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Welcome along to Great Movie Mistakes. | 0:00:24 | 0:00:28 | |
This show blows a hole in the carefully constructed | 0:00:28 | 0:00:31 | |
veneer of Hollywood perfection. | 0:00:31 | 0:00:33 | |
Our team of continuity experts, or geeks, have locked themselves away | 0:00:33 | 0:00:37 | |
in the archives to track down the best howlers on the silver screen. | 0:00:37 | 0:00:40 | |
So here are those mistakes, the ones that have made all that hard work | 0:00:40 | 0:00:44 | |
very nearly worthwhile. | 0:00:44 | 0:00:47 | |
Transporter 3. That's right, they made three of them. | 0:00:49 | 0:00:55 | |
Here goes Jason Statham, pelting after an ambulance. | 0:00:55 | 0:00:59 | |
Ah! I think we're going to need an ambulance. | 0:01:01 | 0:01:03 | |
But what's this? | 0:01:06 | 0:01:08 | |
Either Jason has forgotten to remove one of his flesh-coloured earplugs, | 0:01:08 | 0:01:12 | |
or that is a flesh-coloured piece of...flesh | 0:01:12 | 0:01:14 | |
from one of the people in that ambulance. | 0:01:14 | 0:01:17 | |
Oh, please, God, let it be the first. | 0:01:17 | 0:01:18 | |
This is Mamma Mia. | 0:01:22 | 0:01:24 | |
And Mamma Mia, this is a cowardly stuntman. | 0:01:24 | 0:01:27 | |
You can see the cable holding him to the building, there. | 0:01:28 | 0:01:33 | |
Honestly, mate. Does your mother know? | 0:01:33 | 0:01:35 | |
Now Pirates Of The Caribbean - Curse Of The Black Pearl. | 0:01:38 | 0:01:42 | |
That well-known Western. | 0:01:42 | 0:01:45 | |
At least, that's what this guy thinks it is. | 0:01:48 | 0:01:51 | |
He's wearing a white shirt and a Stetson. | 0:01:51 | 0:01:53 | |
Same film now. And... | 0:01:55 | 0:01:58 | |
Ooh, steady, Keira. | 0:01:58 | 0:02:00 | |
But what's this? It's a cameraman's watch. | 0:02:02 | 0:02:05 | |
And, embarrassingly for him, it's not even digital. | 0:02:05 | 0:02:07 | |
Here's Troy, a film that was panned by the critics. | 0:02:09 | 0:02:13 | |
Although, while they were concerned with the acting and the script, | 0:02:13 | 0:02:17 | |
my beef is with the treads on this man's sandals. | 0:02:17 | 0:02:20 | |
Yes, not the kind of modern design you'd expect in ancient Greece. | 0:02:20 | 0:02:23 | |
That's why I only gave the film two stars. | 0:02:23 | 0:02:26 | |
A clip from feel-good movie, Coyote Ugly, in which | 0:02:27 | 0:02:31 | |
light as we know it is monkeyed around with. | 0:02:31 | 0:02:35 | |
Of course, you and I think of light as just ungovernable photons of electromagnetic radiation. | 0:02:35 | 0:02:40 | |
The makers of this film think they know better. | 0:02:40 | 0:02:43 | |
See what happens when this light's turned out. | 0:02:46 | 0:02:48 | |
Room gets slightly darker. But when this tiny candle is extinguished, | 0:02:48 | 0:02:53 | |
the room is plunged into darkness. | 0:02:53 | 0:02:56 | |
Let's see that again. Candle defeats light bulb | 0:02:57 | 0:03:02 | |
and movies defeat logic, again. | 0:03:02 | 0:03:04 | |
High School Musical now. | 0:03:09 | 0:03:10 | |
As well as being strewn with errors, these films are also full | 0:03:10 | 0:03:13 | |
of those annoying performers who dress up in Lycra, and frolic around as if to say, | 0:03:13 | 0:03:17 | |
"Oh, look at me, look how good I am at dancing! | 0:03:17 | 0:03:19 | |
"Look at me dancing, I'm cool!" | 0:03:19 | 0:03:23 | |
It was different when I did it for Comic Relief. That was for charity. | 0:03:23 | 0:03:26 | |
Which makes it different, OK? | 0:03:26 | 0:03:29 | |
Anyway, cast your peepers across these schoolboy and schoolgirl errors. | 0:03:29 | 0:03:35 | |
You watch High School Musical | 0:03:37 | 0:03:38 | |
dozens and dozens of times in your bedroom, and think, | 0:03:38 | 0:03:42 | |
"How come all those girls are so mouth-wateringly slender?" | 0:03:42 | 0:03:46 | |
Well, here's how. They're not eating their dinners. | 0:03:46 | 0:03:49 | |
The lovely Gabriella gazes listlessly at her grub. | 0:03:49 | 0:03:52 | |
Troy, hey! | 0:03:53 | 0:03:56 | |
And switches her attentions to Troy, and look - it's gone! | 0:03:57 | 0:04:02 | |
Here's Troy again. And he's realised that he's late | 0:04:05 | 0:04:08 | |
for a much-needed music lesson with Gabriella. | 0:04:08 | 0:04:11 | |
Troy, of course, is a schoolboy. And he's about to make an error. | 0:04:12 | 0:04:15 | |
It's quite literally a massive cock-up. | 0:04:15 | 0:04:18 | |
He's doing a scene where he has to check the time, | 0:04:18 | 0:04:21 | |
so what's the one prop you don't want to forget? | 0:04:21 | 0:04:24 | |
Your watch. | 0:04:24 | 0:04:26 | |
Yeah, go on. Run off. | 0:04:26 | 0:04:28 | |
PIANO PLAYS | 0:04:31 | 0:04:34 | |
This performance suggests that the music lesson | 0:04:34 | 0:04:37 | |
was a pathetic waste of everyone's time. | 0:04:37 | 0:04:39 | |
Gabriella's bottled it beyond belief, missing her cue and then just standing there looking stupid. | 0:04:39 | 0:04:45 | |
-I can't do it, Troy. Not with all these people staring at me. -Hey. | 0:04:47 | 0:04:51 | |
Quick pep-talk from Troy who puts her at her ease by showing her his ridiculous haircut. | 0:04:51 | 0:04:56 | |
And she's ready to go again. | 0:04:56 | 0:04:58 | |
..like kindergarten. | 0:04:58 | 0:05:00 | |
Here's the intro from Charlie Chaplin on piano. | 0:05:04 | 0:05:07 | |
# We're soaring... # | 0:05:11 | 0:05:13 | |
But now it turns out that it wasn't even her cue, it was Troy's. | 0:05:13 | 0:05:17 | |
HE was the one who was supposed to start. | 0:05:17 | 0:05:20 | |
Oh, amateurs. | 0:05:20 | 0:05:22 | |
# If we're trying... # | 0:05:22 | 0:05:24 | |
Would you trust Gabriella with your life? | 0:05:26 | 0:05:28 | |
-Not! -Me neither. | 0:05:28 | 0:05:30 | |
But here she is in Baywatch mode. | 0:05:30 | 0:05:32 | |
Watch carefully because when she's called into action, a stunt double | 0:05:35 | 0:05:39 | |
with a different build, age and ethnicity, is used for her dive. | 0:05:39 | 0:05:44 | |
Why that even needs a stunt double, I do not know. | 0:05:44 | 0:05:47 | |
Check her out, she's nothing like Gabriella. | 0:05:49 | 0:05:51 | |
I got you, I got you, it's OK. | 0:05:54 | 0:05:57 | |
Actually, no, Gabriella, it's NOT OK. | 0:05:57 | 0:06:00 | |
Good old Kelsi, she's so kooky. | 0:06:02 | 0:06:05 | |
She wears glasses and everything. | 0:06:05 | 0:06:07 | |
And she manages to DJ and be on the dance floor at the same time. | 0:06:07 | 0:06:11 | |
So there she is on the decks, | 0:06:13 | 0:06:16 | |
and yet now she's throwing shapes on the dance floor | 0:06:16 | 0:06:19 | |
that suggests she's been getting stuck into the White Lightning. | 0:06:19 | 0:06:22 | |
Teenagers, eh? | 0:06:22 | 0:06:24 | |
SCHOOL BELL RINGS | 0:06:25 | 0:06:27 | |
Yo, yo, yo, it's lunchtime. | 0:06:27 | 0:06:29 | |
It's lunchtime at East High | 0:06:29 | 0:06:31 | |
and everyone's heading to the canteen to stuff their faces. | 0:06:31 | 0:06:34 | |
Everyone that is, except for Chad, he's clutching his basketball ready to "shoot some hoops". | 0:06:35 | 0:06:42 | |
But rewind again and there's no sign of him on the wide shot. | 0:06:43 | 0:06:47 | |
Explain that. | 0:06:47 | 0:06:48 | |
Batman now. | 0:06:50 | 0:06:52 | |
Yeah, we can't get enough of the Caped Crusader. | 0:06:52 | 0:06:54 | |
There have now been six Batman movies and every one of them has been littered with mistakes. | 0:06:54 | 0:06:58 | |
The star of the last two was Christian Bale, and he just loves movie mistakes. | 0:06:58 | 0:07:02 | |
Whereas most of us just titter or raise a smile, he expresses | 0:07:02 | 0:07:05 | |
his mirth by ranting at a lighting technician for nine long minutes. | 0:07:05 | 0:07:09 | |
Thank goodness he didn't spot these errors, or some poor crew member | 0:07:09 | 0:07:12 | |
would have been picking his face off the floor with broken fingers. | 0:07:12 | 0:07:16 | |
-I'm just ahead of the curve. -This is The Dark Knight. | 0:07:20 | 0:07:22 | |
The Joker, who clearly takes make-up tips from Jodie Marsh, | 0:07:22 | 0:07:25 | |
has got Batman in a right old tizz. | 0:07:25 | 0:07:28 | |
As Batman slams The Joker against the wall, | 0:07:30 | 0:07:33 | |
you can make out the reflection of the cameraman. There, easy, Chris. | 0:07:33 | 0:07:37 | |
Here's the character Two-Face in the same film. | 0:07:39 | 0:07:42 | |
A man who seems to have been a tad over enthusiastic | 0:07:42 | 0:07:46 | |
when exfoliating the left side of his face. | 0:07:46 | 0:07:48 | |
Still, at least he shifted them blackheads. | 0:07:48 | 0:07:51 | |
Keep your peepers on the clip thing on Two-Face's finger. | 0:07:51 | 0:07:55 | |
It's on in this shot, then gone in the next. And it keeps happening. | 0:07:55 | 0:08:00 | |
A continuity error or some kind of black magic? Let's toss for it. | 0:08:00 | 0:08:04 | |
It's a continuity error. | 0:08:07 | 0:08:08 | |
This is a scene from the first Batman movie. | 0:08:13 | 0:08:15 | |
A henchman defaces a priceless Rembrandt | 0:08:17 | 0:08:19 | |
and who can blame him? | 0:08:19 | 0:08:21 | |
But a second later, the handprints have somehow...gone. | 0:08:21 | 0:08:25 | |
He should've used a good quality emulsion. | 0:08:26 | 0:08:29 | |
This is Batman Returns in which Batman, er, returns. | 0:08:34 | 0:08:40 | |
See if you can spot this next mistake all on your own. I won't give you any clues. | 0:08:40 | 0:08:46 | |
I won't even mention that Pfeiffer's not screaming, her gob's just wide open. | 0:08:46 | 0:08:51 | |
Did you spot the mistake? | 0:08:54 | 0:08:56 | |
In this scene, Michelle Pfeiffer is in a right old mard. | 0:08:58 | 0:09:02 | |
Better not tell her that her scissors go from blue here, | 0:09:04 | 0:09:08 | |
to pink here. | 0:09:08 | 0:09:10 | |
Let's see that again. | 0:09:12 | 0:09:15 | |
Blue, blue, blue. Pink! Pink! | 0:09:15 | 0:09:20 | |
I shan't mention it, she probably just needs some chocolate and a nice sit down. | 0:09:21 | 0:09:25 | |
In this scene, a penguin, sorry, The Penguin, | 0:09:28 | 0:09:31 | |
has taken control of the Batmobile. | 0:09:31 | 0:09:33 | |
Not to worry, Wayne Enterprises didn't get where it is today with poor craftsmanship. | 0:09:35 | 0:09:40 | |
So it's disappointing to see the dashboard of the Batmobile wobble like it's made of rubber. | 0:09:40 | 0:09:46 | |
It's almost as if it's just a fake car made for the purposes of a movie. | 0:09:46 | 0:09:51 | |
I love the way billionaire Bruce Wayne makes | 0:09:53 | 0:09:56 | |
a decrepit pensioner run around after him. But good old Alfred | 0:09:56 | 0:09:59 | |
is always so accommodating, even when he's unconscious. | 0:09:59 | 0:10:02 | |
He moves the tray out of the way, so The Riddler can open the door. | 0:10:02 | 0:10:06 | |
Let's see that again and look carefully at Alfred's hand. | 0:10:07 | 0:10:11 | |
Will that be all, sir? Only my brain is haemorrhaging. | 0:10:13 | 0:10:17 | |
This one from Batman Forever is cool, too. | 0:10:20 | 0:10:23 | |
Watch how the diamond pulled out of the case by The Riddler | 0:10:23 | 0:10:26 | |
shrinks in the blink of an eye. See? | 0:10:26 | 0:10:29 | |
He pulls out a bloomin' biggun' and then when he examines it, | 0:10:33 | 0:10:37 | |
it's pea-sized. Either that or his hands went massive. | 0:10:37 | 0:10:41 | |
Batman And Robin now, and if there's one thing about Uma Thurman, | 0:10:46 | 0:10:49 | |
it's that she can take her gloves off quicker than anyone in the business. | 0:10:49 | 0:10:53 | |
-Gotham Observatory... -See? No gloves. -..and step on it. | 0:10:53 | 0:10:59 | |
This next section brings us more problems with the space-time continuum. | 0:11:01 | 0:11:05 | |
It's packed full of anachronistic things that didn't exist at the time the films are supposed to be set. | 0:11:05 | 0:11:10 | |
Take the film The Quick And The Dead, starring Sharon Stone, for example. | 0:11:10 | 0:11:14 | |
The movie is set in 1840, | 0:11:14 | 0:11:16 | |
even though that's three years before Sharon was even born. | 0:11:16 | 0:11:19 | |
And there's more where that came from. | 0:11:19 | 0:11:22 | |
In The Queen, Blair uses a Nokia 6210. | 0:11:24 | 0:11:27 | |
This is silly, because that model wasn't sold | 0:11:27 | 0:11:29 | |
until at least two years after the film was set. | 0:11:29 | 0:11:32 | |
Excellent performance by Michael Sheen, of course. | 0:11:32 | 0:11:35 | |
Although I am wary of his nose. It's very nostrilly. | 0:11:35 | 0:11:38 | |
This Gangs Of New York clip is a personal favourite. | 0:11:41 | 0:11:44 | |
Somebody's popped the butcher! | 0:11:44 | 0:11:46 | |
As the fight kicks off, you can see a couple of bananas on the floor. | 0:11:46 | 0:11:49 | |
And yet, bananas were not traded in pre-Civil War USA at all. | 0:11:52 | 0:11:56 | |
But, heck, you don't need me to tell you that basic fruit fact. | 0:11:56 | 0:12:00 | |
Rousseau says, "If we assume man has been corrupted | 0:12:02 | 0:12:05 | |
"by an artificial civilisation..." | 0:12:05 | 0:12:07 | |
Period flick Marie Antoinette here, and as these ladies chill out | 0:12:07 | 0:12:10 | |
in some sort of meadow, keep your eyes on the skies. | 0:12:10 | 0:12:15 | |
Ah. The vapour, or contrail, of an aeroplane. | 0:12:15 | 0:12:20 | |
That's right, one of them jet planes they used to have in the late 18th century. | 0:12:20 | 0:12:24 | |
In American Gangster, set in the 1970s, remember, | 0:12:26 | 0:12:30 | |
we can see a poster in the background | 0:12:30 | 0:12:32 | |
with a blooming great web address on it. | 0:12:32 | 0:12:35 | |
Yeah, you might as well hang up, Denzel. It's ruined now. | 0:12:35 | 0:12:39 | |
In this clip from Almost Famous, | 0:12:42 | 0:12:45 | |
it's 1969 and William Miller is looking through some classic vinyl. | 0:12:45 | 0:12:49 | |
And while I'm sure none of us like the way that he's stroking them, | 0:12:49 | 0:12:53 | |
that's not my beef. This is. | 0:12:53 | 0:12:54 | |
Joni Mitchell's Blue. | 0:12:54 | 0:12:56 | |
Not released for another two years. | 0:12:56 | 0:12:59 | |
And I hate to say that, because I know he's only a kid, | 0:12:59 | 0:13:03 | |
but, you know, there's no mercy in this dojo. | 0:13:03 | 0:13:05 | |
And finally, The Last King Of Scotland, a film about Idi Amin. | 0:13:11 | 0:13:16 | |
Many of us think of Africa as being behind the times, but we're wrong. | 0:13:16 | 0:13:20 | |
This scene is set in Uganda in the '70s, | 0:13:23 | 0:13:25 | |
yet they already had flat-screen TVs. | 0:13:25 | 0:13:28 | |
Amazing. Not least because at this point in time, | 0:13:28 | 0:13:31 | |
us lot hadn't even come up with Betamax. | 0:13:31 | 0:13:33 | |
Subtitles by Red Bee Media Ltd | 0:13:40 | 0:13:43 | |
E-mail [email protected] | 0:13:43 | 0:13:46 |