Wild River, Insyriated and It The Film Review


Wild River, Insyriated and It

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Indies. All that and much more in Sportsday at 6. 30pm. Now though on

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BBC News, it's time for the Film review.

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Hello and welcome to the Film Review on BBC News. To take us through this

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week's releases, welcome back, Mark. What have you watched in the last

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few weeks? Very interesting. We have Wind River. We have Insiriated, a

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tough and tense drama, set in Damascus. And It, Stephen King's

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classic comes to the big screen. It may be a classic. We'll talk

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about that later. You're such a horror fan! Let's start with Wind

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River. I watched the trailer for this in awe when I saw Detroit. Even

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the trailer is visually stunning. But so stark. Yeah, written and

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directed by Taylor Sheridan, saying it's the conclusion of a trilogy

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about the American frontier. It's set in Wyoming on a Native American

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reservation. There's the death a young women at the start, which

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brings together two characters. One is the hunter, tracker, who is

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dealing with his own issues of grief and guilt. The other is an FBI agent

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who is basically - she's in Vegas beforehand - she arrives completely

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unprepared, a total outsider, not even the right clones for the job.

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Immediately everybody thinks what's she doing here. Here's a clip. I'm

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June Banner. Are you by yourself? Yeah, just me. I'm the tribal police

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chief. That's Cory Lambert. He found the body. This is his father-in-law,

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Dan. We got the same job hey. I'm sorry to meet under these

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circumstances. Do you want to show me the body? I don't mean to be

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rude, I'm just freezing my as off here. The quicker the better. That's

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going to get a lot worse if you go out there dressed like that. The

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body is five miles in snow mobile. I got the call and this is what I've

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got. At the beginning there's hostility towards her character.

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She's tenacious. In order to pursue the case she needs a tracker on

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board. You saw from that clip how much of it is to do with the

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environment, to do with the landscape. You said watching a

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trailer made you feel - I was cold by the end of the trailer! It was

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extraordinary. Whoa, I thought, this is going to be bleak. That

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chilliness goes all the way through the drama. Actually, though it is a

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murder mystery investigation with a sort of lib rainth plot, it's about

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this land, about people being forced to live in a land never meant for

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anyone to live in it, about the hardship, the difficulty of that

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life, about the community and what I like about the film is it's very

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sympathetic towards its characters. It's all to do with placing and

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setting. That Wyoming back drop is brutal. Jeremy Rhoner is well cast.

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He tends to underplay emotions. A lot is done by saying and doing

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little. She comes along and has to prove her way and prove that she's

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worthy of this case. During the course of the film, you really come

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to see her character understand the bleakness of this landscape, the

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difficulties of the people who live here face. So I think it's a very,

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very solid, very gripping drama. Bizarrely, when you consider that it

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is narratively a murder mystery thriller it's much more about

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environment. It's about place. It's about those people. It's about the

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plight of the indigenous people. Your second choice now. This is a

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drama not a documentary. It's absolutely a drama. Set in Damascus.

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There's an apartment block where a family and others in the block are

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trapped inside by sniper fire and helicopters and gunfire outside.

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What happens is that there is a character who is the matriarch, who

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is brilliant, who is controlling looking after everybody in the

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apartment block. There is a young couple, who have a young baby, who

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are planning to leave. They're going to make the getaway at nighttime.

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But then what happens is tragedy strikes. There is an air of

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deception that surrounds the tragedy because the central character

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doesn't tell what she knows. Somehow through this deception it's as if

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the outside conflict comes in. Then you have a series of characters

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trapped within this really hellish environment in which there is a lie

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that they are dealing with. There is a knock at the door, it turns into

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something approaching a home invasion movie and it becomes very

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claustrophobic. Filmed with very tight hand held cameras following

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you around the apartment. You feel the space. At times, although it's a

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completely different setting, it reminded me of under the shadow,

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another story about conflict outside and a mother and a daughter dealing

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with the - there's a shell that's come through the roof, but it's a

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ghost story. In many ways this is a story about there being a ghost in

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this house. It's tough. There is a central sequence which is very hard

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to watch. Though it was very well filmed, not exploit Tivoli filmed.

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Occasionally it drifts into melodrama. It's a tough film in

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which you believe in the characters and in the battles between them and

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the stress that's they're under. You really do feel this oppressive

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environment that they're living under. All right. Now, the third

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choice I don't know why I'm laughing. Because you are right to

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laugh. Because you're back from your summer holidays, you thought, I know

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I'll give Jane one that she will not like at all because it's not my

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thing. I think you will do. This is It. I love your optimism! It's an

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adaptation of a Stephen King door stopper novel, which has been done,

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there's a very famous TV version with Tim Curry as penny wise the

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dancing clown, so the story is basically, a group of kids living in

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a town, who are all haunted by visions that seem to tap into their

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deepest fears. Somehow there's a central character, It, who seems to

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be feeding upon their fears. It starts with a sequence which has

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become iconic in which young Georgie meets Penny Wise. Here's a clip. No!

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Ah! Hiya Georgie. What a nice boat. Do you want it back? Erm...... Yes

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please. You look like a nice boy. Do you want a balloon too Georgie? I'm

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not supposed to take stuff from strangers. Oh, well I'm Penny Wise,

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the dancing clown. Now we aren't strangers, are we? How are you

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feeling? This has provoked so much debate in the newsroom today. I am

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the only person surrounded in a sea of people who had no desire to go

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any further than that scene. Here's the thing, yes, it's a horror story,

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there is a strong horror element, but it's a coming of age drama about

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a group of kids called the losers, who gang together to try and find

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this midgical evil to try and unravel the curse happening time and

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again to the town. The films that it refers to are poltergeist, the

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goonies, there's nods to ET, there's a touch of stand by me in there. It

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is a film which works because the director cares about the young

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characters. He cares about the misfits, the outsiders. You come to

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care about them too. Yes, it is, there are, moments of fear, moments

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of shock, jumps. Anybody who finds clowns fundamentally creepy is going

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to be very impressed by the performance. He does a good job of

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filling Tim curry's clown shoes. But it's an adventure. I mean it's a

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horror inflected adventure, but it is an adventure. This is the early

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years of the novel. There's a section of the grown up years, this

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is chapter one. There's going to be a second one. There is. This owes a

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debt to nightmare on elm street. At one point the kids go past a cinema

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showing that. There's a score that goes from lush orchestral adventure

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music to nursery rime chimes, the strange, twisted... You're not

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buying this. It's a romp. It's really enjoyable. It's really good

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fun and it's scary when it needs to be. Personally I would have liked it

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to be more scary. I still remember the first time I saw Penny Wise the

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clown, you get those moments, but I really liked it. What was best about

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it was how affectate it is for the source material. I think fans will

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really go for. It Let's talk about the wonderful Bill Nighy. Yes, Lime

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house Golem is trifric. It's set in 1880s London. A killer is stalking

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the streets. His detective is sent to investigate it. They know it's an

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unsolvable case and they want him to take the fall. The film is about

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theatre, the theatre of murder, the theatre of death and real life. So

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on the one hand, half of it takes place on stage, musical, half of it

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takes place in the morgue and out on these misty streets. A lot of hammer

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in the way in which it's lit, the way in which it's ghoulish. Very

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visual. Musical. Yes, and funny enough people haven't quite

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appreciated enough what a good looking film it is. It's brilliantly

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written by Jane Goldman, who adapted the novel. It's a complicated novel

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to put on screen. I really liked it. Danny mayes was wonderful. I think

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you'll enjoy. It it is gorery. It is gorier than It. There is Gothic gore

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in there. You see, there's a line between that and being scared out of

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your wits. Actually, here's what you should do, see both of them and then

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tell me which you enjoyed the most. Good plan Mark, back-to-back, with a

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bottle of gin to get me through it! I shouldn't advocate that, this

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might be on in the morning. We'll edit that bit, right. Let's talk

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about the DVD. Yeah, actually Blu-ray, shock treatment has come to

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Blu-ray. Shock Treatment is the sequel to rocky horror. It was

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described as an equal, not prequel or sequel. It's a mess, no question

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about it. The creator said it's a mess because it started as one thing

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and turned out as another. What's really interesting is it's becoming

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incredibly pressient. It's about a world taken over by reality

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television. It's about people thinking they can solve everyone by

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becoming part of a game show. The songs and dance routines are

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fabulous. When it came out, I thought this is a mess but I'm

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enjoying it. This is a mess but it's nightmarishly profetic and I really

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like it. Lovely to see you back... Just about. Nice to see you. See you

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next week. You'll find all our film news and reviews from across the BBC

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online. Find all the previous programmes on

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the BBCi player. That is it for this week. Whatever you're brave enough

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to see, I hope you enjoy it. Soft drinks are available! Thanks very

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much for watching. Have a great week, bye-bye.

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Good evening. If you're off to the cinema this weekend, it might be a

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dash from the bus or from the car as you said in there, because there'll

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