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championship as well. It's coming up at half past six with me, world | :00:00. | :00:00. | |
athletics Sportsday. Now it's time for Film Review. | :00:00. | :00:18. | |
Hello and welcome to The Film Review on BBC News. | :00:19. | :00:20. | |
To take us through this week's cinema releases is James King. | :00:21. | :00:23. | |
What have you been watching? I've been watching Charlize Theron in a | :00:24. | :00:36. | |
spy thriller that is James Bond meets basic instinct. The name is | :00:37. | :00:42. | |
blonde, Atomic Blonde. From the Academy Awards to the afterlife, the | :00:43. | :00:47. | |
Oscar winner Casey Affleck returns under sheet in A Ghost Story. And | :00:48. | :00:57. | |
get ready to tap, clap and stomp your way through an uplifting new | :00:58. | :01:03. | |
dance documentary, Step. Quite an eclectic mix this week, James. Let's | :01:04. | :01:08. | |
start with the big blockbuster. It looks like one. Atomic Blonde, | :01:09. | :01:14. | |
starring Charlie is the wrong, as spy thriller directed by David | :01:15. | :01:19. | |
Leitch. He worked on John Wick with key newbies a couple of years ago | :01:20. | :01:23. | |
and there are similarities with this film. -- with piano Reeves. They | :01:24. | :01:29. | |
have stylish content, polished, cartoonish. Atomic Blonde has some | :01:30. | :01:35. | |
basis in real events because it is set in 1989 after the fall of the | :01:36. | :01:40. | |
Berlin Wall. Charlize Theron is a spy sent there by the British | :01:41. | :01:44. | |
government to track down a list of missing agents. Let's have a look. | :01:45. | :01:54. | |
OK. So is this your first time in Berlin? Yes. It is a remarkable time | :01:55. | :02:02. | |
to be here. Wonderful music. Marvellous restaurants. You must try | :02:03. | :02:06. | |
the central cafe for a drink. You will need it later. Do you remember | :02:07. | :02:23. | |
Mr Abramowitz? Of course you do. Yeah. We can kind of Guess what | :02:24. | :02:29. | |
happens after that. It has been hard to find clips which are not violent. | :02:30. | :02:34. | |
She's quite adept with her stilettos. It is ridiculous. But | :02:35. | :02:40. | |
there is some fun to be had with its ridiculousness. Firstly Charlize | :02:41. | :02:45. | |
Theron is great and there is a pairing that she has with James | :02:46. | :02:49. | |
McAvoy, he wasn't in that clip that he's a fellow British agent in | :02:50. | :02:53. | |
Berlin and he's crazy and over the top and she is high school and | :02:54. | :02:57. | |
measured so they have this great chalk and cheese partnership. But | :02:58. | :03:01. | |
really works. She's a watchable actress. Very watchable. She has an | :03:02. | :03:07. | |
Oscar winner, she can act. She doesn't have to act much in this but | :03:08. | :03:13. | |
we know she can. And the style is great, this industrial punk | :03:14. | :03:18. | |
aesthetic to it, this pumping 1980s electro soundtrack. We can see a bit | :03:19. | :03:23. | |
of action, the car chases and the fights are stunning and relentless. | :03:24. | :03:26. | |
It almost beat Steve and his admission. -- beats you into | :03:27. | :03:34. | |
submission. With it being visually striking should it remind us of Pop | :03:35. | :03:42. | |
Fiction, with the violence? What it does not have is the witty, clever | :03:43. | :03:47. | |
script. It is easy to be snobbish and say the plot is flimsy and | :03:48. | :03:55. | |
stretched. It means you can get away with quite a lot. I think it | :03:56. | :04:01. | |
relishes its own silliness and pulpy quality. It acknowledges that and | :04:02. | :04:04. | |
when a film is shameless about it it can get away with much more. Is it a | :04:05. | :04:09. | |
missed opportunity because the time period in which it is set, Berlin, | :04:10. | :04:14. | |
such a great city, it could be the most fantastic story. Are they not | :04:15. | :04:22. | |
bothered about that. Slightly missed opportunity but still worth seeing, | :04:23. | :04:25. | |
a male fantasy of a female spy, I don't think many spies are six foot | :04:26. | :04:31. | |
tall former model is a wander around in stockings and suspenders. But | :04:32. | :04:35. | |
there is just enough awareness for it to get away with it and I would | :04:36. | :04:39. | |
happily watch another, that movie hasn't done really well but if there | :04:40. | :04:45. | |
is a sequel I will not complain. OK. We moved to something that could not | :04:46. | :04:49. | |
be more different. I am intrigued that this was shot in secret, is it | :04:50. | :04:55. | |
apocryphal that the director was so concerned about how it might end up | :04:56. | :05:00. | |
that he thought, I just won't tell people I am making it. It is very | :05:01. | :05:05. | |
low budget. This is David Lowery, he moved into the mainstream lost it | :05:06. | :05:11. | |
with a remake of Pete 's Dragon. -- he moved into the mainstream roster. | :05:12. | :05:15. | |
That is out of character comedies and independent film maker, this is | :05:16. | :05:19. | |
a return to that. This is a ghost story as the title suggests. Not a | :05:20. | :05:24. | |
horror film, drama. Casey Affleck plays a recently deceased man who | :05:25. | :05:28. | |
returns in spirit to his home to watch over his grieving partner, | :05:29. | :05:34. | |
Rooney Mara. Still wearing the sheet that he had placed over him in the | :05:35. | :05:40. | |
morgue. Talking about difficult clips to find, it is hard to show | :05:41. | :05:44. | |
you any clips out of contact because pacing and the rhythm of the film is | :05:45. | :05:51. | |
so key. It is very slow. There are many takes were seemingly not much | :05:52. | :05:55. | |
happens, the camera is very static and quiet. There's probably more | :05:56. | :06:00. | |
music than dialogue in it. It's even shot in the old fall by three ratio, | :06:01. | :06:05. | |
the square TV ratio to make it feel claustrophobic. So it's pretty bold | :06:06. | :06:10. | |
and risk taking. I can understand why David Lowery might have want to | :06:11. | :06:14. | |
keep it secret in case it did not work. I think it does work. You have | :06:15. | :06:18. | |
to take a bit of a leap of faith to get into its rhythm and slowness but | :06:19. | :06:23. | |
when you do it is rewarding and a film about memory and legacy and | :06:24. | :06:28. | |
slowly change. I am a bit worried because the trailer might put people | :06:29. | :06:33. | |
off, it's quite bizarre! It isn't that kind of movie. What is your | :06:34. | :06:40. | |
third choice. A documentary, Step. People use the weird feel good too | :06:41. | :06:44. | |
much, to the point of redundancy but this is generally feel good. A | :06:45. | :06:51. | |
documentary about a girl 's dance troupe, the Lethal LEDs in | :06:52. | :06:54. | |
inner-city Baltimore. The film focuses on three of the dancers | :06:55. | :06:58. | |
about their hopes and aspirations. Trying to break the | :06:59. | :07:10. | |
cycle of poverty they come from and get into college. Very charismatic | :07:11. | :07:14. | |
leads, the people in the film are very charismatic. As we will see in | :07:15. | :07:17. | |
this clip. This is the girls in training. You will watch me step. | :07:18. | :07:20. | |
I'm going to make you watch misstep. It's going to get up in your grill. | :07:21. | :07:26. | |
I'm going to take you by your Mac and go, watch me do what I do -- I'm | :07:27. | :07:31. | |
going to take you by your neck. And you are going to go, watch me. | :07:32. | :07:37. | |
That's what you project. That is what you step on. If you are not | :07:38. | :07:43. | |
stepping on it, sit down, go home, good night. Stand to attention and | :07:44. | :07:55. | |
give me that face. Nothing to stop! I like that teacher, I am not | :07:56. | :07:59. | |
missing with her. She's brilliant, everyone is brilliant. I really | :08:00. | :08:04. | |
uplifting story. Uplifting because it does not scrimp on the hardships. | :08:05. | :08:09. | |
These people that we focus on have had tough lives. There is a lot of | :08:10. | :08:14. | |
anger and it's set among the backdrop of the Black Lives Matter | :08:15. | :08:17. | |
movement and the female empowerment movement. So there tough issues. | :08:18. | :08:22. | |
That makes it all the more feel-good when the highs come along and when | :08:23. | :08:27. | |
it gets more optimistic. Not really a film about stepping as a dance. If | :08:28. | :08:32. | |
you don't know much about stepping which is popular in American | :08:33. | :08:35. | |
colleges, it's not about the technique and history of that dance. | :08:36. | :08:40. | |
Rather it is about what dance means to people when they don't have very | :08:41. | :08:44. | |
much else. I'm really looking forward to that one. And for best at | :08:45. | :08:49. | |
this week you have delighted me because it is a reissue and what a | :08:50. | :08:53. | |
pleasure it was to watch this film so many years later. This is Prick | :08:54. | :09:01. | |
Up Your Ears. About playwright Joe Wharton, rereleased for the 50th | :09:02. | :09:05. | |
anniversary of his death, the film itself is 30 years old. Stephen | :09:06. | :09:11. | |
Frears is the director, it's based on the diaries of Joe Orton, we see | :09:12. | :09:16. | |
the editor played by Wallace Shawn and then it flashes back to the life | :09:17. | :09:22. | |
of Joe Orton. Gary Oldman is amazing as Orton. I am always reminded of a | :09:23. | :09:27. | |
couple of things, first that time in the 1980s and Gary Oldman and | :09:28. | :09:31. | |
contemporaries like Daniel Day Lewis and Tim Roth with the angry Young | :09:32. | :09:34. | |
men of British cinema and the future. Now Daniel Day Lewis has | :09:35. | :09:39. | |
announced his retirement! And Gary Oldman will be playing Winston | :09:40. | :09:44. | |
Churchill! So you feel very old watching this! Secondly, more | :09:45. | :09:48. | |
importantly, what Alan Bennett did with his script is captured the wit | :09:49. | :09:52. | |
and boisterousness that made Joe Orton such a great playwright in the | :09:53. | :09:59. | |
1960s. Gary Oldman great, Vanessa Redgrave, for me, it is offered | :10:00. | :10:05. | |
Melina's movie. He plays Kenneth Halliwell, Orton's lover. They had | :10:06. | :10:10. | |
it and she was ultimately tragic and shocking relationship. He steals the | :10:11. | :10:17. | |
show. -- they had a two modulus and ultimately tragic relationship. The | :10:18. | :10:23. | |
film is 30 years old and it is a litany of wonderful actors because | :10:24. | :10:28. | |
the mother of Orton is played by Julie Walters and his sister is | :10:29. | :10:32. | |
played by Frances Barber, these people are part of Britain's acting | :10:33. | :10:36. | |
firmament. Alan Bennett has become even more part of the furniture. | :10:37. | :10:40. | |
What he does brilliantly is give us movies that sing traditional but | :10:41. | :10:44. | |
they are pretty out there when you look at what is going on. Know | :10:45. | :10:53. | |
quickly, the DVD. Raw, student who goes to better in every college and | :10:54. | :10:57. | |
discovers a cannibalistic tendencies. Beautifully unsettling. | :10:58. | :11:02. | |
Determined to freak you out with the acting, performing and lighting and | :11:03. | :11:13. | |
Eddington. It is like Carrie directed by Salvador Dali! James, | :11:14. | :11:18. | |
thank you. That's just about it for this week. Enjoy your cinema going. | :11:19. | :11:20. | |
Goodbye. Let's check the weather for Friday | :11:21. | :11:40. | |
night, it's looking pretty cloudy this evening with some spots of | :11:41. | :11:42. | |
rain. | :11:43. | :11:43. |