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Indy 500. And we will hear from Katie Archbold who has won Britain's | :00:00. | :00:00. | |
first gold at the world track cycling Championships. Now on BBC | :00:00. | :00:00. | |
music is time for the Film Review. Hello and welcome to the Film Review | :00:00. | :00:27. | |
on BBC News. To take us through this week's cinema releases is James | :00:28. | :00:32. | |
King. What do we have this week? First up, fast cars and tight | :00:33. | :00:36. | |
T-shirts. It is the return of Vin Diesel in the fast and the theory of | :00:37. | :00:43. | |
eight. From the ridiculous to the sublime, Count The Handmaiden. And | :00:44. | :01:00. | |
The Sense Of An Ending. So fast and theory of eight. Have you seen the | :01:01. | :01:08. | |
others? A couple. This is such a huge franchise, this one will be | :01:09. | :01:12. | |
huge. The interesting thing about the franchise is where they go with | :01:13. | :01:17. | |
it. They have to give audiences what they want which is generally | :01:18. | :01:22. | |
speaking the big action scenes which the car chases. This time round, Vin | :01:23. | :01:28. | |
Diesel who plays the lead character has gone rogue. He has gone to the | :01:29. | :01:34. | |
dark side. He is linked up with a superb criminal called Cypher played | :01:35. | :01:41. | |
by Charlize Theron. He is playing the bad guy again. We have a clip of | :01:42. | :01:45. | |
them. This is what Vin Diesel does for most of the movie which has | :01:46. | :01:52. | |
looked puzzled. Here he is. Let me ask you something, Dom, what is the | :01:53. | :01:59. | |
best thing in life? Family. No, it is not. Not if you are being honest. | :02:00. | :02:03. | |
It is the ten seconds between start and finish when you're not thinking | :02:04. | :02:08. | |
about anything, no family, no obligations, just you, being free. I | :02:09. | :02:19. | |
got to tell you, this whole saving the world Robin Hood nonsense you | :02:20. | :02:22. | |
have been doing recently, it is not you. Be who you are. Why live only a | :02:23. | :02:35. | |
quarter of a mile at a time when you can live your whole life that way. I | :02:36. | :02:41. | |
think we get a sense there. I'm just looking at the cast list, Helen | :02:42. | :02:47. | |
Mirren? Helen Mirren playing Jason Statham's mum, who would have | :02:48. | :02:50. | |
thought it? She is actually funny in it. It is a deliberately over the | :02:51. | :02:55. | |
top cockney sparrow performance from her. Jason Statham provides the best | :02:56. | :02:59. | |
moment of the film. It is a scene where he is fighting the bad | :03:00. | :03:24. | |
guys on a plane, at the same time as trying to save a baby in a carrying | :03:25. | :03:29. | |
cot, so he has two punch people on second and the next second look | :03:30. | :03:32. | |
after the baby. It is like something Jackie Chan would have done. It is | :03:33. | :03:34. | |
an entertaining scene in the movie. A lot of it is car chases. That is | :03:35. | :03:37. | |
fine, that is what people want. Is it doing anything different to the | :03:38. | :03:40. | |
other ones? I am not sure. It is a formula and it is sticking closely | :03:41. | :03:43. | |
to it. What will number nine look like? I hope it will shock us. I | :03:44. | :03:46. | |
hope it will take more risks. I enjoyed number eight, it did a good | :03:47. | :03:49. | |
job but it was occasionally treading water and I wanted more surprises. | :03:50. | :03:52. | |
Although this one will be massive, I hope the next one will take more | :03:53. | :03:56. | |
risks. Let's talk about handmaiden. This is a film you really like? This | :03:57. | :04:10. | |
is great. It is inspired by the book Fingersmith by Sarah Walters. It is | :04:11. | :04:14. | |
erected by Park Chan-wook who is South Korea's most respected film | :04:15. | :04:20. | |
director. He has moved the action from Victorian England to 1930s | :04:21. | :04:24. | |
occupied Korea. But the story is generally the same. A young girl | :04:25. | :04:27. | |
from a criminal background goes to work for the Lady of the manner that | :04:28. | :04:33. | |
she is actually there to swindle her out of her fortune. Unlike the book, | :04:34. | :04:38. | |
it really relishes the power of storytelling, in other words, it is | :04:39. | :04:41. | |
the twists and the turns, it is the horror, the comedy, the romance, it | :04:42. | :04:47. | |
throws everything into the mix and does it in a really luxurious and | :04:48. | :04:52. | |
lush way. I want to call it a romp but that sounds throwaway but it is | :04:53. | :04:58. | |
not. It is a costume drama? A costume drama but heartfelt. | :04:59. | :05:01. | |
Although it is fun to watch because there is so much going on, it is | :05:02. | :05:05. | |
intelligent and heartfelt and tender. Ultimately, it is a romance. | :05:06. | :05:10. | |
It is a beautiful, tender love story. Absolutely beautiful to | :05:11. | :05:13. | |
watch, highly recommended. And a major twist? At least one. I | :05:14. | :05:35. | |
had read the book so I knew the twist. The end of The Handmaiden, | :05:36. | :05:37. | |
the movie was different to Fingersmith. It will still a joy to | :05:38. | :05:40. | |
watch. Let's move on to The Sense Of An Ending. This was from the book by | :05:41. | :05:43. | |
Julian Barnes which won the Booker prize. This is about Tony who is | :05:44. | :05:49. | |
semi retired and works in a camera shop. Out of the blue he gets a | :05:50. | :05:52. | |
letter saying the mother of his ex-girlfriend from when he was a | :05:53. | :05:58. | |
teenager has died and he has been left something in her will. This | :05:59. | :06:02. | |
gets him reminiscing and looking back to when he was at college. In | :06:03. | :06:06. | |
the present day, that ex-girlfriend is played by Charlotte Rampling so | :06:07. | :06:13. | |
here is Jim and Charlotte getting to know each other again. Let's take a | :06:14. | :06:19. | |
look. Are you married, I take it? Not married. Never? Mysterious to a | :06:20. | :06:28. | |
fault. I'm divorced, in case you were wondering. I wasn't but I am | :06:29. | :06:32. | |
sorry to hear that. On the contrary, very happily so. The best decision | :06:33. | :06:38. | |
we ever undertook. In fact, she recently accused me of having built | :06:39. | :06:46. | |
a shrine to you, no less. A shop, when I told her it was you who gave | :06:47. | :06:52. | |
me my first like. And what did you say? A remarkable cast. The only | :06:53. | :06:58. | |
criticism I have read about The Sense Of An Ending is a criticism of | :06:59. | :07:04. | |
the ending! It is certainly a story that deals with quite subtle and | :07:05. | :07:10. | |
nuanced arguments about memory and the past and subjectivity, so in a | :07:11. | :07:14. | |
way it can never have a big punch of an ending. In a way, the ending had | :07:15. | :07:19. | |
to be slightly anti-climactic, because that is sort of what it is | :07:20. | :07:22. | |
about, but when you have performances like Jim Broadbent, | :07:23. | :07:25. | |
Charlotte Rampling who does Stern and mysterious better than anyone | :07:26. | :07:36. | |
else, when you have that calibre of performers in a movie, however | :07:37. | :07:38. | |
subtle and nuanced the story is, and it is slow, the more you are drawn | :07:39. | :07:42. | |
in. I liked that it dealt with quite abstract subjects. And it goes back | :07:43. | :07:46. | |
to the 60s? It takes awhile to get to know the story if you have not | :07:47. | :07:51. | |
read the book already, so it takes awhile to work where the penny will | :07:52. | :07:54. | |
drop but for me that as part of the joy of the film that you have to | :07:55. | :08:02. | |
work a bit to get into it. . And with Jim Broadbent and Charlotte | :08:03. | :08:04. | |
Rampling you will not go far wrong? He is more of a curmudgeonly in this | :08:05. | :08:12. | |
movie but he does it row well. Now, you have chosen Roar. Mark waxed | :08:13. | :08:20. | |
lyrical about this. It is an arthouse cannibal movie. He would be | :08:21. | :08:25. | |
upset if I did not mention it! I really liked it. It does have an | :08:26. | :08:30. | |
unwavering commitment to unsettling the audience. It is set in the | :08:31. | :08:35. | |
veterinary College about a teenage girl who discovers her taste for | :08:36. | :08:41. | |
flesh, taste for cannibalism, and it is genuinely creepy and weird. The | :08:42. | :08:46. | |
lighting, the music, the performances, it has this sort of | :08:47. | :08:49. | |
industrial brutalist backdrop and surreal moments, and it is not often | :08:50. | :08:54. | |
with horror films you can say I just haven't seen anything like it | :08:55. | :08:58. | |
before, and it genuinely disturbed me. But Raw did that and did it in a | :08:59. | :09:04. | |
beautiful way. It is an elegant full. She starts as a vegetarian! | :09:05. | :09:09. | |
His darts as a vegetarian but things happen at college which make her | :09:10. | :09:14. | |
realise she is perhaps not quite as vegetarian as she thought. -- she | :09:15. | :09:26. | |
starts as a vegetarian. On the squeamish is Gail, it sounds like | :09:27. | :09:29. | |
something, where would you pitch it in taste? It is squeamish because it | :09:30. | :09:32. | |
is beautifully done. Because of the elegance that makes it more | :09:33. | :09:35. | |
horrific. Sometimes if it is straight out blood and guts stroke | :09:36. | :09:38. | |
movie it is so in your face and there is nothing to it. When it is | :09:39. | :09:42. | |
more subtle, that is actually creepier. Let's move on, please! | :09:43. | :09:54. | |
Let's move onto DVD. This is Sully, the pilot who managed to land his | :09:55. | :09:58. | |
plane on the Hudson River. It is directed by Clint Eastwood. It was | :09:59. | :10:05. | |
raved about at the time. Although you expect it to be about the crash | :10:06. | :10:11. | |
landing in 2009, it is in there, you see that, you experience that, but | :10:12. | :10:14. | |
it also shows you what happened before. It also shows you Sully | :10:15. | :10:21. | |
afterwards. It shows you the investigation which happened | :10:22. | :10:23. | |
afterwards. He has to prove that he did the right thing, that he is a | :10:24. | :10:30. | |
hero, and of course Tom Hanks can do the everyday down-to-earth | :10:31. | :10:33. | |
reasonable hero probably better than anyone else. So it is not perhaps | :10:34. | :10:40. | |
the movie you would expect that that makes it all the better, because it | :10:41. | :10:45. | |
does delve a lot deeper. And it is that quiet unfussy... Unfussy is the | :10:46. | :10:50. | |
word for it. Clint Eastwood does that very well. He brings movies in | :10:51. | :10:55. | |
on budget and on time. He does it intelligently and you see all of | :10:56. | :11:01. | |
that in this movie. James, always a pleasure. James King there. That is | :11:02. | :11:06. | |
it for this week, thanks for watching. | :11:07. | :11:07. |