts in Pittsburgh are broken over | :14:31. | :14:45. | |
the loss of Michael Webster who suffered from mental illness. Why | :14:46. | :14:49. | |
does an apparently healthy famous son of the city die in disgrace that | :14:50. | :15:03. | |
50? Concussion is about Bennet Omalu, who was one of the first to | :15:04. | :15:09. | |
discover this type of Concussion which many American footballers were | :15:10. | :15:16. | |
suffering from. Repetitive head trauma chokes the brain. I think I | :15:17. | :15:20. | |
have found a disease that no one has ever seen before. He sections Mike | :15:21. | :15:28. | |
Webster's brain, and find out about CTE, but Wright is all the way. If | :15:29. | :15:37. | |
you don't speak for the dead, who will? The film has that David and | :15:38. | :15:43. | |
Goliath quality way he inadvertently takes on the big corporation. | :15:44. | :15:50. | |
Football is the beating heart of America. You are going to war with a | :15:51. | :15:57. | |
corporation that owns the day of the week that the church used to own. It | :15:58. | :16:01. | |
is that big corporate machine that doesn't want its will disrupt did, | :16:02. | :16:07. | |
and this man stands up to it, it is inspiring. If just 10% of the | :16:08. | :16:12. | |
mothers in America decide that football is too dangerous for their | :16:13. | :16:16. | |
sons to play, that is the end. If you continue to deny my work, the | :16:17. | :16:26. | |
world will deny my work. But men, your men, continue to die, their | :16:27. | :16:34. | |
families left in ruins. Tell the truth. Tell the truth! | :16:35. | :16:46. | |
His journey was like my grandfather's journey out of the | :16:47. | :16:52. | |
Ukraine, someone who wanted to better themselves who saw the United | :16:53. | :16:59. | |
States as a step. When I was a boy growing up in Nigeria, heaven was | :17:00. | :17:02. | |
here. And America was here. And his desire | :17:03. | :17:11. | |
was merely to be a citizen, tell the truth, do the job well, contribute | :17:12. | :17:15. | |
to society, and these were very simple, very American concepts. If | :17:16. | :17:20. | |
he walked away and kept his mother shot, I don't think many people | :17:21. | :17:25. | |
would have blamed him. What is happening now, what you think they | :17:26. | :17:28. | |
are doing to you, it is nothing. They will be doing your autopsy. It | :17:29. | :17:39. | |
all looks very rousing, but Concussion is a nervous film, | :17:40. | :17:42. | |
because it ran the risk of getting on the wrong side of the NFL, they | :17:43. | :17:47. | |
are the people in America that God doesn't want to get on the wrong | :17:48. | :17:50. | |
side of, so the script feels like it has come with huge chunks of it | :17:51. | :17:56. | |
redacted. If you are going to stand there as Will Smith and demand that | :17:57. | :17:59. | |
people tell the truth, you need to tell the truth yourself a little | :18:00. | :18:02. | |
more often and possibly a bit louder than this film. Do you think it was | :18:03. | :18:08. | |
edited? By the NFL? There have been a lot of rumours, and a lot of stuff | :18:09. | :18:15. | |
came out in the Sony about the studio's enthusiasm for re-insuring | :18:16. | :18:21. | |
-- reassuring the anxieties of the NFL, to say. I just thought it was | :18:22. | :18:26. | |
incredibly boring. I don't understand how a film like this is | :18:27. | :18:30. | |
based on a lack of common sense, as if people don't know that smashing | :18:31. | :18:33. | |
your heads together doesn't cause some sort of mental illness, even if | :18:34. | :18:38. | |
we don't know what exactly that is. And that rarely frustratingly, | :18:39. | :18:41. | |
although I know it isn't the film's fault. It just made Americans or NFL | :18:42. | :18:47. | |
fans looking credibly stupid, as if it was some big revelation. | :18:48. | :18:53. | |
Interesting. I thought that it was a brilliant story. I think he is | :18:54. | :18:59. | |
Interesting. I thought that it was a fascinating, the real-life doctor, | :19:00. | :19:02. | |
and the work he did, and there is a brilliant scene where he was talking | :19:03. | :19:06. | |
about woodpeckers and brilliant scene where he was talking | :19:07. | :19:12. | |
looking after the brain, and I don't understand why that isn't the film I | :19:13. | :19:19. | |
saw. Yes, and that story about how America's national game reduces | :19:20. | :19:20. | |
these heroes to shambling America's national game reduces | :19:21. | :19:24. | |
but what the movie really wants to America's national game reduces | :19:25. | :19:27. | |
be is a vehicle for Will Smith, it America's national game reduces | :19:28. | :19:34. | |
introduced, but instead of finding out about the fascinating | :19:35. | :19:35. | |
introduced, but instead of finding who is the perfect doctor you want | :19:36. | :19:37. | |
not just when you are alive of somebody doing an impression of | :19:38. | :19:53. | |
Will Smith Ness, it of somebody doing an impression of | :19:54. | :19:57. | |
moment. And of somebody doing an impression of | :19:58. | :20:01. | |
Oscar which hasn't played out. And I think it was offensive towards the | :20:02. | :20:06. | |
actions of mental illness in this, they were so completely | :20:07. | :20:06. | |
actions of mental illness in this, and not realistic. If they | :20:07. | :20:10. | |
actions of mental illness in this, could have believed it more. They | :20:11. | :20:20. | |
were trying to Hollywood are mental illness, which you can't do. Is | :20:21. | :20:30. | |
there any saving grace? Yes, Gugu Mbatha-Raw, I groaned when she came | :20:31. | :20:41. | |
on, but I loved her in Belle, but she's far too good for | :20:42. | :20:43. | |
on, but I loved her in Belle, but and for Will Smith. She is | :20:44. | :20:48. | |
tremendous. Her part here, she comes in as the lodger, essentially. She | :20:49. | :20:50. | |
gets on the wrong in as the lodger, essentially. She | :20:51. | :21:00. | |
for watching the television. And then you see a ring on her finger | :21:01. | :21:03. | |
and she is pregnant, which is quite the precis of married life, it was a | :21:04. | :21:05. | |
little brisk! It certainly does. Next the genteel world | :21:06. | :21:10. | |
of Jane Austen is turned on its head Lily James and Sam Riley star | :21:11. | :21:13. | |
in a kick-ass tale of bonnets, balls and sword-wielding | :21:14. | :21:17. | |
zombie slaying. To succeed in polite society, a | :21:18. | :21:35. | |
young woman must be many things. Kind, well read and accomplished. | :21:36. | :21:43. | |
But to survive in the world as we know it, she will need other | :21:44. | :21:46. | |
qualities. It is pride and prejudice as we know | :21:47. | :22:01. | |
and love it, but how will that story change? How will the characters | :22:02. | :22:09. | |
differ if there is a zombie apocalypse? It began with the black | :22:10. | :22:16. | |
plague. Within weeks, the dead began to rise. This cannot be. The Pride | :22:17. | :22:26. | |
and Prejudice story stays intact, but it is heightened in this zombie | :22:27. | :22:33. | |
world. It is basically Pride and Prejudice and Zombies. | :22:34. | :22:48. | |
Jane Austin has a great sense of humour, and it is girl power. I | :22:49. | :22:56. | |
think she would fully approve. I shall never really wish my sword for | :22:57. | :23:04. | |
a ring. It is great to see five women get up and kick the zombies' | :23:05. | :23:13. | |
as. You don't feel like you have sacrificed Austin the zombies, you | :23:14. | :23:19. | |
feel like it has come together perfectly, and you think maybe we | :23:20. | :23:25. | |
could do this more. My daughter is in training for battle. But that | :23:26. | :23:36. | |
again is Jane Austin, it says her voice was that strong that it still | :23:37. | :23:37. | |
resonates. That person certainly finished. What | :23:38. | :23:59. | |
you think? There were elements I loved, because I am a Jane Austin | :24:00. | :24:04. | |
puritan, so when the sexual tension normally in adaptations is expressed | :24:05. | :24:08. | |
through dancing, it was a treat to see it done through fighting, that | :24:09. | :24:13. | |
fantastic proposal scene between Elizabeth and Mr Darcy, and Sam | :24:14. | :24:16. | |
Riley as Mr Darcy, although I wish he was so gravelly, I still kind of | :24:17. | :24:22. | |
wood. I love the way they fought out this huge argument, and I think her | :24:23. | :24:28. | |
breast nearly pops out at one point, and I think it is very hot and sexy. | :24:29. | :24:33. | |
If Jane Austin is missing anything, it is raunchy dress. If they are | :24:34. | :24:39. | |
going to make this, put it in, but who is this for? I don't know who | :24:40. | :24:44. | |
will actively wants to go out and see this. Young boys for the | :24:45. | :24:49. | |
zombies? It is not scary enough. And the Jane Austin lovers... Danny | :24:50. | :24:53. | |
doesn't look like he will be first in line. Look at that face. I think | :24:54. | :24:59. | |
it is far and easier, because they are the only people who will keep | :25:00. | :25:03. | |
coming back to the central gag which is, as they kept saying, even in a | :25:04. | :25:09. | |
two-minute clip, Pride and Prejudice but with zombies! You see that joke | :25:10. | :25:15. | |
hammered home time and time again, and it is explained very eloquently | :25:16. | :25:24. | |
in the credit sequence, and then 90 seconds, the film peaks, and you | :25:25. | :25:27. | |
could pop off at that point. Don't you find all very beautiful to look | :25:28. | :25:31. | |
at? There were certain scenes, normally in Jane Austin, they go off | :25:32. | :25:37. | |
to a lovely dance, but instead they have guns and Daggers. Again, I am a | :25:38. | :25:45. | |
middle-aged bloke, but is that girl power? The men appearing up their | :25:46. | :25:51. | |
skirts! It makes it a different kind of watch. I love the fight scenes. | :25:52. | :25:56. | |
Girl on girl fight scenes are so rare to see not sexualised. Sexy | :25:57. | :26:03. | |
fighting! Yes they are sisters, so they can't make it sexualised, it is | :26:04. | :26:07. | |
an territory, and I think that worked nicely, and I was just a big | :26:08. | :26:11. | |
fan of the fight scenes, not so much of the rest of the acting, though. I | :26:12. | :26:15. | |
thought it was weak. But talk about Matt Smith, because he is the best | :26:16. | :26:20. | |
thing in this film by a distance. He was in Ryan Gosling's Lost River. I | :26:21. | :26:27. | |
think only me and Ryan Gosling like that. I liked it! He plays the | :26:28. | :26:38. | |
parson, and... He is absolutely the Comic Relief, and it is much needed | :26:39. | :26:42. | |
in this. Needs to be a bit lighter if anything. He has the spirit of | :26:43. | :26:52. | |
carry -- Carry On. Film of the week? Deadpool. Zoolander 2. | :26:53. | :27:03. | |
Playing us out tonight is a new look at High Rise, JG Ballard's dystopian | :27:04. | :27:08. | |
For all its inconveniences, he was satisfied with life in the | :27:09. | :27:19. | |
high-rise, ready to move forward and explore life. How, exactly, he had | :27:20. | :27:29. | |
not yet decided. I'm so sorry. You are an excellent specimen. Come up | :27:30. | :27:37. | |
later and have a drink. You don't know how things work around here, do | :27:38. | :27:45. | |
you? I'm a fast learner. You built all this? I put all my energies into | :27:46. | :27:56. | |
this town, and the architect. Your husband appears intent on colonising | :27:57. | :27:59. | |
the sky, and who can blame him when you look at what is going on street | :28:00. | :28:07. | |
level. How is the highlight? Prone to fits of mania, narcissism and | :28:08. | :28:14. | |
power failure. We pay the same charges as the top floors, we want | :28:15. | :28:19. | |
our share of the park. Things would be better if we could afford to move | :28:20. | :28:25. | |
to a higher floor. I think we should be prepared to meet moderate | :28:26. | :28:29. | |
resistance. The ones who are the real danger of the self-contained | :28:30. | :28:33. | |
types like you. Perhaps you are right. What are you doing? What are | :28:34. | :28:41. | |
you doing in there? The building is still settling. Dozens it seem odd | :28:42. | :28:47. | |
that a man can fall from the 39th floor? What have you got there? A | :28:48. | :28:56. | |
kaleidoscope. What can you see through that thing? The future. | :28:57. | :28:57. |