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Hello and welcome to The Film Review on BBC News. | :00:08. | :00:20. | |
To take us through this week's cinema releases is Mark Kermode. | :00:21. | :00:29. | |
We have La La Land which everyone is talking about. | :00:30. | :00:33. | |
Live By Night, the new film by Ben Affleck. | :00:34. | :00:39. | |
And Manchester By The Sea, with the standout performance | :00:40. | :00:41. | |
Damien Chazelle's swooning tribute to classic old Hollywood musicals. | :00:42. | :00:59. | |
Emma Stone and Ryan Gosling of the star-crossed pair who meet | :01:00. | :01:02. | |
He is a hardcore jazz freak, she is an aspiring actress. | :01:03. | :01:16. | |
They hate each other when they meet but they become friends | :01:17. | :01:19. | |
I feel like I said negative stuff before. | :01:20. | :01:34. | |
You're grinning all the way through it. | :01:35. | :02:04. | |
I went into it thinking, the problem is everybody said | :02:05. | :02:10. | |
it is so good it will be a disappointment and it isn't. | :02:11. | :02:13. | |
Firstly, this is Damien Chazelle's second musical. | :02:14. | :02:20. | |
He made another one before, he made Whiplash | :02:21. | :02:22. | |
From the beginning, it said it was presented in CinemaScope | :02:23. | :02:30. | |
and the screen opens up into this glorious Cinemascope, | :02:31. | :02:32. | |
It is like the kids from fame but done in LA. | :02:33. | :02:43. | |
Then what the story does is it occupies a space between on the one | :02:44. | :02:47. | |
hand this nostalgic clunkiness of Woody Allen films and | :02:48. | :02:51. | |
In fact there is a scene where we are literally flying. | :02:52. | :03:00. | |
I thought the performances were terrific. | :03:01. | :03:02. | |
She plays somebody who has two go to an audition | :03:03. | :03:07. | |
A really hard thing to do! And she does it brilliantly. | :03:08. | :03:19. | |
I thought the song and dance numbers were well choreographed, | :03:20. | :03:22. | |
I loved the lyrics, I love the way in which... | :03:23. | :03:25. | |
People have said they are no Fred and Ginger. | :03:26. | :03:27. | |
Damien Chazelle said he wanted to make something that has | :03:28. | :03:32. | |
the magical of musicals but also had its feet on the ground. | :03:33. | :03:35. | |
it is not afraid to be melancholy or poignant, | :03:36. | :03:44. | |
it is not just everything is tied up neatly, it is... | :03:45. | :03:47. | |
Its strengths are in its sad streaks which makes | :03:48. | :03:50. | |
I thought the opening five minutes was worth | :03:51. | :03:53. | |
Also, we have talked about Casablanca and being remade badly, | :03:54. | :04:03. | |
It is a movie that is good enough to nod very explicitly | :04:04. | :04:12. | |
to Casablanca and not go, you blew it. | :04:13. | :04:15. | |
So, Ben Affleck stars in an adaptation of a novel. | :04:16. | :04:27. | |
He is a small-time hood in prohibition Boston and doesn't | :04:28. | :04:30. | |
He finds himself travelling to Florida where he becomes exactly | :04:31. | :04:39. | |
The interesting thing about the film is it has an extraordinary pedigree. | :04:40. | :04:48. | |
Chris Cooper, Elle Fanning, and Affleck himself. | :04:49. | :04:52. | |
I think one of the reasons it has sniffy reviews is when you have | :04:53. | :04:57. | |
that kind of talent, people expect something more | :04:58. | :04:59. | |
You said invoking Casablanca, this film invokes the Godfather | :05:00. | :05:05. | |
and Scarface and it is neither of those films. | :05:06. | :05:12. | |
It is handsome but in a way which is artificial. | :05:13. | :05:18. | |
But it does have a sense of its handsomeness is more | :05:19. | :05:24. | |
There is stuff in there to like it but at no point did | :05:25. | :05:30. | |
When you look at the pedigree involved in it, it just ought | :05:31. | :05:35. | |
Argo which Ben Affleck also directed was one of the best films | :05:36. | :05:43. | |
However this brings us nicely to Manchester By The Sea. | :05:44. | :05:53. | |
This is the third film by the playwright Kenneth Lonergan. | :05:54. | :05:56. | |
He did Margaret, which spent five years in the editing room. | :05:57. | :05:59. | |
Is he a genius or someone who cannot finish a film? | :06:00. | :06:02. | |
This, as his third film, made me go, actually, | :06:03. | :06:05. | |
I'm not going to be here much longer. | :06:06. | :06:16. | |
You said you left his money so he could move. | :06:17. | :06:24. | |
There are clogged up toilets anywhere. | :06:25. | :06:31. | |
I'm on the hockey team, on the basketball team. | :06:32. | :06:35. | |
I've got two girlfriends and I'm in a band. | :06:36. | :06:40. | |
What the hell do you care where you live? | :06:41. | :06:50. | |
So, he is a janitor in Quincy but he is called to his hometown | :06:51. | :06:54. | |
of Manchester-by-the-sea where he has to revisit | :06:55. | :06:57. | |
after his brother collapses and he finds himself having to look | :06:58. | :07:01. | |
The film is told in two time frames, the present in when he is going back | :07:02. | :07:06. | |
to the past and the flashbacks in which we actually see the past. | :07:07. | :07:12. | |
So much of the story is told in the way through | :07:13. | :07:15. | |
The scenes in Boston when he is completely withdrawn | :07:16. | :07:19. | |
and everything about the way he hunches his shoulders, | :07:20. | :07:22. | |
the way he slightly purses his lips, it is a start contrast | :07:23. | :07:25. | |
to the flashback scenes when he is garrilous, | :07:26. | :07:28. | |
We know his we will see his old life with his beloved wife | :07:29. | :07:36. | |
Michelle Williams and his new life where he is isolated and | :07:37. | :07:38. | |
somehow we are going to find out how the isolation happens. | :07:39. | :07:42. | |
In one of the key sequences they use Albinoni's Agagio in G | :07:43. | :07:53. | |
minor, that is a false move for me because it is used | :07:54. | :07:56. | |
It was used in Flashdance, Gallipoli. | :07:57. | :08:06. | |
It was used by Wendy Craig in Butterflies. | :08:07. | :08:08. | |
It was weird in that a film that was everything to do | :08:09. | :08:11. | |
with the delicate nuances, it was too obvious. | :08:12. | :08:13. | |
That aside, Casey Affleck is really terrific. | :08:14. | :08:15. | |
Kenneth Lonergan deonstrates he is actually a very good craftsman. | :08:16. | :08:22. | |
And to have La La Land and Manchester By The Sea, | :08:23. | :08:25. | |
This director has finally shown as he is worthy of the praise that | :08:26. | :08:33. | |
Your best of the week is A Monster Calls. | :08:34. | :08:39. | |
A Monster Calls came out just before Christmas. | :08:40. | :08:41. | |
It is about a young boy who was traumatised by his | :08:42. | :08:44. | |
mother's ill-health, and he starts seeing visions | :08:45. | :08:46. | |
of a tree monster, played by Liam Neeson, | :08:47. | :08:48. | |
which says I will tell you stories and you will tell me your truth. | :08:49. | :09:03. | |
so in a way which is beautiful and utterly heartbreaking. | :09:04. | :09:06. | |
I have had so many reports from people saying I knew | :09:07. | :09:09. | |
I was going to cry but I had no idea how much. | :09:10. | :09:12. | |
They are playing younger and older verges of the same | :09:13. | :09:35. | |
central character who is estranged from her daughter. | :09:36. | :09:37. | |
It does the thing that Pedro Almodovar does | :09:38. | :09:39. | |
best which is a passion for human stories. | :09:40. | :09:41. | |
This has wonderful performances, wonderful writing. | :09:42. | :09:52. | |
It is again heartbreaking but beautifully so. | :09:53. | :09:57. | |
Honestly, looking back at the selection of movies | :09:58. | :10:00. | |
we have looked at, that is a good selection of films. | :10:01. | :10:04. | |
A quick reminder before we go that you'll find more film news | :10:05. | :10:08. | |
and reviews from across the BBC online at bbc.co.uk/film - | :10:09. | :10:10. | |
and you can watch our previous shows on the BBC iplayer. | :10:11. | :10:13. | |
good evening. Things are turning milder from the West overnight | :10:14. | :10:48. | |
tonight with cloud and rain piling in. It is bumping into cold and | :10:49. | :10:54. | |
further east is a temporary so time in eastern Scotland and a | :10:55. | :10:55. |