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for Murray who has notched up another win at the ATP world tour | :00:00. | :00:08. | |
finals. Now on BBC News it is time for The Film Review. | :00:09. | :00:18. | |
Hello and welcome to The Film Review on BBC News. | :00:19. | :00:21. | |
To take us through this week's cinema releases is Mark Kermode. | :00:22. | :00:24. | |
The man with the magic touch. I take it that is a reference to the fact | :00:25. | :00:36. | |
that we have Fantastic Beasts and Where To Find Them coming out. We | :00:37. | :00:41. | |
also have a fantastic animation from Japan, Your Name, and Indignation, a | :00:42. | :00:55. | |
film based on a book by Philip Roth. Let's start with Fantastic Beasts | :00:56. | :00:59. | |
and Where To Find Them. Based on the book by JK Rowling. It comes from | :01:00. | :01:06. | |
the Harry Potter stories to start with. The protagonists in this are | :01:07. | :01:11. | |
older. They are no longer at school. It is in this steampunk 1920s New | :01:12. | :01:16. | |
York. Eddie Redmayne's character is a magic zoologist. He brings with | :01:17. | :01:20. | |
him a suitcase when he arrives in New York which has beast in it. Due | :01:21. | :01:27. | |
to a mix-up the Beast get out. He then needs to help round them up | :01:28. | :01:30. | |
because this is happening at exactly the same time a group of people are | :01:31. | :01:39. | |
making lots of conversations about witchcraft in New York. So he has to | :01:40. | :01:42. | |
go to the magical underworld of New York. This is a clip. You are the | :01:43. | :01:48. | |
guy with the case full of monsters? You tell him, Fudge. I was hoping | :01:49. | :01:56. | |
you could tell me if there had been any sightings, that sort of thing. | :01:57. | :02:03. | |
You have a pretty big price on your head. Why should I help you instead | :02:04. | :02:09. | |
of turning you in? I take it I will have to make it worth your while. | :02:10. | :02:20. | |
Let's consider it a cover charge. Most offer more than that. Wait a | :02:21. | :02:33. | |
minute... That's a boat truckle, right? No. Come on, they pick locks, | :02:34. | :02:42. | |
don't they? You are not having him. Well, good luck getting back alive, | :02:43. | :02:46. | |
Mr scavenger. It sounds totally endangering. -- engaging. Certain | :02:47. | :02:55. | |
elements are flimsy. Sometimes we get into big, spectacular set pieces | :02:56. | :03:00. | |
which really feel like set pieces. However, when we are in that New | :03:01. | :03:07. | |
York which is on a set, I think it is a really engaging world. I like | :03:08. | :03:11. | |
the design of it. Some of the special effects are extraordinary. | :03:12. | :03:14. | |
Some of the visual effects at the beginning where we see the beast | :03:15. | :03:18. | |
scampering around, it is really effective. And because it is Harry | :03:19. | :03:23. | |
Potter you can get the pick of the crop as far as actors are concerned. | :03:24. | :03:30. | |
You have Samantha Morton, Colin Farrell, Ezra Miller, it is a | :03:31. | :03:34. | |
really, really great cast with good performances. What I like about it | :03:35. | :03:38. | |
is it's not quite in the same world is Harry Potter although it feels | :03:39. | :03:42. | |
like it is part of that universe. Its characters are engaging. It is | :03:43. | :03:46. | |
the small details, the design details, that is the stuff that | :03:47. | :03:50. | |
appeals. The stuff that works less well is the more spectacular stuff, | :03:51. | :03:53. | |
the stuff which feels like set pieces. But when we get to a period | :03:54. | :03:58. | |
where we want families to see movies together, come Christmas time, I | :03:59. | :04:03. | |
think it'll be a big success. It certainly leaves you with a smile on | :04:04. | :04:07. | |
your face. Look out for the guy with the pointy ears, he could run for | :04:08. | :04:12. | |
the presidency, who knows what might happen. | :04:13. | :04:17. | |
Your Name? I loved this. Huge hit in Japan already. It is an animation by | :04:18. | :04:24. | |
Makoto Shinkai. It is about a boy who lives in Tokyo and a girl who | :04:25. | :04:27. | |
lives in a remote mountaintop town. She longs to be a boy in Tokyo and | :04:28. | :04:31. | |
one day she wakes up and finds out her dream has come true. They body | :04:32. | :04:36. | |
swap. They swapped backwards and forwards, learning about each | :04:37. | :04:39. | |
other's lives, learning about each other, but never meeting or | :04:40. | :04:42. | |
connecting. Not knowing each other's names. This is much more of the | :04:43. | :04:51. | |
young adult story. But it is brilliantly done. The animation is | :04:52. | :04:55. | |
extraordinary, the photorealism, the stuff in Tokyo, which contrasts with | :04:56. | :04:59. | |
the mountaintop setting views. It has this fantastic JPop soundtrack. | :05:00. | :05:07. | |
It has depth. It is about men and women and town and country and | :05:08. | :05:10. | |
ancient and modern and magic and science. But it never feels like it | :05:11. | :05:16. | |
is doing anything that is hard work. It is enjoyable. It rips along. | :05:17. | :05:20. | |
Ravishing to look at. Terrifically good fun. I would advise anybody to | :05:21. | :05:25. | |
go and check it out. It is an old Aesop fable, isn't it? Town and the | :05:26. | :05:30. | |
country mouse. There is a 12th century Japanese story, the body | :05:31. | :05:36. | |
swap story, the gender swap story is something which happens to rout | :05:37. | :05:39. | |
cinema. But I think this is doing something new. It looked beautiful. | :05:40. | :05:46. | |
Indignation? Another Philip Roth. Last week we hand American Pastoral. | :05:47. | :06:03. | |
Logan Lerman is the Jewish New Jersey kid who goes to a university | :06:04. | :06:07. | |
in Ohio where he feels like a fish out of water. He is put into a dorm | :06:08. | :06:12. | |
with two the Jewish people and he feels he has been identified as | :06:13. | :06:15. | |
something but he doesn't want to be part of the Jewish fraternity. -- | :06:16. | :06:20. | |
two other Jewish people. He is called to the dean 's office to ask | :06:21. | :06:32. | |
what he in. Dates. Dates? Yes, I have. A feud, some, many? -- few. | :06:33. | :06:46. | |
One. Just one? I object to being interrogated like this. These are my | :06:47. | :06:52. | |
private affairs. As is my religious life, my social life and how I | :06:53. | :06:56. | |
conduct it. I've broken no laws. Of course nobody injury or harm. And | :06:57. | :07:01. | |
have no way my actions impinged on anybody's rights. If anybody's | :07:02. | :07:05. | |
rights have been impinged on, they are mine. Sit down and explain | :07:06. | :07:10. | |
yourself. I also object having to attend chapel 40 times before I | :07:11. | :07:14. | |
graduate. I don't see how the college has the right to force me to | :07:15. | :07:18. | |
listen to a clergyman, of whatever faith, even once. That is a great | :07:19. | :07:26. | |
scene. Quite long. However, the rest of the movie struggles to keep up. | :07:27. | :07:33. | |
The movie feels inert. Philip Roth returns to the same themes of | :07:34. | :07:38. | |
anxiety, anxiety about sex, anxiety about women, about identity, about | :07:39. | :07:45. | |
religion. You get a sense of, OK, we have gone over this. Although the | :07:46. | :07:50. | |
performances are very good it never feels particularly cinematic. | :07:51. | :07:56. | |
Although I think it is a solid adaptation. It is clearly made with | :07:57. | :08:00. | |
great affection. It isn't something which leaps off the screen at you. | :08:01. | :08:06. | |
Did you feel the same way? I liked some of the performances. I thought | :08:07. | :08:09. | |
that particular scene was great. His mother and girlfriend were great. | :08:10. | :08:16. | |
And the script is also in bits interesting. But the title | :08:17. | :08:19. | |
Indignation sums it up, slightly grumpy but not really angry. That's | :08:20. | :08:25. | |
right. Slightly put out. Uncomfortable. Miffed. Solid but | :08:26. | :08:33. | |
nothing to write home about. Arrival? Amy Adams stars in the | :08:34. | :08:40. | |
science-fiction film. The story by Ted Chiang. Whatever one thinks | :08:41. | :08:43. | |
about the events happening in the world a film like Arrival will | :08:44. | :08:48. | |
suggest that perhaps we can take a positive look at everything. | :08:49. | :08:52. | |
Honestly, it is one of those films you will feel better after seeing, | :08:53. | :08:58. | |
Arrival. Your DVD choice is Napoleon. Fresh out of 1927. This is | :08:59. | :09:07. | |
the BFI Blu-ray release. It is five and a bit hours. It is a restoration | :09:08. | :09:11. | |
overseen by Kevin Brownlow. They've taken elements from a number of | :09:12. | :09:17. | |
different sources. It is a cleaned up digital copy which they have | :09:18. | :09:21. | |
tinted digitally. It is pretty much the definitive version. It is an | :09:22. | :09:27. | |
extraordinary piece of work. This is the way to see it. I think the BFI | :09:28. | :09:32. | |
have worked on this for decades, something like five decades. Kevin | :09:33. | :09:37. | |
Brown has been in love with this movie for as long as anyone can | :09:38. | :09:41. | |
remember. It is lovely to see a film given such care and attention, | :09:42. | :09:45. | |
presented to the public, and all these years later it is as urgent | :09:46. | :09:49. | |
and as fresh and as vibrant as it always was. And it is the complete | :09:50. | :09:56. | |
works. And if you have not been to the BFI before, it is near Waterloo. | :09:57. | :10:01. | |
Very good. I am working on it. People will want to watch this at | :10:02. | :10:05. | |
home, if they don't have five hours to go out for it. I'm fascinated by | :10:06. | :10:11. | |
this labour of love. Entire organisations have spent decades | :10:12. | :10:17. | |
doing it. It has been genuinely put together with the kind of care and | :10:18. | :10:21. | |
attention you want by enthusiast who wants you to see this film in the | :10:22. | :10:26. | |
best possible condition. That's what organisations like the BFI are for. | :10:27. | :10:30. | |
I would agree with you wholeheartedly. Absolutely. On that | :10:31. | :10:33. | |
happy note. A quick reminder before we go that | :10:34. | :10:34. | |
you'll find more film news and reviews from across the BBC | :10:35. | :10:42. | |
online at bbc.co.uk/markkermode, plus catch up with our latest | :10:43. | :10:44. | |
programmes on the BBC iplayer. That is it for this week. Enjoy the | :10:45. | :10:47. | |
movies. Goodbye. It has been another cold day with | :10:48. | :11:05. | |
blustery showers coming into the North and west in particular. Some | :11:06. | :11:10. | |
showers have been falling as sleet and snow. Here | :11:11. | :11:11. |