Browse content similar to 07/02/2014. Check below for episodes and series from the same categories and more!
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the Summer. And Katie joins us from Edinburgh head of another Six | :00:00. | :00:00. | |
Nations weekend. That is an Sportsday at 6:30pm. Now it is time | :00:00. | :00:00. | |
for The Film Review on BBC News. Hello and welcome to The Film Review | :00:00. | :00:26. | |
on BBC News. To take through this week's similar releases, Mark | :00:27. | :00:31. | |
Kermode. We have some good stuff. Yes, Dallas Buyers Club. Matthew | :00:32. | :00:35. | |
McConaughey has become a top awards contender. He would have thought | :00:36. | :00:40. | |
that three years ago? The Invisible Woman, directed by and starring | :00:41. | :00:44. | |
Ralph Fiennes, the story of Charles Dickens's private life. And of | :00:45. | :00:49. | |
RoboCop. What are they going to do with the 1987 original? -- a reboot | :00:50. | :00:58. | |
of RoboCop. Dallas Buyers Club, great performance by Matthew | :00:59. | :01:04. | |
McConaughey. Yes and Jared Leto. The story is inspired by Ron Woodroof's | :01:05. | :01:10. | |
story. He was diagnosed as HIV-positive and was given 30 days | :01:11. | :01:13. | |
to live. He took medication which did not work out for him and so he | :01:14. | :01:20. | |
started going outside the USA to set up a method of getting medication | :01:21. | :01:25. | |
into the country. It was the Dallas Buyers Club. There was a membership | :01:26. | :01:31. | |
fee, so technically they were not selling medication. The authorities | :01:32. | :01:35. | |
were not pleased. What are you doing here? I live here. Are you | :01:36. | :01:42. | |
roommates? Not exactly. What are you doing here? This is my patient. You | :01:43. | :01:52. | |
are treating these people? With what? Anything except that poison | :01:53. | :02:07. | |
that you are walking. Do you ever wear any colour? All I see is white, | :02:08. | :02:14. | |
the white coat, the white shoes. Tell him I am looking for him. I am | :02:15. | :02:17. | |
telling patients to stay away from here. Wants to grab a steak | :02:18. | :02:27. | |
sometime? I know it is read. The headline is the weight that he | :02:28. | :02:30. | |
lost. But that is the least remarkable thing about his | :02:31. | :02:33. | |
performance. What is really good, at the beginning Ron is an unlikeable | :02:34. | :02:37. | |
character. Homophobic, misogynistic, they get, and quite a dangerous | :02:38. | :02:45. | |
person. -- bigoted. When he looks for medication it is the survival | :02:46. | :02:52. | |
instinct but he brings it back for financial gain. His friendship in | :02:53. | :02:56. | |
inverted commas is with Jared Leto's character, and it is only to | :02:57. | :03:00. | |
bring in the drugs. But his character undergoes a change. He | :03:01. | :03:04. | |
softens. He comes to understand that the people that he was contemptuous | :03:05. | :03:07. | |
of before are dealing with the same thing that he is dealing with. The | :03:08. | :03:12. | |
triumph of the film, which has a naturalistic feel, shot in | :03:13. | :03:15. | |
widescreen, hand-held, by a director who did a great job with Crazy, no | :03:16. | :03:42. | |
incidental music, only music on the jukebox, so naturalistic and real, | :03:43. | :03:44. | |
with great performances. It also does that clever thing of giving you | :03:45. | :03:47. | |
a loathsome character at the beginning and, I hate to use this | :03:48. | :03:49. | |
phrase, standard Hollywood, you go on a journey with him. It is | :03:50. | :03:52. | |
redemptive. He redeems himself. It is like much of America and much of | :03:53. | :03:55. | |
the world which saw AIDS as a gay plague. He goes through that journey | :03:56. | :03:57. | |
and becomes a much better person after the fatal illness. There is | :03:58. | :03:59. | |
the comparison with Philadelphia, with the homophobic lawyer | :04:00. | :04:02. | |
approached by Tom -- Tom Hanks and in the film, he realises there is a | :04:03. | :04:10. | |
kindred spirit. It also manages to find genuine joy and an uplifting | :04:11. | :04:14. | |
story amongst the tragedy. And a great performance by Matthew | :04:15. | :04:19. | |
McConaughey. I think that was his best performance. And Jared Leto, | :04:20. | :04:27. | |
too. Terrific. The Invisible Woman. Directed by and starring Ralph | :04:28. | :04:34. | |
Fiennes and about Charles Dickens's relationship with a young actress. | :04:35. | :04:39. | |
They developed an affair. It is basically a story about what it | :04:40. | :04:43. | |
means for her to be Charles Dickens's partner that without being | :04:44. | :04:47. | |
his wife. It comes to life partly because it is done in a good weight | :04:48. | :04:52. | |
with an intelligent script by Abi Morgan which really understands | :04:53. | :04:58. | |
politics. -- a good way. But also Felicity Jones is very intelligent. | :04:59. | :05:03. | |
Jihad is one of those faces. You can look at somebody on the screen and | :05:04. | :05:09. | |
you can see what she is thinking. -- she has one of those faces. She has | :05:10. | :05:15. | |
a vibrant green presence. She implies with very little speech a | :05:16. | :05:21. | |
great depth of character. The film makes you understand her | :05:22. | :05:23. | |
circumstances without in any way being preachy fusty or stale. With | :05:24. | :05:30. | |
Ralph Fiennes playing Charles Dickens, it could feel | :05:31. | :05:34. | |
old-fashioned. But actually it is a very modern film because it is | :05:35. | :05:39. | |
dealing with her plight. The plight of many, being in this weird | :05:40. | :05:47. | |
position when she is the woman who is invisible. In terms of being a | :05:48. | :05:52. | |
director, Coriolanus, home territory, and this is very | :05:53. | :05:56. | |
different. Directing on screen is very different to the theatre and I | :05:57. | :06:00. | |
think this is well directed. The smartest thing about the direction | :06:01. | :06:04. | |
is that he understands it is about small gestures. The trick is to back | :06:05. | :06:10. | |
off and not flash the directing up. He is an actor's director and he | :06:11. | :06:16. | |
does very well with that here. I have to say that my expectations | :06:17. | :06:20. | |
were not tie with RoboCop. Did we need another one because the | :06:21. | :06:27. | |
original is one of the best of that genre ever? Total Recall was | :06:28. | :06:33. | |
terrible so what are they doing with RoboCop? It is basically the same | :06:34. | :06:39. | |
story, a man put into a robotic body. The twist is you cannot put | :06:40. | :06:43. | |
robots on US soil but if you put a guy in it, it is not a robot. But | :06:44. | :06:49. | |
the real sparks come when Michael Keaton and Gary Oldman fight out the | :06:50. | :06:58. | |
philosophical implications. What is wrong with you? Nothing. The | :06:59. | :07:02. | |
software release information to the brain. The computer has finished the | :07:03. | :07:09. | |
job. You wanted a man inside the machine and that is what you have | :07:10. | :07:13. | |
got. But the human element will always be present. Fear, instinct, | :07:14. | :07:19. | |
bias, passion, they always interfere with the system. OK. I have to give | :07:20. | :07:23. | |
the American people something they can root for, something | :07:24. | :07:28. | |
aspirational. Pretty good? I don't know how to sell OK. Help me. Just | :07:29. | :07:36. | |
get him to do that. Him to do that. It is a man inside the machine. | :07:37. | :07:43. | |
Right there! Great stuff, corporate stuff. Isn't that better than you | :07:44. | :07:49. | |
expected? Yes. The whole film is better than you expected. It does | :07:50. | :07:52. | |
not bring a whole new dimension to RoboCop and it does not threaten the | :07:53. | :07:56. | |
original but it is much better than it could have been. It is satirical | :07:57. | :08:00. | |
and it does have the politics in it at the same central concern. One | :08:01. | :08:05. | |
about fascist policing and secondly about man and machine. If you take | :08:06. | :08:11. | |
away bits of the body, when are we human? All those things are there. | :08:12. | :08:15. | |
Yes, it is not the original, but at least it appears to be made by | :08:16. | :08:18. | |
somebody who understands what is good about the original. It is not | :08:19. | :08:26. | |
the rehash of Total Recall. Best of the week is 12 Years A Slave. I will | :08:27. | :08:31. | |
change next week. I have flown the flag solidly! And now Paul | :08:32. | :08:38. | |
Greengrass doing what he does best, taking the drama and filming it like | :08:39. | :08:43. | |
a documentary. Tom Hanks's best performance, this. Captain Phillips. | :08:44. | :08:49. | |
The total newcomer is a wonderful actor, too. Nobody does this like | :08:50. | :08:55. | |
Paul Greengrass. What amazed me was how the pathetic you feel to Somali | :08:56. | :09:00. | |
pirates, not the most sympathetic people. -- how sympathetic you feel. | :09:01. | :09:06. | |
That is because he shows you who they are before, the economic | :09:07. | :09:10. | |
situation and what drives them to do what they do. Thank you. More film | :09:11. | :09:16. | |
reviews available on Mark Kermode's blog. That is it for us. Thank you | :09:17. | :09:18. | |
for watching and goodbye. Hello. I wish I had some good news | :09:19. | :09:36. | |
to bring you but I think the flooding could get worse over the | :09:37. | :09:41. | |
next few days. More storms heading in. The tell-tale curl of cloud on | :09:42. | :09:45. | |
the satellite picture out in the Atlantic, spiralling into the centre | :09:46. | :09:48. | |
of the next storm. That | :09:49. | :09:50. |