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2014 is an extraordinary year for Scotland. | 0:00:09 | 0:00:12 | |
So much is happening across the length and breadth of the country. | 0:00:12 | 0:00:15 | |
And it's not all about politics and sport. | 0:00:15 | 0:00:18 | |
We're here with a brand-new series, a journey to discover the events | 0:00:18 | 0:00:22 | |
worth celebrating. | 0:00:22 | 0:00:23 | |
And the stories behind them. | 0:00:23 | 0:00:25 | |
Everything from theatre to comedy. | 0:00:26 | 0:00:28 | |
Great music and festivals! | 0:00:28 | 0:00:31 | |
Activities we can all get involved in. | 0:00:33 | 0:00:35 | |
Birdie. | 0:00:37 | 0:00:38 | |
We're exploring what's happening inside our buildings | 0:00:40 | 0:00:44 | |
and what's going on on your street. | 0:00:44 | 0:00:46 | |
We'll tell you about the quirky... | 0:00:47 | 0:00:50 | |
and the exciting. | 0:00:50 | 0:00:51 | |
We'll delve into Scotland's tastiest food and drink. | 0:00:53 | 0:00:56 | |
And meet the people creating these incredible experiences for all of us. | 0:00:58 | 0:01:03 | |
So plan your summer with us. Join us as we head On The Road 2014. | 0:01:03 | 0:01:07 | |
HORN BEEPS | 0:01:07 | 0:01:08 | |
Our route tonight - I'm on the Moray Firth asking what | 0:01:15 | 0:01:19 | |
this lighthouse, Egyptian design and the RAF have in common. | 0:01:19 | 0:01:24 | |
The sight, the noise, it's wonderful. It's thunderous! | 0:01:24 | 0:01:27 | |
Comedian Phill Jupitus reveals why his upcoming Edinburgh Fringe show | 0:01:27 | 0:01:31 | |
isn't just for laughs. | 0:01:31 | 0:01:33 | |
It's just... | 0:01:33 | 0:01:35 | |
absolutely hypnotic. | 0:01:35 | 0:01:37 | |
And Cat Cubie is chain-saw carving in Carrbridge. | 0:01:40 | 0:01:43 | |
Try saying that three times faster! | 0:01:43 | 0:01:46 | |
It's a good job you didn't give me the chain saw, I think. | 0:01:46 | 0:01:49 | |
It's a very good job. | 0:01:49 | 0:01:50 | |
But first... | 0:01:53 | 0:01:54 | |
Let's talk about the biggest party to hit Scotland - possibly ever. | 0:01:57 | 0:02:01 | |
The host for the Commonwealth Games | 0:02:01 | 0:02:04 | |
will be Glasgow. | 0:02:04 | 0:02:05 | |
CHEERING | 0:02:05 | 0:02:07 | |
Yes, we've been building to it for seven years, and we've spent | 0:02:10 | 0:02:14 | |
more than a billion pounds across the city, but finally | 0:02:14 | 0:02:17 | |
the wait is over. | 0:02:17 | 0:02:18 | |
Festival 2014 kicked off on the weekend | 0:02:18 | 0:02:21 | |
and in just two days, the Commonwealth Games opening ceremony | 0:02:21 | 0:02:24 | |
will be performed live, with an expected audience of 1.5 billion | 0:02:24 | 0:02:28 | |
watching 3,000 performers in front of 40,000 people | 0:02:28 | 0:02:32 | |
at Glasgow's Celtic Park. | 0:02:32 | 0:02:33 | |
Rehearsals are currently taking place in a top secret location. | 0:02:35 | 0:02:39 | |
And while I can't reveal where, I'm hoping to uncover | 0:02:39 | 0:02:43 | |
some of the other hush-hush details. | 0:02:43 | 0:02:46 | |
What do we actually know? | 0:02:46 | 0:02:48 | |
There'll be athletes, singers, there'll be royalty, | 0:02:48 | 0:02:50 | |
celebrity guests, the Queen's Baton Relay will complete | 0:02:50 | 0:02:53 | |
its 190,000th kilometre on the night. | 0:02:53 | 0:02:56 | |
There will also be thousands of volunteer performers, | 0:02:56 | 0:03:00 | |
and a procession of 4,500 athletes from 71 countries and territories. | 0:03:00 | 0:03:05 | |
And maybe a few invited politicians in attendance. | 0:03:05 | 0:03:09 | |
Well, you've got to let a few in. | 0:03:09 | 0:03:11 | |
But while you can expect a shedload of VIPS and famous faces, | 0:03:14 | 0:03:17 | |
most of the dancers in the opening ceremony will actually | 0:03:17 | 0:03:20 | |
be regular folk. | 0:03:20 | 0:03:22 | |
3,000 were selected, we've got 500 of them here. | 0:03:22 | 0:03:25 | |
ALL: One, two, three, four... | 0:03:25 | 0:03:26 | |
Actually, make that 501. | 0:03:26 | 0:03:29 | |
It's all about timing. | 0:03:34 | 0:03:36 | |
And, yes, it's just as hard as I'm making it look. | 0:03:37 | 0:03:40 | |
# When I grow up I wanna be famous | 0:03:40 | 0:03:42 | |
# I wanna be a star I wanna be in movies | 0:03:42 | 0:03:45 | |
# # When I grow up I wanna see the world | 0:03:45 | 0:03:47 | |
# Drive nice cars... # | 0:03:47 | 0:03:49 | |
To make sure the soundtrack is a surprise on the night, | 0:03:49 | 0:03:52 | |
each performer must wear headphones. | 0:03:52 | 0:03:54 | |
And it's also a good way of hearing what choreographer Simone Sault | 0:03:54 | 0:03:58 | |
has to say. | 0:03:58 | 0:03:59 | |
There's some heavy looking guys around here. | 0:03:59 | 0:04:01 | |
Is it OK for me to see this? Should I be in here? | 0:04:01 | 0:04:03 | |
-What, seeing what? -Seeing what? -Mum's the word. Mum's the word. | 0:04:03 | 0:04:07 | |
There's great enthusiasm there. Mixed abilities, | 0:04:07 | 0:04:09 | |
different age groups and I think that's a lovely thing. | 0:04:09 | 0:04:12 | |
-But they have one focus. And that's to get the show on. -Right. | 0:04:12 | 0:04:15 | |
They all want to be here. They're 100% committed. | 0:04:15 | 0:04:17 | |
My final question is, what is the costume? | 0:04:17 | 0:04:19 | |
-I can't give things away like that. -Oh, come on! -No, no, not to you | 0:04:19 | 0:04:23 | |
or anyone. You'll have to wait until the big night, my friend. | 0:04:23 | 0:04:26 | |
-Is it tartan? -I can't say anything. My lips are sealed. | 0:04:26 | 0:04:28 | |
Oh, well - maybe I can prise a few secrets from the volunteers. | 0:04:28 | 0:04:33 | |
And find out what's motivating them | 0:04:33 | 0:04:35 | |
to perform for an audience of 1.5 billion. | 0:04:35 | 0:04:38 | |
Well, we could tell you the overall, it's going to be great fun, | 0:04:38 | 0:04:41 | |
it's going to be a great showcase for Glasgow in itself. | 0:04:41 | 0:04:44 | |
-But the specifics... -Details we'll have to keep to the day. | 0:04:44 | 0:04:47 | |
The biggest challenge for me, | 0:04:47 | 0:04:49 | |
because I'm in my 60s, is trying to remember it all. | 0:04:49 | 0:04:52 | |
I think it's a good chance to represent Scotland, | 0:04:53 | 0:04:56 | |
if you don't have much else going for you in life. | 0:04:56 | 0:04:59 | |
If I fall over in the middle of Celtic Park, I'll just jazz up | 0:04:59 | 0:05:04 | |
my hands and put a big smile on my face and jump back up. | 0:05:04 | 0:05:07 | |
Just to add to the pressure, imagine seeing your dance moves | 0:05:09 | 0:05:12 | |
on a 100-metre-wide screen filling the South Stand at Celtic Park, | 0:05:12 | 0:05:16 | |
what the creators are calling a 'Window on the Commonwealth.' | 0:05:16 | 0:05:20 | |
It's dual function, | 0:05:20 | 0:05:21 | |
so when we have performances on stage it will create a fabulous backdrop. | 0:05:21 | 0:05:25 | |
But it also allows us at certain moments in the ceremony, | 0:05:25 | 0:05:28 | |
not everything is going to happen in Celtic Park, | 0:05:28 | 0:05:30 | |
some parts of the show will happen in other bits of Glasgow, | 0:05:30 | 0:05:33 | |
or other countries or territories around the world, so it gives us | 0:05:33 | 0:05:36 | |
a broader stage to invite the world into our home and welcome them | 0:05:36 | 0:05:40 | |
to our ceremony. | 0:05:40 | 0:05:42 | |
Glasgow 2014 promises to deliver an unforgettable opening ceremony, | 0:05:42 | 0:05:46 | |
plus the BBC will be awash with wide coverage. | 0:05:46 | 0:05:49 | |
So, wherever you are on Wednesday night from 8pm, | 0:05:49 | 0:05:53 | |
this is an event not to be missed. | 0:05:53 | 0:05:55 | |
Or at least it will be, once I master these dance moves. | 0:05:55 | 0:05:58 | |
HE BREAKS WIND | 0:05:59 | 0:06:01 | |
Sorry about that. | 0:06:01 | 0:06:02 | |
'Awkward!' | 0:06:02 | 0:06:03 | |
Throughout August, Edinburgh is the epicentre for all things | 0:06:11 | 0:06:15 | |
cultural, hosting six flagship festivals from arts to books | 0:06:15 | 0:06:19 | |
to the Military Tattoo. | 0:06:19 | 0:06:20 | |
All of which collectively involve over 60,000 performers. | 0:06:20 | 0:06:25 | |
Festival stalwart Phill Jupitus is better known as a comedian. | 0:06:25 | 0:06:29 | |
LAUGHTER | 0:06:29 | 0:06:30 | |
I'd only go up a pyramid if I thought it was a Toblerone. | 0:06:30 | 0:06:34 | |
But his real love has always been art. | 0:06:34 | 0:06:36 | |
And at this year's Fringe Festival, he will be hosting Sketch Comic, | 0:06:36 | 0:06:40 | |
a very special event that will see him armed with his tablet | 0:06:40 | 0:06:44 | |
and sketching some of the Scottish National Gallery's | 0:06:44 | 0:06:47 | |
most iconic artwork, inviting his audience to sketch along with him. | 0:06:47 | 0:06:51 | |
I've been coming to Edinburgh | 0:06:51 | 0:06:53 | |
for the Fringe Festival | 0:06:53 | 0:06:54 | |
for nearly 25 years, and it's a place that I love. | 0:06:54 | 0:06:58 | |
I started coming here off-piste, as it were. | 0:06:58 | 0:07:00 | |
But to me it's about more than gigs. | 0:07:00 | 0:07:04 | |
One of my favourite places is here at the Scottish National Gallery. | 0:07:04 | 0:07:08 | |
I can spend hours and hours in galleries. | 0:07:09 | 0:07:14 | |
There is so much detail in these pieces. | 0:07:14 | 0:07:18 | |
There's so many different things you can look at | 0:07:18 | 0:07:20 | |
in these works. | 0:07:20 | 0:07:22 | |
The walls of the National Gallery are home to everyone | 0:07:22 | 0:07:25 | |
from Cezanne to Rembrandt. | 0:07:25 | 0:07:27 | |
But today what's caught my eye is this Titian - | 0:07:27 | 0:07:31 | |
Venus Rising from the Sea. | 0:07:31 | 0:07:32 | |
Not a big piece but it's just... | 0:07:35 | 0:07:37 | |
absolutely hypnotic. | 0:07:37 | 0:07:40 | |
She's almost like iridescent, there's almost a light coming out | 0:07:40 | 0:07:44 | |
of Venus herself. | 0:07:44 | 0:07:46 | |
I've drawn since I was kid, and before comedy I even made | 0:07:46 | 0:07:51 | |
my living as an illustrator, so sketching comes as second nature | 0:07:51 | 0:07:54 | |
to me. Except now I use a tablet with a drawing app instead of paper. | 0:07:54 | 0:07:59 | |
I started sketching at galleries the way that | 0:08:00 | 0:08:02 | |
I am now a couple of years ago. | 0:08:02 | 0:08:05 | |
I went to a gallery and somebody got very, very cross with me, | 0:08:05 | 0:08:08 | |
taking photos, | 0:08:08 | 0:08:09 | |
and so almost as an act of defiance, | 0:08:09 | 0:08:12 | |
I started drawing. | 0:08:12 | 0:08:13 | |
And then through the drawing you just look at the art differently. | 0:08:15 | 0:08:19 | |
Gallery attendants like Amanda Wright will have to get used to me | 0:08:19 | 0:08:23 | |
hanging about the place sketching paintings like Titian's Venus. | 0:08:23 | 0:08:27 | |
It's an almost incomprehensible level of beauty. | 0:08:27 | 0:08:30 | |
-There's a sort of perfection in that somewhere. -Yeah. | 0:08:30 | 0:08:32 | |
And that's what it is. | 0:08:32 | 0:08:33 | |
You see it in some things and it might be the colour, it might | 0:08:33 | 0:08:36 | |
be the shape, it might be how somebody has framed the shape | 0:08:36 | 0:08:39 | |
-of a hand. -Mm, yeah. -But there's something perfect in there. | 0:08:39 | 0:08:44 | |
It's just been in various galleries, she's been there | 0:08:44 | 0:08:47 | |
ringing her hair out for hundreds and hundreds of years. | 0:08:47 | 0:08:50 | |
It's not got any drier. | 0:08:50 | 0:08:52 | |
-It has not. -I'll let you concentrate. -Thank you. Cheers. -Bye. | 0:08:53 | 0:08:57 | |
All right, my version | 0:09:03 | 0:09:05 | |
of Titian's Venus Rising from the Sea is done. | 0:09:05 | 0:09:09 | |
It's in the ballpark, but I've got the spirit of her face better | 0:09:11 | 0:09:14 | |
than I thought I would, so I'm quite happy with that. | 0:09:14 | 0:09:17 | |
But it's fun to do, | 0:09:17 | 0:09:18 | |
and certainly a good way to spend an afternoon with the painting. | 0:09:18 | 0:09:22 | |
And that's basically it. | 0:09:29 | 0:09:30 | |
For a month, I'm going to be coming to one of the best art galleries | 0:09:30 | 0:09:33 | |
in the world and copying some of the most beautiful paintings. | 0:09:33 | 0:09:36 | |
Come and join me if you want. | 0:09:36 | 0:09:38 | |
Just bring yourself, one of these and your imagination. | 0:09:38 | 0:09:42 | |
So, why not join Phill with a tablet or a pencil and paper? | 0:09:43 | 0:09:47 | |
He'll be sketching every weekday from the 4th of August for three weeks | 0:09:47 | 0:09:51 | |
at Scotland's National Galleries in Edinburgh. | 0:09:51 | 0:09:54 | |
He'll also give a talk every Thursday about the paintings he's sketching. | 0:09:54 | 0:09:59 | |
For more information, | 0:10:00 | 0:10:02 | |
go to our website... | 0:10:02 | 0:10:04 | |
Stay with us, | 0:10:09 | 0:10:10 | |
as author and broadcaster Muriel Gray discovers | 0:10:10 | 0:10:13 | |
the children's book being transformed | 0:10:13 | 0:10:15 | |
into ground-breaking theatre. | 0:10:15 | 0:10:17 | |
Aagh! That's fantastic! | 0:10:17 | 0:10:20 | |
And at Thunder in the Glens, I unearth the Scottish ancestry | 0:10:22 | 0:10:26 | |
of what's probably the world's most iconic motorbike. | 0:10:26 | 0:10:29 | |
The streets are lined, crowds are cheering, flags are out waving. | 0:10:29 | 0:10:33 | |
It's just a marvellous event. | 0:10:33 | 0:10:35 | |
Though right now... | 0:10:36 | 0:10:38 | |
..at the foot of the Cairngorm mountains, | 0:10:40 | 0:10:44 | |
in one sleepy village, | 0:10:44 | 0:10:47 | |
things are about to get real. | 0:10:47 | 0:10:49 | |
ROAR OF CHAIN SAWS | 0:10:50 | 0:10:53 | |
Every August, Carrbridge and its population of around 700 | 0:10:56 | 0:10:59 | |
welcome 3,000 people to their annual wood-carving competition. | 0:10:59 | 0:11:03 | |
It's called Carve Carrbridge, | 0:11:06 | 0:11:08 | |
and we sent Cat Cubie to find out why this event | 0:11:08 | 0:11:11 | |
really is a cut above. | 0:11:11 | 0:11:12 | |
It's a test of skill and artistry on a massive scale. | 0:11:18 | 0:11:22 | |
And thousands of folk will come here to witness it | 0:11:22 | 0:11:25 | |
as Carrbridge goes carve crazy. | 0:11:25 | 0:11:26 | |
Now in its 12th year, it attracts competitors | 0:11:28 | 0:11:31 | |
and spectators from across the globe. | 0:11:31 | 0:11:34 | |
Not bad for something that started as a simple fundraiser | 0:11:34 | 0:11:37 | |
and today, according to organiser Carol Ritchie, supports a wide range | 0:11:37 | 0:11:41 | |
of local charities. | 0:11:41 | 0:11:43 | |
It's not your normal show. | 0:11:43 | 0:11:45 | |
It's loud. | 0:11:45 | 0:11:47 | |
CHAIN SAW BUZZING | 0:11:47 | 0:11:48 | |
It's something different, it's got a huge buzz. | 0:11:48 | 0:11:51 | |
Wielding chain saws is pretty exciting, I have to say. | 0:11:52 | 0:11:56 | |
Great entertainment and get some beautiful art out of it. | 0:11:57 | 0:12:01 | |
Exactly. | 0:12:01 | 0:12:02 | |
Over the last decade, | 0:12:04 | 0:12:06 | |
the likes of chain-saw art has gone from being a novelty... | 0:12:06 | 0:12:09 | |
..to something many artists are making a living from. | 0:12:10 | 0:12:14 | |
Even so, Carve Carrbridge is a tough competition to crack. | 0:12:14 | 0:12:17 | |
It has strict rules and regulations | 0:12:19 | 0:12:21 | |
and the competitors have to battle against the clock to finish in time. | 0:12:21 | 0:12:25 | |
Yes, four hours is all you get to turn a eight-foot-high block | 0:12:25 | 0:12:28 | |
of wood into a striking piece of art. | 0:12:28 | 0:12:31 | |
Your only tools - a set of chain saws and a blowtorch, | 0:12:31 | 0:12:35 | |
though you will also require a chain-saw licence. | 0:12:35 | 0:12:38 | |
And while this contest sounds testosterone-fuelled, | 0:12:38 | 0:12:41 | |
actually, it's one for the girls as well. | 0:12:41 | 0:12:43 | |
At last year's event, Alice Buttress was the only female competitor. | 0:12:47 | 0:12:51 | |
And at 62, she was also the eldest. | 0:12:54 | 0:12:58 | |
-So how did you get into it? -Ten years ago | 0:12:58 | 0:13:00 | |
they were having a one-day workshop, | 0:13:00 | 0:13:02 | |
the competition was much smaller then. | 0:13:02 | 0:13:04 | |
We all got to have a go and I thought this was really quite | 0:13:04 | 0:13:07 | |
good fun. I've sculpted for years with clay | 0:13:07 | 0:13:10 | |
and so using a chain saw was just another method to sculpt with. | 0:13:10 | 0:13:13 | |
And while Alice is modest about her chain-saw prowess, | 0:13:13 | 0:13:17 | |
even in the early days it was easy to see her potential. | 0:13:17 | 0:13:21 | |
I won the Novice Cup the first year, I was quite delighted, | 0:13:21 | 0:13:24 | |
I even beat my husband. | 0:13:24 | 0:13:25 | |
-And ten years later, you're still going strong. -Still going strong! | 0:13:25 | 0:13:29 | |
One trick of the trade is to have a few trial runs before the big event, | 0:13:29 | 0:13:33 | |
so that's what Alice is doing today. | 0:13:33 | 0:13:35 | |
Her mission - to transform this block of wood | 0:13:36 | 0:13:40 | |
into an owl. | 0:13:40 | 0:13:41 | |
Requiring up to five different chain saws to get the detail just so. | 0:13:43 | 0:13:48 | |
Oh, my goodness, look at this guy. He's incredible. | 0:13:49 | 0:13:53 | |
That's as much as you can do with the chain saw. | 0:13:53 | 0:13:55 | |
But we are allowed to burn it, so you can put some | 0:13:55 | 0:13:57 | |
highlights in for me. | 0:13:57 | 0:13:58 | |
You'll need to show me exactly what I need to do. | 0:13:58 | 0:14:01 | |
It's a good job you didn't give me the chain saw, I think. | 0:14:01 | 0:14:04 | |
A very good job. | 0:14:04 | 0:14:05 | |
'This year's Carve Carrbridge is taking place | 0:14:06 | 0:14:08 | |
'Saturday 30th of August.' | 0:14:08 | 0:14:10 | |
Oh, I don't want to do it too long. | 0:14:10 | 0:14:12 | |
'As well as wood carving, there's also a fete | 0:14:12 | 0:14:15 | |
'and a range of activities to get involved in. | 0:14:15 | 0:14:18 | |
'Everything from crockery smashing to axe-throwing.' | 0:14:18 | 0:14:21 | |
That's excellent. | 0:14:21 | 0:14:22 | |
Meanwhile, the finished pieces will be up for auction at the end of | 0:14:22 | 0:14:25 | |
the competition, so you might even get your hands on an original. | 0:14:25 | 0:14:29 | |
The Moray Firth was once one of the most treacherous parts | 0:14:38 | 0:14:42 | |
of Scotland's coastline. | 0:14:42 | 0:14:44 | |
It was here many a sailor met his demise. | 0:14:46 | 0:14:49 | |
In fact, in November 1826 a series of violent storms sunk | 0:14:51 | 0:14:56 | |
a staggering 16 vessels. | 0:14:56 | 0:14:58 | |
Which is why soon after, the locals of Lossiemouth | 0:15:02 | 0:15:06 | |
petitioned for a lighthouse, | 0:15:06 | 0:15:08 | |
so I'm here to discover both its fascinating history | 0:15:08 | 0:15:11 | |
and its exciting future. | 0:15:11 | 0:15:14 | |
After all, it was designed by a member of Scotland's | 0:15:14 | 0:15:17 | |
lighthouse building dynasty - Alan Stevenson. | 0:15:17 | 0:15:20 | |
It's striking, it's majestic | 0:15:22 | 0:15:24 | |
and it was clearly built to withstand the harsh Scottish elements. | 0:15:24 | 0:15:27 | |
But without the determination of the local people | 0:15:27 | 0:15:30 | |
here in Lossiemouth, it would never have been built. | 0:15:30 | 0:15:33 | |
Though, after almost two centuries of making this a safe harbour, | 0:15:33 | 0:15:37 | |
ultimately it was the lighthouse that needed saving. | 0:15:37 | 0:15:41 | |
The Covesea Skerries Lighthouse has stood empty since the last keeper | 0:15:41 | 0:15:45 | |
left 30 years ago, but it's about to take on a new lease of life. | 0:15:45 | 0:15:49 | |
Their first move was saving this decommissioned lighthouse | 0:15:49 | 0:15:53 | |
from the developers, and they achieved that | 0:15:53 | 0:15:55 | |
by setting up a charitable company. | 0:15:55 | 0:15:57 | |
The people of Lossiemouth are very special. | 0:15:57 | 0:16:00 | |
If they want to achieve something, they will do that. | 0:16:00 | 0:16:03 | |
And proof of the pudding is, we have the lighthouse. | 0:16:03 | 0:16:07 | |
And they've raised over £300,000 in government funding, | 0:16:07 | 0:16:11 | |
allowing them to open the lighthouse to the public for the first time. | 0:16:11 | 0:16:15 | |
Project manager Robert Forbes is giving me a sneaky peek. | 0:16:15 | 0:16:19 | |
So what makes this a classic Alan Stevenson lighthouse? | 0:16:19 | 0:16:22 | |
Alan Stevenson was fascinated by all things Egyptian. | 0:16:22 | 0:16:26 | |
And in this case, you've got the full spectrum of what | 0:16:26 | 0:16:28 | |
he was trying to produce at the time. | 0:16:28 | 0:16:30 | |
There are stylised arches and chimneys designed to look | 0:16:30 | 0:16:34 | |
like the pillars of a temple. | 0:16:34 | 0:16:36 | |
And this lighthouse is literally topped off with design flourishes | 0:16:37 | 0:16:42 | |
such as this. | 0:16:42 | 0:16:43 | |
But wait - there's more. | 0:16:44 | 0:16:46 | |
You can see here we have just an air vent, | 0:16:46 | 0:16:49 | |
but on top of the air vent | 0:16:49 | 0:16:50 | |
we've got a brass plaque | 0:16:50 | 0:16:52 | |
of the god Isis, who was the god of lighthouses. | 0:16:52 | 0:16:55 | |
It allowed them to be a little bit individual. | 0:16:55 | 0:16:57 | |
His father Robert built lighthouses and he followed in the family | 0:16:57 | 0:17:01 | |
tradition, but by doing things like this | 0:17:01 | 0:17:03 | |
he just set himself apart from the normal lighthouse builder. | 0:17:03 | 0:17:08 | |
This was the third lighthouse that Alan Stevenson built in Scotland, | 0:17:08 | 0:17:12 | |
and he went on to design 13 in total. | 0:17:12 | 0:17:14 | |
Though this one is perhaps his most inspiring, standing at 36m, | 0:17:14 | 0:17:20 | |
its outlook over the Moray Firth is absolutely breathtaking. | 0:17:20 | 0:17:24 | |
The views here are incredible. That coastline is just stunning. | 0:17:24 | 0:17:29 | |
On a fine day, | 0:17:29 | 0:17:30 | |
you can see bottlenose dolphins in the sea beyond us. | 0:17:30 | 0:17:33 | |
But that's not even the main attraction, as the locals are also | 0:17:37 | 0:17:40 | |
promoting their lighthouse as being the perfect vantage point | 0:17:40 | 0:17:44 | |
for plane spotters - yep, RAF Lossiemouth is just next door. | 0:17:44 | 0:17:48 | |
I've just seen an aircraft taxiing down, so you are going to see | 0:17:48 | 0:17:52 | |
one as it climbs away off to the north. | 0:17:52 | 0:17:54 | |
JET ENGINE ROARS | 0:17:54 | 0:17:55 | |
Wow, the noise is loud - the sight, the noise, it's wonderful. | 0:17:55 | 0:18:00 | |
-It's thunderous. -Yes, it is. | 0:18:00 | 0:18:02 | |
If you're an air enthusiast, you're not going to get a better place | 0:18:02 | 0:18:06 | |
than this, and this viewing gallery from the top of the lighthouse. | 0:18:06 | 0:18:09 | |
You will see Typhoon aircraft, Tornado aircraft, | 0:18:09 | 0:18:12 | |
then we've also got the search-and-rescue helicopters | 0:18:12 | 0:18:14 | |
on the far side of the airfield. | 0:18:14 | 0:18:16 | |
What's more, the locals have been campaigning once again, | 0:18:20 | 0:18:24 | |
this time to build a heritage centre next to the lighthouse | 0:18:24 | 0:18:28 | |
that will make RAF Lossiemouth's history available to the public. | 0:18:28 | 0:18:32 | |
Hopefully by March 2015. | 0:18:34 | 0:18:36 | |
Meanwhile, the Covesea Skerries Lighthouse is planning to open | 0:18:38 | 0:18:41 | |
its doors from August this year. | 0:18:41 | 0:18:43 | |
With the Commonwealth Games just two sleeps away, | 0:18:50 | 0:18:52 | |
there's also much excitement over the £13 million | 0:18:52 | 0:18:55 | |
that's been invested in companion arts programmes. | 0:18:55 | 0:18:58 | |
So we sent author and broadcaster Muriel Gray to explore | 0:19:02 | 0:19:05 | |
one of the highlights. | 0:19:05 | 0:19:07 | |
A festival of storytelling taking place across Glasgow | 0:19:08 | 0:19:12 | |
that culminates in a ground-breaking performance | 0:19:12 | 0:19:14 | |
from the National Theatre of Scotland | 0:19:14 | 0:19:17 | |
inspired by a children's story called The Tin Forest. | 0:19:17 | 0:19:21 | |
MURIEL READS | 0:19:23 | 0:19:26 | |
"..near nowhere and close to forgotten | 0:19:26 | 0:19:28 | |
"there was a small house, with small windows, | 0:19:28 | 0:19:31 | |
"that looked out on other people's rubbish and bad weather." | 0:19:31 | 0:19:35 | |
If that sounds familiar, | 0:19:35 | 0:19:36 | |
then that's probably why this resonated with the National Theatre, | 0:19:36 | 0:19:40 | |
seeing it is a metaphor for Glasgow, | 0:19:40 | 0:19:42 | |
for its transformation from industrial powerhouse, | 0:19:42 | 0:19:46 | |
through its decline to its subsequent regeneration. | 0:19:46 | 0:19:49 | |
And given they're the people who brought us the multi-award | 0:19:49 | 0:19:52 | |
winning Black Watch, it's a sure bet Tin Forest will also be a must see. | 0:19:52 | 0:19:57 | |
It's the story of an old man who transforms the ugly world around him | 0:19:58 | 0:20:01 | |
into a beautiful forest. | 0:20:01 | 0:20:03 | |
We've come to where the set is being built | 0:20:05 | 0:20:07 | |
to meet one of the designers, Gavin Glover. | 0:20:07 | 0:20:10 | |
-Hi. -Gavin. Hi, Muriel. -Mrs Gray. | 0:20:10 | 0:20:12 | |
'It won't be your typical play either, | 0:20:12 | 0:20:15 | |
'as audience members will immerse themselves within it | 0:20:15 | 0:20:18 | |
'by walking around different parts of the set.' | 0:20:18 | 0:20:20 | |
It is The Tin Forest show. | 0:20:20 | 0:20:22 | |
But it's going to be a slightly different version of The Tin Forest. | 0:20:22 | 0:20:25 | |
So we're in this 1920s David Lynch-y kind of hotel lobby. | 0:20:25 | 0:20:29 | |
-And what happens? -I'm not sure if I can tell you. | 0:20:29 | 0:20:32 | |
Oh! | 0:20:32 | 0:20:33 | |
It's completely interactive, with characters like the old man himself | 0:20:34 | 0:20:37 | |
ready to take on the pluckiest of spectators. | 0:20:37 | 0:20:41 | |
Aagh! | 0:20:41 | 0:20:43 | |
That's fantastic. | 0:20:43 | 0:20:44 | |
-It's always risky, interactive theatre, because... -It's live. | 0:20:44 | 0:20:48 | |
..you'll get children, they might want to come in here and touch... | 0:20:48 | 0:20:52 | |
That's great. Every performance will be different. | 0:20:52 | 0:20:54 | |
-Can I touch him? -"Eh... | 0:20:54 | 0:20:56 | |
"Get out!" | 0:20:56 | 0:20:57 | |
The National Theatre is also famous for staging their productions | 0:20:59 | 0:21:02 | |
in unusual spaces, | 0:21:02 | 0:21:04 | |
and the location for Tin Forest is a perfect example. | 0:21:04 | 0:21:08 | |
The South Rotunda on the Clyde, once part of a Victorian | 0:21:08 | 0:21:11 | |
under-river tunnel system, it's lain derelict for years. | 0:21:11 | 0:21:15 | |
But now it's being transformed, | 0:21:16 | 0:21:18 | |
and it reflects the regeneration theme at the heart of the festival. | 0:21:18 | 0:21:23 | |
And there's some added surprises too. | 0:21:23 | 0:21:25 | |
This is not just interactive theatre, this version of The Tin Forest, | 0:21:26 | 0:21:30 | |
it's also multimedia. | 0:21:30 | 0:21:31 | |
The Glasgow School of Art's Digital Design Studio is digitally | 0:21:34 | 0:21:38 | |
mapping the interior, bringing to life The Tin Forest itself | 0:21:38 | 0:21:42 | |
with dazzling projected images. | 0:21:42 | 0:21:44 | |
What we do is we use | 0:21:45 | 0:21:47 | |
a laser scanner and the laser scanner fires a laser at the wall | 0:21:47 | 0:21:50 | |
and computers can generate a model of this wall. | 0:21:50 | 0:21:52 | |
If you've got a horse galloping across the wall, | 0:21:52 | 0:21:54 | |
it'll literally be as though there's a horse galloping across the wall | 0:21:54 | 0:21:58 | |
-and shouldn't distort based on the shape. -Cool! | 0:21:58 | 0:22:00 | |
The Tin Forest Festival begins today, July 21st, and runs for two weeks | 0:22:00 | 0:22:07 | |
with live events and shows by over 300 performers | 0:22:07 | 0:22:10 | |
at various venues around Glasgow. | 0:22:10 | 0:22:12 | |
And if you want to get along to the Puppet Experience itself, | 0:22:12 | 0:22:16 | |
it runs at the South Rotunda from Thursday the 24th July | 0:22:16 | 0:22:20 | |
until the 3rd of August. | 0:22:20 | 0:22:22 | |
The sheer volume of work that has gone into it, the unique ideas, | 0:22:22 | 0:22:26 | |
the amount of creativity is absolutely staggering. | 0:22:26 | 0:22:29 | |
Only one word for it, really - and that's unmissable. | 0:22:29 | 0:22:32 | |
The Cairngorms are Britain's highest and biggest mountain range. | 0:22:37 | 0:22:40 | |
55 summits over 900m, surrounded by beautiful forest. | 0:22:40 | 0:22:45 | |
It's no wonder this national park attracts over a million skiers, | 0:22:45 | 0:22:50 | |
climbers and walkers every year. | 0:22:50 | 0:22:52 | |
But it's also the place of pilgrimage | 0:22:52 | 0:22:55 | |
for the Harley-Davidson obsessives who make up the riders | 0:22:55 | 0:22:58 | |
and followers for the annual bike fest Thunder in the Glens. | 0:22:58 | 0:23:01 | |
ENGINE PURRS | 0:23:01 | 0:23:03 | |
This annual event began in 1997 with around 150 bikes | 0:23:07 | 0:23:12 | |
but it has grown year on year. | 0:23:12 | 0:23:14 | |
And this August promises to be the biggest yet, with Aviemore expecting | 0:23:17 | 0:23:21 | |
around 1,500 bikes and 3,000 mad keen enthusiasts. | 0:23:21 | 0:23:25 | |
So what I want to find out | 0:23:27 | 0:23:28 | |
is why so many of us love that roar of the engine | 0:23:28 | 0:23:30 | |
and the romance of the open road. | 0:23:30 | 0:23:32 | |
And why an event like Thunder in the Glens might well be worth | 0:23:32 | 0:23:35 | |
a visit even if you've never straddled a motorbike. | 0:23:35 | 0:23:38 | |
It's basically just a group of people that want to | 0:23:40 | 0:23:43 | |
get on the bikes and ride out and show the bikes off to the public. | 0:23:43 | 0:23:46 | |
To ride up the street with crowds at the side of the street waving | 0:23:47 | 0:23:53 | |
and shouting, it's just unbelievable. | 0:23:53 | 0:23:55 | |
What do you get out of it? | 0:23:55 | 0:23:57 | |
It's fun. | 0:23:57 | 0:23:58 | |
# Born to be wild... # | 0:23:58 | 0:24:01 | |
Bike or no bike, everyone's welcome. | 0:24:01 | 0:24:04 | |
And this festival takes over the entire town with rock, | 0:24:04 | 0:24:08 | |
pop and blues gigs across Aviemore. | 0:24:08 | 0:24:10 | |
Though as far as the event's head road captain is concerned, | 0:24:10 | 0:24:14 | |
the biggest highlight | 0:24:14 | 0:24:15 | |
is the Saturday ride out to Grantown-on-Spey. | 0:24:15 | 0:24:19 | |
You can see for miles all the bikes coming, | 0:24:19 | 0:24:21 | |
you can hear them from miles away. Everybody loves it. | 0:24:21 | 0:24:23 | |
The streets are lined, crowds are cheering, | 0:24:23 | 0:24:25 | |
flags are out waving, it's a marvellous event. | 0:24:25 | 0:24:28 | |
We've got maybe 200, 300 Harley-Davidsons | 0:24:30 | 0:24:32 | |
with the loud pipes, that's when you get the "Thunder in the Glens". | 0:24:32 | 0:24:36 | |
But today, ahead of August, I'm at a bike meet near Brechin in Angus, | 0:24:37 | 0:24:42 | |
where 400 riders are hitting the road. | 0:24:42 | 0:24:45 | |
And it's given me the chance to fulfil a lifelong dream. | 0:24:45 | 0:24:48 | |
Because, for the first time ever, I'm going to get to ride | 0:24:48 | 0:24:51 | |
a Harley-Davidson. | 0:24:51 | 0:24:53 | |
MUSIC: "Thunderstruck" by AC/DC | 0:24:53 | 0:24:56 | |
I'm joining the Dunedin Chapter, | 0:25:01 | 0:25:03 | |
a group of bikers committed to the ride out - | 0:25:03 | 0:25:06 | |
a phenomenon that became popular at bike rallies | 0:25:06 | 0:25:09 | |
from as far back as 1917. | 0:25:09 | 0:25:11 | |
These tours were devised to let riders discover | 0:25:11 | 0:25:13 | |
the countryside around them. | 0:25:13 | 0:25:15 | |
And I reckon riding out is still one the best ways | 0:25:15 | 0:25:18 | |
to see Scotland. | 0:25:18 | 0:25:19 | |
Today's route also has a strong connection to the history | 0:25:22 | 0:25:25 | |
of motorbiking. | 0:25:25 | 0:25:27 | |
Because here in Aberlemno by Brechin is the ancestral home | 0:25:27 | 0:25:31 | |
of one of the families behind Harley-Davidson. | 0:25:31 | 0:25:33 | |
And this is Davidsons' Cottage, | 0:25:33 | 0:25:35 | |
once home to the Davidson family before they emigrated to | 0:25:35 | 0:25:38 | |
escape poverty to America. | 0:25:38 | 0:25:40 | |
And little did they know then that they would become | 0:25:40 | 0:25:42 | |
one of the biggest families in motorcycling history. | 0:25:42 | 0:25:45 | |
Mind you, it took a couple of generations. | 0:25:45 | 0:25:48 | |
In 1901, the family fortunes changed when Sandy and Margaret Davidson's | 0:25:48 | 0:25:52 | |
grandchildren began experimenting with the idea of motorised bikes. | 0:25:52 | 0:25:58 | |
Teaming up with William S Harley to create what's arguably | 0:25:58 | 0:26:01 | |
the most iconic motorbike brand in the world. | 0:26:01 | 0:26:05 | |
-How do you do? Nice to meet you. -Come on into the Davidson Cottage. | 0:26:05 | 0:26:08 | |
Cheers. | 0:26:08 | 0:26:10 | |
'Which is why fan Mike Sinclair | 0:26:10 | 0:26:11 | |
'has restored the Davidsons' former home.' | 0:26:11 | 0:26:14 | |
We get people from all over the world, | 0:26:14 | 0:26:16 | |
our visitors book is... | 0:26:16 | 0:26:18 | |
every page, you know, South Africa, | 0:26:18 | 0:26:22 | |
Australia, Brazil even. | 0:26:22 | 0:26:24 | |
We're always pleased to see them and they're always really excited | 0:26:24 | 0:26:27 | |
to come here and be in the place where it kind of started off. | 0:26:27 | 0:26:31 | |
And descendants of the Davidson family will also make their own | 0:26:31 | 0:26:35 | |
pilgrimage from the USA to Thunder in the Glens this August, | 0:26:35 | 0:26:39 | |
for the very first time, | 0:26:39 | 0:26:40 | |
making a lot of the bikers here very happy indeed. | 0:26:40 | 0:26:43 | |
Well, we've got Jean Davidson coming over this year, Fred, | 0:26:43 | 0:26:46 | |
from the family. We've never really had that level of support. | 0:26:46 | 0:26:49 | |
Yeah, we get a lot of visitors from the company | 0:26:49 | 0:26:52 | |
in the States, which is fantastic, but to have that family connection | 0:26:52 | 0:26:56 | |
because, when we ride our bikes, we are a big family. | 0:26:56 | 0:26:59 | |
MUSIC: "Layla" Derek & the Dominos | 0:26:59 | 0:27:00 | |
If you fancy getting to know some big and noisy motorbikes better, | 0:27:00 | 0:27:04 | |
Thunder in the Glens is taking place in Aviemore | 0:27:04 | 0:27:07 | |
August 22nd to the 25th, with live music and ride outs taking place | 0:27:07 | 0:27:12 | |
across the festival. | 0:27:12 | 0:27:14 | |
The open road beckons and I've got a new spirit of adventure, | 0:27:14 | 0:27:18 | |
so I shall see you in the Cairngorms. | 0:27:18 | 0:27:20 | |
ENGINE ROARS | 0:27:20 | 0:27:22 | |
That's it for this series of On The Road. | 0:27:29 | 0:27:31 | |
But summer's just beginning. | 0:27:31 | 0:27:33 | |
There's so much we've featured you can still get involved in. | 0:27:33 | 0:27:36 | |
Like Scotland's National Airshow. | 0:27:37 | 0:27:39 | |
The Italian Chapel in Orkney - an historic gem with a touching story. | 0:27:41 | 0:27:46 | |
-You're not going to cry. -I might! | 0:27:46 | 0:27:50 | |
There's the Pittenweem Arts Festival. | 0:27:50 | 0:27:53 | |
Or why not head to Eilean Ban near Skye for some otter spotting? | 0:27:53 | 0:27:58 | |
And then of course there's The Kelpies. | 0:27:58 | 0:28:00 | |
Oh, my goodness, they are ENORMOUS! | 0:28:00 | 0:28:04 | |
-Or... -Hiya. | 0:28:04 | 0:28:06 | |
..Scotland's secret nuclear bunker. | 0:28:06 | 0:28:07 | |
This is Susan Calman speaking to you from the secure nuclear bunker | 0:28:07 | 0:28:12 | |
that I've managed to get into somehow. | 0:28:12 | 0:28:15 | |
And the Ryder Cup, with highlights on the BBC. | 0:28:15 | 0:28:19 | |
So, what are you waiting for? | 0:28:21 | 0:28:23 | |
For more information, | 0:28:23 | 0:28:25 | |
go to our website... | 0:28:25 | 0:28:28 |