Downsizing, Early Man and The Last Flag Flying The Film Review


Downsizing, Early Man and The Last Flag Flying

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Australian open and defeat for

English cricketers in Australia.

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That is all coming up at half past

six. First, it is time for the film

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review.

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First, it is time

for the film review.

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Hello and welcome to

The Film Review on BBC News.

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To take us through this week's

cinema releases is Mark Kermode.

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So Mark, what do we have this week?

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And interestingly, we have got

Downsizing. Earlyman, the latest

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offering from Aardman Animations,

always a treat. And last flag

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flying.

It looks intriguing, your

first choice, that is what I would

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say.

Intriguing is exactly the word.

This is something a bit different.

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The best way to describe it is it

takes riffs from The Incredible

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Thinking Man and combines it with a

bit of inconvenient truth and the

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American satire Spanglish. The

earth's resources have been depleted

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and process has been discovered to

shrink people down to five inches.

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You can save the planet, you become

and use less resources. Everyone has

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agreed it is a good idea. But the

reason people are doing it is

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because the lifestyle you get

offered if you agree to become small

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is more extravagant than you get in

the big world.

So the decision...

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Downsizing takes pressure off,

especially money pressure.

It must

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be a good to know you are making a

difference.

All that crap about

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saving the planet? Yes. Downsizing

is about saving yourself. We live

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like kings.

I am still in the same

house I was born in, Audrey is dying

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to move, but we are strapped.

Do not

mess around. You get the best

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houses, best appliances, doctors,

the great restaurants. The kids love

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cheesecake factory is. We have got

three of them. Can you back up a

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little? They might be too much

garlic in the source.

It is an

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interesting setup and it looks like

the beginning of a great movie. Then

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Matt Damon's character decides he is

going to downsize and when he does,

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he is isolated, alone and not

content like he was in the bigger

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world, but only smaller. Then the

film loses its direction. Once you

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get into the small community there

is very little of interacting with

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the large one. Most movies dealing

with the miniaturisation have them

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interacting. Here you can forget

that you are in the small world,

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which is the point. More troublesome

is the fact it has a number of

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threads it is trying to deal with,

the eco-crisis, the personal crisis,

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a commentary on consumerism, staff

about general middle-aged malaise,

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and somehow those elements do not

only not come together, they start

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completely fracturing. The film is

not short. It is two and a quarter

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hours long and it could have done

with some Downsizing in its running

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time. After the initial setup and

promise, after what looked like

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being a good use of a science

fiction premise it falls apart. It

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is a shame because there are lots of

interesting ideas and it is always

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good to see a director aiming big

even if it does not come together. I

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have to say there was a good half of

it I find frustrating. Having given

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you all these ideas, it then does

not know what to do with them. It

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does not know whether it wants to be

funny, satirical, sombre about the

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fate of the planet or whether it

wants to concentrate on a marriage

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falling apart. It ends up not

satisfying any of them.

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Unfortunately it is terribly

unsatisfying, despite the fact it

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starts well.

Very disappointing. I

was a big fan of Sideways. And I am

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a very big fan of Wallace and

Gromit.

And no disappointment for

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Earlyman. A Stone Age tribe is

driven out of its valley by the

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arrival of Lord Knuth who says the

stone age is over and long live the

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age of bronze. What then happens the

young hero, Dug, agrees to have a

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football match for ownership of the

valley. It turns out that way back

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in his heritage, football is deep in

his genes. However, all his

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tribesmen cannot play football, so

they have to recruit a young woman

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to teach them to get the match

ready. Firstly, the visuals are

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incredible. They use some computer

graphics to get a sense of stadium

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size, but all the primary animation

has that Aardman Animations feel, it

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is physical, and I can see you

looking at these images. It is

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wonderful. And it is properly funny.

It has great slapstick jokes that

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referred to Harold Lloyd and Buster

Keaton. There is a homage at the

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very beginning, but it is also not

about straightforward end of the

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pier, innuendo and human. I started

laughing right from the very

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beginning. I never lost it, I

laughed all the way through. In the

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screening there was only me and the

other person. I became embarrassed

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by how much I was laughing. They

were enjoying it but not as much as

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I was. You see so many comedies with

insufficient laughter. All the way

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through this I chuckled and I was

delighted by the visuals.

The story

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was charming. And I can go on my

own, I don't need to find a child?

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They make genuine family films for

people of all ages. I would happily

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go back and see it again, not least

because they were so many fleeting

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sight gags that I did not catch the

first time round. I love Nick Park,

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he does a great job.

A genius.

Your

third choice? Last flag flying. It

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is adapted from a novel and the last

detail was adapted into a film and

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this is the novel sequel to his

novel. It is an adaptation of a

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novel that is not a sequel. Three

former Marines are reunited decades

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later when one of their sons dies in

Iraq and they go on a road trip

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together. One of them has taken holy

orders. They go on the road trip

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together and they bicker and the

bond and they talk about the past

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and the present.

What if I don't

like it? We get stuck with a

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contract for two years?

Two years.

What if you fall down? Have you

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thought of that? With your legs that

is a possibility. You cannot get up

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and nobody can see you? But with

your mobile phone you can get it out

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and if you could see the numbers,

your glasses, I can't say, help me,

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I cannot get up.

911 calls do not

count against minutes either.

Come

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on! If I say yes, Will you shut the

hell up?

The joy either

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performances. Laurence Fishburne is

really good. He is the person facing

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up to grief. I think he does that

really brilliantly. If you go there

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looking for a film that is as

cutting edge as the last detail, you

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will be disappointed. If you see it

as a film in its own right and you

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are able to enjoy the ensemble

performances, it is a film about

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their relationship, it is

melancholic, it is sad and

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nostalgic. It is often laughed out

loud funny. It will not change the

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world. Rather than saying it is the

sequel, it is more of a footnote,

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but a rather charming footnote,

largely because the three central

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performances carried through. You

were enjoying that clip. It is a

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film that stands on its own. Oddly

enough, the problem becomes if you

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try and put it next to others and it

is a different kettle of fish. It is

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a kinder not sequel to the movie.

Is

that clear? I think so.

And the best

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DVD? Coco came out last week and I

love Free Billboards. It is great

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that Pixar animation is finally back

at the top of its game. Some really

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complicated subjects. Life, death,

grief, loss, memory, but it does it

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in a way that children and adults

alike can watch it. It looks

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beautiful. If you see it and you

love it, get The Book Of Life on

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DVD. It is also a very good movie.

And DVD. I felt ignorant when I read

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lots about this because of your

forthcoming recommendation, and it

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sounds fascinating. I felt bad I did

not know very much about it.

In

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Between is a story about three women

living in Tel Aviv, each fighting

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their own personal battle for

freedom against political, religious

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and social repression. It is

beautifully observed, fantastic

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performances, really well written.

It deals with difficult subject

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matter, often very light-hearted and

funny. It has a beautifully

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enigmatic ending and the best way of

describing it is you have seen The

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Graduate? At the end is that

incredible sense of ambiguity, I

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think has that. It is really well

worth seeing. It did not get a huge

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theatrical release, but I have yet

to meet anyone who has seen it who

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has not loved it.

Thank you very

much, Mark. An interesting week. We

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are now creeping up towards awards

season as well. Lots to talk about

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in the coming weeks.

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Lots to talk about

in the coming weeks.

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A quick reminder before we go that

you'll find more film news

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and reviews from across the BBC

online at bbc.co.uk/mark kermode.

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And you can find all our previous

programmes on the bbc iplayer.

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That's it for this week though.

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Enjoy your cinema going. See you

next time, goodbye.

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