Browse content similar to 08/11/2013. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
the Olympic old muddle. We will have the latest tennis from | :00:00. | :00:00. | |
the ATP world finals in London. `` gold medal. Now it is time for | :00:07. | :00:09. | |
Film Review. Hello and welcome to Film Review on | :00:10. | :00:26. | |
BBC News. To take us through this week is Mark Kermode. What have we | :00:27. | :00:36. | |
got? We have Gravity where Sandra Bullock and George Clooney get lost | :00:37. | :00:39. | |
in space. We have how to survive a play, about how many people took | :00:40. | :00:47. | |
their destinies into their own hands. And we have Seduced And | :00:48. | :00:54. | |
Abandoned which is supposed to be a look at the movie business. Gravity, | :00:55. | :01:02. | |
I want to see this. We have talked about this before. At the London | :01:03. | :01:06. | |
film Festival we were talking about it in the rain. Everybody pretty | :01:07. | :01:14. | |
much knows what the setup is. The director is the one who made the | :01:15. | :01:20. | |
best Harry Potter film. George Clooney and Sandra Bullock are out | :01:21. | :01:26. | |
in space when they receive news and avalanche of space debris is heading | :01:27. | :01:30. | |
their way. The next thing you know, they are essentially knocked out | :01:31. | :01:34. | |
into space. The rest of the film is a story of how two people flying | :01:35. | :01:40. | |
around in space can or cannot find their way back home. Here is a clip. | :01:41. | :01:47. | |
Wait. The tank is empty. We are going to hit hard. Grab anything you | :01:48. | :01:58. | |
can. What do I do? ! What do I do? ! This is amazing. You have to imagine | :01:59. | :03:01. | |
that on the biggest screen you can find. Also... You are going to save | :03:02. | :03:09. | |
the 3`D thing. You will we cant be helped career of rubbishing 3`D. It | :03:10. | :03:16. | |
is an exceptional film inasmuch as I would recommend you see it in 3`D. | :03:17. | :03:20. | |
It is the only case I have seen in which I ain't the 3`D is so | :03:21. | :03:24. | |
intrinsic to the story, intrinsic to the design. The film is beautifully | :03:25. | :03:31. | |
lit and I had less problem with the light lost you get from 3`D glasses. | :03:32. | :03:35. | |
A lot of it is surrounded by the abyss of space. The characters | :03:36. | :03:39. | |
floating in the middle of the screen overcomes the problem is of 3`D | :03:40. | :03:45. | |
breaking the edge of the frame. But it is kind of a fairground ride of a | :03:46. | :03:50. | |
film. I don't mean that in a bad way. This is a film that wants to | :03:51. | :03:57. | |
visually engulf you, overwhelm you, spin you around and leave you | :03:58. | :04:04. | |
completely discombobulated. The way it does it best is on a massive | :04:05. | :04:09. | |
screen. It hurts me to say this, and in 3`D. The way the visuals have | :04:10. | :04:14. | |
been done is extraordinary. It disintegrates the boundary of what | :04:15. | :04:17. | |
you think of as animation and what you think of as live action. The | :04:18. | :04:29. | |
interesting thing is, it is a popcorn movie, it is 91 minutes | :04:30. | :04:35. | |
long. When was the last time you saw a science`fiction film that was 91 | :04:36. | :04:41. | |
minutes long. It is 91 minutes, do the thing and then out. A lot of the | :04:42. | :04:49. | |
dialogue is very generic, and I really enjoyed it. It is one of | :04:50. | :04:54. | |
those things you have two C in the biggest, loudest possible way. And | :04:55. | :05:00. | |
for once, and for once only, in 3`D. Now you are not going to talk. How | :05:01. | :05:11. | |
To Survive A Plague is cultural story? It is a documentary type | :05:12. | :05:20. | |
film. They got together a coalition of people, they came together to | :05:21. | :05:27. | |
have some kind of organisation when the government and the health bodies | :05:28. | :05:30. | |
were failing to deal with the emerging AIDS crisis. One of the | :05:31. | :05:37. | |
things that is most extraordinary is it is done from 700 hours of | :05:38. | :05:42. | |
footage. You hear from people who did the most incredible things in | :05:43. | :05:46. | |
terms of organising disparate groups, firstly to draw attention to | :05:47. | :05:51. | |
the situation but then develop a level of organisation that both the | :05:52. | :05:57. | |
government and the pharmaceutical companies would say, they know | :05:58. | :06:01. | |
better than us, they know how to deal with this. It is very moving. | :06:02. | :06:06. | |
It is very, very powerful. It is often heartbreaking and sad. But it | :06:07. | :06:13. | |
is ultimately uplifting and it is a call to arms and an indication of | :06:14. | :06:17. | |
what can happen when desperate groups of people in bleak | :06:18. | :06:19. | |
circumstances come together and say, how can we make this situation | :06:20. | :06:24. | |
better? They change their world. They do. This is a mock | :06:25. | :06:43. | |
documentary, to raise money for a film which will take Last Tango In | :06:44. | :06:52. | |
Paris to Iraq. Here is a clip. The reason I wanted to do this film | :06:53. | :07:07. | |
is because the movie industry has changed. I don't know how much | :07:08. | :07:15. | |
longer it can go in the age of this technology. It is splintering the | :07:16. | :07:17. | |
audience. You go back to recreate this | :07:18. | :07:34. | |
experience. You go back with another chance to do something you want to | :07:35. | :07:50. | |
do in film`making. You will watch Seduced And Abandoned over and over | :07:51. | :07:56. | |
again. He goes to the Cannes film Festival and discovers it is glitzy. | :07:57. | :08:02. | |
Yes, we already know that. But then they discover when it comes to | :08:03. | :08:06. | |
films, art is secondary to money. Yes, we know that. You see them | :08:07. | :08:11. | |
raising money for the film. Remember the film, The Greatest Movie Ever | :08:12. | :08:22. | |
Sold and that did this story much better, much funnier and with much | :08:23. | :08:27. | |
more point. This one suffered from a level of indulgence. It was very | :08:28. | :08:31. | |
pleased with itself and it thought you would be pleased to spend time | :08:32. | :08:39. | |
with these people. It is a lot less smart and funny than it thinks it | :08:40. | :08:55. | |
is. The good news is, The Selfish Giant is brilliant? It is brilliant. | :08:56. | :09:02. | |
It is inspired by the Oscar Wilde story to some extent, but also Kes. | :09:03. | :09:14. | |
It is heartbreaking, it is beautifully played. She is a | :09:15. | :09:20. | |
wonderful director. I want as many people as possible to go and see | :09:21. | :09:23. | |
it. It is worth getting excited about. It also engages in one of our | :09:24. | :09:31. | |
problems as society, which is asserting kids don't fit in. The | :09:32. | :09:41. | |
story is, The Selfish Giant wants to keep the kids out of his garden, but | :09:42. | :09:45. | |
what he does not realise is if the kids don't have anywhere to play, | :09:46. | :09:52. | |
the garden will wither and die. Of these kids are sidelined by society | :09:53. | :09:55. | |
and it is wonderful, and you should see it. Your DVD is The Great | :09:56. | :10:12. | |
Gatsby? It is a film adaptation. I was not sold by the 3`D on this for | :10:13. | :10:17. | |
example. If you see it in the cinema, 2`D is better. But they have | :10:18. | :10:22. | |
taken a look at it which I think will capture the imagination of | :10:23. | :10:26. | |
younger audiences. Anything that rings audiences back to that novel | :10:27. | :10:32. | |
is wonderful. It is a bit like having the book shouted at you. The | :10:33. | :10:43. | |
Great Gatsby 2013 is not about paying? This is a good, sincere and | :10:44. | :10:51. | |
solid attempt. That is it that this week. | :10:52. | :10:51. | |
Thanks for watching. It has been a busy day of whether | :10:52. | :11:10. | |
and we will keep you updated on the latest of the Typhoon as it heads | :11:11. | :11:13. | |
towards Vietnam. Back home you will | :11:14. | :11:14. |