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Andy Murray looks back to his best at the Monte Carlo Masters. All that | :00:00. | :00:00. | |
and more at 6:30pm. Now it is time for The Film Review. | :00:00. | :00:19. | |
Hello and welcome to The Film Review on BBC News. | :00:20. | :00:21. | |
To take us through this week's cinema releases is Mark Kermode. | :00:22. | :00:24. | |
So, Mark, what do we have this week? | :00:25. | :00:28. | |
What do we have? It has been a very good week. We | :00:29. | :00:36. | |
have Eye In The Sky, and intelligent war thriller. | :00:37. | :00:44. | |
We also have Fan. And we have The Jungle Book. A live | :00:45. | :00:51. | |
action, or is reimagining of the Kipling classic. | :00:52. | :00:58. | |
This is by Gavin Hood. The story is that there is a grown machine and | :00:59. | :01:01. | |
Nairobi. We watched the mission playing out on the screens of those | :01:02. | :01:04. | |
in charge of running the mission in London, Nevada and elsewhere. Helen | :01:05. | :01:07. | |
Mirren is the no-nonsense colonel who has been tracking a particular | :01:08. | :01:12. | |
terror suspect. They end up any house where there are a number of | :01:13. | :01:15. | |
people that they are trying to get. Our mission is to capture, not kill. | :01:16. | :01:20. | |
When it is evident that a suicide mission is imminent, she wants is a | :01:21. | :01:28. | |
strike. However, Aaron Paul, the Nevada pilot, piloting the drone, | :01:29. | :01:31. | |
one not engage. Because into the target area comes a young girl. You | :01:32. | :01:33. | |
is a clip. -- here is a clip. I will give her time | :01:34. | :01:39. | |
to walk through. Lieutenant, we have this one | :01:40. | :01:53. | |
opportunity, let us not lose it. Those men are bound | :01:54. | :02:29. | |
to disperse, engage now. If I can see them moving or this | :02:30. | :02:42. | |
girl was in the radius, but I want to give her a chance to get out of | :02:43. | :02:45. | |
the way. You have clearance, there is a a lot | :02:46. | :02:51. | |
more at stake. That is American sniper territory in | :02:52. | :02:56. | |
some way. Very similar. There are definite comparisons. | :02:57. | :03:00. | |
Films like Drones and A good Kill was a similar thing. This was done | :03:01. | :03:05. | |
well. Essentially what happens in real time as all the interested | :03:06. | :03:08. | |
parties, the military and politicians argue about whether they | :03:09. | :03:12. | |
can proceed legally and morally, politically as well. Despite the | :03:13. | :03:16. | |
fact that it sounds like it could be a drama in which a bunch of people | :03:17. | :03:22. | |
in rooms argue with each other over telephones and video screens, Gavin | :03:23. | :03:28. | |
Hood has made it very cinematic. The man on the ground in Nairobi, he has | :03:29. | :03:32. | |
the trickiest role. He is the man with the sci-fi gadgetry, the board | :03:33. | :03:36. | |
with a camera which stretches credibility slightly. For the rest | :03:37. | :03:41. | |
of the movie, Helen Mirren is in top form. Alan Rickman in his last | :03:42. | :03:44. | |
on-screen role is read as the general who wants to move forward | :03:45. | :03:48. | |
with the mission but is having to do with politicians, they seem to be | :03:49. | :03:52. | |
more concerned with saving face than lives. What the film becomes | :03:53. | :03:56. | |
business discussion of the morality of not just the situation, of | :03:57. | :04:00. | |
Easter, it is melodramatically contrived that you have the terror | :04:01. | :04:03. | |
suspects but also this young girl that is selling bread, which one is | :04:04. | :04:08. | |
more important? But it manages to do with it in a way that is essentially | :04:09. | :04:13. | |
a piece of mainstream entertainment, this should play well in multiplexes | :04:14. | :04:17. | |
but it is ambivalent. It does not tie up that Lucent in the way that | :04:18. | :04:20. | |
you would sometimes expect this type of film to do. It holds its nerve. | :04:21. | :04:25. | |
You had a little better that pulsing score which gives the whole thing a | :04:26. | :04:31. | |
very threatening edge, it reminds me of the tangerine dreams School of | :04:32. | :04:35. | |
sorcery. Well executed screenplay that focuses in on an idea and plays | :04:36. | :04:40. | |
it from every different angle. It is juggled all the way through... | :04:41. | :04:44. | |
It is story about time. It is very contemporary and | :04:45. | :04:49. | |
considering there have been films on this area, it finds its own area. I | :04:50. | :04:53. | |
thought it dealt with it well and I was genuinely gripped watching it. | :04:54. | :04:56. | |
Fan. This is interesting. | :04:57. | :05:04. | |
This is Shah Rukh Khan playing both parts. The story is that the young | :05:05. | :05:12. | |
fan goes to see his idol. He looks like him and he wants to meet him. | :05:13. | :05:16. | |
Inevitably when he tries to meet him he finds himself being not welcomed | :05:17. | :05:20. | |
in. He is like the rejected. His adoration turns to something like | :05:21. | :05:24. | |
aggression. I really enjoyed it. One of the things I do about it, it has | :05:25. | :05:29. | |
lots of action sequences, the chase across the rooftops, that sort of | :05:30. | :05:34. | |
James Bond territory, but it has an underpinning of the King of comedy, | :05:35. | :05:38. | |
other people have said it is like Ms Robach -- Mazzarri, the Stephen King | :05:39. | :05:42. | |
adaptation. But it is played very suddenly. -- Misery. It is hyper | :05:43. | :05:52. | |
stylised. I thought it was gripping and really entertaining. Actually, | :05:53. | :05:56. | |
in some places, it had some real insight into the nature of celebrity | :05:57. | :06:00. | |
and the nature of fandom. Someone said always avoid things | :06:01. | :06:05. | |
with an evil twin, not quite but similar. | :06:06. | :06:08. | |
There is the doppelgangers think which is going on. | :06:09. | :06:14. | |
And lastly, Jungle book. Do not rewrite a hat! | :06:15. | :06:19. | |
I went through that same thing. Very much like Cinderella, it owes much | :06:20. | :06:26. | |
to the literally source. It is a live action reimagining. The only | :06:27. | :06:30. | |
thing that is life, however in the images that you seek is the young | :06:31. | :06:35. | |
guy that plays Mowgli. It is quite extraordinary, firstly because he | :06:36. | :06:38. | |
does resemble the cartoon predecessor and secondly because | :06:39. | :06:41. | |
most of what he's doing in real life is reacting to the blue screen and | :06:42. | :06:45. | |
green screen that is played by Neel Sethi. Here is a clip. I cannot help | :06:46. | :06:57. | |
but notice there is this strange poker. | :06:58. | :07:05. | |
-- order. What is this strange scent? This is some kind of man cup. | :07:06. | :07:22. | |
Moggie belongs to my pack, she can. -- Shere Khan. -- Mowgli. | :07:23. | :07:33. | |
Does my face not remind you of what he grown man can do? Everyone | :07:34. | :07:42. | |
forgets how the law works after a few years when you change a hunting | :07:43. | :07:45. | |
ground. Let me remind you, the man cup becomes man and man is | :07:46. | :07:52. | |
forbidden! I am sold on that. | :07:53. | :07:57. | |
Exactly. There has been suggestions that this is a more dark and | :07:58. | :08:00. | |
dangerous version of the story. There are some scary things in it. | :08:01. | :08:05. | |
But it has some of the songs. It has a bear necessities. And the updated | :08:06. | :08:11. | |
version of the King Louie song. The CGI scenery is lush and teacher into | :08:12. | :08:17. | |
that world. I was a bit in trepidation but I was won over. It | :08:18. | :08:22. | |
is a romp with great action sequences. Secondly, the characters | :08:23. | :08:24. | |
are every bit as likeable as you would like them to be. It owes more | :08:25. | :08:30. | |
to the Kipling than the Disney version. Superbly rendered. Jon | :08:31. | :08:33. | |
Favreau that a great job of the balance between pathos and fear in | :08:34. | :08:39. | |
action. This is the greatest compliment. I would happily go | :08:40. | :08:42. | |
straight back in and watch it again. I thought it was really enchanting | :08:43. | :08:45. | |
and adventurous. I wonder about the work for the beer | :08:46. | :08:53. | |
in Revenant was better? That is why it has been called to | :08:54. | :09:00. | |
The Jungle Book meets Revenant. Your best was Iran for the week. -- | :09:01. | :09:09. | |
Ran. Yes, this is a translation of King | :09:10. | :09:13. | |
Lear. It will come to Blu-ray quite soon. If you get a chance to see it | :09:14. | :09:18. | |
in cinemas, it is part of the ongoing Shakespeare celebrations | :09:19. | :09:21. | |
that the BFI have been doing. You do not really need just the DVD, you | :09:22. | :09:27. | |
have to see it on the big screen, they had projected. | :09:28. | :09:32. | |
Your DVD of the leaders Grandma. Mixed reviews of this. Some teenager | :09:33. | :09:37. | |
said it was not for them. They are wrong. It is for everyone. | :09:38. | :09:45. | |
It is 7273 minutes long, perfect length. It is about on alternative | :09:46. | :09:49. | |
lifestyle grandmother who is helping her granddaughter who has had | :09:50. | :09:55. | |
trouble and need advice. Lily Tomlin did brilliant, she won a Golden | :09:56. | :09:58. | |
Globe and she should have been Oscar-nominated. It is about to be | :09:59. | :10:01. | |
that her personal and political situations have changed. I thought | :10:02. | :10:05. | |
it was funny and intelligent and charming but also gritty and had a | :10:06. | :10:08. | |
real edge to it. There were moments in it that make me think this is | :10:09. | :10:14. | |
what is done by a Cinema budget that all types cannot do. Have you yet | :10:15. | :10:20. | |
seen it? 70 something minutes. It deserved your time. | :10:21. | :10:26. | |
Not a bad week. Eye In The Sky, Fan and Jungle book. | :10:27. | :10:31. | |
Both Eye In The Sky and Jungle book are much better than expected either | :10:32. | :10:33. | |
of them to be. A quick reminder, you will find more | :10:34. | :10:38. | |
news and reviews online including our previous shows. That is it for | :10:39. | :10:43. | |
this week. Thank you for watching, enjoy the movies. Goodbye. | :10:44. | :10:49. |