
Browse content similar to Wild River, Insyriated and It. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Indies. All that and much more in Sportsday at 6. 30pm. Now though on | :00:00. | :00:00. | |
BBC News, it's time for the Film review. | :00:00. | :00:19. | |
Hello and welcome to the Film Review on BBC News. To take us through this | :00:20. | :00:28. | |
week's releases, welcome back, Mark. What have you watched in the last | :00:29. | :00:37. | |
few weeks? Very interesting. We have Wind River. We have Insiriated, a | :00:38. | :00:43. | |
tough and tense drama, set in Damascus. And It, Stephen King's | :00:44. | :00:50. | |
classic comes to the big screen. It may be a classic. We'll talk | :00:51. | :00:54. | |
about that later. You're such a horror fan! Let's start with Wind | :00:55. | :00:58. | |
River. I watched the trailer for this in awe when I saw Detroit. Even | :00:59. | :01:03. | |
the trailer is visually stunning. But so stark. Yeah, written and | :01:04. | :01:10. | |
directed by Taylor Sheridan, saying it's the conclusion of a trilogy | :01:11. | :01:14. | |
about the American frontier. It's set in Wyoming on a Native American | :01:15. | :01:18. | |
reservation. There's the death a young women at the start, which | :01:19. | :01:22. | |
brings together two characters. One is the hunter, tracker, who is | :01:23. | :01:26. | |
dealing with his own issues of grief and guilt. The other is an FBI agent | :01:27. | :01:34. | |
who is basically - she's in Vegas beforehand - she arrives completely | :01:35. | :01:38. | |
unprepared, a total outsider, not even the right clones for the job. | :01:39. | :01:42. | |
Immediately everybody thinks what's she doing here. Here's a clip. I'm | :01:43. | :01:55. | |
June Banner. Are you by yourself? Yeah, just me. I'm the tribal police | :01:56. | :02:04. | |
chief. That's Cory Lambert. He found the body. This is his father-in-law, | :02:05. | :02:14. | |
Dan. We got the same job hey. I'm sorry to meet under these | :02:15. | :02:16. | |
circumstances. Do you want to show me the body? I don't mean to be | :02:17. | :02:22. | |
rude, I'm just freezing my as off here. The quicker the better. That's | :02:23. | :02:27. | |
going to get a lot worse if you go out there dressed like that. The | :02:28. | :02:35. | |
body is five miles in snow mobile. I got the call and this is what I've | :02:36. | :02:39. | |
got. At the beginning there's hostility towards her character. | :02:40. | :02:42. | |
She's tenacious. In order to pursue the case she needs a tracker on | :02:43. | :02:47. | |
board. You saw from that clip how much of it is to do with the | :02:48. | :02:49. | |
environment, to do with the landscape. You said watching a | :02:50. | :02:52. | |
trailer made you feel - I was cold by the end of the trailer! It was | :02:53. | :02:57. | |
extraordinary. Whoa, I thought, this is going to be bleak. That | :02:58. | :03:00. | |
chilliness goes all the way through the drama. Actually, though it is a | :03:01. | :03:05. | |
murder mystery investigation with a sort of lib rainth plot, it's about | :03:06. | :03:11. | |
this land, about people being forced to live in a land never meant for | :03:12. | :03:15. | |
anyone to live in it, about the hardship, the difficulty of that | :03:16. | :03:18. | |
life, about the community and what I like about the film is it's very | :03:19. | :03:22. | |
sympathetic towards its characters. It's all to do with placing and | :03:23. | :03:29. | |
setting. That Wyoming back drop is brutal. Jeremy Rhoner is well cast. | :03:30. | :03:39. | |
He tends to underplay emotions. A lot is done by saying and doing | :03:40. | :03:43. | |
little. She comes along and has to prove her way and prove that she's | :03:44. | :03:46. | |
worthy of this case. During the course of the film, you really come | :03:47. | :03:52. | |
to see her character understand the bleakness of this landscape, the | :03:53. | :03:54. | |
difficulties of the people who live here face. So I think it's a very, | :03:55. | :03:59. | |
very solid, very gripping drama. Bizarrely, when you consider that it | :04:00. | :04:02. | |
is narratively a murder mystery thriller it's much more about | :04:03. | :04:05. | |
environment. It's about place. It's about those people. It's about the | :04:06. | :04:12. | |
plight of the indigenous people. Your second choice now. This is a | :04:13. | :04:16. | |
drama not a documentary. It's absolutely a drama. Set in Damascus. | :04:17. | :04:21. | |
There's an apartment block where a family and others in the block are | :04:22. | :04:26. | |
trapped inside by sniper fire and helicopters and gunfire outside. | :04:27. | :04:32. | |
What happens is that there is a character who is the matriarch, who | :04:33. | :04:37. | |
is brilliant, who is controlling looking after everybody in the | :04:38. | :04:40. | |
apartment block. There is a young couple, who have a young baby, who | :04:41. | :04:44. | |
are planning to leave. They're going to make the getaway at nighttime. | :04:45. | :04:48. | |
But then what happens is tragedy strikes. There is an air of | :04:49. | :04:53. | |
deception that surrounds the tragedy because the central character | :04:54. | :04:56. | |
doesn't tell what she knows. Somehow through this deception it's as if | :04:57. | :05:00. | |
the outside conflict comes in. Then you have a series of characters | :05:01. | :05:04. | |
trapped within this really hellish environment in which there is a lie | :05:05. | :05:08. | |
that they are dealing with. There is a knock at the door, it turns into | :05:09. | :05:11. | |
something approaching a home invasion movie and it becomes very | :05:12. | :05:15. | |
claustrophobic. Filmed with very tight hand held cameras following | :05:16. | :05:18. | |
you around the apartment. You feel the space. At times, although it's a | :05:19. | :05:22. | |
completely different setting, it reminded me of under the shadow, | :05:23. | :05:27. | |
another story about conflict outside and a mother and a daughter dealing | :05:28. | :05:30. | |
with the - there's a shell that's come through the roof, but it's a | :05:31. | :05:34. | |
ghost story. In many ways this is a story about there being a ghost in | :05:35. | :05:37. | |
this house. It's tough. There is a central sequence which is very hard | :05:38. | :05:42. | |
to watch. Though it was very well filmed, not exploit Tivoli filmed. | :05:43. | :05:46. | |
Occasionally it drifts into melodrama. It's a tough film in | :05:47. | :05:50. | |
which you believe in the characters and in the battles between them and | :05:51. | :05:54. | |
the stress that's they're under. You really do feel this oppressive | :05:55. | :05:56. | |
environment that they're living under. All right. Now, the third | :05:57. | :06:02. | |
choice I don't know why I'm laughing. Because you are right to | :06:03. | :06:06. | |
laugh. Because you're back from your summer holidays, you thought, I know | :06:07. | :06:10. | |
I'll give Jane one that she will not like at all because it's not my | :06:11. | :06:14. | |
thing. I think you will do. This is It. I love your optimism! It's an | :06:15. | :06:20. | |
adaptation of a Stephen King door stopper novel, which has been done, | :06:21. | :06:26. | |
there's a very famous TV version with Tim Curry as penny wise the | :06:27. | :06:30. | |
dancing clown, so the story is basically, a group of kids living in | :06:31. | :06:34. | |
a town, who are all haunted by visions that seem to tap into their | :06:35. | :06:40. | |
deepest fears. Somehow there's a central character, It, who seems to | :06:41. | :06:43. | |
be feeding upon their fears. It starts with a sequence which has | :06:44. | :06:48. | |
become iconic in which young Georgie meets Penny Wise. Here's a clip. No! | :06:49. | :07:08. | |
Ah! Hiya Georgie. What a nice boat. Do you want it back? Erm...... Yes | :07:09. | :07:17. | |
please. You look like a nice boy. Do you want a balloon too Georgie? I'm | :07:18. | :07:21. | |
not supposed to take stuff from strangers. Oh, well I'm Penny Wise, | :07:22. | :07:30. | |
the dancing clown. Now we aren't strangers, are we? How are you | :07:31. | :07:36. | |
feeling? This has provoked so much debate in the newsroom today. I am | :07:37. | :07:40. | |
the only person surrounded in a sea of people who had no desire to go | :07:41. | :07:44. | |
any further than that scene. Here's the thing, yes, it's a horror story, | :07:45. | :07:49. | |
there is a strong horror element, but it's a coming of age drama about | :07:50. | :07:53. | |
a group of kids called the losers, who gang together to try and find | :07:54. | :08:00. | |
this midgical evil to try and unravel the curse happening time and | :08:01. | :08:05. | |
again to the town. The films that it refers to are poltergeist, the | :08:06. | :08:10. | |
goonies, there's nods to ET, there's a touch of stand by me in there. It | :08:11. | :08:14. | |
is a film which works because the director cares about the young | :08:15. | :08:17. | |
characters. He cares about the misfits, the outsiders. You come to | :08:18. | :08:21. | |
care about them too. Yes, it is, there are, moments of fear, moments | :08:22. | :08:27. | |
of shock, jumps. Anybody who finds clowns fundamentally creepy is going | :08:28. | :08:30. | |
to be very impressed by the performance. He does a good job of | :08:31. | :08:35. | |
filling Tim curry's clown shoes. But it's an adventure. I mean it's a | :08:36. | :08:39. | |
horror inflected adventure, but it is an adventure. This is the early | :08:40. | :08:43. | |
years of the novel. There's a section of the grown up years, this | :08:44. | :08:46. | |
is chapter one. There's going to be a second one. There is. This owes a | :08:47. | :08:52. | |
debt to nightmare on elm street. At one point the kids go past a cinema | :08:53. | :08:59. | |
showing that. There's a score that goes from lush orchestral adventure | :09:00. | :09:03. | |
music to nursery rime chimes, the strange, twisted... You're not | :09:04. | :09:08. | |
buying this. It's a romp. It's really enjoyable. It's really good | :09:09. | :09:12. | |
fun and it's scary when it needs to be. Personally I would have liked it | :09:13. | :09:16. | |
to be more scary. I still remember the first time I saw Penny Wise the | :09:17. | :09:20. | |
clown, you get those moments, but I really liked it. What was best about | :09:21. | :09:24. | |
it was how affectate it is for the source material. I think fans will | :09:25. | :09:29. | |
really go for. It Let's talk about the wonderful Bill Nighy. Yes, Lime | :09:30. | :09:36. | |
house Golem is trifric. It's set in 1880s London. A killer is stalking | :09:37. | :09:42. | |
the streets. His detective is sent to investigate it. They know it's an | :09:43. | :09:46. | |
unsolvable case and they want him to take the fall. The film is about | :09:47. | :09:50. | |
theatre, the theatre of murder, the theatre of death and real life. So | :09:51. | :09:55. | |
on the one hand, half of it takes place on stage, musical, half of it | :09:56. | :10:00. | |
takes place in the morgue and out on these misty streets. A lot of hammer | :10:01. | :10:04. | |
in the way in which it's lit, the way in which it's ghoulish. Very | :10:05. | :10:10. | |
visual. Musical. Yes, and funny enough people haven't quite | :10:11. | :10:12. | |
appreciated enough what a good looking film it is. It's brilliantly | :10:13. | :10:19. | |
written by Jane Goldman, who adapted the novel. It's a complicated novel | :10:20. | :10:25. | |
to put on screen. I really liked it. Danny mayes was wonderful. I think | :10:26. | :10:32. | |
you'll enjoy. It it is gorery. It is gorier than It. There is Gothic gore | :10:33. | :10:38. | |
in there. You see, there's a line between that and being scared out of | :10:39. | :10:41. | |
your wits. Actually, here's what you should do, see both of them and then | :10:42. | :10:46. | |
tell me which you enjoyed the most. Good plan Mark, back-to-back, with a | :10:47. | :10:51. | |
bottle of gin to get me through it! I shouldn't advocate that, this | :10:52. | :10:54. | |
might be on in the morning. We'll edit that bit, right. Let's talk | :10:55. | :10:58. | |
about the DVD. Yeah, actually Blu-ray, shock treatment has come to | :10:59. | :11:03. | |
Blu-ray. Shock Treatment is the sequel to rocky horror. It was | :11:04. | :11:08. | |
described as an equal, not prequel or sequel. It's a mess, no question | :11:09. | :11:12. | |
about it. The creator said it's a mess because it started as one thing | :11:13. | :11:16. | |
and turned out as another. What's really interesting is it's becoming | :11:17. | :11:23. | |
incredibly pressient. It's about a world taken over by reality | :11:24. | :11:26. | |
television. It's about people thinking they can solve everyone by | :11:27. | :11:31. | |
becoming part of a game show. The songs and dance routines are | :11:32. | :11:34. | |
fabulous. When it came out, I thought this is a mess but I'm | :11:35. | :11:41. | |
enjoying it. This is a mess but it's nightmarishly profetic and I really | :11:42. | :11:45. | |
like it. Lovely to see you back... Just about. Nice to see you. See you | :11:46. | :11:51. | |
next week. You'll find all our film news and reviews from across the BBC | :11:52. | :11:53. | |
online. Find all the previous programmes on | :11:54. | :12:04. | |
the BBCi player. That is it for this week. Whatever you're brave enough | :12:05. | :12:08. | |
to see, I hope you enjoy it. Soft drinks are available! Thanks very | :12:09. | :12:11. | |
much for watching. Have a great week, bye-bye. | :12:12. | :12:17. | |
Good evening. If you're off to the cinema this weekend, it might be a | :12:18. | :12:23. | |
dash from the bus or from the car as you said in there, because there'll | :12:24. | :12:25. |