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The name is Tom broke and welcome to this special Spectre version of | :00:00. | :00:39. | |
Talking Movies. We will find out if the picture is any good. If you are | :00:40. | :00:43. | |
looking for anything that is in a James Bond movie, it is in Spectre. | :00:44. | :00:47. | |
James Bond looks back on his brethren from yesteryear. Do you | :00:48. | :00:53. | |
expect me to talk? No Mr Bond, I expect you to die. And with a | :00:54. | :00:58. | |
51-year-old woman on board, is the franchise finally coming into its | :00:59. | :01:02. | |
own in terms of depictions of women? He is finally with a woman | :01:03. | :01:08. | |
who is mature, so I think it is revolutionary in some ways. And two | :01:09. | :01:12. | |
will take on the role of James Bond once Daniel Craig calls it quits? | :01:13. | :01:17. | |
They just have to make the films as good as they can. All that and more | :01:18. | :01:20. | |
in this special James Bond edition of Talking Movies. Spectre is now | :01:21. | :01:33. | |
very much in our midst, the 24th official Bond movie with Daniel | :01:34. | :01:36. | |
Craig making his fourth outing is 007. It has been three years since | :01:37. | :01:40. | |
the last Bond movie, sky fall, and the new picture is the most | :01:41. | :01:45. | |
expensive Bond film ever made and is getting good reviews puppy it should | :01:46. | :01:52. | |
be pleasing to a broad amount of movie-goers and not just James Bond | :01:53. | :02:04. | |
fans who are delighted with all be allusions to earlier films. British | :02:05. | :02:09. | |
critics had seen the film two days earlier, before the premiere, and | :02:10. | :02:14. | |
most were impressed. This is the sum of all James Bond movies. Everything | :02:15. | :02:18. | |
you want is there, from an Aston Martin car chase to a big brute | :02:19. | :02:22. | |
hurling someone through a chain carriage -- train, to a beautiful | :02:23. | :02:28. | |
woman, Q is there, even a fluffy white cat. Everything you want from | :02:29. | :02:34. | |
a Bond movie is in Spectre. That the film is thin on plot doesn't seem to | :02:35. | :02:38. | |
be preventing you from pleasing loyal audiences and it starts with a | :02:39. | :02:41. | |
truly dynamic opening in Mexico City. The action thereafter takes | :02:42. | :02:45. | |
Bond to Rome where there is a car chase in the Austrian Alps. This new | :02:46. | :02:53. | |
picture arrives on the scene just after sky fall which broke records | :02:54. | :03:03. | |
for a Bond film and won enthusiastic reviews -- Skyfall. The challenge | :03:04. | :03:06. | |
for Director Sam Mendes and Daniel Craig was how to top it. We had a | :03:07. | :03:12. | |
conversation about what we would do, but actually, once you start the | :03:13. | :03:16. | |
creative process, you go, look, this is going to have to move on, we're | :03:17. | :03:20. | |
going to make a better movie, we're going to move on and we said from | :03:21. | :03:23. | |
the beginning that we want to celebrate what a Bond movie is. | :03:24. | :03:31. | |
007. Q. Bond fans will notice much in this film familiar from past to | :03:32. | :03:35. | |
James Bond adventures, from the evil Spectre, the criminal investigation | :03:36. | :03:39. | |
that Bond is up against to the militant. The question is how to use | :03:40. | :03:43. | |
things from his past in a new and fresh way -- villain. To make it but | :03:44. | :03:49. | |
contemporary and classic, both retro and cutting-edge. This organisation, | :03:50. | :03:55. | |
do you know which is called? Its name is Spectre. There is a | :03:56. | :03:59. | |
political subtext in the film, warning that the dangers -- warning | :04:00. | :04:08. | |
about the dangers when the government has total surveillance | :04:09. | :04:10. | |
powers. I agree that cyber hacking is the problem, the great rest of | :04:11. | :04:16. | |
today, but it doesn't make for a very interesting dramatic villain. I | :04:17. | :04:20. | |
think computers on screen are always very dull, it is just people | :04:21. | :04:24. | |
typing. For Daniel Craig, it was important that he did more than just | :04:25. | :04:28. | |
play James Bond in this enterprise. I have been involved with it, I have | :04:29. | :04:32. | |
been allowed to be involved in every aspect of the film we have been | :04:33. | :04:34. | |
making and I filter modestly proud of it. -- I feel tremendously proud | :04:35. | :04:42. | |
of it. This has been the high point of my career. Spectre is now being | :04:43. | :04:45. | |
seen internationally after opening in the UK two weeks ago. As | :04:46. | :04:49. | |
mentioned, the critical response at the time of the British launch was | :04:50. | :04:53. | |
quite favourable. So what is being going on with critics around the | :04:54. | :04:57. | |
world? Now we go to our correspondent. Mr Bond graciously | :04:58. | :05:03. | |
lent me this Aston Martin so I could report on what critics around the | :05:04. | :05:06. | |
world pick up a new film. Unfortunately, I may need to use it | :05:07. | :05:10. | |
as a getaway car because reviews have been as mixed as one of James | :05:11. | :05:16. | |
Bond's martinis. Critics in the UK found Spectre to be very good, with | :05:17. | :05:24. | |
high reviews from several publications including the Telegraph | :05:25. | :05:27. | |
and the Guardian soppy further afield, reviews from Canada were | :05:28. | :05:30. | |
similarly positive but the Irish Times on the other hand, gave | :05:31. | :05:35. | |
Spectre only three stars out of five. One of the leading pop-culture | :05:36. | :05:43. | |
websites in Brazil called Spectre tired and declared Daniel Craig's | :05:44. | :05:48. | |
acting to be dull. Why should I trust you? Because right now, I'm | :05:49. | :05:53. | |
your best chance of staying alive. But it was in the US where | :05:54. | :05:56. | |
Spectre's license to thrill was truly revoked. Multiple critics | :05:57. | :06:01. | |
there called Spectre overly long, unsatisfying and in elegant with | :06:02. | :06:06. | |
Forbes magazine going so far as to call Spectre, the worst Bond film in | :06:07. | :06:12. | |
30 years. Shocking. Positively shocking. But even if Spectre has | :06:13. | :06:16. | |
left some critics called, the film is poised to shatter worldwide box | :06:17. | :06:20. | |
office records and has already done so in the UK. One thing is certain, | :06:21. | :06:30. | |
James Bond will return. Bond cars are very much part of Bond's world. | :06:31. | :06:36. | |
It is quite a masculine universe that James Bond inhabits and he is | :06:37. | :06:39. | |
no paragon of feminist virtue but the new film does go some way | :06:40. | :06:44. | |
towards addressing concerns that the franchise is overly sexist with its | :06:45. | :06:47. | |
focus on alluring Bond girls who are often quite disposable. Now we go to | :06:48. | :06:55. | |
our correspondent. This classic image of Ursula Andress walking out | :06:56. | :07:00. | |
of the ocean in the first part of the movie Doctor Note was in 1962 | :07:01. | :07:06. | |
and was the version of the Bond girl that became seared into the mind of | :07:07. | :07:08. | |
a generation of movie-goers. According to this actress who plays | :07:09. | :07:13. | |
a Bond girl in this film come there has thirdly been an evolution in the | :07:14. | :07:18. | |
way Bond women are represented, at least in respect to her own | :07:19. | :07:22. | |
character. I don't see her as a Bond girl. She's more of a real | :07:23. | :07:27. | |
character. She's not like the cliche of the Bond girl. I think Madeleine | :07:28. | :07:32. | |
is very different from what you would expect. Well, I can tell you | :07:33. | :07:39. | |
that I don't trust you. Thing you have impeccable instincts. What is | :07:40. | :07:41. | |
particularly significant in relation to Spectre is the casting of | :07:42. | :07:47. | |
51-year-old actress Monica Belluci, the oldest Bond woman in franchise | :07:48. | :07:52. | |
history, championed by director Sam Mendes. I am mature, and I think it | :07:53. | :07:56. | |
is the first time that we have seen Bond with a woman who is mature. It | :07:57. | :08:03. | |
is revolutionary in some ways. Also, Sam wanted to represent this woman | :08:04. | :08:08. | |
in her 50s. The Bond girl has caught the attention of double is seven and | :08:09. | :08:12. | |
that of academics at universities around the world, including here in | :08:13. | :08:18. | |
the United States were scholars to scrutinize the Bond girl phenomenon | :08:19. | :08:22. | |
and many see the casting of Monica Bellucci as significant. I think it | :08:23. | :08:26. | |
is important insofar as in the past, we have seen Bond girls who were | :08:27. | :08:30. | |
sort of mere accessories. Now there is a movement towards developing | :08:31. | :08:34. | |
characters that have a little bit more of a background, and depth to | :08:35. | :08:39. | |
their stories and I think somebody like her can bring that to the four. | :08:40. | :08:45. | |
But not everybody is impressed by Monica Belluci's presents. There | :08:46. | :08:48. | |
have been complaints of how little of her ends up on screen. I was | :08:49. | :08:53. | |
thrilled to hear that Monica Bellucci was cast as a Bond girl, a | :08:54. | :08:57. | |
Bond woman. I was disappointed that she was in it so briefly. She was | :08:58. | :09:01. | |
just used and chewed and spat out like any other Bond girl and I think | :09:02. | :09:05. | |
it was a terrible waste of a brilliant actress. Academics have | :09:06. | :09:08. | |
criticized the disposability of Bond girls for a long time. But it would | :09:09. | :09:13. | |
be a stretch to imagine, you think of women as disposable pleasures | :09:14. | :09:18. | |
rather than meaningful pursuits. At the end of it, she is either killed, | :09:19. | :09:23. | |
disposed, replaced by someone else, and she's always really in accessory | :09:24. | :09:27. | |
to Bond, to show that he is up to date with his woman, just like he is | :09:28. | :09:31. | |
with his cars and other gadgets. My name is pussy galore. I must be | :09:32. | :09:42. | |
dreaming. Critics say there is a long way still to go before a Bond | :09:43. | :09:47. | |
girl is even with her predecessor. A stronger bond woman could possibly | :09:48. | :09:51. | |
lead to stronger storytelling. I can look after myself. That's beside the | :09:52. | :09:57. | |
point. Even if they just did simple things like initiated the | :09:58. | :10:00. | |
investigation with the woman, enlisting Bond as an equal | :10:01. | :10:05. | |
helpmate, and do go on and have a life, even if we don't follow it on | :10:06. | :10:09. | |
screen, which we are not going to. Also a Bond girl who refuses Bond | :10:10. | :10:15. | |
but not on the grounds of playing for the sexual chemistry of refusal. | :10:16. | :10:22. | |
Those would be great strategies. I'm beginning to like you, Mr Bond. The | :10:23. | :10:27. | |
original Bond formula could seem like Ian Fleming has set up | :10:28. | :10:31. | |
expectations with producers of the franchise cannot disregard, striking | :10:32. | :10:35. | |
a balance between staying true to the Bond formula and adjusting to | :10:36. | :10:37. | |
the changing status of women through the decades. It is what Bond films | :10:38. | :10:42. | |
now and in the future will have to wrestle with. I think you have made | :10:43. | :10:49. | |
your point, thank you for the demonstration. Choose your next | :10:50. | :10:54. | |
criticism carefully, Mr Bond, it may be your last. There have been some | :10:55. | :11:02. | |
legendary James Bond villains. Along with the glamorous location, Bond | :11:03. | :11:06. | |
girls and fast cars come of the Bond villain is an indispensable part of | :11:07. | :11:10. | |
the franchise. We go back in history to look at some of the more | :11:11. | :11:14. | |
notorious Bond villains to see what they represented to audiences at the | :11:15. | :11:19. | |
time. In Washington, DC at this museum, there is a special | :11:20. | :11:23. | |
exhibition looking back at Bond villains and the latest artifacts | :11:24. | :11:26. | |
from the last 50 years. It is clear that each villain is very much a | :11:27. | :11:29. | |
product at the time period in which the film in which they appear was | :11:30. | :11:33. | |
made. The ideas that Bond villains are chosen specific reason. Their | :11:34. | :11:37. | |
chosen because that is the world is afraid of at the time the movie | :11:38. | :11:41. | |
comes out. It has to be somebody who has some menace to him or her in | :11:42. | :11:49. | |
some cases. You must be working for the East? Just points on the | :11:50. | :11:57. | |
compass. Doctor Note was one of the most mid- tour is villains and he | :11:58. | :12:01. | |
plotted nuclear mayhem from his Caribbean lair. This was pertinent | :12:02. | :12:07. | |
subject matter at the time of the Cuban missile crisis. He was a lose | :12:08. | :12:12. | |
cannon. He was tried to start a nuclear war and people like that | :12:13. | :12:20. | |
have the menace to do what American politicians and the Soviet | :12:21. | :12:23. | |
politicians were not willing to do. Kill everybody on earth. The real | :12:24. | :12:29. | |
fear was, you had a guy you just didn't care. Another notorious Bond | :12:30. | :12:35. | |
villain is this one seen here in this film. He has appeared in | :12:36. | :12:39. | |
numerous Bond films. You only live twice, Mr Bond. Target vehicle | :12:40. | :12:45. | |
passing of her central Russia. So what about nowadays? What forces are | :12:46. | :12:54. | |
shaping current James Bond villains ? Skyfall is as advanced as you can | :12:55. | :13:01. | |
get because cyber terrorism is at the heart of it and that has become | :13:02. | :13:05. | |
a national security consideration for the United States, replacing | :13:06. | :13:08. | |
terrorism as the number one foreign-policy concern. That brings | :13:09. | :13:13. | |
us to the latest Bond film, Spectre with the villain played by Christoph | :13:14. | :13:17. | |
Waltz. Border critics making of him? Are they travelling in their | :13:18. | :13:21. | |
boots? When we found out that Christoph Waltz was cast as the Bond | :13:22. | :13:28. | |
villain, everyone was very excited because he is done so well for | :13:29. | :13:32. | |
Quentin Tarantino what he doesn't quite have the same threat here as | :13:33. | :13:35. | |
he brought to that. Something was missing from this villain, and it | :13:36. | :13:41. | |
lessened the dramatic impact of this bond. I wasn't fearful of him. He | :13:42. | :13:46. | |
may be having less of an impact because he has less screen time | :13:47. | :13:49. | |
compared to villains in previous Bond films. But the actor doesn't | :13:50. | :13:55. | |
buy that. The villain never has a lot of screen time. He doesn't need | :13:56. | :14:03. | |
a lot of screen time. And I feel that I haven't been deprived of | :14:04. | :14:09. | |
screen time in this case, at all. That is the economy of storytelling, | :14:10. | :14:14. | |
you do what is necessary. It would be a big spoiler to reveal exactly | :14:15. | :14:20. | |
who he is, budget is fair to say that he is an archetypal Bond | :14:21. | :14:23. | |
villain, not totally unfamiliar to true Bond aficionados. I will leave | :14:24. | :14:25. | |
it at that. Spectre makes use of many different | :14:26. | :14:37. | |
locations, not just London but also Austria, Italy and Mexico City for | :14:38. | :14:44. | |
the film's opening sequence. We have been taking a look at what Bond | :14:45. | :14:49. | |
means to those locations at the enough to have 007 operating in | :14:50. | :14:52. | |
their midst. When we think the bond, we | :14:53. | :14:56. | |
inevitably think of the gadgets, the girls and the licence to kill. But | :14:57. | :15:00. | |
one of the most enduring aspects of the franchise has been Bond's | :15:01. | :15:05. | |
licence to travel. Over 24 films, he has certainly racked up the air | :15:06. | :15:10. | |
miles, visiting over 40 countries on Her Majesty 's Secret Service. When | :15:11. | :15:13. | |
the films started in the 1960s it the films started in the 1960s it | :15:14. | :15:18. | |
was a lot of wish fulfilment. Can't decide you were not able to visit | :15:19. | :15:22. | |
the places you saw on the screen. Nowadays, travel is a lot easier and | :15:23. | :15:27. | |
less expensive. You can easily find out where Bond has been filming. You | :15:28. | :15:34. | |
might want to go visit that incredibly posh bar or hotel or | :15:35. | :15:40. | |
fabulous beach shown on screen. The opening sequence of Spectre sees | :15:41. | :15:45. | |
Bond apparently on holiday during the day of the dead Festival in | :15:46. | :15:50. | |
Mexico City. At the time it was reported that the film received tens | :15:51. | :15:53. | |
of millions of dollars in tax incentives from the country in order | :15:54. | :15:57. | |
to film there and to help portray Mexico in a positive light. If you | :15:58. | :16:04. | |
want to shoot in an exotic place and you want to have the tax benefits | :16:05. | :16:08. | |
from it, you make it look as nice as possible. You certainly do not want | :16:09. | :16:13. | |
to put Bond in the middle of Mexico City and make it look like an | :16:14. | :16:16. | |
undesirable place. One of the notable features of the great era | :16:17. | :16:22. | |
has been the increased presence of the UK in his adventures. Some of | :16:23. | :16:29. | |
Spectre's most intense action sequences take place right here in | :16:30. | :16:34. | |
the heart of London, with a particularly intense chase involving | :16:35. | :16:37. | |
Westminster Bridge. They want to use the city as a character in its own | :16:38. | :16:48. | |
right. Bond has also become a poster boy for British tourism, an icon | :16:49. | :16:53. | |
that can resonate around the world. The glamour and the luxury and the | :16:54. | :17:00. | |
excitement that comes with Bond is absolutely something we want to talk | :17:01. | :17:04. | |
about as being part of the experience of coming to Britain. It | :17:05. | :17:10. | |
is a collaboration for us, a real opportunity to make the film have | :17:11. | :17:17. | |
global reach. Visitors to Glencoe in Scotland increased by over 40% after | :17:18. | :17:23. | |
it appeared in the climax of Skyfall. Those nations the trick in | :17:24. | :17:28. | |
Spectre will be hoping for a similar boost to the international profile. | :17:29. | :17:33. | |
Countries around the world will be happy for him to pop by for a visit. | :17:34. | :17:39. | |
Even if he does cause all kinds of mayhem. | :17:40. | :17:48. | |
In the new Bond film, Spectre, 007 does spend some time in London. He | :17:49. | :17:55. | |
is mostly off in distant locations. How much longer can he spent | :17:56. | :17:58. | |
gallivanting around the world as James Bond? He is reportedly under | :17:59. | :18:03. | |
contract to do one more film after Spectre. But in recent interviews he | :18:04. | :18:07. | |
has given the impression he might not be that interested in | :18:08. | :18:11. | |
continuing. So who will take over if he decides to call it quits? They | :18:12. | :18:18. | |
just have to be good, I hope, make the film is as good as you can. The | :18:19. | :18:23. | |
actor who does pick up the reins from Daniel Craig will join an elite | :18:24. | :18:29. | |
group immortalised in wax. There are some obvious qualifications. The | :18:30. | :18:33. | |
main qualification, the actor has to be able to act, we never have a poor | :18:34. | :18:41. | |
actor. Obviously you have to be a fairly handsome guy. But it is more | :18:42. | :18:47. | |
than just a pretty face and a dry martini. He is a multifaceted | :18:48. | :18:51. | |
character and any actor will have to betray that. That is the view of the | :18:52. | :18:58. | |
fans in this British teashop. He is capable of extreme internal pain, | :18:59. | :19:06. | |
but also is a killer. He has a certain feeling of responsibility | :19:07. | :19:12. | |
and position. It is a very complex character. You have got a secret. | :19:13. | :19:20. | |
Actors from around the world have been mentioned as candidates. Wood | :19:21. | :19:23. | |
Bradley Cooper be interested in the role? God no. I am a Bond watcher. | :19:24. | :19:32. | |
Bond has got to be British. Maybe it could be another actor somewhere | :19:33. | :19:38. | |
else. Chances are the next actor to play Bond will be British. Or a | :19:39. | :19:42. | |
convincing enough to pass as a Brit. Who are Bond fans looking to replace | :19:43. | :19:50. | |
Daniel? Tommy Winston. Proven box office, hard hit, good solid theatre | :19:51. | :19:59. | |
actor. How about we give it to Damian Lewis? I think Damian Lewis | :20:00. | :20:06. | |
could get away with it. It needs to be a combination of Benedict | :20:07. | :20:09. | |
Cumberbatch and Tom Hardy. The iron fist in the sort of. You need both | :20:10. | :20:16. | |
of those components. I would like Tom Hardy to replace Daniel Craig. I | :20:17. | :20:21. | |
thought he was really good in Legends, very good-looking. I think | :20:22. | :20:25. | |
he would be good follow on. Another strong candidate is British actor | :20:26. | :20:34. | |
Idris Elba. Some think a black Bond would not conform to in Fleming's | :20:35. | :20:39. | |
original vision. It is not being intolerant or bigoted to say that | :20:40. | :20:45. | |
certain characters are so legendary and so indelible to popular culture | :20:46. | :20:51. | |
that the shock would be jarring. It would not be the James Bond that we | :20:52. | :20:56. | |
know. But actor Matthew Rees, mentioned as a possible future Bond | :20:57. | :21:00. | |
himself, likes the idea of Idris Elba in the role. It would be | :21:01. | :21:07. | |
fantastic. Ian Fleming created something that has involved. I | :21:08. | :21:15. | |
thought you came here to die. It is all a matter of perspective. Whether | :21:16. | :21:19. | |
it takes over will find out that their life has been changed. I knew | :21:20. | :21:24. | |
that it would pay my life upside down and it did. I am still enjoying | :21:25. | :21:39. | |
it. More than I ever did. That brings the special Spectre edition | :21:40. | :21:44. | |
of talking movies to a close. We hope you have enjoyed the programme. | :21:45. | :21:50. | |
You can always find us online. And you can find us on Facebook as well. | :21:51. | :21:55. | |
From me and the rest of the production team in New York and | :21:56. | :21:58. | |
London, it is good by as we leave you with the Spectre the theme song | :21:59. | :22:05. | |
from Sam Smith. I have been here before. | :22:06. | :22:16. | |
But always hear before. I have spent a lifetime running. | :22:17. | :22:24. | |
And I always get away. But with you I am feeling | :22:25. | :22:28. | |
something. That makes me want to stay. | :22:29. | :22:38. | |
I am prepared for this. I never shoot to mess. | :22:39. | :22:50. | |
18 degrees makes it very mild through the day on Friday. | :22:51. | :22:53. | |
We keep that mild theme through the day, both Saturday and Sunday. | :22:54. | :22:57. |