Browse content similar to 27/09/2013. Check below for episodes and series from the same categories and more!
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League fixtures and we will hear from the new voice of the football | :00:00. | :00:22. | |
League fixtures and we will hear Hello, and welcome to The Film | :00:22. | :00:25. | |
Review on BBC News. Mark Kermode joins me. Awards season is upon | :00:25. | :00:32. | |
Review on BBC News. Mark Kermode Cate Blanchett is a frontrunner | :00:32. | :00:34. | |
Review on BBC News. Mark Kermode Best actress in the new Woody Allen | :00:34. | :00:37. | |
film Blue Jasmine. Ben Affleck is relaxing, the only way you can | :00:37. | :00:40. | |
describe it, in Runner Runner with Justin Timberlake. And we have | :00:40. | :00:47. | |
challenging thriller about child abduction. Blue Jasmine, I think we | :00:47. | :00:51. | |
are beyond the stage of saying, abduction. Blue Jasmine, I think we | :00:51. | :00:56. | |
this Woody Allen back on form? He has made such great movies in the | :00:56. | :01:00. | |
last five years. The problem with saying return to form, does not | :01:00. | :01:07. | |
last five years. The problem with in to account the fact that Midnight | :01:07. | :01:08. | |
In Paris is his most successful international movie. The real star | :01:08. | :01:16. | |
extraordinary. She is a character who has been used to great wealth. A | :01:16. | :01:21. | |
terrible tragedy has happened, her husband has been arrested after | :01:21. | :01:24. | |
terrible tragedy has happened, her kind of financial scandal, she moves | :01:24. | :01:28. | |
in with her adoptive sister in San Francisco. She is a woman fallen | :01:28. | :01:35. | |
see A Streetcar Named Desire, made herself upon her sister. Of course, | :01:35. | :01:43. | |
see A Streetcar Named Desire, made all the more notable by the fact | :01:44. | :01:47. | |
A Streetcar Named Desire, a good that Cate Blanchett played lunch | :01:47. | :01:56. | |
A Streetcar Named Desire, a good I always wanted to do something | :01:56. | :02:02. | |
A Streetcar Named Desire, a good my life. Not just shop and lunch and | :02:02. | :02:06. | |
comes responsibility. I wasn't just some mindless consumer likes of | :02:06. | :02:17. | |
comes responsibility. I wasn't just so—called friends. Although I won't | :02:17. | :02:20. | |
say I disliked buying pretty closed. —— pretty clothes. Tip big, boys, | :02:20. | :02:30. | |
Someday when you come into great wealth, you must remember to be | :02:30. | :02:33. | |
generous. Mum said you'd use to wealth, you must remember to be | :02:33. | :02:38. | |
OK, but you got crazy. And then wealth, you must remember to be | :02:38. | :02:44. | |
You last there. As always with Woody most of them are very abrasive. | :02:44. | :02:53. | |
People always talk about Woody Allen with the funny ones, this is one of | :02:53. | :02:58. | |
the serious ones. Amazingly good script. She doesn't stop talking. | :02:58. | :03:01. | |
She talks the whole time, often script. She doesn't stop talking. | :03:01. | :03:06. | |
herself, in the manner of somebody increasingly losing the plot. The | :03:06. | :03:10. | |
film jumps backwards and forwards between her previous life of wealth | :03:10. | :03:15. | |
Terrific supporting performances, Sally Hawkins is wonderful. Andrew | :03:16. | :03:21. | |
dice Clay, who in the past has been one of the most obnoxious comedians | :03:21. | :03:27. | |
around, is really, really well cast as the big man laid low, he is | :03:27. | :03:33. | |
fantastic. She is hard company to be in, it is quite exhausting. To play | :03:34. | :03:40. | |
exhausting. She is a brittle and abrasive and cracked and on the | :03:40. | :03:44. | |
verge of a nervous breakdown, she collapse. She is constantly drinking | :03:44. | :03:52. | |
into that, she is warm and likeable and taking pills. You see somebody | :03:52. | :04:00. | |
into that, she is warm and likeable and plays it brilliantly. There | :04:00. | :04:04. | |
into that, she is warm and likeable Blanchett, I think Sally Hawkins | :04:04. | :04:08. | |
deserves a best supporting actress nomination. Mark your cards. Cate | :04:08. | :04:15. | |
Blanchett is pretty much frontrunner for best actress, I would have Sally | :04:15. | :04:16. | |
Affleck has done the hard work for best actress, I would have Sally | :04:16. | :04:32. | |
Affleck has done the hard work recently. He did Argo and worked | :04:32. | :04:35. | |
with Terrence Malick. Runner Runner thinks it has a very new take on a | :04:35. | :04:38. | |
very old idea. Justin Timberlake is trying to get to Princeton, he goes | :04:38. | :04:42. | |
online gambling, he is led into trying to get to Princeton, he goes | :04:42. | :04:49. | |
Affleck's character from Costa Rica. He turns out to be on the wrong | :04:49. | :04:55. | |
Affleck's character from Costa Rica. of the law and he has an attractive | :04:55. | :04:58. | |
other half. Do you think there is Timberlake will start to have a | :04:58. | :05:03. | |
relationship with her? ! The premise is online gambling, the new American | :05:03. | :05:09. | |
dream. It feels very of the moment. But you look at the film and you go | :05:09. | :05:13. | |
oh, that is a very old film. The young guy, the old guy. This is | :05:13. | :05:22. | |
oh, that is a very old film. The going to be sticking around us —— as | :05:22. | :05:26. | |
long as some of those movies. It is incidental at best. One of the | :05:27. | :05:31. | |
things about the success of Argo, having seen Ben Affleck as a greater | :05:31. | :05:35. | |
director, I am rethinking him as an actor. I think, why bother? He is a | :05:35. | :05:41. | |
good actor but he does not have actor. I think, why bother? He is a | :05:41. | :05:50. | |
challenging thriller. Two young girls go missing. There is a vehicle | :05:50. | :05:55. | |
interview a man who looks like the Gyllenhaal, the director in charge | :05:55. | :06:01. | |
obvious prime suspect. Here is a obvious prime suspect. Here is a | :06:01. | :06:17. | |
May I sit down. And to my questions. sleeping about in the daytime? Why | :06:17. | :06:26. | |
girls? Two no. Have you done it were you parked outside the house? I | :06:26. | :06:47. | |
girls? Two no. Have you done it before? Lou Mark Roe no. Did you put | :06:47. | :06:49. | |
them somewhere? Did you put them You can see from that, the film | :06:49. | :06:59. | |
them somewhere? Did you put them saying, look, clearly the guy is | :06:59. | :07:00. | |
guilty and he is holding something back. They can't find any evidence | :07:00. | :07:05. | |
and he has to be released, at which point the fathers of the missing | :07:05. | :07:08. | |
girls take the law into their own hands. The interesting thing about | :07:08. | :07:13. | |
the film, which is very intelligent and initially very ambitious, it | :07:13. | :07:18. | |
deals with complicated ideas of guilt and responsibility. It is | :07:18. | :07:21. | |
about violence begetting violence. It deals with the idea that whoever | :07:21. | :07:24. | |
fights monsters should see to it that they do not in the process | :07:25. | :07:32. | |
become monsters. It has particular relevance in the recent debates | :07:32. | :07:35. | |
about water boarding and torture and whether any information that is | :07:35. | :07:38. | |
about water boarding and torture and gained through illicit means can | :07:38. | :07:41. | |
ever be seen as valuable. It starts off with all these ideas and very | :07:41. | :07:46. | |
interesting examination that all evil does is produce evil, violence | :07:46. | :07:50. | |
just produces violence. It is a evil does is produce evil, violence | :07:50. | :07:53. | |
film and as it gets into the third acted kind of side that it has to | :07:53. | :07:58. | |
third act, it kind of decides. In plot points. —— as it gets into | :07:58. | :08:05. | |
third act, it kind of decides. In the first two thirds, it is a big, | :08:05. | :08:14. | |
impressive thing. You get a sense of big—name cast but quite competent | :08:14. | :08:46. | |
cinematographer. Your Best of the really terrible slowly unfolding, | :08:46. | :08:54. | |
cinematographer. Your Best of the week is The Wicker Man, people will | :08:54. | :09:00. | |
be asking which one? Longer than the shortest version, shorter than the | :09:00. | :09:05. | |
longest version. They found a longer 35 million print, if you have not | :09:05. | :09:09. | |
seen this in the cinema, it is great to be able to see and at least | :09:09. | :09:15. | |
semi—intact print. All the things wrong. The ending is extraordinary. | :09:15. | :09:21. | |
If you do not know, I will not spoil it, but the poster goes some way ! | :09:21. | :09:27. | |
Edward Woodward's performance is extraordinary, the music is really | :09:27. | :09:32. | |
strange. I don't love that we need another version, but the fact that | :09:32. | :09:35. | |
people can see it in the cinema makes it worthwhile. Your DVD is | :09:35. | :09:42. | |
Stories We Tell? It is by Sarah Polley. You initially think it is a | :09:42. | :09:45. | |
documentary simply looking back Polley. You initially think it is a | :09:45. | :09:49. | |
her strange family life. As it unfolds, it becomes a discussion of | :09:49. | :09:53. | |
the way in which we tell stories both narratively and amidst families | :09:53. | :10:01. | |
engrossing. Some people actually founded cheap as it is, they were | :10:02. | :10:04. | |
tricked at one point. I didn't, founded cheap as it is, they were | :10:04. | :10:09. | |
analysis of the way in which we founded cheap as it is, they were | :10:09. | :10:12. | |
the written medium. It is very stories — visually, verbally and in | :10:12. | :10:17. | |
the written medium. It is very moving and engrossing. Thank you. | :10:17. | :10:20. | |
A quick reminder that you can find more film news and reviews from | :10:20. | :10:23. | |
across the BBC online, including our previous shows, at the website. | :10:23. | :10:27. |