The Culture Show at the Edinburgh Festival - Part 3 The Culture Show


The Culture Show at the Edinburgh Festival - Part 3

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This programme contains some strong language. Hello and welcome to the

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final culture show from the 2012 Edinburgh Festival, where we're

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bringing the finest comics, writers and comedians. Budget cut, we've

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had to down grade the Autocue, what's my next line? Coming up the

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funniest and fabulous shows on the fringe, according to me. The

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brilliance of Howard Jacobson. Dieter Roth intriguing diaries, one

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of the hotest singers in town, and Russell Kane reveals his thoughts

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on books, blokes and broodiness. Edinburgh loves a good gong, we

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have the Foster's Comedy Awards, fringe first, herald angels, hark

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The Herald angels, Michael Gove prize, if you want the low down

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what is pertinent, you need to ask a master at the peek of the

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critical culture. We couldn't get that person, so I've done my top

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five. Once again the fringe is full of strange and wonderful things.

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Teas been hard to select my topics, but it's had to be done. One of my

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favourite comics did not disappoint at this year's festival. Asking

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questions like what is a Tory femist, why is this Edwin fat suit

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building, and why don't they do a Spielberg film about donkeys.

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Welcome to the world of Bridget Christie. The senged year I've seen

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you dressing up for a purpose, to use an mal met a for for the female

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struggle. The problem hasn't gone away, I did a donkey for a while.

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Even donkey journalists hate donkey comics. You do a bit about

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switching on to you which, and you happen to tune in to five minutes?

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I was flicking through, and these two girls, they were gorgeous and

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talking about a quiz night. But how they were getting to ready to go to

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a quiz night, by having botox done before they went there. Is this how

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we're getting ready, we have toxin, which can cause a life threatening

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illness, pumped into 18 years old faces to answer trivia. 20 Years

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ago, when I would go out a quiz night, I would read up on my

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general knowledge. Bridge jit is embarking on a Europe-wide tour

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next month. Next up, entire delegation from

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South Africa, has been among the big hitters in this festival. From

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traditional, to Eddie Izzard, Trevor Noah. It is the perfect

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South African drink, what's this supposed to mean, it is 90% black.

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The white is still on top. garnering five star reviews all-

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round has been Yael Farber Mies Julie, she transports the action to

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modern day South Africa. Because you're drunk tonight. Julie won the

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award, she's transfered to London in the year. Living up to

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reputation as one of the best venues, The Trav verse has offered

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a good line-up. Born to Run, the true story and Beats, rave culture

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and rebellion. However the biggest buzz has been Rob Drummond, sellout

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Bullet Catch, surrounded around the dangerous stunt which claimed the

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lives of 12 illusionists. The first idea to do the Bullet Catch or the

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great story of illusionist who was killed during the particular.

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first idea is I loved magic and need do a show. What's the most

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extreme show coy do, and one answer, and that's a Bullet Catch. Just

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before you do the Bullet Catch trick the audience become rattleed?

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I give them the opportunity to leave F they don't want to watch it.

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And people have been taking up that opportunity. And leaving the

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auditorium. You see audience members covering their faces and it

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is satisfying to see that, because it means the show is working.

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you get nervous? Yeah I do. No matter how many times do you that,

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facing a complete stranger with a gun, point directly at your surveys

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unnerveing, just before you pull the trigger. Do you think I would

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be a suitable candidate to demonstrate? Over the course of the

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interview, I have got to know you and trust you, I would like you to

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You're a genius, oh my days, well done for you. How are you feeling?

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Shaky. You can have that. Round of applause for sap Sue. I didn't kill

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anyone. You have no idea how many fringe performance toss get that

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right. My final pick is Tony Law. like the way your meat is held

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together with a skin sack. Well the lads fell about. It was brilliant

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banter. The thing you can critical about comedy, but in a positive and

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sweet way, and particularly effective thing is a catch phrase,

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which is you say a series of terrible trueisms or awful,

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offensive things, and you go, banter. Where did that come from?

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Oh, just hearing and being around banter, overhearing it on trains,

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and banter lads, banterings and then they do the most more risk

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thing about woim, but then it is just banter. The little things that

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bleed into bigger things, "Course that's what she's like the wife"s

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just banter. I just to sit with my notebook out, doing banner and

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steal it. The last few minutes of the show is magical funny moments.

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Just beautiful and lovely. Where did the idea come from? The last

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three years in a row, with the kids, I watch the way they light things

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and do things, and the way they connect to children. It is hard to

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connect with children, if do you, that's something special. I've been

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trying to learn and absorb from things like that. If you engage

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with children, engage with adults that way, that's why the lighting

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of the business went on. I loved it, thank you for sharing it with us.

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Thank you so much for having me. Tony will be playing the theatre in

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London in October. If you're at home playing beard cricket, I'm

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delighted to teld you, Tony Law and combination score a six. Next up,

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Booker Prize winner author, Howard Jacobson is in town talking about

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his new work, Zoo Time at the book festival. In is themes of zierks

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disappointment, death of a novel and mother in laws, Tim Samuels

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went to meet him. Howard Jacobson made a career of writing about very

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funny, literary, typically northern, Jewish man, and latest novel, Zoo

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Time is no exception. Howard, lovely to see you again. How are

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you. This time is anti-hero as comic writer whose career has seen

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better days. He's also a married man, wildly in love with fiery

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flame haired wife, Vanessa. By extension, her vivacious mother,

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Poppy. Normally I presented her a type script hot from my computer.

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How do you give your wife a novel about a man whose in love with his

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wife's mother. I denied the similarity of course this, is a

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work of fiction, any resemblance between characters living or dead,

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but she never swallowed that. Which left me with two courses of action,

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either risk ending the marriage, or not write the book. I imagine this

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was good fun to write? More fun that I've ever had writing a book,

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the most fun, I had. The niceest thing you say is, it feels it was

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fun to write, because that means it is fun to read. I do like writing

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about mothers and daughters, there's always a fascination

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between the love between them, the ways in which they lookalike, how

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they walk and move together. The painful rivalries, not admitted

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between them. That itself is a great subject. The character, Guy

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Ableman, what kind of a guy? This is a guy who would love to be a

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wild man. He would be lawless. I understand this. He is a nice

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person, he's brought up to be a nice person, and would like to be a

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bad person. Affair with your mother-in-law, how much more

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shocking alass he could shock the world with it. Then you have the

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ridiculous industry as portrayed here, the bedeath of fiction, where

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fads, constantly changing. It is a toxic mix to have the industry and

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psyche together? What was the buzzword last year," Readable" a

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book had to be "readable", last year, it was "unput downable". Put

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it down, laugh, scream, cry, throw it across the room, take a note,

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open the windows, put it down! year, he wanted to have a thousand

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story apps ready to go for the mobile phone market, bus stop

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reading he called it, unbooks, that could be started and finished while

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phone users were waiting for someone to call them back, or the

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traffic lights to change or waiter to arrive with the bill. In short

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to plug those small, social hiatuses of life on the run.

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struck me as confident book, I wonder having won the booker you

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were in a position where you could put your head above the parapet.

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This novel was started six months before I won the Man Booker, at a

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time I had no belief, I thought my career was coming to an end, what

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will I do. I'll go down fighting and write a funny novel about the

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end of it all, like a suicide note. Half way through, I go and win the

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Man Booker Prize, which I thought probably would be the end of this

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book. And then I had a bleak thought, I thought what if the

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novel would be my best novel ever, my funniest best novel ever. And if

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the Man Booker Prize ruined it? Man Booker Prize ruins great novel.

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What if that snaps you had to be a writer to invite the trouble, you

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had to be a writer to be prepared to put your life into a sort of

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suss expense, while the story of what would happen, had its way with

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you. I didn't give a figure for happiness. I was after bigger,

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dirtier fish. The truth is this. I do not believe there is or has been

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a writer alive that doesn't somewhere in his soul wonder if he

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is any good or she is any good or not. It is like being Usain Bolt,

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it can't be measured or proved, you never know, so I think, anything

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that feels like a confirmation, of something that you hope might be

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the case, that you are all right, that you can do it, that you

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haven't been fooling yourself, comes as a huge relief. You were

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runing in the right race. And not just running, you were winning it.

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Well that's the most erotic use of lost property I've seen. Afternoon

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Mam. I think she lost a hip there.

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the Edinburgh Festival showcases the finest singers, we think the

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one to watch is Iestyn Davies. Clemency Burton-Hill went to talk

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The rock stars of the opera and classical world are the tenors, the

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lovers and heroes, famed and adored for the power of their top note,

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the sensational high C. But what about a beautiful male

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voice that can go even higher than the high C?

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Some think of it as surprising, unnerveing and confusing but often

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other worldly the distinctive voice of the countertenor. Resonateing as

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one of the world's young counter tenors is the Iestyn Davies and

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lucky me, I get to hang out with I know auf glamorous life as an

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opera singer, so I thought I would take you to the finest gastronomic

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experience. What are you having? Scam by and chips. Kech

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championship I loathe that. Do you ever find people are surprised and

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shocked when they hear you sing? Well there's been a couple of

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occurrences where there's people not expecting to hear a man sing in

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this way. They see the face, they see your

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beard or whatever, standing there, and then you have this other

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worldly sound coming out of you, so they're thrown by it. Give us the

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basics, what is a countertenor? is a name given to a male singer

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who uses their fall sella range, it is the sound you would hear, if you

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were listening to the Bee Gees. for example I took these chips and

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they say represented, the sorrowcal chords, very bad greasy chords,

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when a normal singing voice, active vaits and vibrate to a different

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fashion, and part of the vocal folds vibrate, I could give you the

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impression if I was talking now, and then I want to talk like that,

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that's fall seta. And it is much harder when you've eaten chips. So

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is that the same, we hear about the castrato? The castrati, were

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popular in the 18th century. The thing about them, was they had be

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castrated, so this had happened. The end of the puberty, they

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preserveed their treble voice and ended up having a power of a tenor,

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Pavarotti power, but with the straipg other worldly voice.

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castrati were the world's first superstars, and had a remarkable

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effect on the female audience as explored about the most famous bun,

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Yael Farber. You haven't had to go through?

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seta is a completely different skill, the repertoire they sang now

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The international festival careies on throughout the weekend and end

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with a spectacular concert on Sunday. Octopus, limbed becameer

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head, Russell Kane is doing the double. He is at the book festival,

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discussion the humanist, I waited with a large net outside a book

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store with him and I caught him. few of my men are having to have

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sprogs, it scares me the level of love, that some of you men feel,

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there's a violence I don't understand. When I look at my buoy,

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I never fucking felt anything like it in my life, if anyone looked at

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him I would fucking, if the nurse looked at him, I stabbed her in the

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fucking face, I weren't having it. Rustle, your CV has got august, not

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amazing comedy, but you're author, with a capital A, tell bus the

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book? It is about Benjamin White, he has humour, he can perceive it,

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but he is not butt it emotional. He discovers humour so pure it can

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kill. The main character is devoid of empathy, and he happens to be a

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critic. He actually, started from, when I started comedy, to me, I was

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going, leaving work and thinking, I have to do comedy, I'm so lucky,

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there was miserable people with note boot, which weirdly had a

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person nationality transplant when think got on stage, so critic,

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clinically outside the very thing which is the connoisseur, that's

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how it started. I'm not cold just locked in "like jokes that misfire,

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even though their construction is perfect. Thiss puzzle, even me for

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a moment at least. The circus gag, flawless in the make-up, tonely

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hond, with a rightful inflection to a room full of people, yet it falls

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flat, they cannot ethe knots and strands around the idea, how it

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looks on to the mood and matter on the room, its shape and light, no

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joke is perfect you see, environment shapes even plaitium

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material." What's your experience of critical? I've never really got

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like a panic. There's a couple of guys, that don't get what do I, and

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I get swipey, three star stuff, but I've been lucky. That's not fair,

:22:08.:22:18.
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some children just refuse to eat, bollocks. If he saw spin yach, he

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would fall. Funny how this diet is not a Somalia. Talk about the

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festival this year, your show, you always like themes, this is I love

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the theme this, is about fatherhood, you coming of age. At least in your

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imagination? Absolutely. That is the one playful thing do I with

:22:40.:22:45.

critics, you have to spot where they come from, but the show title

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is come from a negative mark within a review. This year, I wanted to

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talk about having kids, but someone said he has nice material but a lot

:22:55.:23:01.

is a posturing delivery. Brilliant, it's a pun on posturing, as

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positying, hypothetical delivery, all the words were packed in

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posturing delivery, and we were off. You want to experience everything,

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when you fantasies everything, I would love one, I want to

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experience everything, emotionally that a father would experience, I

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want a boy, girl and bay... I would be one of the few fathers, I want

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to tell you, papya, come in, oh I'm so excited...

:23:31.:23:41.
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Glitter canyons going off. I know, You can check out rustle on tour

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from October, and on BBC Three tomorrow night. A most striking

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displace of the Edinburgh fest rational is diaries of Dieter Roth.

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Roth was one. First artist toss really explores the idea of life in

:23:58.:24:04.

his art and suck suck suck went to devil in his world. That's Michael

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Anglo, it is for kitty, who simply won't wear a cardigan, likes to

:24:10.:24:20.
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You know how people don't like contemporary art, complain it is a

:24:31.:24:38.

pile of rubbish, today I'm to see a man who helped embed that idea, by

:24:38.:24:48.
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transforming one of the stuff our This is a work called Flat Waste,

:24:57.:25:02.

and by the Swiss-German artist, Dieter Roth. It looks like an

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important archive, but these hundreds of folders aren't filled

:25:07.:25:10.

with precious document, instead they contain personal waste collect

:25:10.:25:17.

of a course of a year in the mid-7 0s, by the artist, some of the

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trash is disgusting. My first impression, flicking through this,

:25:22.:25:29.

is a madness at work here. Because, Roth collected all manner of

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pointless things, stubed out fag butts, coffee cup lids, old

:25:37.:25:42.

crumbleed beer mats and razor blade which has stuff in the mettle Then

:25:42.:25:47.

you have things like, what is that, it is like a piece of an envelope,

:25:47.:25:52.

which is a tiny scrap of paper. There's no reason why this should

:25:52.:25:57.

be preserveed, you'd think. When these are confronted with scraps of

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life, makes you piece together. I feel like I'm in a episode of CSI,

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you have to piece the story, of Dieter Roth's life. Dieter Roth was

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born in 1930. He trained as a commercial artist, but when he came

:26:12.:26:17.

into contact with modernism and constructiveism, the idea of art

:26:17.:26:22.

that could bring about social change transformed his outlook. He

:26:22.:26:27.

is mostly famous for the avant- garde work, when he created work

:26:27.:26:31.

using organic material, such as cheese, chocolate and rabbit

:26:31.:26:35.

dropings, and Flat Waste, constain some strange materials as well.

:26:35.:26:41.

Well, here, look at this, by the looks of things it is a scrum

:26:41.:26:48.

pelled up tissue, which spots of blood, or a bit like ear wax.

:26:48.:26:51.

Initially it would be easy to dismiss this, and say, well, here

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we have the outpowerings of detraipged hoarder, but actually, I

:26:57.:27:01.

think there's a deep thinking artistic intelligence, motivating

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his work, because Flat Waste belongs to a long tradition within

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the tradition of art, which is self-portrait. A portrait of the

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artist created by the rubbish and waste that he's left behind. The

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show here at the fruit market is called Dieter Roth: Diaries and

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appropriately enough we have a table load of the things. But the

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ultimate example of him recording his day to day activities isn't

:27:31.:27:41.
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This is a quite extraordinary work, when you think about its context,

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it is called Solo Scenes and consists of 128 screens, set across

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three banks, and in each one, we see the artist, in his various

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studios around the world, going about his day to day business, in

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the final year of his life. He knew he had a heart condition. His

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doctors had told him he need to have an operation, he refused to

:28:11.:28:15.

have the operation. He didn't want to have it. So you see here, a man,

:28:15.:28:25.
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an old man, infirmed man, a weak man, confronting his own mortality.

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His son and long time collaboratetor, is now the

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custodian of his falter's work. always found it interesting, and

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typical for him, this discipline to do that. Because, he had, he didn't

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like his figure, he didn't like how he looked, how sick he looked and

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fat and old and all that. But somehow he had the courage to just

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do that. There, he has his head in his hands, here he's having trouble

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breathing. And he is waiting for the pain to pass. Often we see him

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in very unflattering situations, well there, he's sitting on the

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toilet. Yeah, but that's a visual, real diary, his daily life, and it

:29:17.:29:20.

is what it is. When you see this work realised in the gallery, how

:29:20.:29:26.

do you feel? He's so close? years after he died, he died, I

:29:26.:29:31.

installed it three or four times in different place, I never could look

:29:31.:29:37.

at t but slowly I'm able to look at it. When you feel, what do you feel

:29:37.:29:47.
:29:47.:29:48.

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