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Australian open and defeat for
English cricketers in Australia. | 0:00:00 | 0:00:00 | |
That is all coming up at half past
six. First, it is time for the film | 0:00:00 | 0:00:04 | |
review. | 0:00:04 | 0:00:05 | |
First, it is time
for the film review. | 0:00:05 | 0:00:13 | |
Hello and welcome to
The Film Review on BBC News. | 0:00:20 | 0:00:24 | |
To take us through this week's
cinema releases is Mark Kermode. | 0:00:24 | 0:00:26 | |
So Mark, what do we have this week? | 0:00:26 | 0:00:36 | |
And interestingly, we have got
Downsizing. Earlyman, the latest | 0:00:37 | 0:00:42 | |
offering from Aardman Animations,
always a treat. And last flag | 0:00:42 | 0:00:46 | |
flying. It looks intriguing, your
first choice, that is what I would | 0:00:46 | 0:00:54 | |
say. Intriguing is exactly the word.
This is something a bit different. | 0:00:54 | 0:01:01 | |
The best way to describe it is it
takes riffs from The Incredible | 0:01:01 | 0:01:08 | |
Thinking Man and combines it with a
bit of inconvenient truth and the | 0:01:08 | 0:01:14 | |
American satire Spanglish. The
earth's resources have been depleted | 0:01:14 | 0:01:20 | |
and process has been discovered to
shrink people down to five inches. | 0:01:20 | 0:01:23 | |
You can save the planet, you become
and use less resources. Everyone has | 0:01:23 | 0:01:33 | |
agreed it is a good idea. But the
reason people are doing it is | 0:01:33 | 0:01:37 | |
because the lifestyle you get
offered if you agree to become small | 0:01:37 | 0:01:40 | |
is more extravagant than you get in
the big world. So the decision... | 0:01:40 | 0:01:49 | |
Downsizing takes pressure off,
especially money pressure. It must | 0:01:49 | 0:01:52 | |
be a good to know you are making a
difference. All that crap about | 0:01:52 | 0:01:57 | |
saving the planet? Yes. Downsizing
is about saving yourself. We live | 0:01:57 | 0:02:02 | |
like kings. I am still in the same
house I was born in, Audrey is dying | 0:02:02 | 0:02:09 | |
to move, but we are strapped. Do not
mess around. You get the best | 0:02:09 | 0:02:15 | |
houses, best appliances, doctors,
the great restaurants. The kids love | 0:02:15 | 0:02:22 | |
cheesecake factory is. We have got
three of them. Can you back up a | 0:02:22 | 0:02:27 | |
little? They might be too much
garlic in the source. It is an | 0:02:27 | 0:02:32 | |
interesting setup and it looks like
the beginning of a great movie. Then | 0:02:32 | 0:02:36 | |
Matt Damon's character decides he is
going to downsize and when he does, | 0:02:36 | 0:02:40 | |
he is isolated, alone and not
content like he was in the bigger | 0:02:40 | 0:02:47 | |
world, but only smaller. Then the
film loses its direction. Once you | 0:02:47 | 0:02:52 | |
get into the small community there
is very little of interacting with | 0:02:52 | 0:02:56 | |
the large one. Most movies dealing
with the miniaturisation have them | 0:02:56 | 0:03:01 | |
interacting. Here you can forget
that you are in the small world, | 0:03:01 | 0:03:04 | |
which is the point. More troublesome
is the fact it has a number of | 0:03:04 | 0:03:10 | |
threads it is trying to deal with,
the eco-crisis, the personal crisis, | 0:03:10 | 0:03:16 | |
a commentary on consumerism, staff
about general middle-aged malaise, | 0:03:16 | 0:03:20 | |
and somehow those elements do not
only not come together, they start | 0:03:20 | 0:03:25 | |
completely fracturing. The film is
not short. It is two and a quarter | 0:03:25 | 0:03:31 | |
hours long and it could have done
with some Downsizing in its running | 0:03:31 | 0:03:35 | |
time. After the initial setup and
promise, after what looked like | 0:03:35 | 0:03:38 | |
being a good use of a science
fiction premise it falls apart. It | 0:03:38 | 0:03:43 | |
is a shame because there are lots of
interesting ideas and it is always | 0:03:43 | 0:03:47 | |
good to see a director aiming big
even if it does not come together. I | 0:03:47 | 0:03:51 | |
have to say there was a good half of
it I find frustrating. Having given | 0:03:51 | 0:03:59 | |
you all these ideas, it then does
not know what to do with them. It | 0:03:59 | 0:04:04 | |
does not know whether it wants to be
funny, satirical, sombre about the | 0:04:04 | 0:04:08 | |
fate of the planet or whether it
wants to concentrate on a marriage | 0:04:08 | 0:04:13 | |
falling apart. It ends up not
satisfying any of them. | 0:04:13 | 0:04:19 | |
Unfortunately it is terribly
unsatisfying, despite the fact it | 0:04:19 | 0:04:22 | |
starts well. Very disappointing. I
was a big fan of Sideways. And I am | 0:04:22 | 0:04:30 | |
a very big fan of Wallace and
Gromit. And no disappointment for | 0:04:30 | 0:04:34 | |
Earlyman. A Stone Age tribe is
driven out of its valley by the | 0:04:34 | 0:04:41 | |
arrival of Lord Knuth who says the
stone age is over and long live the | 0:04:41 | 0:04:45 | |
age of bronze. What then happens the
young hero, Dug, agrees to have a | 0:04:45 | 0:04:52 | |
football match for ownership of the
valley. It turns out that way back | 0:04:52 | 0:04:57 | |
in his heritage, football is deep in
his genes. However, all his | 0:04:57 | 0:05:04 | |
tribesmen cannot play football, so
they have to recruit a young woman | 0:05:04 | 0:05:09 | |
to teach them to get the match
ready. Firstly, the visuals are | 0:05:09 | 0:05:12 | |
incredible. They use some computer
graphics to get a sense of stadium | 0:05:12 | 0:05:19 | |
size, but all the primary animation
has that Aardman Animations feel, it | 0:05:19 | 0:05:25 | |
is physical, and I can see you
looking at these images. It is | 0:05:25 | 0:05:32 | |
wonderful. And it is properly funny.
It has great slapstick jokes that | 0:05:32 | 0:05:39 | |
referred to Harold Lloyd and Buster
Keaton. There is a homage at the | 0:05:39 | 0:05:43 | |
very beginning, but it is also not
about straightforward end of the | 0:05:43 | 0:05:49 | |
pier, innuendo and human. I started
laughing right from the very | 0:05:49 | 0:05:54 | |
beginning. I never lost it, I
laughed all the way through. In the | 0:05:54 | 0:05:59 | |
screening there was only me and the
other person. I became embarrassed | 0:05:59 | 0:06:03 | |
by how much I was laughing. They
were enjoying it but not as much as | 0:06:03 | 0:06:08 | |
I was. You see so many comedies with
insufficient laughter. All the way | 0:06:08 | 0:06:13 | |
through this I chuckled and I was
delighted by the visuals. The story | 0:06:13 | 0:06:17 | |
was charming. And I can go on my
own, I don't need to find a child? | 0:06:17 | 0:06:23 | |
They make genuine family films for
people of all ages. I would happily | 0:06:23 | 0:06:29 | |
go back and see it again, not least
because they were so many fleeting | 0:06:29 | 0:06:34 | |
sight gags that I did not catch the
first time round. I love Nick Park, | 0:06:34 | 0:06:40 | |
he does a great job. A genius. Your
third choice? Last flag flying. It | 0:06:40 | 0:06:47 | |
is adapted from a novel and the last
detail was adapted into a film and | 0:06:47 | 0:06:54 | |
this is the novel sequel to his
novel. It is an adaptation of a | 0:06:54 | 0:07:04 | |
novel that is not a sequel. Three
former Marines are reunited decades | 0:07:04 | 0:07:09 | |
later when one of their sons dies in
Iraq and they go on a road trip | 0:07:09 | 0:07:13 | |
together. One of them has taken holy
orders. They go on the road trip | 0:07:13 | 0:07:19 | |
together and they bicker and the
bond and they talk about the past | 0:07:19 | 0:07:22 | |
and the present. What if I don't
like it? We get stuck with a | 0:07:22 | 0:07:30 | |
contract for two years? Two years.
What if you fall down? Have you | 0:07:30 | 0:07:38 | |
thought of that? With your legs that
is a possibility. You cannot get up | 0:07:38 | 0:07:43 | |
and nobody can see you? But with
your mobile phone you can get it out | 0:07:43 | 0:07:48 | |
and if you could see the numbers,
your glasses, I can't say, help me, | 0:07:48 | 0:07:56 | |
I cannot get up. 911 calls do not
count against minutes either. Come | 0:07:56 | 0:08:03 | |
on! If I say yes, Will you shut the
hell up? The joy either | 0:08:03 | 0:08:11 | |
performances. Laurence Fishburne is
really good. He is the person facing | 0:08:11 | 0:08:19 | |
up to grief. I think he does that
really brilliantly. If you go there | 0:08:19 | 0:08:24 | |
looking for a film that is as
cutting edge as the last detail, you | 0:08:24 | 0:08:29 | |
will be disappointed. If you see it
as a film in its own right and you | 0:08:29 | 0:08:33 | |
are able to enjoy the ensemble
performances, it is a film about | 0:08:33 | 0:08:38 | |
their relationship, it is
melancholic, it is sad and | 0:08:38 | 0:08:43 | |
nostalgic. It is often laughed out
loud funny. It will not change the | 0:08:43 | 0:08:47 | |
world. Rather than saying it is the
sequel, it is more of a footnote, | 0:08:47 | 0:08:52 | |
but a rather charming footnote,
largely because the three central | 0:08:52 | 0:08:57 | |
performances carried through. You
were enjoying that clip. It is a | 0:08:57 | 0:09:01 | |
film that stands on its own. Oddly
enough, the problem becomes if you | 0:09:01 | 0:09:07 | |
try and put it next to others and it
is a different kettle of fish. It is | 0:09:07 | 0:09:16 | |
a kinder not sequel to the movie. Is
that clear? I think so. And the best | 0:09:16 | 0:09:25 | |
DVD? Coco came out last week and I
love Free Billboards. It is great | 0:09:25 | 0:09:32 | |
that Pixar animation is finally back
at the top of its game. Some really | 0:09:32 | 0:09:39 | |
complicated subjects. Life, death,
grief, loss, memory, but it does it | 0:09:39 | 0:09:44 | |
in a way that children and adults
alike can watch it. It looks | 0:09:44 | 0:09:47 | |
beautiful. If you see it and you
love it, get The Book Of Life on | 0:09:47 | 0:09:55 | |
DVD. It is also a very good movie.
And DVD. I felt ignorant when I read | 0:09:55 | 0:10:02 | |
lots about this because of your
forthcoming recommendation, and it | 0:10:02 | 0:10:07 | |
sounds fascinating. I felt bad I did
not know very much about it. In | 0:10:07 | 0:10:13 | |
Between is a story about three women
living in Tel Aviv, each fighting | 0:10:13 | 0:10:18 | |
their own personal battle for
freedom against political, religious | 0:10:18 | 0:10:23 | |
and social repression. It is
beautifully observed, fantastic | 0:10:23 | 0:10:27 | |
performances, really well written.
It deals with difficult subject | 0:10:27 | 0:10:32 | |
matter, often very light-hearted and
funny. It has a beautifully | 0:10:32 | 0:10:36 | |
enigmatic ending and the best way of
describing it is you have seen The | 0:10:36 | 0:10:44 | |
Graduate? At the end is that
incredible sense of ambiguity, I | 0:10:44 | 0:10:48 | |
think has that. It is really well
worth seeing. It did not get a huge | 0:10:48 | 0:10:55 | |
theatrical release, but I have yet
to meet anyone who has seen it who | 0:10:55 | 0:10:59 | |
has not loved it. Thank you very
much, Mark. An interesting week. We | 0:10:59 | 0:11:07 | |
are now creeping up towards awards
season as well. Lots to talk about | 0:11:07 | 0:11:12 | |
in the coming weeks. | 0:11:12 | 0:11:13 | |
Lots to talk about
in the coming weeks. | 0:11:13 | 0:11:15 | |
A quick reminder before we go that
you'll find more film news | 0:11:15 | 0:11:17 | |
and reviews from across the BBC
online at bbc.co.uk/mark kermode. | 0:11:17 | 0:11:20 | |
And you can find all our previous
programmes on the bbc iplayer. | 0:11:20 | 0:11:24 | |
That's it for this week though. | 0:11:24 | 0:11:30 | |
Enjoy your cinema going. See you
next time, goodbye. | 0:11:30 | 0:11:34 |