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Will come to be Film Review. What have we got apart from another | :00:29. | :00:34. | |
hangover film? As you cannot fail to know, we have the Hanover three | :00:34. | :00:38. | |
in which the wolf pack are reunited for reasons which can only be | :00:38. | :00:47. | |
We have something in the air, which is a heady look at post 68 Paris. | :00:47. | :00:57. | |
:00:57. | :00:57. | ||
And we have 'Epic', an animated fantasy. | :00:57. | :01:03. | |
Let's start with the Hanover part three. At the beginning of the film, | :01:03. | :01:07. | |
all the characters from the previous films are brought together | :01:07. | :01:13. | |
under the spurious auspices to take one of their number to a Sunday in | :01:13. | :01:16. | |
which she can rehabilitate. It is basically just a very complicated | :01:16. | :01:21. | |
plot to get them all back together. They head off towards the self- | :01:21. | :01:26. | |
centred but on route John Goodman runs the Mostar road, kidnaps the | :01:26. | :01:31. | |
boring one, leaving the famous one, there only once and the dentist to | :01:31. | :01:41. | |
:01:41. | :01:47. | ||
Did you hear that guy? He will kill dub, period. He is a cancer. He has | :01:47. | :01:51. | |
been a cancer since the first day we met him. Will hand him over to | :01:52. | :01:57. | |
this guy and then it is done. I need you. I cannot do this alone. | :01:57. | :02:03. | |
just going to say over the strange in out the other day. I wasn't sure | :02:03. | :02:13. | |
:02:13. | :02:18. | ||
what I meant that now I think it This says that help. Headed you not | :02:18. | :02:28. | |
:02:28. | :02:30. | ||
know it was from thin. I thought it You need to ride him back. You | :02:30. | :02:34. | |
would tell him that you are happy he is out and would love to see him. | :02:34. | :02:39. | |
You even know what is going on. I do. Phil is doing all the work, | :02:39. | :02:43. | |
and his assistant and you're sitting there like an idiot. | :02:43. | :02:47. | |
Due in the club you laughed. You laugh war during the club denied it | :02:47. | :02:53. | |
during the entire film. None of us watching the trailer, the bit with | :02:53. | :02:56. | |
the draft, the bit with the guy jumping of the building, the bit | :02:56. | :02:59. | |
with the guy hanging over the balcony, all of it is in the | :02:59. | :03:04. | |
trailer. Many see it like that, some of it is passingly funny. The | :03:04. | :03:08. | |
most depressing thing about the film is the second one was in many | :03:08. | :03:13. | |
ways a deeply offensive film. It was racist and obnoxious and stupid | :03:13. | :03:16. | |
and allowed. They had turned everything up to 11 and made it | :03:16. | :03:22. | |
more grotesque. In the case of this, it is like everyone involved has | :03:22. | :03:27. | |
lost the will to do it. They knew they have to, but they don't seem | :03:27. | :03:33. | |
to have any enthusiasm for it. Most have thought, I made this film | :03:33. | :03:38. | |
twice, I'm going to make an action movie. I am going to do a bunch of | :03:38. | :03:44. | |
stuff with stunts and car chases. You sit there watching it and | :03:44. | :03:50. | |
you think you're making Ocean's Eleven had forgotten what you are | :03:50. | :03:58. | |
making is this film. There were no the obnoxious jokes that make the | :03:58. | :04:02. | |
second when interesting enough to be annoying. I sat there in the | :04:02. | :04:12. | |
:04:12. | :04:12. | ||
screening room with other people not enjoying it. It was silent. We | :04:13. | :04:16. | |
had been told at the beginning to stay at the end because there is a | :04:16. | :04:24. | |
bit at the end credits which the director had talked about. We all | :04:24. | :04:28. | |
sat there, not laughing through the film and then the credits came on | :04:28. | :04:34. | |
and there was a degassed. The sound of silence was utterly deafening. | :04:34. | :04:38. | |
You thought, I don't want to be here, apparently no-one on screen | :04:38. | :04:41. | |
all the home camera wanted to be here. Wouldn't be easier if I just | :04:41. | :04:47. | |
give them the money to do something else? I may just watch the first | :04:47. | :04:51. | |
run on DVD instead. Something in the air, that sounds | :04:51. | :05:01. | |
interesting. He is an interesting field. It is post 68. The French | :05:01. | :05:06. | |
title is after May, which kind of makes more sense. It follows the | :05:06. | :05:15. | |
stories of a bunch of young radicals. A policeman is injured | :05:15. | :05:19. | |
and as a result of this, several members of the group have to leave | :05:19. | :05:24. | |
the country. We follow our anti- hero and suck in London. The film | :05:24. | :05:29. | |
is very episodic. The director has said what he was inspired by is the | :05:29. | :05:33. | |
idealism of that period and the weight which all these strange | :05:33. | :05:38. | |
ideas can turn sour but at least people mended. I think what he | :05:38. | :05:41. | |
wants is for people to see this and think, maybe nowadays we have lost | :05:41. | :05:46. | |
some of that. I think the problem with | :05:46. | :05:50. | |
with these people to be interested in what they're doing. The problem | :05:50. | :05:55. | |
is he has a great sense of time and he clearly has an awful lot of | :05:55. | :05:59. | |
personal Mimi in this, but I think what he has forgotten to do is to | :05:59. | :06:07. | |
why these people are doing it. The people are fairly narcissistic and | :06:07. | :06:10. | |
seemed to have an easy access to money. They spoke endlessly and | :06:10. | :06:14. | |
spend a lot of time worrying about their art and reading pamphlets. | :06:14. | :06:18. | |
They discuss revolutionary politics but even as somebody who has a soft | :06:18. | :06:24. | |
spot for that kind of thing, after about an hour of it, it could a bit | :06:24. | :06:31. | |
boring. This film, and I know it is very old-fashioned of a linear | :06:31. | :06:36. | |
narrative, a series -- as a series of episodes that are so distracted | :06:36. | :06:43. | |
that you forget about. When a poor you had forgotten the reason they | :06:43. | :06:50. | |
have left the country. The detail is very precise. The storytelling | :06:50. | :06:59. | |
needed to be much stronger. What about 'Epic'? The story is, | :07:00. | :07:03. | |
there is a young Golec who has lost her mother and goes to live with | :07:03. | :07:07. | |
her father, who seems to be crazy. He believes that the forest is run | :07:07. | :07:11. | |
by little people. Turns out he is right in she is prickly turned into | :07:11. | :07:21. | |
:07:21. | :07:28. | ||
one of the little people. Where are we? Oh, it's where this | :07:28. | :07:33. | |
guy lives. Most stompers just come and go but the sky is relentless. | :07:33. | :07:38. | |
Stompers? Like us, but beak and dumb and slow. Always bobbing on | :07:38. | :07:44. | |
things. He is my father.What happened? You got shunt? A Yes. | :07:44. | :07:54. | |
:07:54. | :07:58. | ||
Seriously? It's been a weird day for everybody. Dad, I'm here. Just | :07:59. | :08:08. | |
:08:09. | :08:20. | ||
I love the dog. Visually, it is very good. The interesting thing | :08:20. | :08:29. | |
about the film it is -- is that it is a treat to look at. It comes | :08:29. | :08:34. | |
from a book by William Joyce, whose books also lead to other films. | :08:34. | :08:40. | |
There's a star studded cast, Beyonce and Colin Farrell. The | :08:40. | :08:44. | |
problem is what it has, it is interesting and entertaining come | :08:44. | :08:50. | |
at the minute he is gone from the screen it is gone. In the same week | :08:50. | :08:55. | |
they are reissuing films which remind you just tell extraordinary | :08:55. | :09:00. | |
animation can be, just been diverting isn't quite enough. | :09:00. | :09:05. | |
not bad for a bank holiday. It is exactly that. For a wet bank | :09:05. | :09:09. | |
holiday it will keep people entertained. Is fairly innocuous | :09:09. | :09:14. | |
and there are some strong heroines. What it doesn't have is any staying | :09:14. | :09:22. | |
power. It will not become anyone's favourite film, partly because the | :09:22. | :09:28. | |
title is so forgettable. It is not the title they should have gone | :09:28. | :09:34. | |
with. 'The Great Gatsby' is a great title. Isn't it?That is your best | :09:34. | :09:39. | |
film of the week. You should go and see it. It has really divided | :09:39. | :09:44. | |
people. I love the novel. Baz Luhrmann has taken interesting | :09:44. | :09:49. | |
twist with it. It is a take on Gatsby. It is very overcooked, but | :09:49. | :09:54. | |
I think it is a very honest take. People have said it is loud and | :09:54. | :09:57. | |
noisy and somehow fatuous and doesn't have the soul of the novel. | :09:57. | :10:00. | |
It doesn't have the soul of the novel, but it takes the story | :10:00. | :10:06. | |
seriously enough to see how it goes in this way. My feeling is that it | :10:06. | :10:11. | |
will introduce a whole new generation to the novel. Part of | :10:11. | :10:16. | |
the novel is about the despicable access. Baz Luhrmann is greater | :10:16. | :10:20. | |
that. He has absolutely said that the reason it has relevance now is | :10:20. | :10:25. | |
it because it is about massive spending as a run-up to society | :10:25. | :10:28. | |
fallen apart. The difference between the rich and the poor is so | :10:28. | :10:35. | |
great. Your DVD pick his one of the best movies of that week, 'Django | :10:35. | :10:40. | |
Unchained'. There is great stuff in it. There is no doubt that Quentin | :10:40. | :10:46. | |
Tarantino knows how to direct set pieces. He gets great performers at | :10:46. | :10:50. | |
of people. I don't think it is a serious film about slavery, but it | :10:50. | :10:54. | |
doesn't need to be. As you mentioned before, and as with all | :10:54. | :10:57. | |
Quentin Tarantino films, what he needs is a producer standing over | :10:57. | :11:01. |