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Hello and welcome to The One Show, the best of Britain. Matt Baker and | :00:16. | :00:22. | |
Alex were on a well-earned holiday so we're out on the road, taking in | :00:22. | :00:32. | |
:00:32. | :00:40. | ||
the nation's best loved Today we come to Cheddar gorge, one | :00:40. | :00:46. | |
of the Morse natural phenomenon is in Britain. Over 3 million years in | :00:46. | :00:52. | |
the making. Spectacular views from the air, as I was in The One Show | :00:52. | :00:59. | |
hot-air balloon last year. These 450 ft-high cliffs make the | :00:59. | :01:05. | |
scorch in Somerset, the deepest in Britain. Said to have inspired a | :01:05. | :01:09. | |
token when he was writing Lord of the Rings, it begins its epic | :01:09. | :01:13. | |
journey a mile away up in the hills. For hundreds of years, people have | :01:13. | :01:17. | |
speculated about how this enormous land for mission was created but if | :01:17. | :01:21. | |
I'm going to get to the bottom of this mystery, the first clue is not | :01:21. | :01:31. | |
:01:31. | :01:31. | ||
up here, but deep within the ground. Beneath the gorge are further | :01:31. | :01:35. | |
mysteries which were only discovered as recently as the 19th | :01:35. | :01:39. | |
century by a Victorian explorer. He first clambered through the tiny | :01:39. | :01:44. | |
foot high passageway behind me and emerged into this enormous cave | :01:44. | :01:48. | |
system which stretches for nearly a kilometre. As he went further, | :01:48. | :01:58. | |
social life. This is his cave, deep inside the limestone bedrock of | :01:58. | :02:01. | |
cheddar and it is this rock that is the key to understanding how a this | :02:01. | :02:06. | |
was formed. Chris Castle has been studying the caves and knows more | :02:06. | :02:11. | |
than most about their origins. is all to do with the rock we are | :02:11. | :02:16. | |
surrounded by, limestone. It will dissolve in water, the water | :02:16. | :02:20. | |
becomes more acidic and chemically reacts with the limestone and | :02:20. | :02:27. | |
dissolves it, makes a bigger opening, a cave, then water can get | :02:27. | :02:31. | |
in and you get a cave system forming. All this water, where does | :02:31. | :02:35. | |
it go? It comes here to decade. It once flowed through here but with | :02:35. | :02:41. | |
the passage of time, it has formed another system below us. The loss, | :02:41. | :02:44. | |
it is one of the biggest in Britain. The Victorians were so impressed | :02:44. | :02:47. | |
that they became convinced of the gorge must have been formed by the | :02:47. | :02:52. | |
collapse of a much older Cavan. This theory persisted for over a | :02:52. | :02:56. | |
hundred years until recent research revealed the truth. Satellite | :02:56. | :03:01. | |
mapping illustrates how the limestone, shown in blue, forms a | :03:01. | :03:07. | |
Channel and his combination of this unique rock type and its location | :03:07. | :03:11. | |
close to the mountains which led to the gorge's Foundation. To | :03:11. | :03:14. | |
understand how, I need to get a proper view and the best way to do | :03:14. | :03:24. | |
:03:24. | :03:32. | ||
Joining me is Andrew from the British Geological Survey. From the | :03:32. | :03:36. | |
calm of the billing, we can finally see all the pieces of the puzzle, | :03:36. | :03:40. | |
starting with the Mendip Hills and stretching all the way down to the | :03:40. | :03:48. | |
Somerset Levels. This would have been under a tropical warm sea. | :03:48. | :03:52. | |
They be like the Great barrier Reef in Australia. Lots of sea creatures | :03:52. | :03:58. | |
living there, now they are fossils formed in the limestone. Today, | :03:58. | :04:03. | |
many of us worry about cannot challenge -- climate change, but | :04:03. | :04:09. | |
here, this has been shaped by the process of many years before. | :04:09. | :04:13. | |
the last million years, the climate has changed from very warm to very | :04:13. | :04:16. | |
cold and during the cold periods, although the glacier has never got | :04:16. | :04:22. | |
this far south, Mendip would have been very cold and covered in snow. | :04:23. | :04:26. | |
In the summer months, they would have been a short period when the | :04:26. | :04:32. | |
snow melted. The water would have roared down the valleys, cutting | :04:32. | :04:36. | |
the gorge as it went. That has happened many times over the last 2 | :04:37. | :04:45. | |
million years. The history of how our world has been shaped by | :04:45. | :04:54. | |
climate change is written all over the face of the gorge. It is a | :04:54. | :04:58. | |
sobering thought that to 300 million years ago, the landscape | :04:58. | :05:01. | |
beneath me would have been a thriving grief of shellfish and are | :05:01. | :05:05. | |
there hundreds of millions of years, the face of the planet has changed | :05:05. | :05:12. | |
beyond all recognition. That is certainly the way to see that, I | :05:12. | :05:17. | |
was very jealous. Imagine having that you every day and you would if | :05:17. | :05:21. | |
you were at peregrine falcon. There are lots of them here with lots of | :05:21. | :05:26. | |
prey to feed on. Blink, and she will miss them because they can | :05:26. | :05:33. | |
sweep at speeds of up to 200 miles an hour. Absolutely amazing | :05:33. | :05:36. | |
creditors but even they would struggle in the dark a bit. Funny | :05:36. | :05:40. | |
you say that because that is one area where human beings have the | :05:40. | :05:45. | |
edge, all thanks to an inventor in the 1820s. | :05:45. | :05:50. | |
Most of us only think about a light bulbs when they break but the light | :05:50. | :05:54. | |
bulb is one of the most important inventions ever. It is changing | :05:54. | :05:58. | |
shape and material now but a light bulb is still a fundamental part of | :05:58. | :06:02. | |
our everyday life. This is Mosley Street in the centre of Newcastle | :06:02. | :06:07. | |
and in February at 1879, it was the first street in Britain to be lit | :06:08. | :06:11. | |
by electric light bulbs but if you ask anybody around here who | :06:11. | :06:15. | |
invented the Bible, they are most likely to say this. I think it was | :06:15. | :06:22. | |
Thomas Edison. Thomas Edison. Thomas Edison got all the glory but | :06:22. | :06:27. | |
we have another man to thank for this brilliant invention, a Brit, | :06:27. | :06:33. | |
Joseph Swan. Eager to explore this great invention further, I ventured | :06:33. | :06:37. | |
across Newcastle to the university to take part in a brilliant | :06:37. | :06:41. | |
experiment involving a replica of one of his original bolts that he | :06:41. | :06:48. | |
produced in 1879. This is not the original, a replica? Yes, made in | :06:48. | :06:53. | |
19 Sunday nine, the 100 anniversary. Does that light up? We don't know, | :06:53. | :06:58. | |
we never tried. This has never been that the former. Talk me through | :06:58. | :07:03. | |
the process as you do it. And when to turn the power on, gradually | :07:03. | :07:07. | |
increase the wattage that has been delivered to the bulb. I see some | :07:08. | :07:15. | |
tiny sparks. Stop. We have 34 faults and the glowing filaments. | :07:15. | :07:19. | |
And not going to be able to do much with that light? We can take it | :07:19. | :07:27. | |
higher. It's almost 50 false and that is the kind of level that he | :07:27. | :07:33. | |
would have produced. For him and the people in that year, this was a | :07:33. | :07:43. | |
:07:43. | :07:44. | ||
breakthrough? Indeed. Family ticket at that higher? Oh! I think it has | :07:44. | :07:48. | |
burnt out. For a moment, it was brilliant. That was a really | :07:48. | :07:58. | |
brilliant white. Incredibly, 113 years on, his original light boat | :07:58. | :08:02. | |
design is similar to what we use today. Born and bred in Gateshead, | :08:02. | :08:07. | |
he first revealed his liable to the world some 10 months before Thomas | :08:07. | :08:11. | |
Edison at this building in Newcastle on 3rd February 1918 | :08:11. | :08:15. | |
Sunday nine. An audience of 700 were enthralled by the dazzling | :08:15. | :08:20. | |
invention. The bold burned for 30 yards but it also ignited a heated | :08:20. | :08:27. | |
debate. What happened after this first public demonstration? | :08:27. | :08:31. | |
didn't take out any patterned for a light bulb until much later. In the | :08:31. | :08:38. | |
meantime, on 10th November 1879, Thomas Edison, who had been working | :08:38. | :08:48. | |
:08:48. | :08:49. | ||
on the idea, had to come out at British hadn't. After Swan formed a | :08:50. | :08:54. | |
new company, Thomas Edison brought proceedings against that company. | :08:54. | :08:58. | |
However, Thomas Edison's infringement application was too | :08:58. | :09:02. | |
late. Thomas Edison must have realised that he had a problem on | :09:02. | :09:09. | |
his hands and the parties entered into discussions and they came to | :09:09. | :09:13. | |
an agreement which resulted in the formation of a joint company, the | :09:13. | :09:20. | |
Edison and Swan United Electrical Company. White has sworn not get | :09:20. | :09:24. | |
any credit for this? Being the man he was, he was not interested in | :09:24. | :09:30. | |
personal publicity. In contrast, Thomas Edison, as is very well- | :09:30. | :09:35. | |
known, was very keen on publicity and indeed was publicising the | :09:36. | :09:40. | |
invention of the light bulb before he had done it! So there is the | :09:40. | :09:43. | |
answer as to why most of us think Thomas Edison invented the light | :09:43. | :09:50. | |
bulb. Be believed the American's publicity and hype. They have been | :09:50. | :09:52. | |
many inventors of are the last century but it is now apparent to | :09:52. | :09:57. | |
me that just of Swan is one of Britain's great unsung inventors. | :09:57. | :10:00. | |
There is a small thing but the next time you turn on the light bulb, | :10:00. | :10:05. | |
think of the great man who invented it. Just a swan. Be proud to be | :10:05. | :10:12. | |
British. You got to let the electric lights | :10:12. | :10:16. | |
especially when they let you see these caves another Majesty. They | :10:16. | :10:21. | |
are totally extraordinary. Amazing, we were surrounded by these amazing | :10:21. | :10:25. | |
for missions. These caves are stuffed with minerals and that is | :10:25. | :10:29. | |
why everyone has been so desperate to explore them. The different | :10:29. | :10:34. | |
colours, the green from the pan and brown and the copper makes it a | :10:34. | :10:38. | |
beautiful colour in this Cavan we are sitting in at the moment. | :10:38. | :10:45. | |
Initially, there was thought to be diamonds in here. Imagine the | :10:45. | :10:49. | |
Victorian explorer tunnelling through for seven years and imagine | :10:49. | :10:54. | |
coming through with just a flickering candle and seeing these | :10:54. | :10:57. | |
beautiful for missions, he thought he had discovered diamonds. | :10:57. | :11:03. | |
would have been an extra bonus, we now know that neolithic man was in | :11:03. | :11:07. | |
here 40,000 years ago and my favourite fact is that we have | :11:07. | :11:12. | |
Britain's oldest complete skeleton here. 9000 years old, he was found | :11:12. | :11:18. | |
in his cave. Cheddar was the first place in Britain to discover | :11:18. | :11:24. | |
evidence of cannibalism. This skeleton remains intact. He was not | :11:24. | :11:28. | |
cannibalised. When he was here being eaten was considered as a way | :11:28. | :11:32. | |
of transporting your soul to the after life so Cheddar man had upset | :11:32. | :11:38. | |
someone as he was left in one piece. He is not the only cave dwelling | :11:38. | :11:41. | |
man around here, Cheddar is famous for its bats and as a colony down | :11:41. | :11:51. | |
:11:51. | :11:53. | ||
the road which are very own Mike Dilger discovered. | :11:53. | :11:57. | |
There's nothing quite like being out and about in nature. It's such | :11:57. | :12:02. | |
a century experience but it's not just your eyes you need to make the | :12:02. | :12:12. | |
most of it, the Major years, too. Have a listen to that. When we stop | :12:12. | :12:16. | |
and tune in, there is a whole cacophony of sound and there. But | :12:16. | :12:21. | |
as sensitive as our ears are, human hearing is limited compared to one | :12:21. | :12:25. | |
animal. And hoping to demonstrate the Super Sense other creature who | :12:25. | :12:31. | |
is very success in life is based on its ability to hear a range well | :12:31. | :12:38. | |
beyond our reach, it's a badge. This is not Somerset and very soon, | :12:38. | :12:41. | |
it will be teeming with bats. Providing the perfect opportunity | :12:41. | :12:46. | |
to illustrate my point. There are certain frequencies of sound that | :12:46. | :12:52. | |
humans are completely deaf to. If I click on 14 kilohertz, I can hear | :12:52. | :12:57. | |
that really high-pitched annoying frequency but if I click on 20 | :12:57. | :13:02. | |
kilohertz, I cannot hear a single thing because that is the upper | :13:03. | :13:07. | |
limit of the human hearing range. That is called ultrasound and that | :13:07. | :13:11. | |
is the domain of bats and the only way I can hear those calls is with | :13:11. | :13:20. | |
one of these, at bat detector. That's live and feed at night to | :13:20. | :13:24. | |
avoid daytime predators and they have evolved a precise navigation | :13:24. | :13:30. | |
system based around their hearing called Eco location. As it flies, | :13:30. | :13:33. | |
at that constantly sent out a series of short, high-pitched | :13:33. | :13:38. | |
sounds which travel away from the bat and bounce of any object in the | :13:38. | :13:44. | |
pack creating an echo. By listening to this returning echo, that's a | :13:44. | :13:52. | |
target and home in on their prey. Tonight I'm hoping to show you how | :13:52. | :13:57. | |
brilliantly accurate they are. With all these insects about, it would | :13:57. | :14:07. | |
:14:07. | :14:09. | ||
be long before they come out to hunt. Listen to that. That was the | :14:09. | :14:13. | |
sound of bats echo locating the right above my head. What I'm | :14:13. | :14:19. | |
trying to do is captured the moment about swoops down to catch his prey | :14:19. | :14:23. | |
and to help me out, I'm going to use a court. It gets more high-tech | :14:23. | :14:27. | |
than that, we've brought an entirely new slow-motion camera | :14:28. | :14:33. | |
that films in infra red along with special infra-red lights to avoid | :14:33. | :14:36. | |
disturbing the that's what that means I remain Byett in total | :14:36. | :14:46. | |
:14:46. | :14:58. | ||
darkness. All I can do is throw up Wow! Did you see that?! It looked | :14:58. | :15:03. | |
pretty good to me, but let's take a closer look. | :15:03. | :15:12. | |
Right, here we go. Up goes the cork. 12 times slowed down. In comes the | :15:12. | :15:18. | |
bat, really long wings. It went right past it. Watch this. It is | :15:18. | :15:22. | |
turning around on a six pence. It is hearing for the cork, not seeing | :15:22. | :15:28. | |
it. It scoots past the cork. It realises it is not food. It got so | :15:29. | :15:35. | |
close to it. You know it can see that image in its mind's eye and | :15:35. | :15:40. | |
decided there is food to be had eldwhere. All with its ears. This | :15:40. | :15:47. | |
is one of the fiercest night time predators. If you are a moth, a | :15:47. | :15:53. | |
beatle or any type of night flying insect. I'm chuffed to bits. I've | :15:53. | :16:02. | |
never, ever seen footage like this. Our experiment shows that with | :16:03. | :16:07. | |
echolocation bats are aware of everything around them, even in | :16:07. | :16:10. | |
pitch darkness. With this supersense, they really are kings | :16:10. | :16:20. | |
:16:20. | :16:25. | ||
You know, Miranda, I could really get into the wildlife stuff. The | :16:25. | :16:31. | |
bats are incredible. The rarest bat of all, the Great Horseshoe bat | :16:31. | :16:39. | |
live in this cave. 10% much the entire bat family live in these | :16:39. | :16:48. | |
caves. That's right. Other bats tend to land close to the cave and | :16:48. | :16:53. | |
then fly in, but the horseshoe bats, they fly right N | :16:53. | :16:58. | |
What are the chances of seeing one? You may see the odd blob, but I | :16:58. | :17:01. | |
have not seen any today, unfortunately. You may listen, but | :17:01. | :17:06. | |
no, you are not going to hear them. They echo locate. | :17:06. | :17:12. | |
But that is not in our audible hearing range. I tell you what is, | :17:12. | :17:17. | |
that is Edgar Elgar. I love listening to hem. So does Giles, | :17:17. | :17:23. | |
who is going to find out more. In the shadow of the more van hills in | :17:23. | :17:27. | |
the summer of 1857, the son of a piano tuner was born. He was to | :17:27. | :17:34. | |
become one of Britain's greatest composers, Edgar Elgar. Elgar's | :17:34. | :17:39. | |
music was inspired by this tremendous countryside. I'm | :17:39. | :17:43. | |
climbing the Malvern hills with to the west, Shropshire, and to the | :17:43. | :17:48. | |
east, you can see as far as the Cotswolds. This extraordinary | :17:48. | :17:52. | |
countryside and Elgar's life are intertwined. The young Elgar spent | :17:52. | :17:57. | |
hours in the hills. He received little formal music education, but | :17:57. | :18:02. | |
on summer days he would take music scores from his father's shop into | :18:02. | :18:08. | |
the hill Is to study them. Years later, Elgar recorded the childhood | :18:08. | :18:14. | |
days. He said he was still at heart the dreamy child to be found in the | :18:14. | :18:20. | |
reeds by the Severn side with a piece of paper in his hands, trying | :18:20. | :18:24. | |
to fix the sounds and longing for something very great. | :18:24. | :18:30. | |
That child's appreciation of nature, would later be reflected in his | :18:30. | :18:34. | |
music. One of his favourite compositions was the Woodland | :18:34. | :18:44. | |
:18:44. | :18:45. | ||
Interlude. I mean this music really evokes | :18:45. | :18:49. | |
woodland doesn't it? Well, it is this. One of the things that is | :18:49. | :18:53. | |
strike being this, apart from the prevalence of grown is that there | :18:53. | :18:57. | |
are no colours or lights that stand out. Everything is blending. There | :18:57. | :19:04. | |
is a dapled light effect. Elgar is a genius at that kind of dapled | :19:05. | :19:09. | |
scoring. Everything, the strings, he mixs in the colours of the wood | :19:09. | :19:14. | |
winds and at one point the horns so that you can hear them Minging in | :19:14. | :19:19. | |
and out like the light. Did he listen to nature? Oh, yes, | :19:19. | :19:24. | |
he said he listened to the sound of the trees. Was he writing their | :19:24. | :19:28. | |
music or singing his? He felt that whole question of nature atmosphere | :19:28. | :19:31. | |
was what gave him the sounds that he created. | :19:31. | :19:34. | |
So, it is a partnership between Elgar and nature? He would have | :19:34. | :19:44. | |
:19:44. | :19:46. | ||
seen it that way, definitely. In 1889 Elgar married and married | :19:46. | :19:49. | |
well. To Alice Roberts, the daughter of a general. The couple | :19:49. | :19:54. | |
moved to London with hopes that Elgar would succeed as a composer, | :19:54. | :19:59. | |
but they struggled. Elgar didn't get the recognition he so despitely | :20:00. | :20:04. | |
craved and penniless, they returned to the Malverns. Such failure could | :20:04. | :20:09. | |
have marked the end of his career, but moving back to his beloved | :20:09. | :20:15. | |
Malverns, the Malverns of his youth, proved, in fact, to be a new | :20:15. | :20:20. | |
beginning. In 1901, Elgar conducting here, composed a tune | :20:20. | :20:24. | |
which propelled him to the forefront of English music. His | :20:24. | :20:34. | |
:20:34. | :20:35. | ||
Pomp and Circumstance March Number 1. At King Edward's request, words | :20:35. | :20:42. | |
were added, the result was London much Hope and Glory, but it became | :20:42. | :20:50. | |
a rallying rally. It disturbed Elgar. He felt it was not in | :20:50. | :20:55. | |
keeping with the huge loss of life. The war depressed Elgar deeply, his | :20:55. | :20:59. | |
last major work, reflected the despair that he felt. He was | :20:59. | :21:03. | |
mourning a vanished era. Where better to hear this masterpiece | :21:04. | :21:13. | |
:21:14. | :21:30. | ||
than here in the very hills that To the end, the relationship | :21:30. | :21:35. | |
between Elgar's music and this landscape remained. On his death | :21:35. | :21:39. | |
bed he hummed this haunting tune to a friend and said if ever you are | :21:39. | :21:43. | |
walking on the Malvern hills and hear that, don't be frightened, | :21:43. | :21:53. | |
:21:53. | :22:08. | ||
it's only me. I don't know how they got those | :22:08. | :22:12. | |
musicians up that hill? I am tkwhrad I left my harp behind today. | :22:13. | :22:19. | |
Now, we have a great view of the caves in inside, but up here, the | :22:19. | :22:25. | |
view is splendid. I feel like an adventurer, climbing up and | :22:25. | :22:30. | |
abseiling down it is lovely to feel the carniverous rocks as well. Here, | :22:30. | :22:36. | |
it is easy to get to the access point, but I was working up in | :22:36. | :22:41. | |
Derbyshire making a film and there was a lot of climbing! Few, if any | :22:41. | :22:45. | |
conchers of Britain remain unexplored. Even the wilder areas | :22:45. | :22:51. | |
like the Derby shire Dales are mapped out in the greatest detail, | :22:51. | :22:55. | |
but under ground it is a different story and a few metres beneath my | :22:55. | :23:04. | |
feet there is a whole network of caves and tunnels and under ground | :23:04. | :23:12. | |
rivers. For men like Mr Dixon, the unexplored is a challenge that must | :23:12. | :23:19. | |
be faced, whatever it takes. The story of, "Moose's" Biggest | :23:20. | :23:23. | |
find began with an obscure 18th century document. | :23:23. | :23:30. | |
Many years ago, there was an account written by a chap called | :23:30. | :23:34. | |
Pompry. That was describing this mine, but the mine that we know has | :23:34. | :23:40. | |
a blockage in it. The mine he described described what was beyond | :23:40. | :23:45. | |
the blockage. The remnants of the old led mine is | :23:45. | :23:52. | |
entered by a speedwell cavern. A tourist attraction in the | :23:52. | :23:58. | |
Derbyshire Dales. Moose became obsessed with what laid behind the | :23:58. | :24:03. | |
blockage. He set about exploring. So, this was the boat journey you | :24:03. | :24:09. | |
have to make. As Moose and his team went deeper, | :24:09. | :24:13. | |
tantalising clues emerged as to what was up ahead. | :24:13. | :24:17. | |
Wow, what happened? We are deep in the old cave, this is the old | :24:17. | :24:24. | |
graffiti from the 18th century. October, 20th, 1781?! So, these are | :24:24. | :24:29. | |
clues in piecing together who was mining the various caves and mines | :24:29. | :24:33. | |
at what time? That's right. The marks on the wall convinced the | :24:33. | :24:38. | |
team it was worth pressing onment over months and years they cleared | :24:38. | :24:44. | |
tonnes of rock and mud it meant shoring up passages and diverting | :24:44. | :24:50. | |
an under ground river. You are literally digging by hand, | :24:50. | :24:54. | |
blasting the odd rock away, slowly edging forwards until you break | :24:54. | :24:58. | |
through. Six year after the work began, they finally broke through | :24:58. | :25:04. | |
to the gigantic antic cavern. The break through came on New | :25:04. | :25:08. | |
Year's Day, 1999. We finally broke through into the chamber and looked | :25:08. | :25:13. | |
up at it, it was amazing. Absolutely amazing. Once in a | :25:13. | :25:18. | |
lifetime. What is up here? That is a different way, that is the hard | :25:18. | :25:23. | |
way. We are going an easier way. took another five years to create a | :25:23. | :25:27. | |
safer access to the cave, that's the route I'm using today. | :25:27. | :25:31. | |
Very few people have done this trip, let's hope I'm up to it. | :25:32. | :25:37. | |
At 141 metres, the cave is taller than the live. I'm dropping on to a | :25:37. | :25:42. | |
ledge at the top of Titan. I will be able to look down into the sheer | :25:42. | :25:48. | |
drop of the abyss. Wow! I cannot even begin to see the | :25:48. | :25:51. | |
other side of the bottom. It is a huge black void. | :25:51. | :25:56. | |
But you can sense there is a big space out. There$$NEWLINE And this | :25:56. | :26:06. | |
:26:06. | :26:06. | ||
is what Titan looks like, illuminated by powerful lights. | :26:06. | :26:11. | |
I cannot believe we are in Derbyshire. I thought I was going | :26:11. | :26:18. | |
to feel Claus ow -- claustrophobic, but actually, I feel exposed. That | :26:18. | :26:22. | |
is like nothing I have ever seen. Looking at it from here is one | :26:22. | :26:25. | |
thing, going down it is quite another. | :26:25. | :26:28. | |
If you want to bowl out, now is the time. | :26:28. | :26:34. | |
It had occurred to me. Don't look down! Yes, don't look | :26:34. | :26:39. | |
down! Looking up, there are incredible stalactites and all of | :26:39. | :26:44. | |
the waterfalling down. It is amazing. We are about a quarter of | :26:44. | :26:48. | |
the way now, Dan. A quarter of the way?! The only | :26:48. | :26:52. | |
thing I have ever experienced like this is a cathedral. A massive | :26:52. | :26:56. | |
grand space hewn out of the rock. Halfway down is a ledge. It is as | :26:57. | :27:03. | |
far as I can go. It is far enough. I thought I would never feel my | :27:04. | :27:07. | |
legs again. Before ascending back to the lights I wanted a glimpse of | :27:08. | :27:17. | |
:27:18. | :27:18. | ||
the darkness below. That's a long way. | :27:18. | :27:21. | |
I'm not looking forward to this much. | :27:21. | :27:27. | |
It's back up the hard way, using a mountaineering technique called | :27:27. | :27:31. | |
produce yacking. It is heaving yourself hand over hand back up the | :27:31. | :27:37. | |
rope. It is exhausting. The final stretch of the man-made | :27:37. | :27:41. | |
shaft is thankfully winch-assisted. Well, I doubt I'll ever have the | :27:42. | :27:47. | |
chance to do anything like that again ever in my life. Without the | :27:47. | :27:52. | |
sheer bloody mindedness of Moose and his mates, I would never have | :27:52. | :27:57. |