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Record numbers are catching trains but punctuality is suffering | 0:00:02 | 0:00:04 | |
as a result. | 0:00:04 | 0:00:05 | |
The pressure is now on to compensate more customers | 0:00:05 | 0:00:07 | |
if their service is running late. | 0:00:07 | 0:00:08 | |
Hello and welcome to the South by Southwest film festival here | 0:00:28 | 0:00:31 | |
in Austin, Texas. | 0:00:31 | 0:00:33 | |
I'm Tom Brooke. | 0:00:33 | 0:00:35 | |
In today's programme we hear from hometown hero and top American | 0:00:35 | 0:00:39 | |
director Richard Linklater on his movie made in Texas. | 0:00:39 | 0:00:42 | |
It is always a big comedy on opening night and I'm happy to | 0:00:42 | 0:00:46 | |
make a film that qualifies. | 0:00:46 | 0:00:48 | |
With more music films from Britain and Japan shown at South | 0:00:48 | 0:00:51 | |
by Southwest. | 0:00:51 | 0:00:55 | |
They might be the biggest band in the world. | 0:00:55 | 0:00:59 | |
And two very different Festival documentaries, | 0:00:59 | 0:01:05 | |
one looking at a team of female bicyclists trying to reclaim the | 0:01:05 | 0:01:08 | |
streets and another reconstructing, by way of animation, a mass shooting | 0:01:08 | 0:01:11 | |
almost 50 years ago here in Austin. | 0:01:11 | 0:01:21 | |
There is a sniper on the university compound. | 0:01:21 | 0:01:23 | |
All that and more in this special South by Southwest | 0:01:23 | 0:01:25 | |
edition of Talking Movies. | 0:01:25 | 0:01:26 | |
South by Southwest is three things. | 0:01:26 | 0:01:32 | |
A music, interactive and film festival all rolled into one. | 0:01:32 | 0:01:34 | |
It is an event that certainly energizes and in some instances, | 0:01:34 | 0:01:37 | |
almost overwhelms the city of Austin every spring. | 0:01:37 | 0:01:40 | |
Today we're going to be focusing on the film festival | 0:01:40 | 0:01:43 | |
which came into being in 1994. | 0:01:43 | 0:02:05 | |
It has grown to become a highly respected showcase | 0:02:05 | 0:02:07 | |
for independent cinema and also there is a smattering of Hollywood. | 0:02:07 | 0:02:10 | |
For the past 30 years, Austin, the state capital of Texas, has | 0:02:10 | 0:02:13 | |
been home to South by Southwest. | 0:02:13 | 0:02:14 | |
Last year it brought more than 80,000 people to the city. | 0:02:14 | 0:02:17 | |
When it comes to film, this year some 140 features are being shown. | 0:02:17 | 0:02:20 | |
I think it is becoming more and more formidable as the years go on. | 0:02:20 | 0:02:24 | |
Ever since Bridesmaids premiered at South by Southwest, | 0:02:24 | 0:02:26 | |
it has been a very splashy festival for big comedy movies. | 0:02:26 | 0:02:29 | |
Trainwreck also was the big one last year and it went | 0:02:29 | 0:02:32 | |
on to gross $130 million. | 0:02:32 | 0:02:33 | |
This year, also one is called Sausage Party which is a very | 0:02:33 | 0:02:36 | |
R-rated animated film by Seth Rogen. | 0:02:36 | 0:02:37 | |
It has really become the landing spot | 0:02:37 | 0:02:39 | |
for really good studio comedies. | 0:02:39 | 0:02:42 | |
The festival has been the launching pad for several noteworthy films. | 0:02:42 | 0:02:45 | |
With blockbusters like Furious Seven to the low-budget Tiny Furniture | 0:02:45 | 0:02:48 | |
which helped put Lena Dunham, creator of Girls, on the map. | 0:02:48 | 0:02:56 | |
It also showcases local Texas films and film makers, | 0:02:56 | 0:02:58 | |
case in point the Oscar-nominated hometowns hero, Richard Linklater, | 0:02:58 | 0:03:01 | |
pleased that for the first time, a film of his, Everybody Wants Some | 0:03:01 | 0:03:04 | |
has been selected. | 0:03:04 | 0:03:16 | |
It is a great tradition to have a comedy on opening night and so I | 0:03:16 | 0:03:20 | |
am glad that I made a comedy that qualifies to be | 0:03:20 | 0:03:22 | |
the opening night film. | 0:03:22 | 0:03:23 | |
A big event on the first day of the film wasn't just the unveiling of | 0:03:23 | 0:03:27 | |
that film but President Obama being in town to give a keynote address. | 0:03:27 | 0:03:31 | |
That is just really cool. | 0:03:31 | 0:03:32 | |
I don't know how to say it any better. | 0:03:32 | 0:03:35 | |
It's just kind of cool. | 0:03:35 | 0:03:36 | |
It is an honour to have him here at the same time. | 0:03:36 | 0:03:39 | |
Hopefully he watches the movie. | 0:03:39 | 0:03:41 | |
Given that South by Southwest incorporates a music festival, music | 0:03:41 | 0:03:44 | |
films have always loomed large. | 0:03:44 | 0:03:45 | |
It is also a haven for documentaries. | 0:03:45 | 0:03:53 | |
Documentaries are very important in the lineup. | 0:03:53 | 0:03:55 | |
Not as important as comedies in the lineup, but they are gaining | 0:03:55 | 0:03:58 | |
importance at South by Southwest. | 0:03:58 | 0:04:00 | |
There are many music documentaries, many strange documentaries also, | 0:04:00 | 0:04:02 | |
countercultural. | 0:04:02 | 0:04:05 | |
We have to keep Austin weird. | 0:04:05 | 0:04:06 | |
Many documentaries are about eccentrics, which sort of falls | 0:04:06 | 0:04:08 | |
in line with the spirit of Austin. | 0:04:08 | 0:04:18 | |
So where, at the end of the day, does South by Southwest stand | 0:04:18 | 0:04:22 | |
in the constellation of world film festivals, falling as it does | 0:04:22 | 0:04:24 | |
between Sundance and Cannes? | 0:04:24 | 0:04:25 | |
Some locals think nothing can beat it. | 0:04:25 | 0:04:39 | |
It is a big and influential festival, but I think | 0:04:39 | 0:04:41 | |
because it is Austin, it retains a bit of an outsider known industry | 0:04:41 | 0:04:45 | |
vibe, which I really appreciate. | 0:04:45 | 0:04:46 | |
It has got a really good feel and it is really about the movies. | 0:04:46 | 0:04:49 | |
But there are detractors who think South by Southwest shows mediocre | 0:04:49 | 0:04:52 | |
films and that the wider event is too commercial. | 0:04:52 | 0:04:54 | |
But there are also avid fans who believe in South by Southwest | 0:04:54 | 0:04:57 | |
and think that every March, Austin, Texas is just | 0:04:57 | 0:05:00 | |
the coolest place to be. | 0:05:00 | 0:05:08 | |
There was a British presence at South by Southwest this year | 0:05:08 | 0:05:11 | |
and one British electronic music pioneer, Gary Numon, was the subject | 0:05:11 | 0:05:14 | |
of a Festival documentary. | 0:05:14 | 0:05:16 | |
Now we go to our correspondent. | 0:05:16 | 0:05:26 | |
Gary Numon is sometimes called the godfather of electro- pop, probably | 0:05:26 | 0:05:39 | |
Gary Numan is sometimes called the godfather of electro- pop, probably | 0:05:39 | 0:05:42 | |
best known for his 1979 hit Cars. | 0:05:42 | 0:05:44 | |
Late 70s, he was arguably one of the most famous men on the planet. | 0:05:44 | 0:05:47 | |
At one point he had three albums in the charts at the same time. | 0:05:47 | 0:05:51 | |
That is kind of Beatles level of success and fame. | 0:05:51 | 0:05:58 | |
The film is a portrait of a man who was a trail blazer | 0:05:58 | 0:06:01 | |
in British electronic music. | 0:06:01 | 0:06:05 | |
He would say himself he was not the only one at the time. | 0:06:05 | 0:06:08 | |
There are people like Bowie, of course and Kraftwerk, | 0:06:08 | 0:06:10 | |
all of whom experimented with electronic music and synthesizers | 0:06:10 | 0:06:13 | |
but Gary was the first one who became really successful for it. | 0:06:13 | 0:06:16 | |
He kind of put it on the map. | 0:06:16 | 0:06:18 | |
I would say he was the first to become, as he says in the film, kind | 0:06:18 | 0:06:25 | |
of the first synth rock superstar. | 0:06:25 | 0:06:30 | |
The documentary follows him at a moment of transition as he is | 0:06:30 | 0:06:33 | |
moving his family from England to Los Angeles and trying to rekindle | 0:06:33 | 0:06:37 | |
his career with the new album. | 0:06:37 | 0:06:40 | |
The one I'm doing now has been six years. | 0:06:40 | 0:06:42 | |
My career is as strong as it has ever been. | 0:06:42 | 0:06:47 | |
We learn that the musician has Asperger Syndrome and is often | 0:06:47 | 0:06:50 | |
plagued by doubts and anxiety. | 0:06:50 | 0:06:57 | |
And at some point you lose your grip and then you find yours | 0:06:57 | 0:07:00 | |
elf in the middle of nowhere, a bit beaten up and totally lost. | 0:07:00 | 0:07:04 | |
His mannerisms, his personality, it comes | 0:07:04 | 0:07:05 | |
across clearly that he is really, very nervous about the new album. | 0:07:05 | 0:07:09 | |
He is nervous about moving to the states, | 0:07:09 | 0:07:13 | |
is it going to work out for him? | 0:07:13 | 0:07:15 | |
This documentary is generous to its subject. | 0:07:15 | 0:07:20 | |
It is an affectionate, relatively uncritical portrait that will no | 0:07:20 | 0:07:23 | |
doubt bring fans much satisfaction. | 0:07:23 | 0:07:24 | |
We made a very honest film. | 0:07:24 | 0:07:25 | |
It is hugely revealing. | 0:07:25 | 0:07:28 | |
Gary Numon has suffered for his art and the same goes for another | 0:07:28 | 0:07:32 | |
Gary Numan has suffered for his art and the same goes for another | 0:07:32 | 0:07:36 | |
film shown at South by Southwest. | 0:07:36 | 0:07:38 | |
It covers a Japanese rock group which has been plagued | 0:07:38 | 0:07:42 | |
by troubles throughout their time together, all of of which has been | 0:07:42 | 0:07:45 | |
overseen by Yoshiki, its leader. | 0:07:45 | 0:07:52 | |
Yoshiki and his childhood friend and lead vocalist, Toshi, | 0:07:52 | 0:07:57 | |
started X Japan in the 80s. | 0:07:57 | 0:08:02 | |
They formed a music culture called visual kei | 0:08:05 | 0:08:10 | |
that borrowed from the glam rock scene emerging in the West and mixed | 0:08:10 | 0:08:13 | |
it up with Japanese elements. | 0:08:13 | 0:08:14 | |
The film shows that when it comes to Yoshiki, | 0:08:14 | 0:08:16 | |
who is also a classically trained as a pianist, personal tragedy was at | 0:08:16 | 0:08:22 | |
the centre of his entrance to rock music and the birth of X Japan. | 0:08:22 | 0:08:25 | |
When he was ten, his father committed suicide. | 0:08:25 | 0:08:28 | |
I was so depressed, so angry but rock was perfect, | 0:08:28 | 0:08:36 | |
the perfect music to just throw all my emotion and sadness into. | 0:08:36 | 0:08:39 | |
But I didn't stop playing classical music either, so now I play both, | 0:08:39 | 0:08:42 | |
classical and rock. | 0:08:42 | 0:08:52 | |
What hardship has the band gone through over the years? | 0:08:52 | 0:08:55 | |
The vocalist, Toshi got brainwashed and then our band broke up. | 0:08:55 | 0:08:57 | |
Our guitar player Hidei passed away and our bass player Taiji | 0:08:57 | 0:09:00 | |
also passed away. | 0:09:00 | 0:09:04 | |
The film depicts death and pain as a villain in your life | 0:09:04 | 0:09:07 | |
but do you think it has also fuelled your creativity? | 0:09:07 | 0:09:11 | |
I am not sure, the new place where you are just | 0:09:11 | 0:09:18 | |
sad, it can take you anywhere. | 0:09:18 | 0:09:22 | |
So I started writing lyrics and composing melodies. | 0:09:22 | 0:09:24 | |
I don't know if I would have survived otherwise. | 0:09:24 | 0:09:33 | |
The band reunited in 2008 and has been touring since 2009. | 0:09:33 | 0:09:37 | |
Critics have found this film rewarding, although there have been | 0:09:37 | 0:09:40 | |
complaints that it is superficial. | 0:09:40 | 0:09:44 | |
But the live footage is seen as particularly impressive. | 0:09:44 | 0:09:51 | |
As you heard, Richard Linklater, who is perhaps the biggest name | 0:09:51 | 0:09:59 | |
in Texas film had a new picture released at the festival. | 0:09:59 | 0:10:02 | |
He made an impact recently with his ingeniously structured, | 0:10:02 | 0:10:04 | |
Oscar-nominated coming-of-age drama, Boyhood. | 0:10:04 | 0:10:05 | |
His latest picture is to some extent, | 0:10:05 | 0:10:09 | |
a sequel to an earlier film of his. | 0:10:09 | 0:10:11 | |
Do you guys know anything about a party here tonight? | 0:10:11 | 0:10:16 | |
The director's picture Dazed and Confused focused on Texas teens | 0:10:16 | 0:10:20 | |
on their last day of school. | 0:10:20 | 0:10:24 | |
It was well-received with fans as a coming-of-age comedy | 0:10:24 | 0:10:27 | |
and is often called one of the best high school comedies ever made. | 0:10:27 | 0:10:32 | |
His new picture, Everybody Wants Some goes on to paint a portrait | 0:10:32 | 0:10:35 | |
of college baseball players. | 0:10:35 | 0:10:38 | |
Who the hell are you? | 0:10:38 | 0:10:44 | |
You are really good at dialogue and social observation in your films. | 0:10:44 | 0:10:47 | |
This comes across at times as a frat boy movie. | 0:10:47 | 0:10:49 | |
Did you try to get social observation very consciously | 0:10:49 | 0:10:53 | |
into it or were you operating on their level? | 0:10:53 | 0:10:57 | |
I think I had so many years to think about this movie. | 0:10:57 | 0:11:00 | |
I started wanting to make around 2002, | 0:11:00 | 0:11:03 | |
so I couldn't help but see it as a social or anthropological critique | 0:11:03 | 0:11:10 | |
of young men and their behaviour. | 0:11:10 | 0:11:12 | |
It is fine, they are the party and I am embracing their behaviour, | 0:11:12 | 0:11:15 | |
but at the same time, I am sort of critiquing it because I look | 0:11:15 | 0:11:18 | |
back and it is amazing how entitled and swaggering these young men are. | 0:11:18 | 0:11:25 | |
A couple of rules. | 0:11:25 | 0:11:26 | |
No booze in this house. | 0:11:26 | 0:11:27 | |
Number two, no girls upstairs in the bedrooms. | 0:11:27 | 0:11:32 | |
Early reviews have been very positive, but one review said | 0:11:32 | 0:11:35 | |
there was too much testosterone. | 0:11:35 | 0:11:36 | |
Can you understand where that reviewer is coming from? | 0:11:36 | 0:11:39 | |
I don't know if it is too much. | 0:11:39 | 0:11:41 | |
There is definitely a lot, but, too much? | 0:11:41 | 0:11:43 | |
What you have to do is deal with it. | 0:11:43 | 0:11:45 | |
At least the guys have some wit and humour to them. | 0:11:45 | 0:11:48 | |
I see some of that is a critique, but I don't know about too much. | 0:11:48 | 0:11:52 | |
It is balanced out, it is very male. | 0:11:52 | 0:12:03 | |
Hello ladies! | 0:12:03 | 0:12:04 | |
Party tonight. | 0:12:04 | 0:12:11 | |
It is very much a Texas film, set in Texas and I think shot | 0:12:11 | 0:12:15 | |
entirely within the state. | 0:12:15 | 0:12:16 | |
What is it in terms of its content that will make it | 0:12:16 | 0:12:19 | |
appealing to audiences who don't live in Texas, or who aren't | 0:12:19 | 0:12:21 | |
familiar with the culture? | 0:12:21 | 0:12:28 | |
I think some things don't change, either over time or geography. | 0:12:28 | 0:12:31 | |
There is a point in everyone's life where they leave home | 0:12:31 | 0:12:34 | |
and head out to the next adventure in their life, and developmentally | 0:12:34 | 0:12:37 | |
they are in a new stage. | 0:12:37 | 0:12:38 | |
I think people can relate to that. | 0:12:38 | 0:12:40 | |
And also the social situations you find yourself in. | 0:12:40 | 0:12:42 | |
You are the new kid and in with others, whether it is | 0:12:42 | 0:12:45 | |
your first day of a job, or... | 0:12:45 | 0:12:47 | |
That is the human condition, I think everyone can relate to that. | 0:12:47 | 0:13:11 | |
One day in Austin history will live in history. | 0:13:11 | 0:13:14 | |
August 1, 1966, when a sniper climbed to the top | 0:13:14 | 0:13:16 | |
of the University of Texas tower behind me and started firing | 0:13:16 | 0:13:19 | |
at random at individuals below. | 0:13:19 | 0:13:21 | |
16 people died and three dozen were wounded. | 0:13:21 | 0:13:23 | |
It was the first mass college shooting of its kind in the US. | 0:13:23 | 0:13:26 | |
Nowadays they have become routine. | 0:13:26 | 0:13:27 | |
One South by Southwest documentary artfully recreates what happened | 0:13:27 | 0:13:30 | |
on that day, partly through the use of animation. | 0:13:30 | 0:13:32 | |
It is called Tower. | 0:13:32 | 0:13:40 | |
There is a sniper on the university tower firing it will. | 0:13:40 | 0:13:44 | |
For those old enough to remember the shootings in Austin on August | 0:13:44 | 0:13:47 | |
1, 1966, it was horrifying. | 0:13:47 | 0:13:48 | |
A 25-year-old engineering student at the top of the tower engaging | 0:13:48 | 0:13:51 | |
in a killing spree. | 0:13:51 | 0:14:00 | |
This event really sliced a giant wound into the psyche of this town. | 0:14:00 | 0:14:03 | |
You have to remember that the shooting happened three years | 0:14:03 | 0:14:05 | |
after the JFK assassination, so the entire world had focused | 0:14:05 | 0:14:08 | |
its attention on Texas. | 0:14:08 | 0:14:09 | |
To have this happen on the heels of that really change the way | 0:14:09 | 0:14:12 | |
people around here saw themselves. | 0:14:12 | 0:14:13 | |
Today, Austin is much bigger than it was then. | 0:14:13 | 0:14:16 | |
16 people were killed, so the connection points went deep | 0:14:16 | 0:14:18 | |
throughout the community. | 0:14:18 | 0:14:41 | |
The film blends animation with live-action. | 0:14:41 | 0:14:42 | |
Using animation to simulate a mass killing sounds rather odd. | 0:14:42 | 0:14:45 | |
The words come from young people recounting | 0:14:45 | 0:14:47 | |
the oral history of the survivors. | 0:14:47 | 0:14:48 | |
One student who was shot said they really embraces what | 0:14:48 | 0:14:50 | |
the director did using animation. | 0:14:50 | 0:15:01 | |
It was so much better than acting or anything else would have been, | 0:15:01 | 0:15:04 | |
because they had the ability to get the idea across | 0:15:04 | 0:15:07 | |
much better with animation, it would have been wooden with actors | 0:15:07 | 0:15:10 | |
and actresses saying our words. | 0:15:10 | 0:15:11 | |
The sole purpose was to get oral history, and the animation | 0:15:11 | 0:15:14 | |
made it possible to do that. | 0:15:14 | 0:15:30 | |
You could have put it together using live actors in your docudrama. | 0:15:30 | 0:15:33 | |
What do you think animation brought to the final result? | 0:15:33 | 0:15:43 | |
When I pitched the animation to several producers I was rebuffed | 0:15:43 | 0:15:46 | |
because they said, no, this is such a personal story, and animation will | 0:15:46 | 0:15:49 | |
keep audiences at arm's length. | 0:15:49 | 0:15:50 | |
I have worked with animation, and I know the opposite is true. | 0:15:50 | 0:15:53 | |
There is a kind of intimacy you can get without the | 0:15:53 | 0:15:56 | |
tremendous production costs that I knew I wouldn't be able to afford. | 0:15:56 | 0:16:01 | |
This comes as a controversial law is debated, allowing students to | 0:16:01 | 0:16:04 | |
carry firearms onto campuses. | 0:16:04 | 0:16:20 | |
The fact that someone next to you in class could have a gun | 0:16:20 | 0:16:23 | |
in a backpack, that is absurd. | 0:16:24 | 0:16:25 | |
I do hope Texans see this movie and it makes them feel something and | 0:16:25 | 0:16:29 | |
they want to speak out about it. | 0:16:29 | 0:16:43 | |
Tower is not so much an overt political film as a look | 0:16:43 | 0:16:46 | |
at how humans respond to a crisis. | 0:16:46 | 0:16:48 | |
One of the most remarkable characters is | 0:16:48 | 0:16:50 | |
Claire Wilson, who was 18 years old and pregnant at the time. | 0:16:50 | 0:16:53 | |
Not only was she shot but she also lost her baby, | 0:16:53 | 0:16:56 | |
and her boyfriend, who was right next to her, died in the mayhem. | 0:16:56 | 0:16:59 | |
But she has forgiven Charles Whitman, the sniper | 0:16:59 | 0:17:01 | |
responsible for the slaughter. | 0:17:01 | 0:17:03 | |
I guess I just believe that people constantly are making choices, and | 0:17:03 | 0:17:06 | |
he made some really horrible choices that hurt us, and I can't blame him. | 0:17:06 | 0:17:10 | |
I think we all have the capacity for great evil in us, | 0:17:10 | 0:17:13 | |
but we just keep making choices do not act out that evil. | 0:17:13 | 0:17:35 | |
Tower is certainly engaged audiences at the festival | 0:17:35 | 0:17:37 | |
and won the top documentary prize. | 0:17:37 | 0:17:38 | |
Although it is a film showing gun slaughter it is | 0:17:38 | 0:17:41 | |
unlikely to shift entrenched opinion on gun ownership in Texas. | 0:17:41 | 0:17:43 | |
It does show without doubt the true heartbreak that firearms can bring. | 0:17:43 | 0:17:46 | |
There is a fair amount of biking in Austin, and one of the films | 0:17:46 | 0:17:50 | |
shown at the festival focused on a group of female cyclists whose | 0:17:50 | 0:17:53 | |
mission is to reclaim the streets. | 0:17:53 | 0:18:05 | |
They are also trying to dismantle a number of stereotypes. | 0:18:05 | 0:18:08 | |
The Ovarian Psychos sprung up in East Los Angeles in 2011, | 0:18:08 | 0:18:10 | |
a new force to be reckoned with. | 0:18:10 | 0:18:12 | |
They were eager to reclaim streets that could sometimes | 0:18:12 | 0:18:14 | |
be dangerous for women. | 0:18:14 | 0:18:17 | |
They have a very powerful look, they wear their politics on | 0:18:17 | 0:18:20 | |
the body, they wear bandannas over their faces, they have a hand sign. | 0:18:20 | 0:18:23 | |
Everything about them was so clever, so political and feminist | 0:18:23 | 0:18:26 | |
and unapologetic. | 0:18:26 | 0:18:58 | |
The films to first feature directors spent two years making a documentary | 0:18:58 | 0:19:01 | |
focusing on the Ovarian Psychos. | 0:19:01 | 0:19:03 | |
They wanted to debunk a number of stereotypes. | 0:19:03 | 0:19:11 | |
In the film we cover that they have been called a gang, that people have | 0:19:11 | 0:19:15 | |
really focused on the fact that they are brown and from East LA, | 0:19:15 | 0:19:18 | |
with this stereotypical language. | 0:19:18 | 0:19:19 | |
I am not one of them but I can imagine that would be | 0:19:19 | 0:19:23 | |
very frustrating, especially when the work they are | 0:19:23 | 0:19:25 | |
doing is incredibly political. | 0:19:25 | 0:19:32 | |
It was a dream to have a collective of women from our neighbourhood. | 0:19:32 | 0:19:40 | |
They wear bandanna masks, fiercely emblazoned with an image | 0:19:40 | 0:19:43 | |
of the uterus and fallopian tubes, partly to embrace their femininity, | 0:19:43 | 0:19:46 | |
but also as an attention-getting move to make people aware of their | 0:19:46 | 0:19:48 | |
commitment to community healing, reconciliation and antiviolence. | 0:19:48 | 0:19:57 | |
It is like a Trojan horse or a tool to get people interested. | 0:19:57 | 0:20:00 | |
A bit like Pussy Riot. | 0:20:00 | 0:20:02 | |
But the Ovarian Psychos themselves say that it is much more personal | 0:20:02 | 0:20:05 | |
and internal, and about healing and sisterhood and creating connections. | 0:20:05 | 0:20:15 | |
All of us have some kind of trauma in our lives. | 0:20:15 | 0:20:20 | |
For women, cycling can be a political act. | 0:20:20 | 0:20:22 | |
In the US in the early 20th century a woman riding a bike | 0:20:22 | 0:20:25 | |
could be labelled unladylike. | 0:20:25 | 0:20:26 | |
They have faced much backlash, as women engaging in fields considered | 0:20:26 | 0:20:29 | |
the domain of men always have. | 0:20:29 | 0:20:39 | |
I think it has become second nature. | 0:20:39 | 0:20:41 | |
Yes, it is a political act to get together as a group of women | 0:20:41 | 0:20:44 | |
and ride and claim space. | 0:20:44 | 0:20:57 | |
For the filmmakers, earning the trust of the | 0:20:57 | 0:20:58 | |
Ovarian Psychos was a long journey. | 0:20:58 | 0:21:00 | |
I am a white filmmaker, making a film about an organisation | 0:21:00 | 0:21:03 | |
of women of colour, and it was not without complications. | 0:21:03 | 0:21:05 | |
We had to have many conversations off camera in order | 0:21:05 | 0:21:08 | |
to build trust and rapport. | 0:21:08 | 0:21:17 | |
Texas is a state where 37% of the population is Hispanic. | 0:21:17 | 0:21:20 | |
But films about the lives of Hispanics and Latinos don't | 0:21:20 | 0:21:22 | |
feature that prominently in South by Southwest's film line-up. | 0:21:22 | 0:21:25 | |
It is about the experience of Latinos living in another state. | 0:21:25 | 0:21:27 | |
In the US media landscape that often exploits conflict among women, | 0:21:27 | 0:21:30 | |
such as on the Real Housewives programmes, the Psychos | 0:21:30 | 0:21:33 | |
and their filmmakers give what many find is a welcome portrait | 0:21:33 | 0:21:35 | |
of female solidarity and support. | 0:21:35 | 0:21:57 | |
That brings this edition to a close. | 0:21:57 | 0:21:59 | |
We hope you enjoyed the show. | 0:21:59 | 0:22:00 | |
You can always reach us online at our website, | 0:22:00 | 0:22:02 | |
and you can find us on Facebook. | 0:22:03 | 0:22:04 | |
From us, here in Austin in Texas, it is goodbye as we leave you with | 0:22:04 | 0:22:08 | |
a clip from a Gary Numan documentary shown here at SXSW. | 0:22:08 | 0:22:29 | |
Good morning. | 0:23:11 | 0:23:13 | |
It has been a predominantly dry week, but each | 0:23:13 | 0:23:15 |