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People from every walk of life have come in their thousands and from | :00:10. | :00:16. | |
route across this city and beyond. Eight years in the planning, this is | :00:16. | :00:20. | |
an event most communities in Britain can only dream of. I'm here for the | :00:20. | :00:26. | |
opening of a new building in Birmingham. A spe special one at | :00:26. | :00:30. | |
that. -- a very special one. Now, ladies and gentlemen, I will ask | :00:30. | :00:36. | |
Malala to unveil the plaque. APPLAUSE | :00:36. | :00:44. | |
The grand new public library might come as something of a surprise. All | :00:44. | :00:48. | |
around the country budgets are being cut, libraries are closing. Some | :00:49. | :00:52. | |
even say there is no place for libraries in this digital age. Yet | :00:52. | :00:56. | |
here we are, celebrating the opening of a £2 moneyed million building, | :00:56. | :01:00. | |
the largest public library in Europe. -- £200 million. So, if this | :01:00. | :01:06. | |
is anything to go by, maybe the library isn't dead. Maybe the | :01:06. | :01:12. | |
library is being reborn. I'll be exploring the building to | :01:12. | :01:16. | |
find out what a library has to offer in the 21st century. I'll also | :01:16. | :01:20. | |
discover how artists and local people are coming together as a | :01:20. | :01:24. | |
community to celebrate the arrival of this People's Palace. | :01:24. | :01:36. | |
Good morning. Welcome, it's Richard Wilfred at Breakfast, Monday | :01:36. | :01:42. | |
morning, 12th August. You are listening to BBC WM 95. 6, the voice | :01:42. | :01:44. | |
of Birmingham and the Black Country. Back in August, I set off to visit | :01:44. | :02:00. | |
the new Library of Birmingham. This is not a city people associate with | :02:00. | :02:04. | |
attractive architecture. It's been described as a Godless concrete | :02:04. | :02:11. | |
urban hell. So, Birmingham wants to get a new glitzier Iage. The City | :02:11. | :02:18. | |
Council is regenerating the city centre. The new library is part of | :02:18. | :02:22. | |
the massive, monumental rebrand. So, it's goodbye to '60s concrete. And | :02:22. | :02:35. | |
hello to the latest in design. Such as the 2010 Kew building with its | :02:35. | :02:42. | |
jigsaw-like shaped panels. -- Kew building. | :02:42. | :02:47. | |
And this with a surface of aluminium disks, which reminds me of a | :02:47. | :02:51. | |
sequinned boob tube F Birmingham's rent past is anything to go by, the | :02:51. | :02:55. | |
new library promises to be a statement building. I have to be | :02:55. | :03:00. | |
honest, I'm a bit of a fan of post-war architecture, particularly | :03:00. | :03:01. | |
honest, I'm a bit of a fan of of the concrete variety and not a | :03:01. | :03:05. | |
great lover of glitzy iconic buildings but I am ready to be | :03:05. | :03:09. | |
conadviced. Maybe this one will win me over. -- convinced. | :03:09. | :03:16. | |
First impression - oh, no. I think it's quite unique. I quite like it. | :03:16. | :03:21. | |
Not very pleasing on the eye, I don't think. | :03:21. | :03:25. | |
I love T I think it looks really fresh and modern. -- I love it. | :03:25. | :03:32. | |
Crikey, that is one bright building. Not quite sure about the barbed | :03:32. | :03:36. | |
Quire exterior. It looks like it should be in Ikea. | :03:36. | :03:43. | |
It's what I call loud shirt architecture. I like the structure | :03:43. | :03:48. | |
of it. It's really nice. I think it's too busy to look at. There's | :03:48. | :03:52. | |
too much going on. I think it looks like a mosque. I think it will bring | :03:52. | :03:57. | |
style to Birmingham. More buildings should look like that. Fran seen | :03:57. | :04:04. | |
howen from the Dutch architect firm, Mecanoo is the design force behind | :04:04. | :04:14. | |
the building. -- FrancineHouben. How did you get the design? How did | :04:14. | :04:19. | |
it come through? It is a young, city. Many eye indentities. It is | :04:19. | :04:24. | |
colourful. It is made for all these people. Bold and delicate at the | :04:24. | :04:28. | |
same time. It's how we tried to make it. That sounds like the true | :04:28. | :04:32. | |
character of the Brummie. Bold and delicate at the same time. It's a | :04:32. | :04:35. | |
very strange shape. Can you talk me through the different layers? We | :04:35. | :04:40. | |
tried to make it as compact and elegant as possible. It's a kind of | :04:40. | :04:47. | |
dancing with all the different city scenes. Connecting Centenary Square. | :04:47. | :04:52. | |
That's overseeing the city and that is overseeing the region. From | :04:52. | :04:54. | |
there, you see the beautiful hills is overseeing the region. From | :04:54. | :04:57. | |
of Birmingham. What about the circles on the outside? Is that a | :04:57. | :04:59. | |
reference, a local reference? We circles on the outside? Is that a | :04:59. | :05:07. | |
started with this idea, the heritage of the proud city w a steel | :05:07. | :05:11. | |
industry. It is also linking to the 200 years of partnership and | :05:11. | :05:16. | |
bringing unity. It is bringing everybody together. It is why I call | :05:16. | :05:20. | |
it the People's Palace. This isn't just a building designed for the | :05:20. | :05:24. | |
people of Birmingham. Most of the £189 million has come from a loan to | :05:24. | :05:29. | |
be paid back from public coffers. So, is it worth it? I think any | :05:29. | :05:33. | |
investment or money put into libraries at the moment is | :05:33. | :05:40. | |
fantastic. . I find most of the information I need on the internet. | :05:40. | :05:45. | |
I think it is still an important part of the community, getting the | :05:45. | :05:49. | |
community together. At a time of economic austerity, what a billioned | :05:49. | :05:54. | |
step to take. Wonderful stuff. -- what a bold. Do you think they could | :05:54. | :05:58. | |
have done something better with the money. -- I think. The opening still | :05:58. | :06:04. | |
weeks away, the locals still sown have a vague sense of what the | :06:04. | :06:09. | |
library has to offer from the design plans. These reveal a vast 35 square | :06:09. | :06:15. | |
metre space, spread across 10 floors, including cafes, auditorium | :06:15. | :06:20. | |
space and even roof gardens. But I'm lucky enough to be getting a sneak | :06:20. | :06:25. | |
presue inside ahead -- preview inside ahead of the official public | :06:25. | :06:30. | |
opening. So, the building is made like a journey. The whole experience | :06:30. | :06:37. | |
is a journey of learning. It's amazing how the building starts to | :06:37. | :06:42. | |
unfold in front of you, as you come through. Wow. It's maybe the most | :06:42. | :06:48. | |
iconic rotunda. Wow. | :06:48. | :06:53. | |
It's huge, isn't it? You don't get any sense of this space when you are | :06:53. | :06:57. | |
outside. It's striking how different the | :06:57. | :07:01. | |
character of the building is inside. From outside it is very flamboyant. | :07:01. | :07:05. | |
Inside it is quite muted and sober and actually all the energy is in | :07:05. | :07:10. | |
the spaces. What you also see around is the book rotunda, made in a | :07:10. | :07:17. | |
radial system. You are always rotated to the daylight and the pan | :07:17. | :07:23. | |
rammia of the circles and shadows. -- -- panorama. You dented get a | :07:23. | :07:29. | |
sense of enclosure. A library's role has changed so fundamentally. It is | :07:29. | :07:33. | |
a et mooing place, a place to do many things, as well as just read a | :07:33. | :07:37. | |
book. How did you combine those roles in this one building? I think | :07:37. | :07:42. | |
what is nowadays so essential is that there are many ways of studying | :07:42. | :07:46. | |
and learning. A lot of students want to be individual, than be part of a | :07:46. | :07:52. | |
bigger collective. We made all our study places, so you can sit | :07:52. | :07:56. | |
together on the table or have a private room or maybe come here. | :07:56. | :08:02. | |
Wow, look at that, it is huge. You can sit here on this bench. It is | :08:02. | :08:09. | |
very Sid but at the same time dreaming or maybe talking to | :08:09. | :08:15. | |
somebody next to you. -- it is very individual. People are going to fall | :08:15. | :08:20. | |
in love here, maybe Then they can go to the secret garden. For a little | :08:20. | :08:24. | |
tryst. It's not just the inside of the | :08:24. | :08:28. | |
library that offers a new kind of space for local people. The building | :08:28. | :08:32. | |
is helping create a special new distract in the city. A key vision | :08:32. | :08:39. | |
for the new library is that it forms part of a cultural hub. It's flanked | :08:39. | :08:45. | |
on one side by the symphony hall. It shares foyer space and a new theatre | :08:45. | :08:49. | |
space with the repubished re theatre. And a short work away is | :08:49. | :08:56. | |
the old art gallery. -- with the REP Theatre. | :08:56. | :09:00. | |
Knowledge is joined with new shared space. To reflect this a new public | :09:00. | :09:06. | |
art work has been commissioned to the Plaza. It'll depict a real | :09:06. | :09:13. | |
Birmingham family. It is familiar the Turner Prize winning artist, a | :09:14. | :09:17. | |
born and bred Brummie has been working on the project with Icon, | :09:17. | :09:23. | |
the local art gallery. The process to find a family began two years | :09:23. | :09:26. | |
the local art gallery. The process ago, inviting people to nominate | :09:26. | :09:29. | |
themselves with a photo and short family biography. No criteria was | :09:29. | :09:34. | |
set. Single parents, extended families and groups of friends put | :09:34. | :09:40. | |
themselves forward. The idea being to explore what family means in | :09:40. | :09:44. | |
today's world, especially in a city as diverse as Birmingham. From 370 | :09:44. | :09:53. | |
nominations, a panel selected the Jones as a winning family. Emma and | :09:53. | :10:00. | |
Rona, two families that have lived here all their lives and are both | :10:00. | :10:05. | |
single parents to young boys. Today they are going to visit the site for | :10:05. | :10:09. | |
the first time with icon gallery creator Stuart towel lock. This is | :10:09. | :10:15. | |
where the statue of you, the Jones' family will be -- Tulloch. It will | :10:15. | :10:21. | |
be similar to a work that Gillian did in 2007 in it will you, on a | :10:21. | :10:25. | |
plinth. Lifesize in a bronze, with a small flak that would be here, | :10:25. | :10:31. | |
describing you as a family. In What will to say on there about us? It'll | :10:31. | :10:35. | |
describe you, for people in future, of actually knowing who you are. And | :10:35. | :10:39. | |
the idea of the project of how to represent the people of Birmingham. | :10:39. | :10:44. | |
Is there any idea of how the statue would be shaped? Like the way we | :10:44. | :10:49. | |
will be standing? That will be from Gillian. Thinking very much and | :10:49. | :10:53. | |
maybe with you, as well, with how you feel comfortable. It'll take | :10:53. | :10:58. | |
several months to complete the sculpture but for the Joneses the | :10:58. | :11:02. | |
reality is already hitting home. We decided to enter the competition | :11:02. | :11:06. | |
because we are a diverse family. Just to show that being a single | :11:06. | :11:13. | |
parent is a positive thing. We both were crying when we found | :11:13. | :11:18. | |
out. We were so emotional. We feel so privileged and honoured for our | :11:18. | :11:21. | |
children, for when they are old enough to understand it more, for | :11:21. | :11:25. | |
them to be proud of themselves, because we are so proud of our | :11:25. | :11:29. | |
family. The real Birmingham family won't go on public display until | :11:29. | :11:33. | |
2014 but in the meantime the library's opening day is | :11:33. | :11:36. | |
fast-approaching and staff are houredly putting in the final books. | :11:36. | :11:40. | |
-- hurriedly. Fay Davis has worked as a librarian | :11:40. | :11:44. | |
in Birmingham for nearly 25 years and is helping oversee the | :11:44. | :11:50. | |
transition to the new building. I hope I'm putting them in the right | :11:50. | :11:53. | |
order. It is very important. Bring them to the front of the shelf. I'm | :11:53. | :11:57. | |
getting it wrong. This is the last crate of books, basically. | :11:57. | :12:01. | |
Absolutely. What a sqlob it has been. -- what a job. Enormous. The | :12:02. | :12:06. | |
move started at the end of May. How many books have you had to move? I | :12:06. | :12:10. | |
knew you were going to ask me that question - an awful lot. That many? | :12:10. | :12:16. | |
Yes. We've had about 1,000 crates a day actually moving out of the | :12:16. | :12:20. | |
central library and into this librariry. Quite a house move -- | :12:20. | :12:23. | |
library. Enormous. Sometimes I get the | :12:23. | :12:27. | |
impression in a library that sometimes the books aren't really | :12:27. | :12:30. | |
for you, they are protected behind glass but here they are out there, | :12:30. | :12:33. | |
you feel you can grab anything you want. I'm really pleased you said | :12:33. | :12:39. | |
that. That was one of the fundamental principles behind the | :12:39. | :12:43. | |
way we have structured all of this. It was very much about self-service, | :12:43. | :12:47. | |
being able to feel that everything is accessible, everything is more | :12:47. | :12:52. | |
intuitive than it was in the old central library. Nowadays, lending | :12:52. | :12:56. | |
numbers at libraries are in decline, we can get access to the internet | :12:56. | :13:00. | |
and buy cheap books now. What role is there for a lending library now? | :13:00. | :13:02. | |
I have to be honest, issue figures, is there for a lending library now? | :13:02. | :13:07. | |
as we call them, lending figures, are reducing. We are trying to | :13:07. | :13:11. | |
reverse that. Yes, we have to move along with the times. We also have | :13:11. | :13:17. | |
e-books and access to all sorts of IT and technology but in a lot of | :13:17. | :13:21. | |
ways the book is still very much at the heart of the library. Some | :13:21. | :13:24. | |
people don't like to read kindles. The physical object is what they | :13:24. | :13:27. | |
want to get at. As you have probably seen, as you have been moving around | :13:27. | :13:30. | |
the building today, it is far more than a library, in the traditional | :13:30. | :13:36. | |
sense, most definitely. It really, really will become a really hub of | :13:36. | :13:39. | |
knowledge, of learning and creativity. So the brains of | :13:39. | :13:44. | |
Birmingham. Why not? Birmingham's created some amazing brains. We | :13:44. | :13:48. | |
intend to continue with that. You will need a holiday when you finish | :13:48. | :13:52. | |
building this. When the library opens its doors, 10,000 visitors are | :13:52. | :13:57. | |
expected each day. They won't just come to borrow books. In the | :13:57. | :14:02. | |
archives conserve fors are getting ready to show off some of the | :14:03. | :14:07. | |
library's greatest pressures to the public for the first time. | :14:07. | :14:12. | |
Including a unique collection of 60,000 magic lantern slides, first | :14:12. | :14:17. | |
created for use in Victorian entertainment shows. Once stored | :14:17. | :14:21. | |
away in back rooms, items like this can now be made accessible to all, | :14:21. | :14:28. | |
for a new exhibition space and a speegsly-created digital app. -- | :14:28. | :14:33. | |
especially-created. All in all, it is quite a building, from the | :14:33. | :14:36. | |
archives to the beautiful book rotunda, right down to the beautiful | :14:36. | :14:39. | |
roof-top gardens, overlooking the city. | :14:39. | :14:46. | |
To be To be honest, I'm never going to like the outside of this | :14:46. | :14:50. | |
building, it is too brash and glitzy but the interior, what a revelation. | :14:50. | :14:54. | |
It's so generous and accessible and beautifully-made. It's a real Palace | :14:54. | :15:00. | |
of knowledge. And, in this age of austerity and cuts to the public | :15:00. | :15:04. | |
sector, a true contemporary vote of confidence. The very idea of a | :15:04. | :15:07. | |
public building. It maybe unique in Britain, but this | :15:07. | :15:15. | |
library reflects a global trend. It's part of a new breed of | :15:15. | :15:20. | |
so-called superlibrary, designed for the digital age, popping up in | :15:20. | :15:25. | |
cities around the world. The public library in Seattle set | :15:25. | :15:31. | |
the gold standard. I love its jagged shapes and bold presence. China is | :15:31. | :15:37. | |
taking its digital role very seriously. It is designed a bit like | :15:37. | :15:42. | |
a guyant hard drive. In Stuttgart, their new library looks like a kind | :15:42. | :15:46. | |
of glowing fortress of knowledge. I love this one. It's like a great | :15:46. | :15:51. | |
glass pyramid. All the books piled on top of one another like a book | :15:51. | :15:55. | |
mountain. And most, futuristic of all, this one in Perugia. It's like | :15:55. | :15:59. | |
a gayant glass sort of flying saucer. | :15:59. | :16:04. | |
-- giant. Libraries are undergoing something of a revolution in the | :16:04. | :16:08. | |
digital age. But ever since the very first libraries were built, 5,000 | :16:08. | :16:13. | |
years ago, they have constantly adapted to changes in our society. | :16:13. | :16:20. | |
In ancient times libraries were revered as temples of knowledge and | :16:20. | :16:24. | |
placed at the heart of the city near the public forum. | :16:24. | :16:30. | |
By the 1700s, libraries were hidden away in grand private houses and | :16:30. | :16:35. | |
palaces, the preserve of the elite, symbolising wealth and privilege. | :16:35. | :16:40. | |
150 years later, free public libraries were born, imposing | :16:40. | :16:45. | |
buildings worthy of their grand ideal, to bestow knowledge on the | :16:45. | :16:50. | |
masses. Before gifg way in the welfare state era -- before giving | :16:50. | :16:55. | |
way. To post-war buildings, speaking a new language of democracy. Now | :16:55. | :16:59. | |
today, there is something of a power battle going on for the very place a | :16:59. | :17:04. | |
library has in our society. Thousands of people across the UK | :17:04. | :17:08. | |
have been protesting about the potential closure of their local | :17:08. | :17:12. | |
library. We would like to protest at the wide-spread cuts to the library | :17:12. | :17:18. | |
service taking place throughout... # We love our local library | :17:18. | :17:23. | |
# We use them every day... # Organisers of the protests say they | :17:23. | :17:26. | |
fear up to 400 will have to close. Council leaders say finding cuts | :17:26. | :17:31. | |
mean keeping libraries open would put other services at risk. I'm | :17:31. | :17:36. | |
makal Rosen, I write books. -- Michael. The very first book I wrote | :17:36. | :17:43. | |
was called -- mind Your Own Business. Michael Rosen has played a | :17:43. | :17:47. | |
key role in the recent Save the Libraries campaign. Does he think | :17:47. | :17:51. | |
superlibraries like Birmingham's are the shape of things to come? I think | :17:51. | :17:56. | |
super-libraries are potentially wonderful. They are very, very | :17:56. | :17:59. | |
exciting places. They can get hundreds of people in them. They can | :17:59. | :18:02. | |
put on shows and create a buzz about books and buzz about knowledge. I | :18:02. | :18:08. | |
guess it's a new kind of municipal pride. Now, there is an element of | :18:08. | :18:15. | |
it that you might say - it's a great big City Council, showing its wares, | :18:15. | :18:21. | |
showing its power. Another way of looking at it is ssh if it cost £200 | :18:21. | :18:28. | |
million. What if it had gone into all the local libraries? Would you | :18:28. | :18:32. | |
have 20 or 30 jewels in Birmingham, as eposed to one huge one? What's | :18:32. | :18:37. | |
this ear, don't be cheeky, 6.00 nose. | :18:37. | :18:39. | |
Very good. If I'm in a family and we nose. | :18:39. | :18:44. | |
are think being going to that wonderful library, have a think, | :18:44. | :18:48. | |
paying bus fares and petrol. It'll cost. If I'm in the very mobile, | :18:48. | :18:52. | |
then I will think - maybe it's not worth the faff of going all the way | :18:52. | :18:56. | |
in. So there is going to be various ways in which I'll think - maybe it | :18:56. | :19:00. | |
is not for me. It can't be a substitute for the good, local | :19:00. | :19:04. | |
library with a professional librarian there. It is not a | :19:04. | :19:08. | |
substitute. It is a wonderful add-on, like a huge great treat in | :19:08. | :19:11. | |
that sense for the people of Birmingham. But it can't be a | :19:11. | :19:16. | |
substitute for the local library. Birmingham council has pledged to | :19:16. | :19:18. | |
substitute for the local library. keep all 39 of its branch libraries | :19:18. | :19:22. | |
open but they are facing cuts in hours and budgets. But the opening | :19:22. | :19:26. | |
of the new library has resulted in the complete closure of one very | :19:26. | :19:32. | |
special building. John maid maddin's 1964 central | :19:32. | :19:37. | |
library -- John maddin's. Which, according to the council has fallen | :19:37. | :19:42. | |
into such a bad state of affair, refurbishment wasn't cost effective. | :19:42. | :19:46. | |
The broughtalist building is held up by some as a classic piece of | :19:46. | :19:51. | |
post-war architecture but reviled by others, including Prince Charles, | :19:51. | :19:55. | |
who once described it as a place for incinerating books. Here to capture | :19:55. | :19:59. | |
its last days is Stuart whips, one of four local photographers, | :19:59. | :20:03. | |
documentary different elements of the library move for an upcoming | :20:03. | :20:09. | |
exhibition. -- Stuart Whipps. It is a really important building to me | :20:09. | :20:14. | |
personally but also in how it embodies the boldness of the | :20:14. | :20:19. | |
post-war period. It was the largest city library in Europe when it | :20:19. | :20:23. | |
opened. The footprint it has in the city, all of these things make it a | :20:23. | :20:28. | |
rich site. What were you trying to tease out? Initially just recording | :20:28. | :20:32. | |
the spaces, recording the building as it is, but also to perhaps raus | :20:32. | :20:36. | |
some questions about the decisions that are made -- perhaps raise. In | :20:36. | :20:42. | |
town planning and more widely about what we keep and what we don't. I | :20:42. | :20:46. | |
have small version abouts what the final things will be. They are a bit | :20:46. | :20:50. | |
large. A lovely bit of concrete. I love that. I was keen to try and | :20:50. | :20:54. | |
show some of the core elements of the building. I think this is a | :20:54. | :21:00. | |
pretty iconic shot of the linery. This is where you see perhaps more | :21:00. | :21:03. | |
of how it has been knocked around a bit and some of that vision of what | :21:03. | :21:10. | |
it was, that kind of change. The clarity has gone. All the signage | :21:10. | :21:15. | |
has gone in in different ways. Different managers have come in and | :21:15. | :21:19. | |
knocked it around and so on. I imagine everything what has been put | :21:19. | :21:23. | |
in, since the day it opened, has made it worse. A pot plant!One of | :21:23. | :21:29. | |
the other things I became interested in, was the ways people have tried | :21:29. | :21:34. | |
to soften the building as well. I have this hold serious of yukkas and | :21:34. | :21:40. | |
plants. Trying it make it more friendly. We think of brutal -- | :21:40. | :21:50. | |
brutalism. Despite repeated attempts by English | :21:50. | :21:53. | |
Heritage to save the building, it is now set for demolition next year. | :21:53. | :21:59. | |
Will you shed a tear? I will. I think regardless of my attachment to | :21:59. | :22:03. | |
how it looks - I do think it looks great - it would be much nicer if we | :22:03. | :22:08. | |
had these things coexisting, but you can tell that you know this thing | :22:08. | :22:12. | |
happened and these decisions took place and there is a building that | :22:12. | :22:15. | |
happened and these decisions took is an embodiment of that. Birmingham | :22:15. | :22:18. | |
has a history of sometimes being a bit hasty. It demolishes quite | :22:18. | :22:23. | |
willfully, throughout its history, hasn't it? The motto of Birmingham | :22:23. | :22:28. | |
is fjord. Above that motto on the coat of arms is a big hammer. -- is | :22:28. | :22:34. | |
Forward. It is like a Stalinist approach of | :22:34. | :22:37. | |
history, air brushing out the It is like a Stalinist approach of | :22:37. | :22:40. | |
mistakes. When you look at the photographs of Communist Russia. You | :22:40. | :22:44. | |
can always see something is missing and they never feel right. I think | :22:44. | :22:47. | |
it is the same in a city, if you demolish what you consider to be the | :22:47. | :22:51. | |
ills of the past, you always know there is something not quite right. | :22:51. | :22:55. | |
Not all history is being swept away. One special link to the past is | :22:55. | :23:01. | |
being preserved in the new library's golden rotunda. | :23:01. | :23:04. | |
The Shakespeare Memorial Room golden rotunda. | :23:04. | :23:07. | |
been Spain stakingly moved, panel by panel, from the central library | :23:07. | :23:11. | |
which in turn took it from the city's original Victorian library. | :23:11. | :23:16. | |
Altogetherer it's taken three-and-a-half years of building | :23:16. | :23:20. | |
work to complete the new library. Back in May, when large parts of the | :23:20. | :23:26. | |
building were still heart hat areas, preparations were already underway | :23:26. | :23:30. | |
for the grand opening. Julie and Dave, the director of | :23:30. | :23:39. | |
musical spectacle Super Critical Mass has come to recce the library | :23:39. | :23:43. | |
to plan a performance for the opening ceremony. | :23:43. | :23:47. | |
The piece will be a unique response to the architecture of the building. | :23:47. | :23:54. | |
So, he is here to sound out the acoustics. This is an extraordinary | :23:55. | :23:58. | |
space. I don't think I have ever been in a space like T photos don't | :23:58. | :24:03. | |
do it Jews ti.s it is bigger than I thought and the acoustics more | :24:03. | :24:08. | |
surprising. -- -- justice. To get higher up in this rotunda they have | :24:08. | :24:14. | |
to be rich. Because of a circular nature, echos do some unusual | :24:14. | :24:18. | |
things. This offers a lot of potential. | :24:18. | :24:22. | |
The musicians will be drawn from across the city and today Julian is | :24:22. | :24:29. | |
rehearsing with students from the Birmingham Conservatoire. A long | :24:29. | :24:32. | |
note, take a breath or two, another long note. A different note each | :24:32. | :24:33. | |
time. Any note of your choice. We are still at a relatively early | :24:33. | :24:45. | |
stage of devising the piece. The work always emerges through the | :24:45. | :24:50. | |
process of having workshops and get-togethers with the musicians. | :24:50. | :24:56. | |
Right, Give me your lowest A. I think there is a great sense of | :24:56. | :25:00. | |
communal spirit among brass players. When using brass we'll often use | :25:00. | :25:04. | |
long tones that might be the length of a player's breath. If they are | :25:04. | :25:09. | |
all doing it at different times they get surging, breathing in and out | :25:09. | :25:13. | |
patterns. There are some big lungs over here. | :25:13. | :25:22. | |
Nicely done. I'm I am soar fan ally. I play the euphonium. I have been | :25:22. | :25:25. | |
Nicely done. I'm I am soar fan ally. playing since I was 11. -- Sarwan | :25:25. | :25:34. | |
Ally. So that's 14 years now. I'm very | :25:34. | :25:39. | |
proud. I'm intrigued about how it is going to sound in the library. As | :25:39. | :25:44. | |
musicians prepare, the city readies itself for the big day. | :25:44. | :25:53. | |
The time has come for the people of Birmingham to test out their new | :25:53. | :25:59. | |
library, as the building opens its doors for the first time. | :25:59. | :26:06. | |
There's no shortage of interest. The queue goes around the block and | :26:06. | :26:11. | |
continues all day. It's great to be here at the moment | :26:11. | :26:15. | |
when the architecture comes alive, when the great British public flood | :26:15. | :26:20. | |
through the doors. It's like blood throwing through the veins of the | :26:20. | :26:23. | |
building. I canning cans off the celebration | :26:23. | :26:27. | |
is Super Critical Mass, with its abstract brass performance of | :26:27. | :26:36. | |
breathe breathe breathe. Bort - Together With We Breathe. | :26:36. | :26:50. | |
Meanwhile, across the building, people are already settling in. | :26:50. | :26:57. | |
So what did Brummies think of their new space. | :26:57. | :27:02. | |
Lovely. Yes, I think it's done Birmingham proud. | :27:02. | :27:07. | |
I like the circular design. It promotes the theme of being able to | :27:08. | :27:11. | |
look up. Well not quite to the heavens but you know what I mean. | :27:11. | :27:16. | |
Almost. It reminds me of the Congress building in America for | :27:16. | :27:19. | |
some reason, the circles. It's brilliant. I like it. Very | :27:19. | :27:23. | |
user-friendly. E o, it's beautiful. I think it's so mazing. I love this | :27:23. | :27:28. | |
especially. I love this outside bit with the balcony. It's really | :27:28. | :27:31. | |
relaxing. There is a children's environment to | :27:31. | :27:38. | |
play. The kids like it. Every time you have finished your | :27:38. | :27:43. | |
book, then we are coming back to pick another one. | :27:43. | :27:51. | |
There are so many free things, then everyone can get involved. I have | :27:51. | :27:54. | |
been in the library ten minutes. I have had a nice chat with the lady | :27:55. | :27:59. | |
here. It is a nice place to come and chillout. It is so big, you can be | :27:59. | :28:00. | |
here all day. It's easy to get sentimental about | :28:00. | :28:15. | |
libraries and rightly so. With in what other building can you lounge | :28:15. | :28:20. | |
about all day reading Tolstoy or take a break without even having to | :28:20. | :28:26. | |
buy a cup of coffee. What other building celebrates civic life and | :28:26. | :28:35. | |
brings a city together for no other cause than buying the latest trainer | :28:35. | :28:43. | |
for smartphone. For me, a successful cohesive society depends on | :28:43. | :28:44. | |
buildings like this. | :28:44. | :28:51. |