Browse content similar to 10/01/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
cricket as well. Better news for England's women. All on 6:30 but now | :00:00. | :00:20. | |
it is time for the film review. Hello and welcome to the programme. | :00:21. | :00:27. | |
To take us through this week's releases is Mark Kermode. But to be | :00:28. | :00:31. | |
held this week. I would season is with us so we have 12 years a slave | :00:32. | :00:36. | |
which is being widely tipped as best picture. We have delivery man, it | :00:37. | :00:43. | |
perhaps unnecessary American remake of a French-Canadian original. We | :00:44. | :00:47. | |
have the railwayman, another retelling of the story of Eric | :00:48. | :00:54. | |
Lomax. 12 Years A Slave, doesn't deserve the plaudits? Is good ten | :00:55. | :01:02. | |
nominations. Verity was eligible in the British best film category. It | :01:03. | :01:09. | |
is extraordinary, based on the 19th-century memoir. He was a | :01:10. | :01:15. | |
carpenter, musician and family man who was kidnapped and sold into | :01:16. | :01:19. | |
slavery and as the title tells you, it is 12 years of slavery and it is | :01:20. | :01:23. | |
an extraordinary story from within the belly of the beast. Centrally to | :01:24. | :01:29. | |
his survival, once Solomon has found himself in this particular and, he | :01:30. | :01:33. | |
has been given a new name, he is not allowed to have any human rights, he | :01:34. | :01:36. | |
realises in order to survive you must withdraw -- withhold his rage | :01:37. | :01:41. | |
and his knowledge from the people who own him. Here is a clip. Eliza, | :01:42. | :01:58. | |
stopped! Stop! You have let yourself been overcome from sorrow. Have you | :01:59. | :02:07. | |
stopped crying for your children, will you ever let them go from your | :02:08. | :02:13. | |
heart? They are as my flesh. Then who is distressed? I upset the | :02:14. | :02:25. | |
master and mistress? He is a good man. He is a clever. You luxuriate | :02:26. | :02:34. | |
in his presence. I survived! I will keep myself hardly until freedom is | :02:35. | :02:42. | |
opportune. You think he does not know that you are more than he | :02:43. | :02:46. | |
suggests that he does nothing for you, nothing! You're no better than | :02:47. | :02:55. | |
prized livestock. Lupita Nyongo is fantastic. When | :02:56. | :03:02. | |
offered this role, he was uncertain whether to take it on but he has | :03:03. | :03:07. | |
done it bluntly. It is a very controlled performance. We saw him | :03:08. | :03:12. | |
there in full flight but many of the scenes are wordless. Steve | :03:13. | :03:16. | |
McQueen's camera lingers on his face. The way in which he physically | :03:17. | :03:21. | |
hold themselves during the scenes and a lot of people have pointed out | :03:22. | :03:25. | |
that much of the scene is harrowing, as it ought to be. This | :03:26. | :03:33. | |
is a film in which we see this extraordinary story of someone | :03:34. | :03:38. | |
living an ordinary life, kidnapped and found in these barbaric | :03:39. | :03:41. | |
circumstances and in order to betray that properly, you have to go on a | :03:42. | :03:45. | |
journey with him and you do have to see some genuinely terrible things. | :03:46. | :03:51. | |
I think is completed just five. I also think that Steve McQueen has | :03:52. | :03:54. | |
done a brilliant job of telling the story. In that have some of his | :03:55. | :03:58. | |
films have been stylish more than narrative. Critics say he has these | :03:59. | :04:05. | |
distinctive shots, he has this visual style. Here, the most | :04:06. | :04:12. | |
important thing about this is that it is good, solid storytelling. The | :04:13. | :04:17. | |
best I have seen in a long time. Amongst those BAFTA nominations, | :04:18. | :04:22. | |
there was a supporting actress nomination for the Mac. It is | :04:23. | :04:32. | |
something -- Lupita Nyongo. The film is beautifully captured. Wonderful | :04:33. | :04:40. | |
use of music. Interesting use of song, the way it is used to help the | :04:41. | :04:45. | |
narrative. You think, the film is important and is worthy but the key | :04:46. | :04:51. | |
thing about it is that it is clear storytelling. It is cinema being | :04:52. | :04:56. | |
used for its highest purpose. To give the viewer an electrifying play | :04:57. | :05:02. | |
real experience. I predict a clean sweep as far as the awards are | :05:03. | :05:10. | |
concerned and it deserves it. I suspect the next film, delivery man, | :05:11. | :05:16. | |
not so many. Vince Vaughn is back which is always something that plays | :05:17. | :05:20. | |
with a heavy heart. There was a French-Canadian movie about a man | :05:21. | :05:29. | |
child who discovers his wife is pregnant and he discovers he is the | :05:30. | :05:32. | |
biological father of over 500 children because he used to be a | :05:33. | :05:37. | |
sperm donor. 500 of them have joined a lawsuit to find out who his father | :05:38. | :05:46. | |
is. Is Vince Vaughn busy because we need a feckless man child! I find | :05:47. | :05:51. | |
him quite an annoying screen presence. He has rained it in a | :05:52. | :05:57. | |
little in this movie and because it is so close to the original, there | :05:58. | :06:01. | |
is not so much scope for him to completely mess it up. Very little | :06:02. | :06:07. | |
is lost in translation. Almost nothing is gained and there still is | :06:08. | :06:13. | |
the problem in that the guy does heroic speeches about only I have | :06:14. | :06:21. | |
the right to do fatherhood. I will see worse Vince Vaughn movies, I am | :06:22. | :06:28. | |
not sure it wanted a remake. It is not as funny as it ought to be. The | :06:29. | :06:33. | |
railwayman? This is the story of Eric Lomax which has been told | :06:34. | :06:39. | |
several times before. We meet at the beginning: first, a prisoner of war | :06:40. | :06:48. | |
who severed terribly. -- Colin Firth. Whilst on a brief -- will be | :06:49. | :06:57. | |
journey, he has a brief encounter with Nicole is a clip. | :06:58. | :07:06. | |
I have never been to the Highlands before so finding myself single | :07:07. | :07:10. | |
again, so to speak, I thought, I would like to see them. So I am | :07:11. | :07:16. | |
going by train and then I am catching the coach to Inverness and | :07:17. | :07:19. | |
coming down the other side. What do you think? West Coast is | :07:20. | :07:23. | |
extraordinarily beautiful, you may fall in love with it. If I were to | :07:24. | :07:32. | |
fall in love, what then? Instead of a coach to Inverness, you might | :07:33. | :07:37. | |
change at Oban and from there you can get any number of but trips. It | :07:38. | :07:47. | |
is very romantic. -- boat trips. Are you romantic? I have to be in | :07:48. | :08:01. | |
Edinburgh by Wednesday. That is a great answer! Those | :08:02. | :08:06. | |
sequences work in a very old-fashioned way. Then we see | :08:07. | :08:11. | |
Jeremy Irving playing the younger version of Eric Lomax. He is very | :08:12. | :08:20. | |
good and gets the mannerisms of Colin Firth's character down pat but | :08:21. | :08:27. | |
the strange thing is, the story is a story of suffering and redemption. | :08:28. | :08:33. | |
The strange thing for me is the story he writes is models. The | :08:34. | :08:38. | |
junctions between the past and future don't work quite as well as | :08:39. | :08:44. | |
they ought to. Sometimes he goes into odd little sidings. It is OK, | :08:45. | :08:50. | |
it is just that considering how clear the real life narrative is, it | :08:51. | :08:54. | |
is strange to have modelled it is. Colin Firth is on home territory | :08:55. | :09:01. | |
here. The repressed pain but actually, Jeremy Irving is the | :09:02. | :09:09. | |
standout star. There are too many strange little narratives here. It | :09:10. | :09:14. | |
is however a very hard hearted person who would not be moved by the | :09:15. | :09:19. | |
ending. That is talk about the best one out there in your opinion? There | :09:20. | :09:25. | |
is a release of beauty and the beast which is part of the British film | :09:26. | :09:31. | |
industry's Gothic season. It is a terrific piece of work. It is | :09:32. | :09:37. | |
beautifully rendered and no matter how many times you see it, you | :09:38. | :09:42. | |
always see something new in it. Special effects are very clever and | :09:43. | :09:48. | |
inventive and it has an ending very tail charm. -- fairy tale charm. The | :09:49. | :10:01. | |
best DVD? A little light relief is your next which is a horror movie. | :10:02. | :10:07. | |
It was one of those movies that if a home invasion movie with a twist. It | :10:08. | :10:13. | |
is mean-spirited and fast and kinetic and genuinely quite nasty | :10:14. | :10:16. | |
and I enjoyed it because it grabs you by the throat and doesn't let | :10:17. | :10:21. | |
go. I'm not sure I would relax on the sober but that! That depends, I | :10:22. | :10:27. | |
love a really nice nasty horror movie! You will find more film news | :10:28. | :10:33. | |
and reviews from Mark Kermode on his blog. | :10:34. | :10:48. | |
As it for this week, goodbye. -- that's it for this week. | :10:49. | :11:00. | |
Some frosty evening is coming up so the perfect weather to be getting | :11:01. | :11:03. | |
comfortable on the sofa. If you're heading out onto the roads, bear in | :11:04. | :11:07. | |
mind, we have some rain moving in across the British | :11:08. | :11:09. |