Browse content similar to 12/04/2013. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Mercedes. I will have more for you in the next | :00:06. | :00:16. | |
:00:16. | :00:25. | ||
hour but now it is time for the film Hello and welcome to the film review | :00:25. | :00:29. | |
on BBC News. We have Jason Solomons to take us through this week's | :00:29. | :00:35. | |
releases. What we have? We have Ryan Gosling in The Place Beyond the | :00:35. | :00:45. | |
:00:45. | :00:47. | ||
Pines. We also have Simon Killer, which is an American in Paris and | :00:47. | :00:57. | |
:00:57. | :00:59. | ||
new film by Antonio Campos. We finish with Tom Cruise in oblivion. | :00:59. | :01:04. | |
The Place Beyond the Pines sentenced to nine -- to me like a good one. | :01:04. | :01:11. | |
This is the best film I have seen this year so far. It is a film that | :01:11. | :01:21. | |
:01:21. | :01:22. | ||
I did not know much about. I don't want to spoil it. Leave the room now | :01:22. | :01:27. | |
if you do not want to know. It is about Ryan Gosling who plays an | :01:27. | :01:32. | |
outlaw, he becomes a bank robber. The film changes pace and it becomes | :01:32. | :01:37. | |
about the policeman who is chasing him, played by Bradley Cooper. Then | :01:37. | :01:43. | |
it changes again and becomes about another generation. It is an epic | :01:43. | :01:48. | |
crime film and becomes extremely Internet. The bit we look at is | :01:48. | :01:54. | |
Bradley Cooper dealing with police corruption, is he heroic or zero? -- | :01:54. | :02:04. | |
:02:04. | :02:04. | ||
extremely input -- extremely Internet. This is just a small | :02:04. | :02:14. | |
:02:14. | :02:20. | ||
fraction of what is going on. say another word. I want. -- I want. | :02:20. | :02:29. | |
What do you expect me to do? You are joking, right? You are the chief. | :02:29. | :02:36. | |
This is your problem. This is our problem in the police department and | :02:36. | :02:41. | |
I am bringing it to your attention because that is what I should do. | :02:41. | :02:48. | |
that what you should do, rat out other cops? | :02:48. | :02:56. | |
Bradley Cooper is to raise six. is building on his reputation. -- | :02:56. | :03:06. | |
Bradley Cooper is terrific. He is more than just hangover. He is | :03:06. | :03:12. | |
upright and right-thinking in the film and then he gets drawn in to | :03:12. | :03:21. | |
the ways of the police. It is about love but it is also about | :03:21. | :03:27. | |
corruption. Ryan Gosling and Eva Mendes have love story at the start. | :03:27. | :03:32. | |
It is about how things get muddled over a period and how history will | :03:32. | :03:42. | |
:03:42. | :03:48. | ||
see you. I thought it was really smart and beautifully done. It is | :03:48. | :03:58. | |
:03:58. | :04:06. | ||
almost like a Western type movie. Let us move on. I guess Simon | :04:06. | :04:11. | |
Killer, the clue is in the title. This is a strange new film by | :04:11. | :04:19. | |
Antonio Campos. He is part of this new young indie crew which are very | :04:19. | :04:26. | |
current in India at -- in America. I suppose it is like an American cycle | :04:26. | :04:33. | |
in Paris. It is a flipside to the American romantic films. Here is | :04:33. | :04:41. | |
young students who goes to Paris for a gap year to recover from a | :04:41. | :04:44. | |
relationship and finds himself completely alienate it. He does not | :04:44. | :04:52. | |
know where to turn. He takes up with a young prostitute. He stays with a | :04:52. | :04:57. | |
friend and a friend of his mother's. He smokes a lot. He does | :04:57. | :05:03. | |
not know what he can do. Then he realises he has a frightening power | :05:03. | :05:10. | |
and he grows into the monster of the title. Is this a low-budget the | :05:10. | :05:18. | |
talented Mr Ripley? There is an element of that. Is he going to | :05:18. | :05:28. | |
:05:28. | :05:38. | ||
become a killer? It tells you at the start this is not going to be a | :05:38. | :05:45. | |
jolly romp. It does not make him like a serial killer. There are no | :05:45. | :05:49. | |
concessions to the audience. It is lovable and enjoyable in a weird | :05:49. | :05:55. | |
way. As long as you know going in you will not like it. It is not | :05:55. | :06:03. | |
romantic. It is another antihero. It is an interesting companion piece to | :06:03. | :06:07. | |
The Place Beyond the Pines because it is examining the hero and what | :06:07. | :06:16. | |
cinema does about these creatures. Now for oblivion. Yes, talking about | :06:16. | :06:22. | |
heroes, Tom Cruise always plays the hero. He is in the film which is | :06:22. | :06:28. | |
set, I don't know when. There is one of those vice overs. I have no | :06:28. | :06:33. | |
notion when it starts. It was such a confusing voice-over. No one knew | :06:33. | :06:40. | |
what was going on. We have a product of him with Andrea Riseborough. -- | :06:40. | :06:46. | |
we have a clip. Earth has been invaded. They live in beautiful | :06:46. | :06:50. | |
houses which float in the ear. I do not know what they are talking | :06:50. | :07:00. | |
:07:00. | :07:04. | ||
about. Do you have any memories before the | :07:04. | :07:14. | |
:07:14. | :07:26. | ||
mission? Our job is not to remember. Remember. Do you remember her?Jack, | :07:26. | :07:33. | |
it was a beacon which brought her down. We do not know who she is or | :07:33. | :07:40. | |
what she is. I'm sorry but that is almost comedy | :07:40. | :07:50. | |
:07:50. | :07:54. | ||
dialogue. I do not who wrote it. There are elements of total recall, | :07:54. | :08:00. | |
planet of the apes, New York lying in the rubble. He is wearing the | :08:00. | :08:10. | |
:08:10. | :08:10. | ||
same T-shirt. Olga Kurylenko has been delivered in a box. It is such | :08:10. | :08:15. | |
a derivative science-fiction movie. I thought there would be a joke | :08:15. | :08:22. | |
somewhere but no where does one laugh. I laughed.The future seems | :08:22. | :08:27. | |
like a terribly miserable place. instead of watching the film, get | :08:27. | :08:34. | |
the matrix out. The art and design is very futuristic and I like that. | :08:34. | :08:40. | |
That is the only thing I like. best film of the week is in the | :08:40. | :08:50. | |
:08:50. | :08:51. | ||
house. It is in French. You explain. Francois Ozon is a very prolific and | :08:51. | :08:58. | |
elegant French film maker. Probably his best film yet, starring Kristin | :08:58. | :09:04. | |
Scott Thomas. It is about out teacher in a school educating a boy | :09:04. | :09:10. | |
about how to write fiction. He goes into another person's house and | :09:11. | :09:15. | |
tells the story about how the teacher becomes obsessed with his | :09:15. | :09:21. | |
homework. It is very smart piece of work. It is not as good as its first | :09:21. | :09:29. | |
hour. Kristin Scott Thomas is a frustrated bourgeois housewife. | :09:29. | :09:39. | |
:09:39. | :09:41. | ||
DVD of the week is spirit of 45, that is 1945. It is an archive | :09:41. | :09:51. | |
:09:51. | :10:00. | ||
footage filmed by Ken Loach. It is out on DVD this it is a booth for | :10:00. | :10:04. | |
the Thatcher government. They nationalised everything. Mrs | :10:04. | :10:12. | |
Thatcher comes in and privatised everything. He does miss out the bit | :10:12. | :10:18. | |
in between, Callaghan and the Winter of discontent. How should we judge | :10:18. | :10:28. | |
:10:28. | :10:35. | ||
this? Is its historical? I thought It is very personal. It is his take | :10:35. | :10:44. | |
on things. It is actually asking if that generation remembers the spirit | :10:44. | :10:50. | |
of 45 then they should get it back again. What is interesting is that | :10:50. | :10:54. | |
there was a point where we are all in this together which is absolutely | :10:54. | :11:01. | |
true. I find this very powerful and it made me cry for what we have | :11:01. | :11:08. | |
lost. I am not seeing his politics were correct historically, but there | :11:08. | :11:13. |