Fast & Furious 8, The Handmaiden, The Sense of an Ending The Film Review


Fast & Furious 8, The Handmaiden, The Sense of an Ending

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Indy 500. And we will hear from Katie Archbold who has won Britain's

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first gold at the world track cycling Championships. Now on BBC

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music is time for the Film Review. Hello and welcome to the Film Review

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on BBC News. To take us through this week's cinema releases is James

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King. What do we have this week? First up, fast cars and tight

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T-shirts. It is the return of Vin Diesel in the fast and the theory of

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eight. From the ridiculous to the sublime, Count The Handmaiden. And

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The Sense Of An Ending. So fast and theory of eight. Have you seen the

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others? A couple. This is such a huge franchise, this one will be

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huge. The interesting thing about the franchise is where they go with

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it. They have to give audiences what they want which is generally

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speaking the big action scenes which the car chases. This time round, Vin

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Diesel who plays the lead character has gone rogue. He has gone to the

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dark side. He is linked up with a superb criminal called Cypher played

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by Charlize Theron. He is playing the bad guy again. We have a clip of

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them. This is what Vin Diesel does for most of the movie which has

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looked puzzled. Here he is. Let me ask you something, Dom, what is the

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best thing in life? Family. No, it is not. Not if you are being honest.

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It is the ten seconds between start and finish when you're not thinking

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about anything, no family, no obligations, just you, being free. I

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got to tell you, this whole saving the world Robin Hood nonsense you

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have been doing recently, it is not you. Be who you are. Why live only a

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quarter of a mile at a time when you can live your whole life that way. I

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think we get a sense there. I'm just looking at the cast list, Helen

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Mirren? Helen Mirren playing Jason Statham's mum, who would have

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thought it? She is actually funny in it. It is a deliberately over the

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top cockney sparrow performance from her. Jason Statham provides the best

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moment of the film. It is a scene where he is fighting the bad

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guys on a plane, at the same time as trying to save a baby in a carrying

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cot, so he has two punch people on second and the next second look

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after the baby. It is like something Jackie Chan would have done. It is

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an entertaining scene in the movie. A lot of it is car chases. That is

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fine, that is what people want. Is it doing anything different to the

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other ones? I am not sure. It is a formula and it is sticking closely

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to it. What will number nine look like? I hope it will shock us. I

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hope it will take more risks. I enjoyed number eight, it did a good

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job but it was occasionally treading water and I wanted more surprises.

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Although this one will be massive, I hope the next one will take more

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risks. Let's talk about handmaiden. This is a film you really like? This

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is great. It is inspired by the book Fingersmith by Sarah Walters. It is

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erected by Park Chan-wook who is South Korea's most respected film

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director. He has moved the action from Victorian England to 1930s

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occupied Korea. But the story is generally the same. A young girl

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from a criminal background goes to work for the Lady of the manner that

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she is actually there to swindle her out of her fortune. Unlike the book,

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it really relishes the power of storytelling, in other words, it is

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the twists and the turns, it is the horror, the comedy, the romance, it

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throws everything into the mix and does it in a really luxurious and

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lush way. I want to call it a romp but that sounds throwaway but it is

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not. It is a costume drama? A costume drama but heartfelt.

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Although it is fun to watch because there is so much going on, it is

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intelligent and heartfelt and tender. Ultimately, it is a romance.

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It is a beautiful, tender love story. Absolutely beautiful to

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watch, highly recommended. And a major twist? At least one. I

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had read the book so I knew the twist. The end of The Handmaiden,

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the movie was different to Fingersmith. It will still a joy to

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watch. Let's move on to The Sense Of An Ending. This was from the book by

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Julian Barnes which won the Booker prize. This is about Tony who is

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semi retired and works in a camera shop. Out of the blue he gets a

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letter saying the mother of his ex-girlfriend from when he was a

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teenager has died and he has been left something in her will. This

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gets him reminiscing and looking back to when he was at college. In

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the present day, that ex-girlfriend is played by Charlotte Rampling so

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here is Jim and Charlotte getting to know each other again. Let's take a

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look. Are you married, I take it? Not married. Never? Mysterious to a

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fault. I'm divorced, in case you were wondering. I wasn't but I am

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sorry to hear that. On the contrary, very happily so. The best decision

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we ever undertook. In fact, she recently accused me of having built

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a shrine to you, no less. A shop, when I told her it was you who gave

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me my first like. And what did you say? A remarkable cast. The only

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criticism I have read about The Sense Of An Ending is a criticism of

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the ending! It is certainly a story that deals with quite subtle and

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nuanced arguments about memory and the past and subjectivity, so in a

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way it can never have a big punch of an ending. In a way, the ending had

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to be slightly anti-climactic, because that is sort of what it is

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about, but when you have performances like Jim Broadbent,

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Charlotte Rampling who does Stern and mysterious better than anyone

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else, when you have that calibre of performers in a movie, however

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subtle and nuanced the story is, and it is slow, the more you are drawn

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in. I liked that it dealt with quite abstract subjects. And it goes back

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to the 60s? It takes awhile to get to know the story if you have not

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read the book already, so it takes awhile to work where the penny will

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drop but for me that as part of the joy of the film that you have to

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work a bit to get into it. . And with Jim Broadbent and Charlotte

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Rampling you will not go far wrong? He is more of a curmudgeonly in this

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movie but he does it row well. Now, you have chosen Roar. Mark waxed

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lyrical about this. It is an arthouse cannibal movie. He would be

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upset if I did not mention it! I really liked it. It does have an

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unwavering commitment to unsettling the audience. It is set in the

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veterinary College about a teenage girl who discovers her taste for

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flesh, taste for cannibalism, and it is genuinely creepy and weird. The

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lighting, the music, the performances, it has this sort of

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industrial brutalist backdrop and surreal moments, and it is not often

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with horror films you can say I just haven't seen anything like it

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before, and it genuinely disturbed me. But Raw did that and did it in a

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beautiful way. It is an elegant full. She starts as a vegetarian!

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His darts as a vegetarian but things happen at college which make her

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realise she is perhaps not quite as vegetarian as she thought. -- she

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starts as a vegetarian. On the squeamish is Gail, it sounds like

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something, where would you pitch it in taste? It is squeamish because it

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is beautifully done. Because of the elegance that makes it more

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horrific. Sometimes if it is straight out blood and guts stroke

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movie it is so in your face and there is nothing to it. When it is

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more subtle, that is actually creepier. Let's move on, please!

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Let's move onto DVD. This is Sully, the pilot who managed to land his

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plane on the Hudson River. It is directed by Clint Eastwood. It was

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raved about at the time. Although you expect it to be about the crash

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landing in 2009, it is in there, you see that, you experience that, but

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it also shows you what happened before. It also shows you Sully

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afterwards. It shows you the investigation which happened

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afterwards. He has to prove that he did the right thing, that he is a

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hero, and of course Tom Hanks can do the everyday down-to-earth

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reasonable hero probably better than anyone else. So it is not perhaps

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the movie you would expect that that makes it all the better, because it

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does delve a lot deeper. And it is that quiet unfussy... Unfussy is the

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word for it. Clint Eastwood does that very well. He brings movies in

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on budget and on time. He does it intelligently and you see all of

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that in this movie. James, always a pleasure. James King there. That is

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it for this week, thanks for watching.

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