Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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Hello, and welcome to Movie Mistakes 2: The Sequel. | 0:00:24 | 0:00:28 | |
Like any sequel, we're bigger, louder, | 0:00:28 | 0:00:31 | |
and most snobs are going to say we're not as good as the first one. | 0:00:31 | 0:00:34 | |
Well, that's not true, because our crack team of celluloid super-geeks | 0:00:34 | 0:00:38 | |
have outdone themselves by trawling this year's top movies | 0:00:38 | 0:00:41 | |
alongside some revered classics | 0:00:41 | 0:00:43 | |
to compile a brand-new collection of cinematic clunkers. | 0:00:43 | 0:00:46 | |
Oh, and apparently, in order to compete with the latest movie fad, | 0:00:46 | 0:00:50 | |
we've got to do something 3D, so please put on your 3D glasses now | 0:00:50 | 0:00:54 | |
and prepare to get your mind blown. | 0:00:54 | 0:00:57 | |
OK, ready? | 0:00:57 | 0:00:58 | |
Whoo! Whoo! Oh! Whoo! | 0:00:58 | 0:01:01 | |
There. Take that, Avatar. | 0:01:03 | 0:01:06 | |
Now you can take your 3D glasses off, cos you look ridiculous. Oh. | 0:01:06 | 0:01:10 | |
Right, let's get on with it. | 0:01:10 | 0:01:12 | |
On tonight's show: | 0:01:12 | 0:01:14 | |
There are a lot of things that are just wrong about Hollywood. | 0:01:20 | 0:01:23 | |
Why do the actors get paid so much? | 0:01:23 | 0:01:24 | |
Why does Jennifer Aniston make so many dodgy rom-coms? | 0:01:24 | 0:01:27 | |
And why, Mel Gibson, why? | 0:01:27 | 0:01:31 | |
But we're here to right some movie wrongs, or at least point them out and be sarcastic about them. | 0:01:31 | 0:01:36 | |
Enjoy! | 0:01:36 | 0:01:38 | |
Get Him To The Greek now, and we join the party in full swing. | 0:01:38 | 0:01:43 | |
With Russell Brand, some sexy girls, | 0:01:43 | 0:01:45 | |
Puff Diddy Daddy Combs and something on fire. | 0:01:45 | 0:01:48 | |
-Sergio's gone crazy! -I love this game! | 0:01:48 | 0:01:51 | |
And note the night-time cityscape in the windows. | 0:01:51 | 0:01:54 | |
A real night to remember. | 0:01:54 | 0:01:55 | |
I don't think so! | 0:01:55 | 0:01:57 | |
Only when they get outside it's not night at all, | 0:01:57 | 0:02:00 | |
it's the middle of the day. | 0:02:00 | 0:02:02 | |
Exactly how long is that walk from the room to the exit? | 0:02:03 | 0:02:07 | |
Look carefully at this clip from Ronin. | 0:02:10 | 0:02:13 | |
Someone's spying on some tough guys from a window through a camera. | 0:02:13 | 0:02:17 | |
But the next camera shot is clearly from someone standing | 0:02:19 | 0:02:22 | |
right in front of them on the street. Very undercover. | 0:02:22 | 0:02:25 | |
Harry Potter's full of all kinds of magical nonsense. | 0:02:29 | 0:02:31 | |
That's it, all I need's a bit of luck. | 0:02:31 | 0:02:34 | |
He's got an invisibility cloak, but in this scene he's also got invisibility glasses. | 0:02:34 | 0:02:38 | |
Look, no lenses. | 0:02:38 | 0:02:40 | |
It's a miracle. | 0:02:42 | 0:02:44 | |
In Final Destination we see a young lady striking a tiny match | 0:02:48 | 0:02:52 | |
that suddenly becomes absolutely massive. | 0:02:52 | 0:02:55 | |
You could say... the match doesn't match. | 0:02:55 | 0:02:57 | |
Look, it's all completely chicken soup. | 0:02:59 | 0:03:02 | |
-It's what? -It's kosher. | 0:03:02 | 0:03:03 | |
As Christmas. | 0:03:03 | 0:03:05 | |
Lock Stock may have Two Smoking Barrels, but in this scene there's one massive clunker. | 0:03:05 | 0:03:09 | |
-I need some artillery, too. -The fruit machine sounds like it's working. | 0:03:09 | 0:03:12 | |
This is London, not the Lebanon. | 0:03:12 | 0:03:14 | |
But no reels move at any point. | 0:03:14 | 0:03:17 | |
Oi, Guy Ritchie, back up the apples and pears and sort your movie out. | 0:03:17 | 0:03:21 | |
I don't like you. | 0:03:23 | 0:03:25 | |
Dustin Hoffman about to reveal a revolutionary new product. | 0:03:25 | 0:03:29 | |
Shaving foam that shaves for you. | 0:03:29 | 0:03:31 | |
Leave on for a bit during a dramatic scene. | 0:03:33 | 0:03:35 | |
Wipe foam off... | 0:03:35 | 0:03:37 | |
and you're clean-shaven. | 0:03:37 | 0:03:39 | |
Mrs Robinson, get that boy to the Dragon's Den. | 0:03:39 | 0:03:42 | |
PHONE RINGS Pick it up. | 0:03:44 | 0:03:46 | |
A dark, atmospheric thriller from the Coen brothers | 0:03:46 | 0:03:49 | |
and what could be more creepy than a haunted phone? | 0:03:49 | 0:03:51 | |
It's still ringing after she picks it up. | 0:03:51 | 0:03:55 | |
Let's see that again. | 0:03:55 | 0:03:56 | |
Oh, hi, it's Robert, from Movie Mistakes. | 0:04:02 | 0:04:05 | |
I'd like my money back, please. | 0:04:05 | 0:04:06 | |
Quentin Tarantino is one of the greatest directors of his generation. | 0:04:08 | 0:04:13 | |
He's also a very naughty boy. By calling his last film Inglourious Basterds, | 0:04:13 | 0:04:18 | |
he thought his misspelling would allow him to get away with using a swearword. What a dockhead. | 0:04:18 | 0:04:23 | |
The film follows the adventures of a group of Nazi-hunters. | 0:04:23 | 0:04:26 | |
Well, Nazi hunters, our mistake hunters are after you. | 0:04:26 | 0:04:29 | |
But just because our hunters are hunting Nazi-hunters, | 0:04:29 | 0:04:32 | |
it doesn't mean we're on the same side as the Nazis. OK? They're not. | 0:04:32 | 0:04:35 | |
This film is filled with the kind of mistakes | 0:04:35 | 0:04:38 | |
that make you want to track down those responsible | 0:04:38 | 0:04:41 | |
and carve the word "numpty" into their forehead. | 0:04:41 | 0:04:44 | |
Sergeant Hugo Stiglitz. | 0:04:44 | 0:04:48 | |
Heard of him? | 0:04:48 | 0:04:50 | |
Everybody in the German army's heard of Hugo Stiglitz. | 0:04:50 | 0:04:53 | |
Let's start with the scene where we find out about a Nazi turned good guy who goes by the name of.... | 0:04:53 | 0:04:58 | |
Well, you can probably read it for yourself. | 0:04:58 | 0:05:00 | |
And here's a newspaper article all about the Nazis he's meant to have killed. | 0:05:02 | 0:05:05 | |
On the top row here, there are six photos. | 0:05:05 | 0:05:08 | |
Go ahead and count them. | 0:05:08 | 0:05:10 | |
Hugo Stiglitz is a celebrity among German soldiers. | 0:05:10 | 0:05:13 | |
But in this close-up there are actually seven photos across. | 0:05:13 | 0:05:16 | |
Which is it Hugo, six or seven? | 0:05:16 | 0:05:19 | |
You will answer me! | 0:05:19 | 0:05:20 | |
Keep an eye on Colonel Landa's cigarette in this clip. | 0:05:22 | 0:05:26 | |
He's just lit it. | 0:05:26 | 0:05:29 | |
Already, there's ash hanging off. | 0:05:29 | 0:05:32 | |
Hmm. Tension mounting. | 0:05:34 | 0:05:37 | |
Doesn't even take a single drag. | 0:05:37 | 0:05:39 | |
But seconds later, he puts it out in his apfel strudel. | 0:05:44 | 0:05:48 | |
And suddenly it's burned down to a stub. | 0:05:48 | 0:05:50 | |
Leading lady Shosanna puts on heavy lipstick | 0:05:52 | 0:05:55 | |
for an evening of Nazi bothering. | 0:05:55 | 0:05:57 | |
But hang on, in this shot, she's hardly wearing any lipstick. | 0:05:59 | 0:06:03 | |
And there's no big, red mark on the wine glass. | 0:06:03 | 0:06:06 | |
No, it's all right, lipstick's back again. As you were. | 0:06:09 | 0:06:14 | |
I've been chewed out before. | 0:06:19 | 0:06:20 | |
It's the end of the film with everyone making a break for freedom. | 0:06:20 | 0:06:23 | |
Heard that deal you made with the brass. | 0:06:23 | 0:06:26 | |
But something else is trying to make a run for it and that's Brad Pitt's tie. | 0:06:26 | 0:06:31 | |
-First you can see both sides... -I'd make that deal. -I don't blame you. | 0:06:31 | 0:06:35 | |
Then one side has made a run for it. | 0:06:35 | 0:06:37 | |
And that pretty little nest you've feathered for yourself. Well, if you're willing to barbecue | 0:06:37 | 0:06:42 | |
the whole high command, I suppose that's worth certain considerations. | 0:06:42 | 0:06:45 | |
Don't worry, it'll be back. | 0:06:45 | 0:06:46 | |
But I do have one question. | 0:06:46 | 0:06:49 | |
Yeah, who's in charge of continuity here? | 0:06:49 | 0:06:51 | |
There really is no excuse for mistakes in animation films. | 0:06:53 | 0:06:56 | |
Why, oh, why do animators make so many mistakes? | 0:06:56 | 0:06:59 | |
It's just drawing a picture or two, or you know, quite a few, say, | 0:06:59 | 0:07:03 | |
roughly 30 pictures per second, | 0:07:03 | 0:07:05 | |
1,800 pictures a minute so that's about 162,000 pictures per film, I mean, how hard can it be? | 0:07:05 | 0:07:11 | |
Some of these animators should be drawn themselves, | 0:07:11 | 0:07:13 | |
hung, drawn and quartered - for crimes against movie continuity! | 0:07:13 | 0:07:17 | |
Possibly a bit harsh, but you know. | 0:07:17 | 0:07:19 | |
Let's kick things off with Monsters Inc. | 0:07:19 | 0:07:22 | |
Keep an eye on the train set on the bedroom floor. | 0:07:22 | 0:07:26 | |
-Argh! -ARGH! | 0:07:29 | 0:07:31 | |
Just moments later, it's gone. | 0:07:31 | 0:07:34 | |
And has been replaced by all these painful, spiky things. | 0:07:34 | 0:07:38 | |
These monsters should be incarcerated, not incorporated! | 0:07:38 | 0:07:42 | |
Keep coming, keep coming. | 0:07:44 | 0:07:46 | |
Look at Mike's hand at the bottom of the screen. It's completely normal. | 0:07:46 | 0:07:51 | |
Apart from the fact it's green and has pointy nails. | 0:07:51 | 0:07:54 | |
Could almost be my ex-wife, am I right, fellas? | 0:07:54 | 0:07:57 | |
Actually, I don't even have an ex-wife. | 0:07:57 | 0:07:59 | |
-Is that... -Sorry it took so long. | 0:07:59 | 0:08:02 | |
Anyway, now the hands are all covered in plasters. | 0:08:02 | 0:08:05 | |
Even the credits are wrong. | 0:08:07 | 0:08:09 | |
See Sulley hide little girl Boo behind him. | 0:08:09 | 0:08:12 | |
But watch closely because during the song, she vanishes into thin air. | 0:08:12 | 0:08:17 | |
Mind you, I disappear when people start dancing too. | 0:08:17 | 0:08:22 | |
Get away from me, you guys. | 0:08:22 | 0:08:25 | |
Look at young Cal here waking up in his PJs. | 0:08:29 | 0:08:35 | |
Wow, it's been snowing ice cream. | 0:08:35 | 0:08:38 | |
And a coat just magically appeared on him. | 0:08:42 | 0:08:45 | |
Happy birthday, son. | 0:08:45 | 0:08:46 | |
-Dad? -This is your day. | 0:08:46 | 0:08:49 | |
If no-one else here is going to ask the question, I will. | 0:08:49 | 0:08:51 | |
Where did that coat come from? | 0:08:51 | 0:08:53 | |
Next, the laugh-every-few-minutes hit-and-miss, Planet 51. | 0:08:56 | 0:09:02 | |
Keep your eyes on the spaceman's visor. | 0:09:02 | 0:09:05 | |
What the... | 0:09:05 | 0:09:07 | |
duck? | 0:09:07 | 0:09:09 | |
Aliens? Yeah, we're surprised, too, because they've got no reflection in your shiny helmet. | 0:09:10 | 0:09:15 | |
# I call him lollipop, lollipop oh lolly, lolly, lolly, lollipop... # | 0:09:19 | 0:09:23 | |
Planet 51 and mistake number two. | 0:09:23 | 0:09:26 | |
So the alien dog pees on a lamp-post. | 0:09:26 | 0:09:28 | |
The lamp-post falls down... | 0:09:30 | 0:09:33 | |
..the lamp-post disappears. | 0:09:35 | 0:09:38 | |
Yet another reason not to watch this film. | 0:09:38 | 0:09:41 | |
Keep an eye on the two glasses. | 0:09:45 | 0:09:47 | |
She must be real thirsty. | 0:09:47 | 0:09:50 | |
I'm real thirsty. | 0:09:50 | 0:09:52 | |
Told you. The only problem is one of the glasses has vanished. | 0:09:52 | 0:09:56 | |
I don't want to walk any more. | 0:10:05 | 0:10:06 | |
Russell is being dragged along by his face. | 0:10:06 | 0:10:09 | |
I imagine that'll make him all dirty. | 0:10:09 | 0:10:13 | |
There are no tigers in South America. | 0:10:13 | 0:10:15 | |
-Zoology. -Yep. | 0:10:15 | 0:10:18 | |
That's kids for you, eh? Dirty one second, completely clean the next. | 0:10:18 | 0:10:24 | |
Weird. | 0:10:24 | 0:10:26 | |
Let's take a look at Twilight, a series of films | 0:10:28 | 0:10:30 | |
about pretty teenagers mainly moping about in forests. | 0:10:30 | 0:10:33 | |
They have it all, vampires, werewolves, action romance, | 0:10:33 | 0:10:37 | |
all mixed up together to create a bunch of boring, old rubbish. | 0:10:37 | 0:10:41 | |
Twilight is chock-full of dodgy moral messages. | 0:10:41 | 0:10:44 | |
Edward is over 100 years old | 0:10:44 | 0:10:45 | |
and yet he's dating a 17-year-old schoolgirl, | 0:10:45 | 0:10:48 | |
so we're all fine with this? | 0:10:48 | 0:10:50 | |
Oh, and it's fine for the dead to get off with the living, | 0:10:50 | 0:10:53 | |
but when it's the other way round, apparently it's creepy. | 0:10:53 | 0:10:56 | |
Fitting in as the new kid can be hard. For a start, what do you wear? | 0:10:58 | 0:11:03 | |
My first day at a new school, it's March in the middle of the semester. | 0:11:03 | 0:11:07 | |
Well, that guy's got a red hoodie. He's pretty cool. | 0:11:07 | 0:11:09 | |
-Nice ride. -Only now, he's also wearing a bodywarmer. | 0:11:16 | 0:11:20 | |
-Thanks. -Oh, now he isn't. | 0:11:20 | 0:11:22 | |
I can't keep up with teen fashion. | 0:11:22 | 0:11:24 | |
I'm sorry I'm rude all the time, I just think it's the best way. | 0:11:26 | 0:11:29 | |
Guess who just asked me to prom! | 0:11:29 | 0:11:32 | |
Never mind the prom, where did that clipboard come from? | 0:11:32 | 0:11:35 | |
Let's see that again. | 0:11:35 | 0:11:38 | |
No clipboard, clipboard! | 0:11:38 | 0:11:41 | |
And flounce... | 0:11:41 | 0:11:43 | |
Where is he? | 0:11:45 | 0:11:48 | |
Where's... Where's Edward? | 0:11:48 | 0:11:50 | |
Here we see the loyal R-Patz sitting guard for injured Bella. | 0:11:50 | 0:11:53 | |
There he is sleeping right by the window. | 0:11:55 | 0:11:58 | |
Yep, right next to the... | 0:11:58 | 0:12:00 | |
Oh, hang on, who moved the window? | 0:12:00 | 0:12:03 | |
Come on, it's just a game. | 0:12:05 | 0:12:07 | |
You have to be careful playing baseball, | 0:12:07 | 0:12:10 | |
especially with sexy vampires. | 0:12:10 | 0:12:12 | |
Nice kitty. | 0:12:12 | 0:12:13 | |
Although it's not so dangerous that Bella needs a body double. | 0:12:13 | 0:12:18 | |
Look, that's clearly not her, look at that massive chin. | 0:12:18 | 0:12:21 | |
Ah, she's been reading Romeo and Juliet. How romantic. | 0:12:27 | 0:12:31 | |
Happy birthday. | 0:12:31 | 0:12:35 | |
But now, the book's gone. What did you do with it, Bella? | 0:12:35 | 0:12:38 | |
Bore it out of existence? | 0:12:38 | 0:12:40 | |
A werewolf so moody and sexy he has to walk around with his top off. | 0:12:42 | 0:12:47 | |
Nice tattoo right up by his shoulder. | 0:12:47 | 0:12:49 | |
Only in this shot, it seems to have slipped halfway down his arm. | 0:12:49 | 0:12:53 | |
Bad dog. | 0:12:53 | 0:12:55 | |
Finally in this scene, R-Pats flings Bella to safety, | 0:12:59 | 0:13:02 | |
knocking over two vases. | 0:13:02 | 0:13:06 | |
But the next time we see them, four vases are smashed. | 0:13:06 | 0:13:10 | |
Either way, you only win a prize if you knock all five down, I'm afraid. | 0:13:10 | 0:13:13 | |
One of the things that always amazes me about the film business | 0:13:15 | 0:13:18 | |
is that there are actually trained specialists | 0:13:18 | 0:13:21 | |
who are paid enormous sums of money to spot continuity mistakes. | 0:13:21 | 0:13:24 | |
Basically, their job is to watch movies all day and point out small errors. Call that a job? | 0:13:24 | 0:13:29 | |
It's pathetic. How exactly is that contributing to a better, healthier society for us all? | 0:13:29 | 0:13:34 | |
Anyway, here's some mistakes that we spotted while being paid to watch movies the other day. | 0:13:34 | 0:13:39 | |
A saucy scene where Stifler's mom seduces one of her son's friends. | 0:13:39 | 0:13:45 | |
-Are you lost? -Keep your eyes on his balls. | 0:13:45 | 0:13:48 | |
The pool balls, people! | 0:13:48 | 0:13:51 | |
OK, there's a yellow ball in the middle of the table. | 0:13:51 | 0:13:53 | |
No, no, not lost just... | 0:13:53 | 0:13:56 | |
you know, taking the tour. | 0:13:56 | 0:13:58 | |
He's so distracted by her mature allure, he doesn't notice the ball's moved all by itself. Steamy. | 0:13:58 | 0:14:05 | |
Want show him the room, Dale? | 0:14:07 | 0:14:09 | |
John C Reilly and Will Ferrell play, er, step-brothers. Watch the napkin. | 0:14:09 | 0:14:15 | |
Hey, listen, I like to have a lot of fresh fruit around. | 0:14:15 | 0:14:19 | |
And chocolate chips in my pancakes, OK? | 0:14:19 | 0:14:23 | |
-Write it down so you don't forget. -Show him the room. | 0:14:23 | 0:14:25 | |
Hang on, it's gone. | 0:14:25 | 0:14:27 | |
Wait! Dastan! | 0:14:29 | 0:14:31 | |
Ooh, it's The Prince Of Persia swordfighting | 0:14:32 | 0:14:35 | |
in his brand new M&S shirt. And, oh, no, that's torn it. | 0:14:35 | 0:14:38 | |
His mum will be furious. | 0:14:38 | 0:14:40 | |
Only she won't, because look, it's immediately as good as new. | 0:14:40 | 0:14:45 | |
Magic. | 0:14:45 | 0:14:47 | |
It's the 1960s when men sat up front and women sat in the back. | 0:14:49 | 0:14:53 | |
But it was also the decade of sexual liberation. | 0:14:53 | 0:14:56 | |
-Might be worth a look. -Mm-hmm. | 0:14:56 | 0:14:58 | |
Because when they stop, one of the men has become a woman, and nobody bats an eyelid. | 0:14:58 | 0:15:04 | |
A man who so loved his watch, he could look at it for ages. | 0:15:06 | 0:15:12 | |
It's 6pm. | 0:15:14 | 0:15:16 | |
Next thing you know, it's 6:25. | 0:15:16 | 0:15:18 | |
I guess time flies when you're on the run. | 0:15:18 | 0:15:20 | |
Here's Anne Hathaway sprawling on the floor. | 0:15:22 | 0:15:26 | |
Steve Carell is getting an eyeful, | 0:15:26 | 0:15:28 | |
so he'll probably notice that she's got bare feet. | 0:15:28 | 0:15:31 | |
Are you staring at my butt? | 0:15:32 | 0:15:35 | |
No, I'm not. | 0:15:35 | 0:15:37 | |
But in the same scene, after Steve Carell's stunt double has demonstrated his flexibility. | 0:15:37 | 0:15:43 | |
That's impressive, wow. | 0:15:43 | 0:15:44 | |
Hathaway's suddenly got shoes on. | 0:15:44 | 0:15:46 | |
How good am I at spotting mistakes? | 0:15:46 | 0:15:50 | |
Very good. | 0:15:50 | 0:15:51 | |
Ah, legs crossed left over right, the classic relaxation position. | 0:15:53 | 0:15:58 | |
-I will never become an Omega... -I mean, right over left. | 0:15:58 | 0:16:01 | |
That's it, right over left. | 0:16:01 | 0:16:04 | |
Left over right? | 0:16:04 | 0:16:05 | |
Right over left? | 0:16:07 | 0:16:09 | |
I cannot keep up with the Joneses. | 0:16:09 | 0:16:11 | |
This isn't about me selling my products, | 0:16:13 | 0:16:16 | |
I have to ensure my unit is selling their products. | 0:16:16 | 0:16:18 | |
Here's that guy Mulder, from The X Files, | 0:16:18 | 0:16:20 | |
with some paranormal activity. | 0:16:20 | 0:16:23 | |
Keep an eye on his arm. It's up by his head. | 0:16:23 | 0:16:26 | |
Separate bedrooms perhaps? | 0:16:26 | 0:16:28 | |
Down again. | 0:16:28 | 0:16:31 | |
You're not a great salesman. | 0:16:31 | 0:16:33 | |
Touching his ear. | 0:16:33 | 0:16:35 | |
Touching the table. Spooky. | 0:16:35 | 0:16:39 | |
And here's that guy Mulder from The X Files in...The X Files. | 0:16:42 | 0:16:47 | |
What's inexplicable in this shot is how the driver's side window is all ragged and smashed. | 0:16:47 | 0:16:53 | |
But then there's not a shard of glass to be seen. | 0:16:58 | 0:17:01 | |
The truth is out there. The truth is nobody was paying attention. | 0:17:01 | 0:17:05 | |
Yeah, that'll learn you. | 0:17:05 | 0:17:07 | |
I enjoyed Team America all right, | 0:17:09 | 0:17:11 | |
I just found the acting a bit, I don't know, wooden? | 0:17:11 | 0:17:15 | |
Here's a puppet looking at a picture of four other puppets, | 0:17:15 | 0:17:18 | |
like Cheryl Cole thinking back on her Girls Aloud days. | 0:17:18 | 0:17:22 | |
Hello, young man. Congratulations on a terrific performance. | 0:17:22 | 0:17:26 | |
But in the wide shot, that photo of four has turned into a photo of two. | 0:17:26 | 0:17:31 | |
What a Muppet! I mean, puppet. | 0:17:31 | 0:17:34 | |
The name is Spottswoode. | 0:17:34 | 0:17:36 | |
They say you should never work with children or animals. | 0:17:38 | 0:17:41 | |
But after you've seen these clips, you can add vehicles to that list. | 0:17:41 | 0:17:45 | |
Here's a collection of classic gaffes featuring planes, trains and automobiles. | 0:17:45 | 0:17:50 | |
Ooh, that's a catchy title. Well done me. | 0:17:50 | 0:17:53 | |
Anyway, I haven't seen transport blunders like this since I got a lift home with George Michael. | 0:17:53 | 0:17:58 | |
Here's a famous scene from Borat. | 0:17:58 | 0:18:00 | |
Eventually, I managed to hike a hitchings | 0:18:00 | 0:18:03 | |
with group of young scholars also travelling across country. All right! | 0:18:03 | 0:18:08 | |
Yes, it's all so completely spontaneous and not pre-planned. | 0:18:09 | 0:18:12 | |
So spontaneous, the RV he gets out of later that night | 0:18:12 | 0:18:16 | |
is a different one from the day before. Isn't that nice? | 0:18:16 | 0:18:20 | |
-Hit the brakes! Hit the brakes, come on! -I can't! | 0:18:22 | 0:18:25 | |
The fellows are in a spot of bother here. | 0:18:25 | 0:18:29 | |
Look, the wheel's fallen off. This can't end well. | 0:18:29 | 0:18:33 | |
Hold on, the wheel's back. | 0:18:36 | 0:18:38 | |
Nothing can go wrong now. | 0:18:38 | 0:18:39 | |
What the...? | 0:18:44 | 0:18:45 | |
Get Smart not taking its own advice with this stupid movie blunder. | 0:18:45 | 0:18:50 | |
Keep an eye on the car wing mirror. | 0:18:50 | 0:18:53 | |
It gets smashed... | 0:18:53 | 0:18:55 | |
-I cannot get over the fact that 23 is a traitor. -Sand trap! | 0:18:55 | 0:18:58 | |
But now it's whole again. | 0:18:58 | 0:19:00 | |
Now I know how you must have felt when you thought I was a traitor. | 0:19:00 | 0:19:04 | |
-It is demoralising. -Tractor! -Wait, no, it's hanging off again. | 0:19:04 | 0:19:08 | |
I don't know how I missed it. I'm usually very observant. | 0:19:08 | 0:19:11 | |
-Swordfish! -Get Smart? Get lost. | 0:19:11 | 0:19:13 | |
It's canine comedy caper, Hotel For Dogs. | 0:19:17 | 0:19:20 | |
It's kind of like a dinner date, isn't it? | 0:19:20 | 0:19:22 | |
How clever, a little train set bringing out the dogs' food. | 0:19:24 | 0:19:29 | |
Ooh, not so clever, the food's not there in this shot. | 0:19:29 | 0:19:33 | |
Well, they've made a right dog's dinner out of this scene. | 0:19:33 | 0:19:36 | |
Here's Mel Gibson, furious at the side of the road as usual. | 0:19:38 | 0:19:41 | |
But keep an eye on the door in the background. It's firmly shut. | 0:19:41 | 0:19:46 | |
Oops, door's open. | 0:19:50 | 0:19:53 | |
And the door's shut again. | 0:19:55 | 0:19:57 | |
-What does it feel like? -Anyway, Mel's had enough and is off to shout at some police officers. | 0:19:59 | 0:20:04 | |
OK, shouting done, | 0:20:07 | 0:20:08 | |
Mel's now on his way home from this multi-storey car park. | 0:20:08 | 0:20:13 | |
-Where you going? -Well, he's not going to the exit, that's for sure. | 0:20:13 | 0:20:17 | |
Because it's that way. | 0:20:17 | 0:20:19 | |
Mel? Mel? Mel! | 0:20:21 | 0:20:24 | |
A movie masterclass in how not to make a film. | 0:20:26 | 0:20:31 | |
But there are bigger mistakes than the casting of Ben Affleck. | 0:20:31 | 0:20:35 | |
In this scene, we can clearly see that it's daytime. | 0:20:38 | 0:20:41 | |
But when Affleck comes up for air... | 0:20:44 | 0:20:46 | |
..here he comes - it's suddenly night time. | 0:20:48 | 0:20:51 | |
What a terrible...film. | 0:20:51 | 0:20:53 | |
One of the worst movie clunkers is a boom in shot. | 0:20:55 | 0:20:58 | |
No, not when something in shot goes boom, but when a sound man's | 0:20:58 | 0:21:01 | |
over-head microphone drops down and ruins the entire scene. | 0:21:01 | 0:21:05 | |
Can you watch what you're doing?! | 0:21:05 | 0:21:06 | |
God, sound men are such idiots. | 0:21:06 | 0:21:09 | |
Oh! I asked for that. | 0:21:09 | 0:21:11 | |
Any film about Pearl Harbour is going to have a bit of boom in shot. | 0:21:15 | 0:21:18 | |
Get it? Boom? Like an explosion? No? | 0:21:18 | 0:21:21 | |
You're right. It was a tragedy. | 0:21:21 | 0:21:23 | |
And the actual war was pretty bad, too. | 0:21:24 | 0:21:27 | |
Here's Michael Douglas starring in Fatal Attraction. | 0:21:30 | 0:21:34 | |
-See you tomorrow night. -Love you. | 0:21:34 | 0:21:37 | |
Keep your eye on the windscreen. | 0:21:37 | 0:21:38 | |
Boom! | 0:21:38 | 0:21:40 | |
Never mind fatal attraction, there's a fatal distraction. | 0:21:40 | 0:21:43 | |
Creative differences? | 0:21:47 | 0:21:49 | |
Next up is Al Pacino in S1m0ne. | 0:21:49 | 0:21:53 | |
And here's a blink and you'll miss it moment. Boom! | 0:21:55 | 0:21:58 | |
Let's see it again. | 0:21:58 | 0:22:00 | |
Luckily they got away with this gaffe | 0:22:01 | 0:22:04 | |
because no-one actually went to see that film. | 0:22:04 | 0:22:07 | |
Here's Jack Black in Shallow Hal, | 0:22:09 | 0:22:11 | |
displaying his admirable acting range | 0:22:11 | 0:22:13 | |
by playing a tubby yet loveable goofball. | 0:22:13 | 0:22:16 | |
But that's not the only thing on display here. | 0:22:17 | 0:22:19 | |
Boom! | 0:22:19 | 0:22:21 | |
No, no. It's my fault. I didn't see... This is your cab. | 0:22:21 | 0:22:25 | |
I'm going to get the next cab. | 0:22:25 | 0:22:27 | |
Boom again! | 0:22:27 | 0:22:28 | |
Taxi for the sound man. | 0:22:28 | 0:22:30 | |
While watching Enchanted, | 0:22:32 | 0:22:34 | |
I like to play a game called Boom Shake The Room. | 0:22:34 | 0:22:37 | |
Every time I see a boom in shot - there's one - I trash my room. | 0:22:37 | 0:22:41 | |
She's a seriously confused woman who's fallen into our laps. | 0:22:41 | 0:22:45 | |
Good night, OK? | 0:22:45 | 0:22:47 | |
There it is again. Right, I'm off to throw a sofa out of the window. | 0:22:47 | 0:22:51 | |
Tense action thriller Ronin now. | 0:22:53 | 0:22:56 | |
-Watch as De Niro runs through this dressing room. -Ten seconds. | 0:22:56 | 0:23:00 | |
Did you spot the gaffe? Let's take a closer look at those mirrors. | 0:23:02 | 0:23:05 | |
Ten seconds. | 0:23:05 | 0:23:08 | |
That's the camera man, and boom! | 0:23:08 | 0:23:10 | |
That's the sound man. | 0:23:10 | 0:23:12 | |
Actors, eh? Can't go anywhere without their entourage. | 0:23:12 | 0:23:15 | |
Right, that's all we've got. | 0:23:17 | 0:23:19 | |
Remember, as long as there are movie mistakes, | 0:23:19 | 0:23:21 | |
there will be geeks to laugh at them. Goodnight. | 0:23:21 | 0:23:24 | |
Subtitles by Red Bee Media Ltd | 0:23:46 | 0:23:49 | |
E-mail [email protected] | 0:23:49 | 0:23:52 |