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Welcome along to Great Movie Mistakes. | 0:00:24 | 0:00:28 | |
This show blows a hole in the carefully constructed veneer of Hollywood perfection. | 0:00:28 | 0:00:33 | |
Our team of continuity experts, or geeks, | 0:00:33 | 0:00:36 | |
have locked themselves away in the archives to track down the best howlers on the silver screen. | 0:00:36 | 0:00:41 | |
So here are those mistakes, the ones that have made all that hard work very nearly worthwhile. | 0:00:41 | 0:00:47 | |
Tango and Cash, Dempsey and Makepeace, | 0:00:50 | 0:00:52 | |
Dalziel and Pascoe, Cagney and Lacey, | 0:00:52 | 0:00:55 | |
Turner and Hooch and Starsky and Hutch. | 0:00:55 | 0:00:57 | |
Yes, we love detective shows with two surnames in the title. | 0:00:57 | 0:01:01 | |
But you don't have to work in CID to have spotted the error in this movie. | 0:01:01 | 0:01:05 | |
See, when Starsky trips on the beach and his headphones fall off, | 0:01:07 | 0:01:10 | |
the batteries pop out onto the sand. | 0:01:10 | 0:01:13 | |
There. | 0:01:13 | 0:01:14 | |
But when he puts them back on, the music's still playing. | 0:01:16 | 0:01:20 | |
Stiller, you're a disgrace. | 0:01:20 | 0:01:22 | |
What do you love about...? | 0:01:24 | 0:01:26 | |
Almost Famous now and watch how Stillwater lead guitarist | 0:01:26 | 0:01:29 | |
Russell Hammond chucks the clothes from his chair onto the floor. | 0:01:29 | 0:01:33 | |
There. | 0:01:34 | 0:01:36 | |
But hang on, kiddo, they're back again. Nice tache, though. | 0:01:36 | 0:01:39 | |
Look at it, perched proudly on the top of Russell's lip. | 0:01:39 | 0:01:43 | |
Here, as the beautiful Penny Lane prepares to take a dump, | 0:01:46 | 0:01:49 | |
a shocked William Miller knocks his Post-its onto the floor. | 0:01:49 | 0:01:53 | |
But look - the Post-its are back again! | 0:01:53 | 0:01:56 | |
Get out of there, William, and shut the door behind you. | 0:01:56 | 0:02:01 | |
Last Chance Harvey now, | 0:02:03 | 0:02:05 | |
and Emma Thompson's book is about to turn into a scarf. | 0:02:05 | 0:02:09 | |
-Are you OK? -Yes, I'm fine. | 0:02:09 | 0:02:12 | |
Then back into a book. | 0:02:13 | 0:02:15 | |
A sure sign that these two people will soon make love. | 0:02:15 | 0:02:18 | |
Here's an error from 2007 smash, I Am Legend. | 0:02:20 | 0:02:23 | |
Its main error, other than the fact that | 0:02:23 | 0:02:26 | |
they actually bothered to make it, is coming up right here. | 0:02:26 | 0:02:29 | |
Call this a taxi? You might. | 0:02:33 | 0:02:35 | |
I don't. The underside is quite clearly a flat painted surface. | 0:02:35 | 0:02:39 | |
The underside of taxis don't look like that, | 0:02:39 | 0:02:42 | |
as anyone who has been wedged underneath one while waiting for an ambulance will know full well. | 0:02:42 | 0:02:47 | |
Cairo, 1936. | 0:02:49 | 0:02:51 | |
As Indiana Jones sits around getting spannered - well, he is on holiday - | 0:02:51 | 0:02:56 | |
those in the background act as you would in 1930s Egypt, | 0:02:56 | 0:03:00 | |
walking like Egyptians and that, | 0:03:00 | 0:03:01 | |
while dressing in traditional costume. | 0:03:01 | 0:03:04 | |
Apart from this spoilsport in T-shirt and jeans, who ruins | 0:03:05 | 0:03:10 | |
the entire Indiana Jones franchise for every single one of us. | 0:03:10 | 0:03:14 | |
Even the monkey's disgusted. | 0:03:14 | 0:03:17 | |
Subtitles by Red Bee Media Ltd | 0:03:28 | 0:03:31 | |
E-mail [email protected] | 0:03:31 | 0:03:34 |