In Conversation With James Nesbitt The Arts Show


In Conversation With James Nesbitt

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This programme contains strong language and scenes which some

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language and scenes which some James Nesbitt is one of Northern

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James Nesbitt is one of Northern Ireland's best-known actors. Agenda

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Ireland's best-known actors. Agenda Ireland's best-known actors. Agenda

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and a leading man. Raised in and a leading man. Raised in

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and a leading man. Raised in Broughshane in County Antrim, his

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Broughshane in County Antrim, his Broughshane in County Antrim, his

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name provides plenty of star power name provides plenty of star power

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name provides plenty of star power to fuel hit drama series from

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to fuel hit drama series from Jekyll... Occupation... And Munro...

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Jekyll... Occupation... And Munro... Jekyll... Occupation... And Munro...

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He has appeared in films by He has appeared in films by

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He has appeared in films by renowned directors such as Michael

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renowned directors such as Michael Winterbottom, Paul Greengrass.

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Winterbottom, Paul Greengrass. James Nesbitt is instantly

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James Nesbitt is instantly James Nesbitt is instantly

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recognisable but he is constantly recognisable but he is constantly

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challenging himself by choosing challenging himself by choosing

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diverse roles and complex diverse roles and complex

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diverse roles and complex characters. From the charming at an

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characters. From the charming at an characters. From the charming at an

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in Cold Feet... To an aggressive in Cold Feet... To an aggressive

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in Cold Feet... To an aggressive undercover cop in Murphy's Law. We

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undercover cop in Murphy's Law. We undercover cop in Murphy's Law. We

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filmed James Nesbitt in Coleraine filmed James Nesbitt in Coleraine

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filmed James Nesbitt in Coleraine filmed James Nesbitt in Coleraine

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when he was there in Israel as when he was there in Israel as

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when he was there in Israel as Chancellor of the University of

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Chancellor of the University of Chancellor of the University of

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Chancellor of the University of Ulster and he revealed how much he

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Ulster and he revealed how much he Ulster and he revealed how much he

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misses Northern Ireland by not year. misses Northern Ireland by not year.

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misses Northern Ireland by not year. misses Northern Ireland by not year.

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His work now takes him around the His work now takes him around the

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His work now takes him around the His work now takes him around the

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world and he is best known to a world and he is best known to a

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world and he is best known to a world and he is best known to a

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global audience as a dwarf in Peter global audience as a dwarf in Peter

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global audience as a dwarf in Peter Jackson's epic prequel to the Lord

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Jackson's epic prequel to the Lord Jackson's epic prequel to the Lord

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Of the Rings trilogy, The Hobbit. Of the Rings trilogy, The Hobbit.

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Of the Rings trilogy, The Hobbit. Incineration? I will melt the flesh

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Incineration? I will melt the flesh Incineration? I will melt the flesh

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Incineration? I will melt the flesh off your bones. I feel faint. I

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off your bones. I feel faint. I off your bones. I feel faint. I

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need some air. Flash of light, need some air. Flash of light,

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need some air. Flash of light, searing pain. And you're nothing

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searing pain. And you're nothing searing pain. And you're nothing

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searing pain. And you're nothing more than a pile of ash. What was

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more than a pile of ash. What was more than a pile of ash. What was

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more than a pile of ash. What was that like? Yes, I am delighted to

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that like? Yes, I am delighted to that like? Yes, I am delighted to

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that like? Yes, I am delighted to say he is Northern Irish, touch of

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say he is Northern Irish, touch of say he is Northern Irish, touch of

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Ballymena. Of course, the epic Ballymena. Of course, the epic

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Ballymena. Of course, the epic nature was incredible, nothing can

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nature was incredible, nothing can nature was incredible, nothing can

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nature was incredible, nothing can prepare you for this. It they have

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prepare you for this. It they have prepare you for this. It they have

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prepare you for this. It they have created such a look at the Zurich,

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created such a look at the Zurich, created such a look at the Zurich,

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created such a look at the Zurich, it is going to blow people away.

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it is going to blow people away. it is going to blow people away.

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Brilliant to work with Peter, an Brilliant to work with Peter, an

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incredibly down-to-earth genius. incredibly down-to-earth genius.

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incredibly down-to-earth genius. Down to Middle Earth. And an

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Down to Middle Earth. And an Down to Middle Earth. And an

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incredible cast, Ian McKellen, 73, incredible cast, Ian McKellen, 73,

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incredible cast, Ian McKellen, 73, incredible cast, Ian McKellen, 73,

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the best education I could have had. the best education I could have had.

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the best education I could have had. the best education I could have had.

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At an important time, as I myself At an important time, as I myself

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At an important time, as I myself At an important time, as I myself

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am heading into the edge of middle am heading into the edge of middle

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am heading into the edge of middle am heading into the edge of middle

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age. Just to see him so dedicated age. Just to see him so dedicated

:02:52.:02:55.

age. Just to see him so dedicated age. Just to see him so dedicated

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to his craft. To see the discipline to his craft. To see the discipline

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to his craft. To see the discipline and the inventiveness and it was

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and the inventiveness and it was and the inventiveness and it was

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just wonderful and he was an just wonderful and he was an

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inspiration. And Cate Blanchett, inspiration. And Cate Blanchett,

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inspiration. And Cate Blanchett, inspiration. And Cate Blanchett,

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many of them... What about Lego?I many of them... What about Lego?I

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many of them... What about Lego?I many of them... What about Lego?I

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was never into this. But I love was never into this. But I love

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was never into this. But I love these children, taking off my hat

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these children, taking off my hat these children, taking off my hat

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these children, taking off my hat and this going up the noses of

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and this going up the noses of and this going up the noses of

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children around the world. And children around the world. And

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children around the world. And history will show, if interested,

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history will show, if interested, history will show, if interested,

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history will show, if interested, history will show, if interested,

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but I was one of the awards in The but I was one of the awards in The

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but I was one of the awards in The Hobbit. We are in a television

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Hobbit. We are in a television Hobbit. We are in a television

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studio at the University of Ulster studio at the University of Ulster

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studio at the University of Ulster in Coleraine and you are the

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in Coleraine and you are the in Coleraine and you are the

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Chancellor, pretty fancy? I come Chancellor, pretty fancy? I come

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Chancellor, pretty fancy? I come from a background in education and

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from a background in education and from a background in education and

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it is something I take seriously it is something I take seriously

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it is something I take seriously it is something I take seriously

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and I have been on a whistle-stop and I have been on a whistle-stop

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tour, seeing the incredible tour, seeing the incredible

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tour, seeing the incredible research and teaching. When I come

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research and teaching. When I come research and teaching. When I come

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here, everybody calls me Chancellor. here, everybody calls me Chancellor.

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here, everybody calls me Chancellor. I think they're calling me to

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I think they're calling me to I think they're calling me to

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answer! -- chances. James was answer! -- chances. James was

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answer! -- chances. James was raised in Broughshane in the hard-

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raised in Broughshane in the hard- working heartland of northern

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working heartland of northern working heartland of northern

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Ireland. His family moved to Ireland. His family moved to

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Ireland. His family moved to Ireland. His family moved to

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Cumbrian and at 14 he made his Cumbrian and at 14 he made his

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Cumbrian and at 14 he made his first appearance on stage in all

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first appearance on stage in all first appearance on stage in all

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over at the Riverside Theatre. over at the Riverside Theatre.

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over at the Riverside Theatre. played the part of the artful

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played the part of the artful played the part of the artful

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played the part of the artful Dodger. Why am I not surprised?For

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Dodger. Why am I not surprised?For Dodger. Why am I not surprised?For

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Dodger. Why am I not surprised?For it was a great production. And Mark

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it was a great production. And Mark it was a great production. And Mark

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Carruthers was Oliver Twist. Why am Carruthers was Oliver Twist. Why am

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Carruthers was Oliver Twist. Why am Carruthers was Oliver Twist. Why am

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I not surprised? At that stage it I not surprised? At that stage it

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I not surprised? At that stage it I not surprised? At that stage it

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was a good way of getting off was a good way of getting off

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was a good way of getting off school but in retrospect, it opened

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school but in retrospect, it opened school but in retrospect, it opened

:04:38.:04:38.

school but in retrospect, it opened what turned out to be quite an

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what turned out to be quite an what turned out to be quite an

:04:40.:04:42.

important and magical door for me. important and magical door for me.

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Enter something that would Enter something that would

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Enter something that would eventually become my vocation but

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eventually become my vocation but eventually become my vocation but

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eventually become my vocation but it just felt... Like coming home at

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it just felt... Like coming home at it just felt... Like coming home at

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it just felt... Like coming home at an early stage. And all that jazz!

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an early stage. And all that jazz! an early stage. And all that jazz!

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Good posture! Oh, God! Gorgeous Good posture! Oh, God! Gorgeous

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Good posture! Oh, God! Gorgeous Good posture! Oh, God! Gorgeous

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young boy, 16 years old. But you young boy, 16 years old. But you

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young boy, 16 years old. But you young boy, 16 years old. But you

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can see that sparkle in Your eyes. can see that sparkle in Your eyes.

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can see that sparkle in Your eyes. You can see him absolutely loving

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You can see him absolutely loving You can see him absolutely loving

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the camera and the camera loving the camera and the camera loving

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the camera and the camera loving the camera and the camera loving

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him. That was not a bad song. It's him. That was not a bad song. It's

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him. That was not a bad song. It's interesting to see that we were

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interesting to see that we were learning the craft, learning

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learning the craft, learning learning the craft, learning

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different skills. And that is different skills. And that is

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different skills. And that is different skills. And that is

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really, I have tried to hold on to really, I have tried to hold on to

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:05:39.:05:39.

really, I have tried to hold on to that. Still learning. Postal order?

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that. Still learning. Postal order? that. Still learning. Postal order?

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that. Still learning. Postal order? Yes. Cash? I suggest cash was the

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Yes. Cash? I suggest cash was the Yes. Cash? I suggest cash was the

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truth. They in his mid-teens, James truth. They in his mid-teens, James

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truth. They in his mid-teens, James truth. They in his mid-teens, James

:05:53.:05:54.

saw an old film on television. The saw an old film on television. The

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saw an old film on television. The Winslow Boy. And its star give

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Winslow Boy. And its star give Winslow Boy. And its star give

:05:58.:05:59.

Adams of the possibilities that Adams of the possibilities that

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Adams of the possibilities that acting offered in this pivotal

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acting offered in this pivotal acting offered in this pivotal

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scene. I was absolutely captivated scene. I was absolutely captivated

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scene. I was absolutely captivated and remember seeing this for the

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and remember seeing this for the and remember seeing this for the

:06:08.:06:08.

first time, this was something that first time, this was something that

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first time, this was something that first time, this was something that

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I was seduced by. The ability to I was seduced by. The ability to

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I was seduced by. The ability to have the authority, to be truthful

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have the authority, to be truthful playing this real-life character.

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playing this real-life character. playing this real-life character.

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Based on Edward Carson, who Based on Edward Carson, who

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Based on Edward Carson, who defended this young boy. He was

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defended this young boy. He was defended this young boy. He was

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accused of stealing. But his accused of stealing. But his

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accused of stealing. But his performance, I just remember as

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performance, I just remember as performance, I just remember as

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performance, I just remember as being something that I wanted to be

:06:32.:06:34.

being something that I wanted to be being something that I wanted to be

:06:34.:06:35.

being something that I wanted to be part of but I was struck by the

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part of but I was struck by the part of but I was struck by the

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part of but I was struck by the power of the film. I could see the

:06:41.:06:43.

power of the film. I could see the power of the film. I could see the

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power of writing. And film. And power of writing. And film. And

:06:47.:06:49.

power of writing. And film. And performance. The time has come to

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performance. The time has come to performance. The time has come to

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undo some of that mystery... By undo some of that mystery... By

:06:53.:06:54.

undo some of that mystery... By confessing that you are a forger,

:06:54.:06:57.

confessing that you are a forger, confessing that you are a forger,

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confessing that you are a forger, confessing that you are a forger,

:06:58.:06:59.

liar and a thief. I do not do it. liar and a thief. I do not do it.

:06:59.:07:00.

liar and a thief. I do not do it. liar and a thief. I do not do it.

:07:00.:07:01.

There was a major hurdle that James There was a major hurdle that James

:07:01.:07:03.

There was a major hurdle that James There was a major hurdle that James

:07:03.:07:04.

had to overcome. A came from a had to overcome. A came from a

:07:04.:07:06.

had to overcome. A came from a family of teachers. By father and

:07:06.:07:08.

family of teachers. By father and family of teachers. By father and

:07:08.:07:10.

my three sisters. Back career in my three sisters. Back career in

:07:10.:07:11.

my three sisters. Back career in theatre would have been frowned

:07:11.:07:12.

theatre would have been frowned theatre would have been frowned

:07:12.:07:13.

upon so I believed subconsciously upon so I believed subconsciously

:07:13.:07:15.

upon so I believed subconsciously that. I started my degree in

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that. I started my degree in that. I started my degree in

:07:16.:07:17.

Jordanstown, with the idea of Jordanstown, with the idea of

:07:17.:07:18.

Jordanstown, with the idea of Jordanstown, with the idea of

:07:18.:07:20.

becoming a French teacher but I was becoming a French teacher but I was

:07:20.:07:21.

becoming a French teacher but I was very rarely coming to college, I

:07:21.:07:23.

very rarely coming to college, I very rarely coming to college, I

:07:23.:07:24.

very rarely coming to college, I had about Equity card, which I got

:07:24.:07:25.

had about Equity card, which I got had about Equity card, which I got

:07:25.:07:26.

had about Equity card, which I got at the Riverside Theatre and I was

:07:26.:07:27.

at the Riverside Theatre and I was at the Riverside Theatre and I was

:07:27.:07:28.

working with the Ulster actors at working with the Ulster actors at

:07:28.:07:30.

working with the Ulster actors at the Arts Theatre and eventually I

:07:30.:07:31.

the Arts Theatre and eventually I the Arts Theatre and eventually I

:07:31.:07:33.

decided that I just could not decided that I just could not

:07:33.:07:36.

decided that I just could not decided that I just could not

:07:36.:07:38.

resist the calling. It was like a resist the calling. It was like a

:07:38.:07:39.

resist the calling. It was like a resist the calling. It was like a

:07:39.:07:40.

vocation? It was, but I was not vocation? It was, but I was not

:07:40.:07:41.

vocation? It was, but I was not vocation? It was, but I was not

:07:41.:07:42.

addressing this as such but I could addressing this as such but I could

:07:42.:07:45.

addressing this as such but I could addressing this as such but I could

:07:45.:07:47.

not... I just couldn't go on. Very not... I just couldn't go on. Very

:07:47.:07:47.

not... I just couldn't go on. Very courageously, I bought my sister in

:07:48.:07:49.

courageously, I bought my sister in courageously, I bought my sister in

:07:49.:07:49.

courageously, I bought my sister in the morning and told them during my

:07:49.:07:50.

the morning and told them during my the morning and told them during my

:07:50.:07:51.

the morning and told them during my parents and tell them that I was

:07:51.:07:55.

parents and tell them that I was parents and tell them that I was

:07:55.:07:58.

giving up. A response?My mother giving up. A response?My mother

:07:58.:07:59.

giving up. A response?My mother giving up. A response?My mother

:07:59.:08:00.

was horrified. They came up to see was horrified. They came up to see

:08:00.:08:00.

was horrified. They came up to see was horrified. They came up to see

:08:00.:08:01.

me in Belfast and my mother sat in me in Belfast and my mother sat in

:08:01.:08:02.

me in Belfast and my mother sat in me in Belfast and my mother sat in

:08:02.:08:03.

the car. I said to my father, I the car. I said to my father, I

:08:03.:08:04.

the car. I said to my father, I the car. I said to my father, I

:08:04.:08:05.

the car. I said to my father, I wanted to give it a shot and he was

:08:05.:08:08.

wanted to give it a shot and he was brilliant. Incredibly supportive. I

:08:08.:08:09.

brilliant. Incredibly supportive. I brilliant. Incredibly supportive. I

:08:09.:08:09.

brilliant. Incredibly supportive. I was the only boy and the baby but

:08:09.:08:12.

was the only boy and the baby but was the only boy and the baby but

:08:12.:08:13.

was the only boy and the baby but he said OK. The 43 years, James

:08:13.:08:14.

he said OK. The 43 years, James he said OK. The 43 years, James

:08:14.:08:15.

studied at the Central School of studied at the Central School of

:08:15.:08:17.

studied at the Central School of studied at the Central School of

:08:18.:08:18.

Speech and Drama in London. He got Speech and Drama in London. He got

:08:18.:08:19.

Speech and Drama in London. He got his first small television role

:08:19.:08:20.

his first small television role his first small television role

:08:20.:08:21.

within weeks of graduating and within weeks of graduating and

:08:21.:08:23.

within weeks of graduating and began learning the skills of a

:08:23.:08:25.

began learning the skills of a began learning the skills of a

:08:25.:08:26.

professional actor. Years of hard professional actor. Years of hard

:08:26.:08:28.

professional actor. Years of hard professional actor. Years of hard

:08:28.:08:29.

work paid off. But one drama series work paid off. But one drama series

:08:29.:08:31.

work paid off. But one drama series made James into a household name.

:08:31.:08:35.

made James into a household name. made James into a household name.

:08:35.:08:36.

made James into a household name. Cold Feet. This was a major one

:08:36.:08:38.

Cold Feet. This was a major one Cold Feet. This was a major one

:08:38.:08:40.

Cold Feet. This was a major one when I was 16. Lovely Sarah. We

:08:40.:08:43.

when I was 16. Lovely Sarah. We when I was 16. Lovely Sarah. We

:08:43.:08:44.

when I was 16. Lovely Sarah. We didn't work out. There was too much

:08:44.:08:45.

didn't work out. There was too much didn't work out. There was too much

:08:45.:08:48.

against us. Our families did not against us. Our families did not

:08:48.:08:48.

against us. Our families did not approve, or the community. Romeo

:08:48.:08:51.

approve, or the community. Romeo approve, or the community. Romeo

:08:51.:08:53.

and Juliet. The it was fascinating and Juliet. The it was fascinating

:08:53.:08:55.

and Juliet. The it was fascinating to watch you playing somebody from

:08:55.:08:56.

to watch you playing somebody from to watch you playing somebody from

:08:56.:08:58.

Northern Ireland who had no Northern Ireland who had no

:08:58.:08:59.

Northern Ireland who had no political baggage? That was my

:08:59.:09:00.

political baggage? That was my political baggage? That was my

:09:00.:09:03.

point, by absolute point. I point, by absolute point. I

:09:03.:09:04.

point, by absolute point. I remember feeling that. Because I

:09:04.:09:07.

remember feeling that. Because I remember feeling that. Because I

:09:07.:09:09.

was getting tied myself with the was getting tied myself with the

:09:09.:09:10.

was getting tied myself with the Northern Irish accent and the

:09:10.:09:11.

Northern Irish accent and the Northern Irish person, being

:09:11.:09:12.

Northern Irish person, being Northern Irish person, being

:09:12.:09:16.

perceived in the UK, in Britain, perceived in the UK, in Britain,

:09:16.:09:17.

perceived in the UK, in Britain, but also globally with this

:09:17.:09:18.

but also globally with this but also globally with this

:09:18.:09:20.

negative plays and the accent was negative plays and the accent was

:09:20.:09:21.

negative plays and the accent was only connected to either a

:09:21.:09:25.

only connected to either a political commentary or conflict.

:09:25.:09:26.

political commentary or conflict. political commentary or conflict.

:09:26.:09:29.

You're cannot fight bigotry like You're cannot fight bigotry like

:09:29.:09:30.

You're cannot fight bigotry like that. You're Protestant and she was

:09:30.:09:32.

that. You're Protestant and she was that. You're Protestant and she was

:09:32.:09:35.

Catholic? No, she was my geography Catholic? No, she was my geography

:09:35.:09:36.

Catholic? No, she was my geography teacher. It was written for an

:09:36.:09:37.

teacher. It was written for an teacher. It was written for an

:09:37.:09:38.

teacher. It was written for an English person, I said I have to

:09:38.:09:39.

English person, I said I have to English person, I said I have to

:09:39.:09:40.

play this Northern Irish and they play this Northern Irish and they

:09:40.:09:42.

play this Northern Irish and they play this Northern Irish and they

:09:42.:09:44.

did not know me from Adam. I was did not know me from Adam. I was

:09:44.:09:49.

did not know me from Adam. I was proud of that. I introduced that

:09:49.:09:49.

proud of that. I introduced that proud of that. I introduced that

:09:49.:09:52.

accent where it did not have accent where it did not have

:09:52.:09:53.

accent where it did not have separate connotations. Did that to

:09:53.:09:55.

separate connotations. Did that to separate connotations. Did that to

:09:55.:09:55.

separate connotations. Did that to find you? Did people say, that is

:09:55.:09:57.

find you? Did people say, that is find you? Did people say, that is

:09:57.:10:01.

James Nesbitt? The Northern Irish James Nesbitt? The Northern Irish

:10:01.:10:04.

James Nesbitt? The Northern Irish James Nesbitt? The Northern Irish

:10:04.:10:05.

accent? I think so. But that is why accent? I think so. But that is why

:10:05.:10:08.

accent? I think so. But that is why accent? I think so. But that is why

:10:08.:10:11.

I went on to different things. The I went on to different things. The

:10:11.:10:12.

I went on to different things. The I went on to different things. The

:10:12.:10:12.

move back! The success of Cold Feet move back! The success of Cold Feet

:10:12.:10:14.

move back! The success of Cold Feet move back! The success of Cold Feet

:10:14.:10:15.

led to James being offered the lead led to James being offered the lead

:10:15.:10:16.

led to James being offered the lead led to James being offered the lead

:10:16.:10:16.

in a major film for television and in a major film for television and

:10:16.:10:17.

in a major film for television and it could not have been more

:10:17.:10:27.
:10:27.:10:32.

it could not have been more it could not have been more

:10:32.:10:33.

different. Get down!Let's go to different. Get down!Let's go to

:10:33.:10:34.

different. Get down!Let's go to different. Get down!Let's go to

:10:34.:10:35.

the role that you be described as a the role that you be described as a

:10:35.:10:37.

the role that you be described as a the role that you be described as a

:10:37.:10:38.

turning point in your life. It is a turning point in your life. It is a

:10:38.:10:39.

turning point in your life. It is a film directed by Paul Greengrass.

:10:39.:10:43.

film directed by Paul Greengrass. film directed by Paul Greengrass.

:10:43.:10:45.

Bloody Sunday. My memory was hazy. Bloody Sunday. My memory was hazy.

:10:45.:10:47.

Bloody Sunday. My memory was hazy. I remember learning about it

:10:47.:10:47.

I remember learning about it I remember learning about it

:10:47.:10:48.

briefly at Coleraine Inst but I briefly at Coleraine Inst but I

:10:48.:10:49.

briefly at Coleraine Inst but I probably thought it did not concern

:10:49.:10:51.

probably thought it did not concern probably thought it did not concern

:10:51.:10:53.

probably thought it did not concern me. And there was that sense that

:10:53.:10:54.

me. And there was that sense that me. And there was that sense that

:10:54.:10:55.

before the Saville Inquiry and before the Saville Inquiry and

:10:55.:10:57.

before the Saville Inquiry and before Cameron giving the public

:10:57.:10:59.

before Cameron giving the public before Cameron giving the public

:10:59.:11:00.

apology, that they were guilty? apology, that they were guilty?

:11:00.:11:03.

apology, that they were guilty? These different sides. I was not

:11:03.:11:05.

These different sides. I was not These different sides. I was not

:11:05.:11:06.

thinking, I did not concern myself thinking, I did not concern myself

:11:06.:11:09.

thinking, I did not concern myself with that. I think sometimes,

:11:09.:11:10.

with that. I think sometimes, with that. I think sometimes,

:11:10.:11:11.

slightly unfairly, it has been slightly unfairly, it has been

:11:11.:11:12.

slightly unfairly, it has been attributed to my side that everyone

:11:12.:11:14.

attributed to my side that everyone attributed to my side that everyone

:11:14.:11:14.

thought they were guilty, that thought they were guilty, that

:11:14.:11:16.

thought they were guilty, that isn't necessarily the case. A lot

:11:16.:11:17.

isn't necessarily the case. A lot isn't necessarily the case. A lot

:11:17.:11:19.

isn't necessarily the case. A lot of us close to our minds to this.

:11:19.:11:20.

of us close to our minds to this. of us close to our minds to this.

:11:20.:11:22.

James played Ivan Cooper, the James played Ivan Cooper, the

:11:22.:11:23.

James played Ivan Cooper, the Stormont MP and Protestant civil

:11:23.:11:33.
:11:33.:11:34.

Stormont MP and Protestant civil Stormont MP and Protestant civil

:11:34.:11:35.

rights campaigner. It is a typical rights campaigner. It is a typical

:11:35.:11:37.

rights campaigner. It is a typical rights campaigner. It is a typical

:11:37.:11:37.

question but did that make you feel question but did that make you feel

:11:37.:11:38.

question but did that make you feel question but did that make you feel

:11:38.:11:39.

better able to take on the part, better able to take on the part,

:11:39.:11:41.

better able to take on the part, because he was Protestant? No, I

:11:41.:11:43.

because he was Protestant? No, I because he was Protestant? No, I

:11:43.:11:44.

because he was Protestant? No, I thought I had to do this but

:11:44.:11:44.

thought I had to do this but thought I had to do this but

:11:44.:11:46.

unquestionably I was scared of what unquestionably I was scared of what

:11:46.:11:47.

unquestionably I was scared of what unquestionably I was scared of what

:11:47.:11:47.

my family we think and the impact my family we think and the impact

:11:47.:11:51.

my family we think and the impact on them, what friends would think

:11:51.:11:52.

on them, what friends would think on them, what friends would think

:11:52.:11:55.

and misrepresenting people from my and misrepresenting people from my

:11:55.:11:56.

and misrepresenting people from my background. People feeling that I

:11:56.:11:57.

background. People feeling that I background. People feeling that I

:11:57.:11:58.

background. People feeling that I was in some way betraying them. And

:11:58.:12:01.

was in some way betraying them. And was in some way betraying them. And

:12:01.:12:01.

was also very scared that was also very scared that

:12:01.:12:03.

was also very scared that nationalists in Derry and the

:12:03.:12:04.

nationalists in Derry and the nationalists in Derry and the

:12:04.:12:05.

families would not appreciate the families would not appreciate the

:12:05.:12:06.

families would not appreciate the families would not appreciate the

:12:06.:12:07.

idea of Ivan Cooper being at the idea of Ivan Cooper being at the

:12:07.:12:09.

idea of Ivan Cooper being at the idea of Ivan Cooper being at the

:12:09.:12:10.

centre of it, but also this pot as centre of it, but also this pot as

:12:10.:12:11.

centre of it, but also this pot as an actor from Coleraine, what would

:12:11.:12:16.

an actor from Coleraine, what would an actor from Coleraine, what would

:12:16.:12:17.

he know? -- Protestant. Bloody he know? -- Protestant. Bloody

:12:17.:12:20.

he know? -- Protestant. Bloody Sunday was a game changing

:12:20.:12:21.

Sunday was a game changing Sunday was a game changing

:12:21.:12:22.

performance, one underpinned by an performance, one underpinned by an

:12:22.:12:24.

performance, one underpinned by an important aspect of James's work.

:12:24.:12:25.

important aspect of James's work. important aspect of James's work.

:12:25.:12:26.

Research with real people. In this Research with real people. In this

:12:26.:12:30.

Research with real people. In this Research with real people. In this

:12:30.:12:31.

case, the real Ivan Cooper. I met case, the real Ivan Cooper. I met

:12:31.:12:35.

case, the real Ivan Cooper. I met 10 and he was fascinating. Bright,

:12:35.:12:38.

10 and he was fascinating. Bright, erudite, passionate politician. But

:12:38.:12:39.

erudite, passionate politician. But erudite, passionate politician. But

:12:39.:12:40.

certainly who had been destroyed. certainly who had been destroyed.

:12:40.:12:43.

certainly who had been destroyed. certainly who had been destroyed.

:12:43.:12:43.

He felt culpable. He very much said He felt culpable. He very much said

:12:43.:12:45.

He felt culpable. He very much said He felt culpable. He very much said

:12:46.:12:47.

they had to March, they had to get they had to March, they had to get

:12:47.:12:48.

they had to March, they had to get they had to March, they had to get

:12:48.:12:50.

out on that day, there had been out on that day, there had been

:12:50.:12:50.

out on that day, there had been out on that day, there had been

:12:51.:12:53.

successes but it was a very big successes but it was a very big

:12:53.:12:54.

successes but it was a very big issue. Internment. He was adamant

:12:54.:12:56.

issue. Internment. He was adamant issue. Internment. He was adamant

:12:56.:12:57.

issue. Internment. He was adamant they had to March. He talked for a

:12:57.:12:58.

they had to March. He talked for a they had to March. He talked for a

:12:58.:12:59.

long time, talking me through what long time, talking me through what

:12:59.:13:00.

long time, talking me through what long time, talking me through what

:13:00.:13:02.

Derry was like at the time and I Derry was like at the time and I

:13:02.:13:03.

Derry was like at the time and I Derry was like at the time and I

:13:03.:13:04.

had to read all the what the state had to read all the what the state

:13:04.:13:05.

had to read all the what the state but. Everything that was presented

:13:05.:13:05.

but. Everything that was presented but. Everything that was presented

:13:06.:13:07.

but. Everything that was presented to the inquiry in those early days,

:13:07.:13:08.

to the inquiry in those early days, to the inquiry in those early days,

:13:08.:13:09.

to the inquiry in those early days, all the literature from the past, I

:13:10.:13:10.

all the literature from the past, I all the literature from the past, I

:13:10.:13:12.

had to be completely immersed. And had to be completely immersed. And

:13:12.:13:13.

had to be completely immersed. And had to be completely immersed. And

:13:13.:13:14.

he had not done a march since that he had not done a march since that

:13:14.:13:16.

he had not done a march since that he had not done a march since that

:13:16.:13:17.

he had not done a march since that day so we did that, that two of us.

:13:17.:13:18.

day so we did that, that two of us. day so we did that, that two of us.

:13:18.:13:20.

day so we did that, that two of us. And it was brilliant, it was an

:13:20.:13:21.

And it was brilliant, it was an And it was brilliant, it was an

:13:21.:13:21.

incredible help for me and very incredible help for me and very

:13:22.:13:22.

incredible help for me and very incredible help for me and very

:13:22.:13:25.

courageous of him but it was an courageous of him but it was an

:13:25.:13:26.

courageous of him but it was an important exorcism for Ivan Cooper.

:13:26.:13:27.

important exorcism for Ivan Cooper. important exorcism for Ivan Cooper.

:13:27.:13:28.

important exorcism for Ivan Cooper. That is what you would describe it

:13:28.:13:37.

That is what you would describe it That is what you would describe it

:13:37.:13:38.

That is what you would describe it as? It taught me a lot about acting,

:13:38.:13:39.

as? It taught me a lot about acting, as? It taught me a lot about acting,

:13:39.:13:43.

as? It taught me a lot about acting, a lot about where I come from.

:13:43.:13:45.

a lot about where I come from. a lot about where I come from.

:13:45.:13:46.

do get death threats? There were do get death threats? There were

:13:46.:13:47.

do get death threats? There were do get death threats? There were

:13:47.:13:48.

odd bits of stuff you get through odd bits of stuff you get through

:13:48.:13:49.

odd bits of stuff you get through the papers but I understand if

:13:49.:13:51.

the papers but I understand if the papers but I understand if

:13:51.:13:52.

people get angry, people thought, people get angry, people thought,

:13:53.:13:54.

people get angry, people thought, typical, here he comes along, doing

:13:54.:13:56.

typical, here he comes along, doing typical, here he comes along, doing

:13:56.:13:57.

typical, here he comes along, doing well, doing a film about their side.

:13:57.:13:59.

well, doing a film about their side. well, doing a film about their side.

:13:59.:14:00.

well, doing a film about their side. I felt very strongly and I continue

:14:00.:14:00.

I felt very strongly and I continue I felt very strongly and I continue

:14:01.:14:01.

to feel strongly there are stories to feel strongly there are stories

:14:01.:14:03.

to feel strongly there are stories to feel strongly there are stories

:14:03.:14:04.

to be told but this was as true to be told but this was as true

:14:04.:14:05.

to be told but this was as true that affected everybody and I think

:14:05.:14:06.

that affected everybody and I think that affected everybody and I think

:14:06.:14:08.

that hopefully, what we did without that hopefully, what we did without

:14:08.:14:09.

that hopefully, what we did without that hopefully, what we did without

:14:09.:14:10.

that hopefully, what we did without film was show that it was as much a

:14:10.:14:20.
:14:20.:14:23.

film was show that it was as much a Now I'm here looking like a fucking

:14:23.:14:27.

Now I'm here looking like a fucking Now I'm here looking like a fucking

:14:27.:14:28.

idiot. Murphy's Law gave him idiot. Murphy's Law gave him

:14:28.:14:30.

idiot. Murphy's Law gave him idiot. Murphy's Law gave him

:14:30.:14:31.

another lead role. He played a man another lead role. He played a man

:14:31.:14:32.

another lead role. He played a man another lead role. He played a man

:14:32.:14:33.

tormented by the things he had seen tormented by the things he had seen

:14:33.:14:35.

tormented by the things he had seen tormented by the things he had seen

:14:35.:14:36.

and took James to new territory. By and took James to new territory. By

:14:36.:14:37.

and took James to new territory. By and took James to new territory. By

:14:37.:14:39.

a series three, he wanted to push a series three, he wanted to push

:14:39.:14:42.

a series three, he wanted to push things further. I felt there was

:14:42.:14:44.

things further. I felt there was things further. I felt there was

:14:44.:14:45.

room to navigate, take a different room to navigate, take a different

:14:45.:14:46.

room to navigate, take a different room to navigate, take a different

:14:46.:14:48.

route up for me and for the show. route up for me and for the show.

:14:48.:14:49.

route up for me and for the show. route up for me and for the show.

:14:49.:14:51.

You also showed a man capable of You also showed a man capable of

:14:51.:14:52.

You also showed a man capable of extreme violence. And that was a

:14:52.:14:54.

extreme violence. And that was a extreme violence. And that was a

:14:54.:14:54.

shocking thing for people who shocking thing for people who

:14:54.:14:55.

shocking thing for people who thought they knew James Nesbitt the

:14:55.:14:58.

thought they knew James Nesbitt the thought they knew James Nesbitt the

:14:58.:15:00.

actor. Was that her liberation? actor. Was that her liberation?

:15:00.:15:04.

actor. Was that her liberation? actor. Was that her liberation?

:15:05.:15:06.

That is a good question. Did I That is a good question. Did I

:15:06.:15:07.

That is a good question. Did I consciously want to beat someone up

:15:07.:15:09.

consciously want to beat someone up consciously want to beat someone up

:15:09.:15:10.

consciously want to beat someone up on camera? Probably not but it went

:15:10.:15:12.

on camera? Probably not but it went on camera? Probably not but it went

:15:12.:15:16.

hand-in-hand with the part. It felt hand-in-hand with the part. It felt

:15:16.:15:17.

hand-in-hand with the part. It felt like... Actually, it was a

:15:17.:15:19.

like... Actually, it was a like... Actually, it was a

:15:19.:15:20.

liberation. Absolutely right for us liberation. Absolutely right for us

:15:20.:15:21.

liberation. Absolutely right for us liberation. Absolutely right for us

:15:21.:15:22.

but because you didn't have to be but because you didn't have to be

:15:22.:15:23.

but because you didn't have to be but because you didn't have to be

:15:23.:15:33.
:15:33.:15:41.

that spot key person, with a cheeky Again drawing on someone else's

:15:41.:15:43.

Again drawing on someone else's real-life experiences allowed James

:15:43.:15:44.

real-life experiences allowed James real-life experiences allowed James

:15:44.:15:44.

real-life experiences allowed James to take his performance to a new

:15:45.:15:47.

to take his performance to a new to take his performance to a new

:15:47.:15:48.

to take his performance to a new level. We engage the services of an

:15:48.:15:51.

level. We engage the services of an level. We engage the services of an

:15:51.:15:52.

undercover cop. He defined that undercover cop. He defined that

:15:52.:15:53.

undercover cop. He defined that undercover cop. He defined that

:15:53.:15:54.

role. He was pretty harsh with me. role. He was pretty harsh with me.

:15:54.:15:57.

role. He was pretty harsh with me. role. He was pretty harsh with me.

:15:57.:15:59.

In what way? He would take me In what way? He would take me

:15:59.:16:00.

In what way? He would take me In what way? He would take me

:16:00.:16:04.

various places, he would talk a lot various places, he would talk a lot

:16:04.:16:06.

various places, he would talk a lot about his past, he was constantly

:16:06.:16:08.

about his past, he was constantly about his past, he was constantly

:16:08.:16:10.

about his past, he was constantly bending my ear. We went out to a

:16:10.:16:10.

bending my ear. We went out to a bending my ear. We went out to a

:16:10.:16:11.

bending my ear. We went out to a couple of double -- dodgy areas and

:16:11.:16:12.

couple of double -- dodgy areas and couple of double -- dodgy areas and

:16:12.:16:14.

couple of double -- dodgy areas and he told me how to watch, he would

:16:14.:16:16.

he told me how to watch, he would he told me how to watch, he would

:16:16.:16:17.

be marking different things, he was be marking different things, he was

:16:17.:16:19.

be marking different things, he was forlorn. You could have been

:16:19.:16:21.

forlorn. You could have been forlorn. You could have been

:16:21.:16:25.

pigeon-holed as Adam of Cold Feet. pigeon-holed as Adam of Cold Feet.

:16:25.:16:26.

pigeon-holed as Adam of Cold Feet. pigeon-holed as Adam of Cold Feet.

:16:26.:16:27.

Definitely. I am an actor, I am Definitely. I am an actor, I am

:16:27.:16:28.

Definitely. I am an actor, I am supposed to do something different.

:16:28.:16:29.

supposed to do something different. supposed to do something different.

:16:29.:16:31.

supposed to do something different. It is the most important quality an

:16:31.:16:33.

It is the most important quality an It is the most important quality an

:16:33.:16:35.

actor should have. That appetite actor should have. That appetite

:16:35.:16:36.

actor should have. That appetite for that interest, for that

:16:36.:16:39.

for that interest, for that for that interest, for that

:16:39.:16:41.

challenge, the fear about the challenge, the fear about the

:16:41.:16:42.

complicated jigsaw, pulling it complicated jigsaw, pulling it

:16:42.:16:45.

complicated jigsaw, pulling it complicated jigsaw, pulling it

:16:45.:16:45.

apart. That is my job, I didn't do apart. That is my job, I didn't do

:16:45.:16:48.

apart. That is my job, I didn't do it to be famous. Inevitably, his

:16:48.:16:49.

it to be famous. Inevitably, his it to be famous. Inevitably, his

:16:49.:16:50.

high profile work has dictated he high profile work has dictated he

:16:50.:16:51.

high profile work has dictated he high profile work has dictated he

:16:51.:16:52.

moved away from the place he loves. moved away from the place he loves.

:16:52.:16:54.

moved away from the place he loves. moved away from the place he loves.

:16:54.:16:55.

moved away from the place he loves. I am happy to be a way. But I just

:16:55.:16:57.

I am happy to be a way. But I just I am happy to be a way. But I just

:16:57.:16:58.

miss Northern Ireland because that miss Northern Ireland because that

:16:58.:17:00.

miss Northern Ireland because that miss Northern Ireland because that

:17:00.:17:05.

is where I am happiest. To this day, is where I am happiest. To this day,

:17:05.:17:05.

is where I am happiest. To this day, is where I am happiest. To this day,

:17:05.:17:06.

I still yearn for the North of I still yearn for the North of

:17:06.:17:07.

I still yearn for the North of violent, probably hanker for it. I

:17:07.:17:09.

violent, probably hanker for it. I violent, probably hanker for it. I

:17:09.:17:10.

was concerned about having taught was concerned about having taught

:17:10.:17:11.

was concerned about having taught was concerned about having taught

:17:11.:17:12.

us and them being in some way us and them being in some way

:17:12.:17:13.

us and them being in some way imbued with a sense of Northern

:17:13.:17:14.

imbued with a sense of Northern imbued with a sense of Northern

:17:14.:17:15.

imbued with a sense of Northern Irish nurse and I've done that, but

:17:15.:17:16.

Irish nurse and I've done that, but Irish nurse and I've done that, but

:17:16.:17:18.

they don't want to live here they don't want to live here

:17:18.:17:19.

they don't want to live here because their life is in England.

:17:19.:17:21.

because their life is in England. because their life is in England.

:17:21.:17:21.

Are they aware of how important Are they aware of how important

:17:21.:17:24.

Are they aware of how important Northern Ireland is to you? Yes.

:17:24.:17:28.

Northern Ireland is to you? Yes. Northern Ireland is to you? Yes.

:17:28.:17:29.

They know. They know all the They know. They know all the

:17:29.:17:31.

traditional songs. Percy French. traditional songs. Percy French.

:17:31.:17:32.

traditional songs. Percy French. traditional songs. Percy French.

:17:32.:17:34.

You are not teaching them that, are You are not teaching them that, are

:17:34.:17:36.

you? Absolutely!Northern Ireland you? Absolutely!Northern Ireland

:17:36.:17:37.

you? Absolutely!Northern Ireland you? Absolutely!Northern Ireland

:17:37.:17:38.

in all its beauty and tragedy is in all its beauty and tragedy is

:17:38.:17:41.

in all its beauty and tragedy is still a huge inspiration. Five

:17:41.:17:42.

still a huge inspiration. Five still a huge inspiration. Five

:17:42.:17:43.

still a huge inspiration. Five Minutes of Heaven won a string of

:17:43.:17:45.

Minutes of Heaven won a string of Minutes of Heaven won a string of

:17:45.:17:46.

awards and saw James appearing awards and saw James appearing

:17:46.:17:47.

awards and saw James appearing alongside another actor from County

:17:47.:17:49.

alongside another actor from County alongside another actor from County

:17:49.:17:50.

alongside another actor from County Antrim - Liam Neeson. The film is a

:17:50.:17:51.

Antrim - Liam Neeson. The film is a Antrim - Liam Neeson. The film is a

:17:52.:17:56.

fiction but one inspired by real fiction but one inspired by real

:17:56.:17:57.

fiction but one inspired by real events. J Gryphon, who witnessed

:17:57.:17:59.

events. J Gryphon, who witnessed his 17-year-old brother being

:17:59.:18:01.

his 17-year-old brother being his 17-year-old brother being

:18:01.:18:08.

murdered through the living room murdered through the living room

:18:08.:18:09.

murdered through the living room window. The perpetrator was caught,

:18:09.:18:12.

window. The perpetrator was caught, window. The perpetrator was caught,

:18:12.:18:13.

window. The perpetrator was caught, he served his time. Joe had his

:18:13.:18:14.

he served his time. Joe had his he served his time. Joe had his

:18:14.:18:15.

life falling apart. His mother life falling apart. His mother

:18:15.:18:16.

life falling apart. His mother life falling apart. His mother

:18:16.:18:17.

blamed him for the rest of his life. blamed him for the rest of his life.

:18:17.:18:18.

blamed him for the rest of his life. Five Minutes of Heaven was an

:18:18.:18:19.

Five Minutes of Heaven was an Five Minutes of Heaven was an

:18:19.:18:20.

exploration of the emotions of exploration of the emotions of

:18:20.:18:22.

exploration of the emotions of these two men with the writer

:18:22.:18:23.

these two men with the writer these two men with the writer

:18:23.:18:24.

imagining what could have happened imagining what could have happened

:18:24.:18:27.

imagining what could have happened imagining what could have happened

:18:27.:18:27.

if they had met. For James, a if they had met. For James, a

:18:28.:18:29.

if they had met. For James, a meeting the real person behind the

:18:29.:18:30.

meeting the real person behind the meeting the real person behind the

:18:30.:18:34.

screenplay was once again key to screenplay was once again key to

:18:34.:18:35.

screenplay was once again key to his performance. He created this

:18:35.:18:36.

his performance. He created this his performance. He created this

:18:36.:18:38.

character on the page which was character on the page which was

:18:38.:18:39.

character on the page which was character on the page which was

:18:39.:18:40.

unbelievable so I went down to meet unbelievable so I went down to meet

:18:40.:18:42.

unbelievable so I went down to meet unbelievable so I went down to meet

:18:42.:18:43.

Joe. He was a whirlwind, angry. I Joe. He was a whirlwind, angry. I

:18:44.:18:44.

Joe. He was a whirlwind, angry. I said, tell me what happened that

:18:44.:18:46.

said, tell me what happened that said, tell me what happened that

:18:46.:18:47.

night. Tell me what happened in night. Tell me what happened in

:18:47.:18:48.

night. Tell me what happened in night. Tell me what happened in

:18:48.:18:51.

your life. He was up and down, your life. He was up and down,

:18:51.:18:52.

your life. He was up and down, your life. He was up and down,

:18:52.:18:53.

anger. But at his court, you could anger. But at his court, you could

:18:53.:18:56.

anger. But at his court, you could see this brilliant man, very funny,

:18:56.:18:59.

see this brilliant man, very funny, see this brilliant man, very funny,

:18:59.:19:00.

uneducated, but bright, but whose uneducated, but bright, but whose

:19:00.:19:02.

uneducated, but bright, but whose life had been destroyed. He then

:19:02.:19:03.

life had been destroyed. He then life had been destroyed. He then

:19:03.:19:04.

life had been destroyed. He then has to trust you, though. There was

:19:04.:19:07.

has to trust you, though. There was has to trust you, though. There was

:19:07.:19:08.

has to trust you, though. There was a discussion about that. I spend a

:19:08.:19:09.

a discussion about that. I spend a a discussion about that. I spend a

:19:09.:19:10.

a discussion about that. I spend a lot of time with him. That was the

:19:10.:19:14.

lot of time with him. That was the part I enjoyed most.

:19:14.:19:16.

part I enjoyed most. part I enjoyed most.

:19:16.:19:17.

part I enjoyed most. I don't want the camera their.

:19:17.:19:19.

I don't want the camera their. I don't want the camera their.

:19:19.:19:20.

I don't want the camera their. know, it gets some getting used to.

:19:20.:19:21.

know, it gets some getting used to. know, it gets some getting used to.

:19:21.:19:23.

know, it gets some getting used to. There is a scene where you get out

:19:23.:19:24.

There is a scene where you get out There is a scene where you get out

:19:24.:19:25.

There is a scene where you get out of the TV shoot and you can feel

:19:25.:19:27.

of the TV shoot and you can feel of the TV shoot and you can feel

:19:27.:19:28.

the rage. Is that remembering that the rage. Is that remembering that

:19:28.:19:29.

the rage. Is that remembering that the rage. Is that remembering that

:19:29.:19:31.

the rage. Is that remembering that a meeting with Joe? I talk to him a

:19:31.:19:32.

a meeting with Joe? I talk to him a a meeting with Joe? I talk to him a

:19:32.:19:33.

a meeting with Joe? I talk to him a lot, but I take him for five hours.

:19:33.:19:34.

lot, but I take him for five hours. lot, but I take him for five hours.

:19:34.:19:35.

lot, but I take him for five hours. lot, but I take him for five hours.

:19:35.:19:35.

I would speak to him a lot and I I would speak to him a lot and I

:19:36.:19:38.

I would speak to him a lot and I I would speak to him a lot and I

:19:38.:19:39.

would meet with him. Joe, we are would meet with him. Joe, we are

:19:39.:19:40.

would meet with him. Joe, we are would meet with him. Joe, we are

:19:40.:19:41.

going to be a few minutes setting going to be a few minutes setting

:19:41.:19:42.

going to be a few minutes setting going to be a few minutes setting

:19:42.:19:44.

up anyway. Why don't you go up the up anyway. Why don't you go up the

:19:44.:19:45.

up anyway. Why don't you go up the up anyway. Why don't you go up the

:19:45.:19:47.

stairs? I want to meet him! But I stairs? I want to meet him! But I

:19:47.:19:49.

stairs? I want to meet him! But I don't want the camera! I understand

:19:49.:19:52.

don't want the camera! I understand don't want the camera! I understand

:19:52.:19:55.

don't want the camera! I understand that. Joe, what we can do is...

:19:55.:19:56.

that. Joe, what we can do is... that. Joe, what we can do is...

:19:56.:19:58.

that. Joe, what we can do is... What are you looking at when you

:19:58.:20:00.

What are you looking at when you What are you looking at when you

:20:00.:20:00.

were recording him? We're going to were recording him? We're going to

:20:00.:20:04.

were recording him? We're going to do an imitation? Know. You are

:20:04.:20:05.

do an imitation? Know. You are looking at physical characteristics.

:20:05.:20:07.

looking at physical characteristics. looking at physical characteristics.

:20:07.:20:08.

looking at physical characteristics. You are looking at the moments when

:20:08.:20:10.

You are looking at the moments when You are looking at the moments when

:20:10.:20:11.

You are looking at the moments when he is quiet. What is he thinking

:20:11.:20:12.

he is quiet. What is he thinking he is quiet. What is he thinking

:20:12.:20:14.

he is quiet. What is he thinking when he is quiet. And then he is

:20:14.:20:16.

when he is quiet. And then he is when he is quiet. And then he is

:20:16.:20:17.

when he is quiet. And then he is off again. And you are looking at

:20:17.:20:18.

off again. And you are looking at off again. And you are looking at

:20:18.:20:22.

off again. And you are looking at the pain in his eyes. You would

:20:22.:20:24.

the pain in his eyes. You would the pain in his eyes. You would

:20:24.:20:25.

the pain in his eyes. You would think he would be dead behind the

:20:25.:20:28.

think he would be dead behind the think he would be dead behind the

:20:28.:20:28.

think he would be dead behind the eye is, being rejected at the age

:20:28.:20:30.

eye is, being rejected at the age eye is, being rejected at the age

:20:30.:20:31.

eye is, being rejected at the age of 13 by his mother, but he was

:20:31.:20:41.
:20:41.:20:49.

And I felt such a sense of belief And I felt such a sense of belief

:20:49.:20:50.

And I felt such a sense of belief And I felt such a sense of belief

:20:50.:20:51.

in Joe and I felt a sense of in Joe and I felt a sense of

:20:51.:20:52.

in Joe and I felt a sense of in Joe and I felt a sense of

:20:52.:20:54.

outrage in his story and I felt outrage in his story and I felt

:20:54.:20:55.

outrage in his story and I felt outrage in his story and I felt

:20:55.:20:56.

such a sense of pain. He was never such a sense of pain. He was never

:20:56.:20:57.

such a sense of pain. He was never such a sense of pain. He was never

:20:57.:20:59.

going to be able to tell the story, going to be able to tell the story,

:20:59.:21:00.

going to be able to tell the story, going to be able to tell the story,

:21:00.:21:01.

I was telling the story. But to I was telling the story. But to

:21:01.:21:03.

I was telling the story. But to construct that, that have to be

:21:03.:21:04.

construct that, that have to be construct that, that have to be

:21:04.:21:06.

everything from the feet up, from everything from the feet up, from

:21:06.:21:08.

everything from the feet up, from the inside, the marriage of the

:21:08.:21:10.

the inside, the marriage of the the inside, the marriage of the

:21:10.:21:12.

visceral insides of him, and the visceral insides of him, and the

:21:12.:21:14.

visceral insides of him, and the kind of brilliant expressed emotion,

:21:14.:21:16.

kind of brilliant expressed emotion, kind of brilliant expressed emotion,

:21:16.:21:17.

kind of brilliant expressed emotion, kind of brilliant expressed emotion,

:21:17.:21:27.
:21:27.:21:27.

Let's talk about the fight scene. Let's talk about the fight scene.

:21:27.:21:31.

Let's talk about the fight scene. It is incredible because again that

:21:31.:21:33.

It is incredible because again that It is incredible because again that

:21:33.:21:36.

rage and frustration... Yes.It is rage and frustration... Yes.It is

:21:36.:21:37.

rage and frustration... Yes.It is not your typical Holywood fight

:21:37.:21:38.

not your typical Holywood fight not your typical Holywood fight

:21:38.:21:40.

not your typical Holywood fight scene. It is messy. It is awkward.

:21:40.:21:41.

scene. It is messy. It is awkward. scene. It is messy. It is awkward.

:21:41.:21:43.

scene. It is messy. It is awkward. scene. It is messy. It is awkward.

:21:43.:21:45.

A lot of that is to do with Liam. A lot of that is to do with Liam.

:21:45.:21:46.

A lot of that is to do with Liam. He was instrumental in saying it

:21:46.:21:49.

He was instrumental in saying it He was instrumental in saying it

:21:49.:21:50.

should be messy, crude, coarse, should be messy, crude, coarse,

:21:50.:22:00.
:22:00.:22:19.

I think Liam gives the truly I think Liam gives the truly

:22:19.:22:20.

magnificent performance. I learnt magnificent performance. I learnt

:22:20.:22:21.

magnificent performance. I learnt magnificent performance. I learnt

:22:21.:22:25.

an awful lot from him. It is pretty an awful lot from him. It is pretty

:22:25.:22:27.

an awful lot from him. It is pretty good in choreography. Because it is

:22:27.:22:27.

good in choreography. Because it is good in choreography. Because it is

:22:27.:22:30.

so messy and awkward, it heightens so messy and awkward, it heightens

:22:30.:22:32.

so messy and awkward, it heightens the emotions. Absolutely. It is an

:22:32.:22:34.

the emotions. Absolutely. It is an the emotions. Absolutely. It is an

:22:34.:22:36.

the emotions. Absolutely. It is an explosion. That is key about it. It

:22:36.:22:38.

explosion. That is key about it. It explosion. That is key about it. It

:22:38.:22:40.

should be an explosive moment of should be an explosive moment of

:22:40.:22:41.

should be an explosive moment of should be an explosive moment of

:22:41.:22:42.

Joe's, that is his five minutes of Joe's, that is his five minutes of

:22:42.:22:43.

Joe's, that is his five minutes of Joe's, that is his five minutes of

:22:43.:22:44.

heaven, he is supposed to kill, and heaven, he is supposed to kill, and

:22:44.:22:54.
:22:54.:22:56.

heaven, he is supposed to kill, and It feels to me you've had a very

:22:56.:22:59.

It feels to me you've had a very It feels to me you've had a very

:22:59.:23:02.

long journey in becoming an actor. long journey in becoming an actor.

:23:02.:23:03.

long journey in becoming an actor. 25 years, it's been an overnight

:23:03.:23:05.

25 years, it's been an overnight 25 years, it's been an overnight

:23:05.:23:06.

success. Why were you never success. Why were you never

:23:06.:23:08.

success. Why were you never satisfied with one part? Because it

:23:08.:23:09.

satisfied with one part? Because it satisfied with one part? Because it

:23:09.:23:13.

satisfied with one part? Because it is my job, you know? That harks

:23:13.:23:14.

is my job, you know? That harks is my job, you know? That harks

:23:14.:23:19.

is my job, you know? That harks back to the work ethic. My dad used

:23:19.:23:24.

back to the work ethic. My dad used back to the work ethic. My dad used

:23:24.:23:24.

back to the work ethic. My dad used to close the school. Was there ever

:23:24.:23:25.

to close the school. Was there ever to close the school. Was there ever

:23:25.:23:26.

a sense that because you didn't a sense that because you didn't

:23:26.:23:28.

a sense that because you didn't a sense that because you didn't

:23:28.:23:28.

follow your dad down the root of follow your dad down the root of

:23:28.:23:30.

follow your dad down the root of education and become that French

:23:30.:23:31.

education and become that French education and become that French

:23:31.:23:33.

teacher, there has been a residual teacher, there has been a residual

:23:33.:23:36.

teacher, there has been a residual teacher, there has been a residual

:23:36.:23:37.

guilt over the years? I think that guilt over the years? I think that

:23:37.:23:40.

guilt over the years? I think that is probably very true. The notion

:23:40.:23:41.

is probably very true. The notion is probably very true. The notion

:23:41.:23:42.

is probably very true. The notion of ending up with money and fame

:23:42.:23:43.

of ending up with money and fame of ending up with money and fame

:23:44.:23:45.

of ending up with money and fame and all that comes with that, I

:23:45.:23:46.

and all that comes with that, I and all that comes with that, I

:23:46.:23:47.

and all that comes with that, I think there has been a lot of guilt.

:23:47.:23:50.

think there has been a lot of guilt. think there has been a lot of guilt.

:23:50.:23:52.

I spent 25 years thinking acting's I spent 25 years thinking acting's

:23:52.:23:53.

I spent 25 years thinking acting's I spent 25 years thinking acting's

:23:53.:23:54.

silly. I get that feeling from you. silly. I get that feeling from you.

:23:54.:23:55.

silly. I get that feeling from you. silly. I get that feeling from you.

:23:55.:23:57.

You don't want to talk about it too You don't want to talk about it too

:23:57.:23:59.

You don't want to talk about it too You don't want to talk about it too

:23:59.:24:00.

much. If you talk about it to your much. If you talk about it to your

:24:00.:24:01.

much. If you talk about it to your mates, they would slag you off.

:24:01.:24:03.

mates, they would slag you off. mates, they would slag you off.

:24:03.:24:05.

mates, they would slag you off. They actually get it. I am the last

:24:05.:24:09.

They actually get it. I am the last They actually get it. I am the last

:24:09.:24:10.

They actually get it. I am the last person to catch on. At times, it

:24:11.:24:12.

person to catch on. At times, it person to catch on. At times, it

:24:12.:24:14.

can entertain, which is important. can entertain, which is important.

:24:14.:24:15.

can entertain, which is important. can entertain, which is important.

:24:15.:24:16.

At times, it can educate. At times, At times, it can educate. At times,

:24:16.:24:25.

You have been introduced into You have been introduced into

:24:25.:24:26.

You have been introduced into Holywood and into the American

:24:26.:24:27.

Holywood and into the American Holywood and into the American

:24:27.:24:31.

audience. Where does that take you? audience. Where does that take you?

:24:31.:24:32.

audience. Where does that take you? audience. Where does that take you?

:24:32.:24:33.

I know you have two more to do I know you have two more to do

:24:33.:24:37.

I know you have two more to do but... I don't know. Honestly, I

:24:37.:24:39.

but... I don't know. Honestly, I but... I don't know. Honestly, I

:24:39.:24:40.

but... I don't know. Honestly, I dunno. Do I want to sit beside a

:24:40.:24:41.

dunno. Do I want to sit beside a dunno. Do I want to sit beside a

:24:41.:24:42.

dunno. Do I want to sit beside a pool in America waiting to get a

:24:42.:24:45.

pool in America waiting to get a pool in America waiting to get a

:24:45.:24:46.

pool in America waiting to get a film part in an accent I don't want

:24:46.:24:48.

film part in an accent I don't want film part in an accent I don't want

:24:48.:24:49.

film part in an accent I don't want to do as a baddie? I am not

:24:49.:24:50.

to do as a baddie? I am not to do as a baddie? I am not

:24:50.:24:51.

to do as a baddie? I am not interested. That is not part of my

:24:52.:24:53.

interested. That is not part of my interested. That is not part of my

:24:53.:24:54.

trajectory. That is not my career trajectory. That is not my career

:24:54.:24:56.

trajectory. That is not my career trajectory. That is not my career

:24:56.:24:57.

and a father. There is an amazing and a father. There is an amazing

:24:57.:24:59.

and a father. There is an amazing and a father. There is an amazing

:24:59.:25:00.

film you have been in, The Way, film you have been in, The Way,

:25:00.:25:02.

film you have been in, The Way, with Martin Sheen, directed by his

:25:02.:25:04.

with Martin Sheen, directed by his with Martin Sheen, directed by his

:25:04.:25:06.

son. A good writer dies broker. son. A good writer dies broker.

:25:06.:25:08.

son. A good writer dies broker. son. A good writer dies broker.

:25:09.:25:09.

After I left college, I wrote for After I left college, I wrote for

:25:09.:25:10.

After I left college, I wrote for travel magazines. I put some money

:25:11.:25:11.

travel magazines. I put some money travel magazines. I put some money

:25:11.:25:12.

travel magazines. I put some money away, and I thought I would get

:25:12.:25:15.

away, and I thought I would get away, and I thought I would get

:25:15.:25:17.

away, and I thought I would get down to the novel. 20 years later,

:25:17.:25:18.

down to the novel. 20 years later, down to the novel. 20 years later,

:25:18.:25:18.

down to the novel. 20 years later, here I am, still waiting for the

:25:18.:25:20.

here I am, still waiting for the here I am, still waiting for the

:25:20.:25:22.

magazine. Again, the part was not magazine. Again, the part was not

:25:22.:25:23.

magazine. Again, the part was not magazine. Again, the part was not

:25:23.:25:25.

for an Irishman. I thought it would for an Irishman. I thought it would

:25:25.:25:28.

for an Irishman. I thought it would be great. I thought, actually,

:25:28.:25:29.

be great. I thought, actually, be great. I thought, actually,

:25:29.:25:31.

slightly challenged the myth of slightly challenged the myth of

:25:31.:25:33.

slightly challenged the myth of Irish writers been great. This was

:25:33.:25:33.

Irish writers been great. This was Irish writers been great. This was

:25:33.:25:35.

Irish writers been great. This was a writer with the block, he wasn't

:25:35.:25:38.

a writer with the block, he wasn't a writer with the block, he wasn't

:25:38.:25:40.

romantic, he was something that had romantic, he was something that had

:25:40.:25:42.

romantic, he was something that had gone wrong. Jack, you write

:25:42.:25:43.

gone wrong. Jack, you write gone wrong. Jack, you write

:25:43.:25:44.

whatever you want about this, what whatever you want about this, what

:25:44.:25:46.

whatever you want about this, what whatever you want about this, what

:25:46.:25:46.

you saw, what you felt, you write you saw, what you felt, you write

:25:46.:25:48.

you saw, what you felt, you write you saw, what you felt, you write

:25:48.:25:52.

it like it happened. You write the it like it happened. You write the

:25:52.:25:55.

it like it happened. You write the truth. I'll do my best.

:25:55.:25:57.

truth. I'll do my best. truth. I'll do my best.

:25:57.:25:58.

truth. I'll do my best. It is quite a spiritual film. Some

:25:58.:25:59.

It is quite a spiritual film. Some It is quite a spiritual film. Some

:25:59.:26:01.

It is quite a spiritual film. Some might say it is a Catholic for long.

:26:01.:26:03.

might say it is a Catholic for long. might say it is a Catholic for long.

:26:03.:26:04.

might say it is a Catholic for long. I wonder again how much is your

:26:04.:26:05.

I wonder again how much is your creative responsibility in this

:26:05.:26:07.

creative responsibility in this creative responsibility in this

:26:07.:26:08.

particular scene, you are walking particular scene, you are walking

:26:08.:26:12.

particular scene, you are walking along... The stick?Yes. That

:26:12.:26:22.
:26:22.:26:24.

along... The stick?Yes. That You swing that stick quite well.

:26:24.:26:26.

You swing that stick quite well. You swing that stick quite well.

:26:26.:26:26.

You swing that stick quite well. There wasn't much else to do where

:26:26.:26:28.

There wasn't much else to do where There wasn't much else to do where

:26:29.:26:30.

There wasn't much else to do where I grew up! You know something, I

:26:30.:26:32.

I grew up! You know something, I I grew up! You know something, I

:26:32.:26:33.

I grew up! You know something, I wanted to dispel the myth of all

:26:33.:26:35.

wanted to dispel the myth of all wanted to dispel the myth of all

:26:35.:26:38.

writers with a Northern Irish writers with a Northern Irish

:26:38.:26:38.

writers with a Northern Irish accent being from one particular

:26:38.:26:45.

accent being from one particular accent being from one particular

:26:45.:26:46.

accent being from one particular site. I loved being known as the

:26:46.:26:47.

site. I loved being known as the site. I loved being known as the

:26:47.:26:48.

site. I loved being known as the one with the stick. They didn't get

:26:48.:26:52.

one with the stick. They didn't get one with the stick. They didn't get

:26:52.:26:53.

it. They thought, hey, you're like it. They thought, hey, you're like

:26:53.:26:54.

it. They thought, hey, you're like it. They thought, hey, you're like

:26:54.:26:57.

in a marching band. And I'm like... in a marching band. And I'm like...

:26:57.:26:58.

in a marching band. And I'm like... I think I was actually whistling

:26:58.:26:59.

I think I was actually whistling I think I was actually whistling

:26:59.:27:01.

I think I was actually whistling I think I was actually whistling

:27:01.:27:02.

when I was doing it. I think I was when I was doing it. I think I was

:27:02.:27:04.

when I was doing it. I think I was whistling King Billy's March. I

:27:04.:27:05.

whistling King Billy's March. I whistling King Billy's March. I

:27:05.:27:12.

whistling King Billy's March. I In the last couple of years, I've

:27:12.:27:14.

In the last couple of years, I've In the last couple of years, I've

:27:14.:27:15.

worked with Martin Sheen and others, worked with Martin Sheen and others,

:27:15.:27:18.

worked with Martin Sheen and others, and they have been an extraordinary

:27:18.:27:20.

and they have been an extraordinary and they have been an extraordinary

:27:20.:27:21.

it -- inspiration. And they are it -- inspiration. And they are

:27:21.:27:23.

it -- inspiration. And they are it -- inspiration. And they are

:27:23.:27:23.

loving what they are doing. I am loving what they are doing. I am

:27:23.:27:25.

loving what they are doing. I am loving what they are doing. I am

:27:25.:27:26.

blessed to work with them. I am blessed to work with them. I am

:27:26.:27:27.

blessed to work with them. I am blessed to work with them. I am

:27:27.:27:29.

blessed to do what I am doing. blessed to do what I am doing.

:27:29.:27:31.

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