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The People's Palace

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People from every walk of life have come in their thousands and from

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route across this city and beyond. Eight years in the planning, this is

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an event most communities in Britain can only dream of. I'm here for the

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opening of a new building in Birmingham. A spe special one at

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that. -- a very special one. Now, ladies and gentlemen, I will ask

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Malala to unveil the plaque. APPLAUSE

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The grand new public library might come as something of a surprise. All

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around the country budgets are being cut, libraries are closing. Some

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even say there is no place for libraries in this digital age. Yet

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here we are, celebrating the opening of a £2 moneyed million building,

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the largest public library in Europe. -- £200 million. So, if this

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is anything to go by, maybe the library isn't dead. Maybe the

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library is being reborn. I'll be exploring the building to

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find out what a library has to offer in the 21st century. I'll also

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discover how artists and local people are coming together as a

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community to celebrate the arrival of this People's Palace.

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Good morning. Welcome, it's Richard Wilfred at Breakfast, Monday

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morning, 12th August. You are listening to BBC WM 95. 6, the voice

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of Birmingham and the Black Country. Back in August, I set off to visit

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the new Library of Birmingham. This is not a city people associate with

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attractive architecture. It's been described as a Godless concrete

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urban hell. So, Birmingham wants to get a new glitzier Iage. The City

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Council is regenerating the city centre. The new library is part of

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the massive, monumental rebrand. So, it's goodbye to '60s concrete. And

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hello to the latest in design. Such as the 2010 Kew building with its

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jigsaw-like shaped panels. -- Kew building.

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And this with a surface of aluminium disks, which reminds me of a

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sequinned boob tube F Birmingham's rent past is anything to go by, the

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new library promises to be a statement building. I have to be

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honest, I'm a bit of a fan of post-war architecture, particularly

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honest, I'm a bit of a fan of of the concrete variety and not a

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great lover of glitzy iconic buildings but I am ready to be

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conadviced. Maybe this one will win me over. -- convinced.

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First impression - oh, no. I think it's quite unique. I quite like it.

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Not very pleasing on the eye, I don't think.

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I love T I think it looks really fresh and modern. -- I love it.

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Crikey, that is one bright building. Not quite sure about the barbed

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Quire exterior. It looks like it should be in Ikea.

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It's what I call loud shirt architecture. I like the structure

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of it. It's really nice. I think it's too busy to look at. There's

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too much going on. I think it looks like a mosque. I think it will bring

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style to Birmingham. More buildings should look like that. Fran seen

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howen from the Dutch architect firm, Mecanoo is the design force behind

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the building. -- FrancineHouben. How did you get the design? How did

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it come through? It is a young, city. Many eye indentities. It is

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colourful. It is made for all these people. Bold and delicate at the

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same time. It's how we tried to make it. That sounds like the true

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character of the Brummie. Bold and delicate at the same time. It's a

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very strange shape. Can you talk me through the different layers? We

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tried to make it as compact and elegant as possible. It's a kind of

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dancing with all the different city scenes. Connecting Centenary Square.

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That's overseeing the city and that is overseeing the region. From

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there, you see the beautiful hills is overseeing the region. From

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of Birmingham. What about the circles on the outside? Is that a

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reference, a local reference? We circles on the outside? Is that a

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started with this idea, the heritage of the proud city w a steel

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industry. It is also linking to the 200 years of partnership and

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bringing unity. It is bringing everybody together. It is why I call

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it the People's Palace. This isn't just a building designed for the

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people of Birmingham. Most of the £189 million has come from a loan to

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be paid back from public coffers. So, is it worth it? I think any

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investment or money put into libraries at the moment is

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fantastic. . I find most of the information I need on the internet.

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I think it is still an important part of the community, getting the

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community together. At a time of economic austerity, what a billioned

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step to take. Wonderful stuff. -- what a bold. Do you think they could

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have done something better with the money. -- I think. The opening still

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weeks away, the locals still sown have a vague sense of what the

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library has to offer from the design plans. These reveal a vast 35 square

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metre space, spread across 10 floors, including cafes, auditorium

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space and even roof gardens. But I'm lucky enough to be getting a sneak

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presue inside ahead -- preview inside ahead of the official public

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opening. So, the building is made like a journey. The whole experience

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is a journey of learning. It's amazing how the building starts to

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unfold in front of you, as you come through. Wow. It's maybe the most

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iconic rotunda. Wow.

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It's huge, isn't it? You don't get any sense of this space when you are

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outside. It's striking how different the

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character of the building is inside. From outside it is very flamboyant.

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Inside it is quite muted and sober and actually all the energy is in

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the spaces. What you also see around is the book rotunda, made in a

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radial system. You are always rotated to the daylight and the pan

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rammia of the circles and shadows. -- -- panorama. You dented get a

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sense of enclosure. A library's role has changed so fundamentally. It is

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a et mooing place, a place to do many things, as well as just read a

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book. How did you combine those roles in this one building? I think

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what is nowadays so essential is that there are many ways of studying

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and learning. A lot of students want to be individual, than be part of a

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bigger collective. We made all our study places, so you can sit

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together on the table or have a private room or maybe come here.

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Wow, look at that, it is huge. You can sit here on this bench. It is

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very Sid but at the same time dreaming or maybe talking to

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somebody next to you. -- it is very individual. People are going to fall

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in love here, maybe Then they can go to the secret garden. For a little

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tryst. It's not just the inside of the

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library that offers a new kind of space for local people. The building

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is helping create a special new distract in the city. A key vision

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for the new library is that it forms part of a cultural hub. It's flanked

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on one side by the symphony hall. It shares foyer space and a new theatre

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space with the repubished re theatre. And a short work away is

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the old art gallery. -- with the REP Theatre.

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Knowledge is joined with new shared space. To reflect this a new public

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art work has been commissioned to the Plaza. It'll depict a real

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Birmingham family. It is familiar the Turner Prize winning artist, a

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born and bred Brummie has been working on the project with Icon,

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the local art gallery. The process to find a family began two years

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the local art gallery. The process ago, inviting people to nominate

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themselves with a photo and short family biography. No criteria was

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set. Single parents, extended families and groups of friends put

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themselves forward. The idea being to explore what family means in

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today's world, especially in a city as diverse as Birmingham. From 370

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nominations, a panel selected the Jones as a winning family. Emma and

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Rona, two families that have lived here all their lives and are both

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single parents to young boys. Today they are going to visit the site for

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the first time with icon gallery creator Stuart towel lock. This is

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where the statue of you, the Jones' family will be -- Tulloch. It will

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be similar to a work that Gillian did in 2007 in it will you, on a

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plinth. Lifesize in a bronze, with a small flak that would be here,

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describing you as a family. In What will to say on there about us? It'll

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describe you, for people in future, of actually knowing who you are. And

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the idea of the project of how to represent the people of Birmingham.

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Is there any idea of how the statue would be shaped? Like the way we

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will be standing? That will be from Gillian. Thinking very much and

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maybe with you, as well, with how you feel comfortable. It'll take

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several months to complete the sculpture but for the Joneses the

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reality is already hitting home. We decided to enter the competition

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because we are a diverse family. Just to show that being a single

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parent is a positive thing. We both were crying when we found

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out. We were so emotional. We feel so privileged and honoured for our

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children, for when they are old enough to understand it more, for

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them to be proud of themselves, because we are so proud of our

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family. The real Birmingham family won't go on public display until

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2014 but in the meantime the library's opening day is

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fast-approaching and staff are houredly putting in the final books.

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-- hurriedly. Fay Davis has worked as a librarian

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in Birmingham for nearly 25 years and is helping oversee the

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transition to the new building. I hope I'm putting them in the right

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order. It is very important. Bring them to the front of the shelf. I'm

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getting it wrong. This is the last crate of books, basically.

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Absolutely. What a sqlob it has been. -- what a job. Enormous. The

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move started at the end of May. How many books have you had to move? I

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knew you were going to ask me that question - an awful lot. That many?

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Yes. We've had about 1,000 crates a day actually moving out of the

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central library and into this librariry. Quite a house move --

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library. Enormous. Sometimes I get the

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impression in a library that sometimes the books aren't really

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for you, they are protected behind glass but here they are out there,

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you feel you can grab anything you want. I'm really pleased you said

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that. That was one of the fundamental principles behind the

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way we have structured all of this. It was very much about self-service,

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being able to feel that everything is accessible, everything is more

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intuitive than it was in the old central library. Nowadays, lending

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numbers at libraries are in decline, we can get access to the internet

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and buy cheap books now. What role is there for a lending library now?

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I have to be honest, issue figures, is there for a lending library now?

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as we call them, lending figures, are reducing. We are trying to

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reverse that. Yes, we have to move along with the times. We also have

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e-books and access to all sorts of IT and technology but in a lot of

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ways the book is still very much at the heart of the library. Some

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people don't like to read kindles. The physical object is what they

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want to get at. As you have probably seen, as you have been moving around

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the building today, it is far more than a library, in the traditional

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sense, most definitely. It really, really will become a really hub of

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knowledge, of learning and creativity. So the brains of

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Birmingham. Why not? Birmingham's created some amazing brains. We

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intend to continue with that. You will need a holiday when you finish

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building this. When the library opens its doors, 10,000 visitors are

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expected each day. They won't just come to borrow books. In the

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archives conserve fors are getting ready to show off some of the

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library's greatest pressures to the public for the first time.

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Including a unique collection of 60,000 magic lantern slides, first

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created for use in Victorian entertainment shows. Once stored

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away in back rooms, items like this can now be made accessible to all,

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for a new exhibition space and a speegsly-created digital app. --

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especially-created. All in all, it is quite a building, from the

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archives to the beautiful book rotunda, right down to the beautiful

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roof-top gardens, overlooking the city.

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To be To be honest, I'm never going to like the outside of this

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building, it is too brash and glitzy but the interior, what a revelation.

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It's so generous and accessible and beautifully-made. It's a real Palace

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of knowledge. And, in this age of austerity and cuts to the public

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sector, a true contemporary vote of confidence. The very idea of a

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public building. It maybe unique in Britain, but this

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library reflects a global trend. It's part of a new breed of

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so-called superlibrary, designed for the digital age, popping up in

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cities around the world. The public library in Seattle set

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the gold standard. I love its jagged shapes and bold presence. China is

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taking its digital role very seriously. It is designed a bit like

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a guyant hard drive. In Stuttgart, their new library looks like a kind

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of glowing fortress of knowledge. I love this one. It's like a great

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glass pyramid. All the books piled on top of one another like a book

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mountain. And most, futuristic of all, this one in Perugia. It's like

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a gayant glass sort of flying saucer.

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-- giant. Libraries are undergoing something of a revolution in the

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digital age. But ever since the very first libraries were built, 5,000

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years ago, they have constantly adapted to changes in our society.

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In ancient times libraries were revered as temples of knowledge and

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placed at the heart of the city near the public forum.

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By the 1700s, libraries were hidden away in grand private houses and

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palaces, the preserve of the elite, symbolising wealth and privilege.

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150 years later, free public libraries were born, imposing

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buildings worthy of their grand ideal, to bestow knowledge on the

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masses. Before gifg way in the welfare state era -- before giving

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way. To post-war buildings, speaking a new language of democracy. Now

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today, there is something of a power battle going on for the very place a

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library has in our society. Thousands of people across the UK

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have been protesting about the potential closure of their local

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library. We would like to protest at the wide-spread cuts to the library

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service taking place throughout... # We love our local library

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# We use them every day... # Organisers of the protests say they

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fear up to 400 will have to close. Council leaders say finding cuts

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mean keeping libraries open would put other services at risk. I'm

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makal Rosen, I write books. -- Michael. The very first book I wrote

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was called -- mind Your Own Business. Michael Rosen has played a

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key role in the recent Save the Libraries campaign. Does he think

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superlibraries like Birmingham's are the shape of things to come? I think

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super-libraries are potentially wonderful. They are very, very

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exciting places. They can get hundreds of people in them. They can

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put on shows and create a buzz about books and buzz about knowledge. I

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guess it's a new kind of municipal pride. Now, there is an element of

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it that you might say - it's a great big City Council, showing its wares,

:18:15.:18:21.

showing its power. Another way of looking at it is ssh if it cost £200

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million. What if it had gone into all the local libraries? Would you

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have 20 or 30 jewels in Birmingham, as eposed to one huge one? What's

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this ear, don't be cheeky, 6.00 nose.

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Very good. If I'm in a family and we nose.

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are think being going to that wonderful library, have a think,

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paying bus fares and petrol. It'll cost. If I'm in the very mobile,

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then I will think - maybe it's not worth the faff of going all the way

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in. So there is going to be various ways in which I'll think - maybe it

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is not for me. It can't be a substitute for the good, local

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library with a professional librarian there. It is not a

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substitute. It is a wonderful add-on, like a huge great treat in

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that sense for the people of Birmingham. But it can't be a

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substitute for the local library. Birmingham council has pledged to

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substitute for the local library. keep all 39 of its branch libraries

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open but they are facing cuts in hours and budgets. But the opening

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of the new library has resulted in the complete closure of one very

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special building. John maid maddin's 1964 central

:19:32.:19:37.

library -- John maddin's. Which, according to the council has fallen

:19:37.:19:42.

into such a bad state of affair, refurbishment wasn't cost effective.

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The broughtalist building is held up by some as a classic piece of

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post-war architecture but reviled by others, including Prince Charles,

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who once described it as a place for incinerating books. Here to capture

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its last days is Stuart whips, one of four local photographers,

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documentary different elements of the library move for an upcoming

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exhibition. -- Stuart Whipps. It is a really important building to me

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personally but also in how it embodies the boldness of the

:20:14.:20:19.

post-war period. It was the largest city library in Europe when it

:20:19.:20:23.

opened. The footprint it has in the city, all of these things make it a

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rich site. What were you trying to tease out? Initially just recording

:20:28.:20:32.

the spaces, recording the building as it is, but also to perhaps raus

:20:32.:20:36.

some questions about the decisions that are made -- perhaps raise. In

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town planning and more widely about what we keep and what we don't. I

:20:42.:20:46.

have small version abouts what the final things will be. They are a bit

:20:46.:20:50.

large. A lovely bit of concrete. I love that. I was keen to try and

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show some of the core elements of the building. I think this is a

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pretty iconic shot of the linery. This is where you see perhaps more

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of how it has been knocked around a bit and some of that vision of what

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it was, that kind of change. The clarity has gone. All the signage

:21:10.:21:15.

has gone in in different ways. Different managers have come in and

:21:15.:21:19.

knocked it around and so on. I imagine everything what has been put

:21:19.:21:23.

in, since the day it opened, has made it worse. A pot plant!One of

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the other things I became interested in, was the ways people have tried

:21:29.:21:34.

to soften the building as well. I have this hold serious of yukkas and

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plants. Trying it make it more friendly. We think of brutal --

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brutalism. Despite repeated attempts by English

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Heritage to save the building, it is now set for demolition next year.

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Will you shed a tear? I will. I think regardless of my attachment to

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how it looks - I do think it looks great - it would be much nicer if we

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had these things coexisting, but you can tell that you know this thing

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happened and these decisions took place and there is a building that

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happened and these decisions took is an embodiment of that. Birmingham

:22:15.:22:18.

has a history of sometimes being a bit hasty. It demolishes quite

:22:18.:22:23.

willfully, throughout its history, hasn't it? The motto of Birmingham

:22:23.:22:28.

is fjord. Above that motto on the coat of arms is a big hammer. -- is

:22:28.:22:34.

Forward. It is like a Stalinist approach of

:22:34.:22:37.

history, air brushing out the It is like a Stalinist approach of

:22:37.:22:40.

mistakes. When you look at the photographs of Communist Russia. You

:22:40.:22:44.

can always see something is missing and they never feel right. I think

:22:44.:22:47.

it is the same in a city, if you demolish what you consider to be the

:22:47.:22:51.

ills of the past, you always know there is something not quite right.

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Not all history is being swept away. One special link to the past is

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being preserved in the new library's golden rotunda.

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The Shakespeare Memorial Room golden rotunda.

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been Spain stakingly moved, panel by panel, from the central library

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which in turn took it from the city's original Victorian library.

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Altogetherer it's taken three-and-a-half years of building

:23:16.:23:20.

work to complete the new library. Back in May, when large parts of the

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building were still heart hat areas, preparations were already underway

:23:26.:23:30.

for the grand opening. Julie and Dave, the director of

:23:30.:23:39.

musical spectacle Super Critical Mass has come to recce the library

:23:39.:23:43.

to plan a performance for the opening ceremony.

:23:43.:23:47.

The piece will be a unique response to the architecture of the building.

:23:47.:23:54.

So, he is here to sound out the acoustics. This is an extraordinary

:23:55.:23:58.

space. I don't think I have ever been in a space like T photos don't

:23:58.:24:03.

do it Jews ti.s it is bigger than I thought and the acoustics more

:24:03.:24:08.

surprising. -- -- justice. To get higher up in this rotunda they have

:24:08.:24:14.

to be rich. Because of a circular nature, echos do some unusual

:24:14.:24:18.

things. This offers a lot of potential.

:24:18.:24:22.

The musicians will be drawn from across the city and today Julian is

:24:22.:24:29.

rehearsing with students from the Birmingham Conservatoire. A long

:24:29.:24:32.

note, take a breath or two, another long note. A different note each

:24:32.:24:33.

time. Any note of your choice. We are still at a relatively early

:24:33.:24:45.

stage of devising the piece. The work always emerges through the

:24:45.:24:50.

process of having workshops and get-togethers with the musicians.

:24:50.:24:56.

Right, Give me your lowest A. I think there is a great sense of

:24:56.:25:00.

communal spirit among brass players. When using brass we'll often use

:25:00.:25:04.

long tones that might be the length of a player's breath. If they are

:25:04.:25:09.

all doing it at different times they get surging, breathing in and out

:25:09.:25:13.

patterns. There are some big lungs over here.

:25:13.:25:22.

Nicely done. I'm I am soar fan ally. I play the euphonium. I have been

:25:22.:25:25.

Nicely done. I'm I am soar fan ally. playing since I was 11. -- Sarwan

:25:25.:25:34.

Ally. So that's 14 years now. I'm very

:25:34.:25:39.

proud. I'm intrigued about how it is going to sound in the library. As

:25:39.:25:44.

musicians prepare, the city readies itself for the big day.

:25:44.:25:53.

The time has come for the people of Birmingham to test out their new

:25:53.:25:59.

library, as the building opens its doors for the first time.

:25:59.:26:06.

There's no shortage of interest. The queue goes around the block and

:26:06.:26:11.

continues all day. It's great to be here at the moment

:26:11.:26:15.

when the architecture comes alive, when the great British public flood

:26:15.:26:20.

through the doors. It's like blood throwing through the veins of the

:26:20.:26:23.

building. I canning cans off the celebration

:26:23.:26:27.

is Super Critical Mass, with its abstract brass performance of

:26:27.:26:36.

breathe breathe breathe. Bort - Together With We Breathe.

:26:36.:26:50.

Meanwhile, across the building, people are already settling in.

:26:50.:26:57.

So what did Brummies think of their new space.

:26:57.:27:02.

Lovely. Yes, I think it's done Birmingham proud.

:27:02.:27:07.

I like the circular design. It promotes the theme of being able to

:27:08.:27:11.

look up. Well not quite to the heavens but you know what I mean.

:27:11.:27:16.

Almost. It reminds me of the Congress building in America for

:27:16.:27:19.

some reason, the circles. It's brilliant. I like it. Very

:27:19.:27:23.

user-friendly. E o, it's beautiful. I think it's so mazing. I love this

:27:23.:27:28.

especially. I love this outside bit with the balcony. It's really

:27:28.:27:31.

relaxing. There is a children's environment to

:27:31.:27:38.

play. The kids like it. Every time you have finished your

:27:38.:27:43.

book, then we are coming back to pick another one.

:27:43.:27:51.

There are so many free things, then everyone can get involved. I have

:27:51.:27:54.

been in the library ten minutes. I have had a nice chat with the lady

:27:55.:27:59.

here. It is a nice place to come and chillout. It is so big, you can be

:27:59.:28:00.

here all day. It's easy to get sentimental about

:28:00.:28:15.

libraries and rightly so. With in what other building can you lounge

:28:15.:28:20.

about all day reading Tolstoy or take a break without even having to

:28:20.:28:26.

buy a cup of coffee. What other building celebrates civic life and

:28:26.:28:35.

brings a city together for no other cause than buying the latest trainer

:28:35.:28:43.

for smartphone. For me, a successful cohesive society depends on

:28:43.:28:44.

buildings like this.

:28:44.:28:51.

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