Browse content similar to Tomb Raider, The Square, Mary Magdalene. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
That's all coming up
in Six Nations Sportsday at 6:30pm | 0:00:00 | 0:00:00 | |
with me, Olly Foster. | 0:00:00 | 0:00:01 | |
But now on BBC News,
it's time for The Film Review. | 0:00:01 | 0:00:06 | |
Hello, and welcome to
The Film Review on BBC News. | 0:00:20 | 0:00:23 | |
To take us through this week's
cinema releases is Jason Solomons. | 0:00:23 | 0:00:31 | |
Good to see you, Jason. What have
you been watching? This week, we | 0:00:31 | 0:00:35 | |
will go to raiding, and cliffhanging
with the new Lara Croft in Tomb | 0:00:35 | 0:00:41 | |
Raider. Look at the meaning of art
and find our inner ape in Swedish | 0:00:41 | 0:00:47 | |
satire The Square. And we dip into
biblical times for the real story of | 0:00:47 | 0:00:52 | |
Mary Magdalen, as played out Rooney
Mara opposite Joaquin Phoenix as | 0:00:52 | 0:00:56 | |
Jesus. What a mixture! Tomb Raider
is back. Did they need to remake | 0:00:56 | 0:01:05 | |
this? Well, it wasn't very good the
first time! Often they do remakes of | 0:01:05 | 0:01:11 | |
things that are really good and you
think, why have they ruined it? That | 0:01:11 | 0:01:14 | |
they may be trying to get this
right, because Lara Croft has dated | 0:01:14 | 0:01:20 | |
terribly, the effects are bad and it
was never quite right. Tomb Raider | 0:01:20 | 0:01:24 | |
was sort of a teenage fever dream
for many boys who used to play that | 0:01:24 | 0:01:28 | |
has a game when it was early
computer games, and they've now | 0:01:28 | 0:01:32 | |
changed the whole figure of Lara
Croft for this new actress, who I | 0:01:32 | 0:01:36 | |
happen to think is fantastic, she's
beautiful, gorgeous, that she has | 0:01:36 | 0:01:40 | |
got this strength to her and let it
race which she needs, because she | 0:01:40 | 0:01:45 | |
has done a lot of running in this
movie. She is slumming it in | 0:01:45 | 0:01:49 | |
Shoreditch when we doing this, but
then we find out she is the daughter | 0:01:49 | 0:01:55 | |
of a billionaire, who is played in a
flashback. She has to go and sign | 0:01:55 | 0:02:01 | |
the papers which means that she will
inherit his fortune. That was | 0:02:01 | 0:02:11 | |
that's? Yes, Miss Croft. According
to his will, I was supposed to give | 0:02:11 | 0:02:17 | |
it to you. And technically speaking,
you are meant to sign the papers | 0:02:17 | 0:02:23 | |
first. I could never understand your
father's obsession with those | 0:02:23 | 0:02:30 | |
things. I can't believe how many of
those were lying around the house, | 0:02:30 | 0:02:35 | |
there's got to be some purpose to
it. | 0:02:35 | 0:02:39 | |
The first letter from my final
destination. But he didn't leave a | 0:03:03 | 0:03:07 | |
letter. | 0:03:07 | 0:03:08 | |
Well, they've got all the great
British act is in there as well, | 0:03:11 | 0:03:15 | |
they've lined them all up! They are
only in it for a bit, I have to say, | 0:03:15 | 0:03:20 | |
for the money, I think! She goes off
on her quest, this is a quest movie, | 0:03:20 | 0:03:25 | |
she goes hunting with clues that her
father has left her, these riddles, | 0:03:25 | 0:03:29 | |
which you might start of solving
them yourself in your head, but | 0:03:29 | 0:03:33 | |
don't bother, because they don't
make in a sense, really! It's just | 0:03:33 | 0:03:36 | |
another level of the game that she
goes to. She goes to Hong Kong, and | 0:03:36 | 0:03:40 | |
then she is pursued, which is all
very good, then she has to go to a | 0:03:40 | 0:03:46 | |
remote Japanese island on a ship,
and survived a storm, going down a | 0:03:46 | 0:03:51 | |
waterfall and solving another
puzzle. She does a lot of jumping | 0:03:51 | 0:03:54 | |
and then she does a lot of dangling.
LAUGHTER | 0:03:54 | 0:04:00 | |
You know, it's a bit grip on factor!
-- krypton factor. Considering the | 0:04:00 | 0:04:08 | |
indignities heaped upon her and
ridiculous scenario is thrown at | 0:04:08 | 0:04:13 | |
her, I was mesmerised by how
brilliant she is at this. She brings | 0:04:13 | 0:04:16 | |
a politics strength to it. She's got
great apps, fantastic skills with a | 0:04:16 | 0:04:21 | |
bow and arrow when she's far, far
better than the film she is in. I | 0:04:21 | 0:04:25 | |
wondered whether you were getting to
that. She is great, but is it worth | 0:04:25 | 0:04:29 | |
seeing apart from her? It's very
kinetic, the best I can say for it | 0:04:29 | 0:04:35 | |
is it keeps hurling staff at Paul
Alicia Vikander. But the climatic | 0:04:35 | 0:04:42 | |
Tomb Raider is almost laughable, it
looks like something that you get on | 0:04:42 | 0:04:46 | |
the back of the cereal packet! Is
that what this has all been about | 0:04:46 | 0:04:52 | |
with Lexmark maybe there will be
more Tomb Raiders and maybe they | 0:04:52 | 0:04:56 | |
will get them better! They will keep
trying. I'm loving the sound of the | 0:04:56 | 0:04:59 | |
next one, it sounds intriguing. It
won the Palm d'Or at Cannes and has | 0:04:59 | 0:05:04 | |
taken a year to get here but it was
nominated as best foreign-language | 0:05:04 | 0:05:09 | |
film at the Bass does. -- at the
Baftas, much of it was not in | 0:05:09 | 0:05:17 | |
Swedish. Elisabeth Moss is in this.
It features one of the great scenes | 0:05:17 | 0:05:21 | |
of the year, which we are seeing
here. An American actor comes in as | 0:05:21 | 0:05:26 | |
an artist. It is an art world
satire, this is an art gallery | 0:05:26 | 0:05:31 | |
benefit dinner. He comes in to do a
performance piece but takes it far | 0:05:31 | 0:05:34 | |
too far. Here he is kind of goading
Dominic West. It's about finding our | 0:05:34 | 0:05:40 | |
in that year. It's a satire on the
art world. Alpha can be dated, | 0:05:40 | 0:05:44 | |
what's the point of art, is it
ridiculous? This is about modern | 0:05:44 | 0:05:48 | |
art. It's about the curator of this
gallery that we're seeing here. He | 0:05:48 | 0:05:54 | |
loses his mobile phone, and his life
completely falls apart and unravels. | 0:05:54 | 0:05:58 | |
It really is a sort of film
predicated on that. Is that in the | 0:05:58 | 0:06:03 | |
category of first world problems?!
It is very much about white male | 0:06:03 | 0:06:07 | |
privilege and what it is to be a man
in the privileged world. Like here | 0:06:07 | 0:06:11 | |
they are in their black ties, and he
is an artist. This scene goes on for | 0:06:11 | 0:06:16 | |
11 minutes and you can't stop
watching, it's extraordinary, but | 0:06:16 | 0:06:18 | |
you don't go how to react to it.
It's all about, what would you do in | 0:06:18 | 0:06:23 | |
that situation? It keeps throwing
moral quandary is accurate. It's | 0:06:23 | 0:06:26 | |
very funny, but also very
thought-provoking, perhaps a bit too | 0:06:26 | 0:06:33 | |
provoking, like the poking Dominic
West in the ear. You have been to | 0:06:33 | 0:06:40 | |
see Mary Magdalen as well. It is
Easter coming up, time for a Passion | 0:06:40 | 0:06:47 | |
story. This is reported to tell for
the first time the story of Mary | 0:06:47 | 0:06:51 | |
Magdalen, who has been cast as a
prostitute since Pope Gregory in 591 | 0:06:51 | 0:07:00 | |
declared that she was a prostitute,
which is apparently wrong, she | 0:07:00 | 0:07:04 | |
wasn't. This film aims to correct
that and show the Jesus story | 0:07:04 | 0:07:07 | |
through the eyes of the only female
disciple, Mary Magdalen, played by | 0:07:07 | 0:07:13 | |
Rooney Mara who leaves her fishing
village and follows the son of God. | 0:07:13 | 0:07:17 | |
Mary. | 0:07:26 | 0:07:31 | |
Each of you stand that the
threshold. Do you fear that you will | 0:07:38 | 0:07:42 | |
never reach the kingdom? Whose
kingdom? You know as only are you | 0:07:42 | 0:07:47 | |
do, there's only one true kingdom.
And that is God. And God's kingdom | 0:07:47 | 0:07:57 | |
has taken root. So we must prepare.
We must wash away the stains of your | 0:07:57 | 0:08:04 | |
corruption. And be born in you. --
born and new. Like children. I have | 0:08:04 | 0:08:14 | |
been hidden for too long. I'm not
sure what to say about that they! | 0:08:14 | 0:08:22 | |
You can see why her father would be
upset if she went to follow him, | 0:08:22 | 0:08:25 | |
this kind of hairy bloke who's
really boring! Whatever you think | 0:08:25 | 0:08:32 | |
about the Bible, there's no denying
it's got some great lines in it. Why | 0:08:32 | 0:08:36 | |
this film hasn't got any of them is
a mystery to me. It is | 0:08:36 | 0:08:39 | |
extraordinarily dull. Is it a long
couple of hours? Absolutely so dull | 0:08:39 | 0:08:44 | |
you would not believe it! It even
looks dull, it has got this Seppi | 0:08:44 | 0:08:51 | |
town tablecloth fashion with the
Stones everywhere in the desert. At | 0:08:51 | 0:08:54 | |
one stage it was the greatest story
ever told, when it was in Hollywood, | 0:08:54 | 0:08:59 | |
now it's just the most boring story
ever told. It's extraordinary what | 0:08:59 | 0:09:04 | |
it does, trying to rectify it and
make it a story for a new age, kind | 0:09:04 | 0:09:08 | |
of a story for everyone, it won't
offend Catholics, Christians, | 0:09:08 | 0:09:13 | |
Muslims or even atheists. Is it
trying to be too careful, is that | 0:09:13 | 0:09:17 | |
part of the problem? It is trying to
tiptoe over any heresy. People | 0:09:17 | 0:09:21 | |
boycotted modern course is off --
Martin Scorcese's full. Any film | 0:09:21 | 0:09:28 | |
that makes you cry for Mel Gibson
has got it wrong! It makes you think | 0:09:28 | 0:09:32 | |
of Monty Python all the time! There
are scenes when people are going, | 0:09:32 | 0:09:36 | |
Messiah, Messiah! You know what,
he's not the messiah might I do wish | 0:09:36 | 0:09:41 | |
you'd say what you really think,
Jason! So that's a long two hours | 0:09:41 | 0:09:46 | |
and will leave it at that! I don't
think this will make a lot of money | 0:09:46 | 0:09:50 | |
at the box office. I think faith
-based audiences will go and be | 0:09:50 | 0:09:53 | |
completely mystified as to what this
was about. It is a passion of the | 0:09:53 | 0:09:59 | |
Christ without any passion. What
should we be going to see? You've | 0:09:59 | 0:10:02 | |
got to see Black Panther, you've got
to see it now at the cinema, it is | 0:10:02 | 0:10:07 | |
becoming a cultural event, people
are seeing it for a five times, it | 0:10:07 | 0:10:11 | |
has broken records at the box
office, it is changing the way that | 0:10:11 | 0:10:15 | |
audiences are going, black audiences
are flocking to it, families are | 0:10:15 | 0:10:20 | |
enjoying the representation. It is a
great superhero movie, it's sexy, | 0:10:20 | 0:10:23 | |
it's it citing, it's funny, -- it's
exciting. People are hollering at it | 0:10:23 | 0:10:29 | |
in the cinema. If you haven't been
to a Marvel movie in the cinema, | 0:10:29 | 0:10:33 | |
this is the one to go and see. And
DVD of the week is also so lovely. I | 0:10:33 | 0:10:39 | |
will admit, I cried at Paddington 2!
But it's a delight, it's an absolute | 0:10:39 | 0:10:45 | |
sweet, delightful, charming,
sometimes silly but just lovely, | 0:10:45 | 0:10:52 | |
lovely, lovely. Beautifully done, he
is in his little outfits, wondering | 0:10:52 | 0:10:57 | |
around. Paddington End didn't win
best British film at the Baftas, | 0:10:57 | 0:11:02 | |
that went to three billboards. This
is one of the best British films | 0:11:02 | 0:11:07 | |
we've ever made. And how good is
Hugh Grant?! Is fantastic! Sally | 0:11:07 | 0:11:13 | |
Hawkins is great in it, the whole
Brown family, the whole look of it | 0:11:13 | 0:11:18 | |
is perfect, it's a work of genius,
Paddington 2, and when did you cry?! | 0:11:18 | 0:11:24 | |
I cried at the end! I'm not going to
give anything away for anyone who | 0:11:24 | 0:11:29 | |
hasn't been its. If you want a
marmalade sandwich, you can't have | 0:11:29 | 0:11:34 | |
one! It's very sweet, wonderful. A
mixed week but an interesting one. | 0:11:34 | 0:11:39 | |
Decent, good to see you, thank you.
That is it for this week. Enjoy your | 0:11:39 | 0:11:44 | |
cinema going android DVD watching.
It's terrific, honestly! Thanks for | 0:11:44 | 0:11:48 | |
being with us, goodbye. -- and your
DVD watching. | 0:11:48 | 0:11:53 |