Episode 4 The One Show - Best of Britain



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-Welcome to The One Show: Best Of Britain with Gyles Brandreth.

-And Anita Rani.

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Rani is the Hindi word for queen. This is my princess for today.

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We've got a right royal selection of our favourite One Show films.

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Today, we're in one of the UK's most distinctive landmarks, the Giant's Causeway,

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which is made up of 40,000 basalt columns thrusting out of the sea.

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What is a basalt column?

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It's lava that's come from a volcanic eruption that's solidified slowly.

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I knew that. I was just testing.

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We're in a World Heritage Site here

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that was discovered by the Bishop of Derry in the early 1700s.

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Then there was an artist from Dublin called Susanna Drury

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who did some wonderful watercolours all set around here.

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These became famous pictures,

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so popular that people began to come to the site

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to see if it could be as beautiful as the pictures were, and it is.

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It is. It's extraordinary, and if you look at the coastline, it's perfect for seabirds.

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These rock formations have quite a lot of unusual plants growing on them,

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and if you are lucky, Gyles, in the water on a good day,

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-you can see porpoises...

-Porpoises!

-..Seals and dolphins.

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But Miranda Krestovnikoff, not far from here,

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spotted something a lot more exotic.

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Well, as long as it isn't a conger eel, I'll be all right.

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The fish I'm hoping to find today can provide anglers with unforgettable battles,

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and few sea fish can match its raw fighting power.

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They're found in waters all around the UK,

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but here in Northern Ireland is one of the best places to dive with them.

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There are a staggering 15,000 shipwrecks in the waters surrounding Ireland,

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and many of them are found here around Rathlin Island, off the North Irish coast.

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These wrecks provide the perfect habitat for the creature I'm hoping to find.

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Jim Delaney is my man in the know.

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He's been diving these waters for 25 years,

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and never tires of the underwater treasures the Irish Sea has to offer.

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This is one of my favourite sites in all of Ireland, if not all the world.

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There's so much life about here, both above the surface and below.

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-And these waters are littered with shipwrecks.

-Yeah, there's thousands of wrecks around.

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In its day, it was more or less like a battlefield of the sea,

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and there's many, many shipwrecks round here. Fantastic.

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For me, the reason I have come here is to try and come face to face with a conger eel.

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What are the chances of doing that?

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Well, I think you've come to the right place.

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The wreck we're heading for is in a secret location

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and is unmarked to stop the conger eels being over-fished.

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But Jim knows just where to take me.

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This is conger heaven, isn't it, a place like this?!

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Even though the wreck hasn't broken up.

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This is just an ideal dream home for a conger.

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It's beautiful. It's encrusted.

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Every single surface is covered with algae and dead man's fingers.

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Lots and lots of beautiful kelp.

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We're down here about 18 metres deep.

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Normally, they're nocturnal creatures.

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You never see them swimming around during the daytime as well.

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Those great big menacing eyes!

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There's no sign of congers anywhere.

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Let's go and have a look over there.

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You've got to shine your torch into every little hole, haven't you?

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They can get so big. You normally only ever see their face

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as their poking their head out.

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'They can reach up to three metres in length

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'and weigh as much as 160 kilograms.'

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Look at these massive holes here.

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They love these dark holes and they can just hide away

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and wait for something to swim past for their dinner.

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Oh, my God! There's a huge, huge, blue conger eel in here.

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That is absolutely fantastic. Take a look at him.

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He is brilliant.

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Now he's not going to come out.

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He's quite happily sitting there looking at me.

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'And later, as dusk set in, they did come out.

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'And to me, it seemed more curious than ferocious.'

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They can be distinguished from other eels by the long continuous dorsal fin

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that runs the length of their body.

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Perhaps most fascinating about them is their mysterious life-cycle.

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They go on a long migration to the centre of the Atlantic to spawn,

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and then die soon afterwards.

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It's believed that the offspring travel back to the same coast their parents are from,

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meaning the wrecks of Rathlin could provide a home for the offspring of these two for generations to come.

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THEY SING THE CONGA

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Now that is my idea of a Conga.

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Time to be serious for a minute, whilst I give you some facts about this extraordinary place.

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Now, 60 million years ago in a time just after dinosaurs,

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but right before man, even older than you, Gyles, right here, the landscape was very different.

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This used to be a river bed.

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The tectonic plates under the Earth moved,

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lava came up and created these columns.

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In fact, the lava bubbled away at over 1,000 degrees centigrade,

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creating layer upon layer of this wonderful formation,

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with most of these columns being hexagonal in shape.

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Over the centuries, these stones have stood the test of time,

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and actually continue out under the sea, and year after year,

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tourists come from all over the world to marvel at the wonder of them.

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This is called the Giant's Causeway,

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and I prefer the story based on the old Irish legend concerning Finn McCool,

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the Irish giant who built these stones as stepping stones to take him from here to Scotland,

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when he wanted to get into combat with the Scottish giant Benandonner.

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-And did he win?

-He didn't actually go.

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He was a no-show, and what happened is that Benandonner,

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came over to Northern Ireland to find Finn McCool,

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didn't find him, instead found Finn McCool disguised as his own son, dressed up as a baby,

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and Benandonner thought, "Oh, my gosh, this is quite a big, big baby.

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If this is the baby, what will the father be like?

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And so, shocked, he fled back to Scotland,

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tearing up the stones so he couldn't be followed.

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What an incredible story! It's got it all. Tactics, deception, disguise.

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Sounds like a Dan Snow history moment.

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And that sounds like a very clever link.

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April, 1943. A body was dumped at sea

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off the coast of Spain.

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It was dressed in British uniform.

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Attached to his belt was a briefcase crammed with top secret invasion plans.

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The secret documents were, of course, false,

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designed to hoodwink the Nazis, and that's exactly what they did.

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The body was found by fishermen,

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and the decoy invasion plans were soon in German hands.

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The deception was so convincing that Hitler was fooled into believing

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Greece was the Allies' invasion target, leaving the real target of Sicily vulnerable.

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Operation Mincemeat has been hailed as the most successful wartime deception plan ever attempted.

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It saved thousands of lives, but very little is known about its silent hero.

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Examining the body, Nazi spies were convinced he was the high-ranking Major William Martin.

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But they were wrong.

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The planners of Operation Mincemeat worked out if they could convince the Germans

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this was a real character,

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they would be much more likely to believe what was in his briefcase,

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all these fake documents they've made, so they created this completely false personality,

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this person who never existed.

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And here he is. William Martin of the Royal Marines. And there's his identity card.

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Who's the picture of?

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The picture is of an MI5 officer, who just happened to look a bit like the dead man.

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Here you have his watch, his cigarettes, his keys,

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but the tour de force was the creation of a love life for him.

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So here they have Pam, who was actually a secretary in MI5,

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whose photograph was thought to be just saucy enough to put in his wallet.

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Wonderful.

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And then we've got a completely bogus receipt for a diamond ring

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costing £53, ten shillings and sixpence.

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-A generous man. She's a beautiful woman.

-Absolutely.

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These are the love letters he was carrying on his person when he was found.

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"That lovely golden day we spent together, oh..."

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"I know it's been said before,

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-"but if only time could sometimes stand still for just a minute."

-So beautiful.

-Isn't it?

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I've got this funny mental image of a leather trench coat-wearing Gestapo officer reading this out.

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I think that's right.

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But this was the kind of grain and the grit that convinced them

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that, yes, this had to be a living, real person.

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Although the body appeared to be that of a rich and well-loved hero,

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the reality couldn't have been further from the truth.

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It was in fact Glyndwr Michael

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a vagrant from Trealaw in South Wales.

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Now this is the house where Glyndwr Michael lived

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with his mother at the start of the war.

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Not just his mother but his sister

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and a brother all crammed into one tiny room.

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-This one here?

-Yes, this one.

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Now this was originally divided into two rooms.

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There were four of them in here. That would have been the bedroom

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-and the sort of living area in here.

-Four people in this space?

-Yeah.

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They lived in conditions of absolutely extraordinary poverty.

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They had absolutely nothing.

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-And there was no father to help bring in money?

-No.

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Here we have the only evidence of Glyndwr Michael's

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and it's on his father's death certificate.

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In Angleton Mental Hospital and it appears Glyndwr Michael

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himself may also have suffered from mental illness.

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His mother died in 1940 and he sort of slipped through the cracks.

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There was no-one to look out for him and so he wound up destitute,

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homeless and really desperate.

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He was found having poisoned himself with rat poison in a disused warehouse in King's Cross.

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This shows this young man, he was 34,

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on a mortuary gurney dressed in British uniform

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just before he's about to set sail on Operation Mincemeat.

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Amazing.

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Glyndwr Michael was the perfect hero for Operation Mincemeat.

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He was a nobody and nobody would miss him.

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Did anyone ask permission from his nearest surviving relatives

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to actually use his body?

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There's no evidence that anyone asked anybody's permission to use the body.

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It was simply expropriated for a wartime operation.

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Operation Mincemeat played a vital part in the successful

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invasion of Sicily.

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Just two months later, Mussolini had fallen and Italy had surrendered.

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An unknown vagrant had helped to change the course of World War II.

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In life he'd been abandoned by his country,

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but in death he'd done Britain proud.

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Did your grandfather serve in the Second World War?

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He did, with the Indian Army.

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And my grandfather was also in the Indian Army.

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I often think, you know, if it weren't

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for the Second World War what would the Snow family do for a living?

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We're not the only people here today.

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Thousands come every year to the Giant's Causeway.

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Some 700,000 a year visitors now.

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That's busy. But even in the 1800s it was so busy

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that they built the world's first hydroelectric tramway

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to get the tourists here.

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-Nine and a half miles.

-Nine and a quarter.

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-All the way from Portrush.

-From Portrush.

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And you got a reward. You could have a glass of water

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-that sent you home feeling quite tipsy.

-Why, what was in it?

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Because, well, the local women put some alcohol into it.

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-Just to perk it up a bit.

-Why didn't they just serve it?

-They didn't have a licence to do so.

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I think they might have been

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on something stronger than whiskey

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when they made this album.

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It's the Giant's Causeway.

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-Led Zeppelin, very famous band, your sort of music, Led Zeppelin?

-No.

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-It isn't my kind of music. I am more of an opera buff.

-Quite right.

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I'm going to enjoy this film presented by Marty Jopson.

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Ah, the unmistakable tones of legendary opera singer

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Enrico Caruso.

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His fans said he could hit a note so pure

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and loud, that it would shatter a wine goblet.

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Whether he could do it or not, the idea's certainly stuck

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in the popular imagination when it comes to singers.

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Can they shatter a glass with their voice?

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SHE SINGS AN ARIA

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I've brought professional soprano Sarah Estill to Manchester's

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Trafford Centre to find out.

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I've never been asked to break a glass but I do get asked a lot,

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especially by children, if I CAN do it.

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-So you've never tried this before?

-No.

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Here's my glass. I'm going to polish it up.

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Let's hope Sarah's successful but not too successful

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because up there is Europe's largest chandelier.

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LONG RINGING TONE

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OK, Sarah, that's the note you've got to hit to make the glass wobble

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and flex and hopefully break.

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Give it a go.

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SINGS HIGH OPERATIC NOTE

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Mmm, well.

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SINGS HIGHER NOTE

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That one.

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HIGHER STILL

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Well, that's not working so far. The theory is simple enough.

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Everything makes its own particular note. This glass, if I tap this,

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it has its own particular resonant frequency.

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All that means is that's the note it really wants to make.

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And this swing has a resonant frequency, too.

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If I push the swing at its resonant frequency, gradually,

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Sarah swings more and more but if I push faster than its resonant frequency,

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like this,

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nothing happens because I'm pushing and there's no swing to push.

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That's why Sarah has to sing the exact same note

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as the glass makes when you ping it.

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Push harder and harder, like singing louder and louder,

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and, well, in theory, I get Sarah right over the top...

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SHE SCREAMS

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..or in the case of the glass, shatter it.

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We've come to the University of Salford

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to try our experiment in their acoustic lab.

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To give Sarah a bit of a boost,

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we're going to use a microphone and then amplify it.

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SHE SINGS A SERIES OF NOTES

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This is what makes the sound,

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the loudspeaker that you find in a PA system.

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SHE TRILLS

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We're using Mark's special high-speed camera because hopefully,

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if we get the glass to go, it will go in a fraction of a second and we want to capture that.

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Sarah is outside warming up her voice.

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SHE SINGS

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Any sound you make in here completely dead. There is no echo.

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-Listen.

-DEADENED CLAPPING

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That means that we'll be able to get our sound into the glass

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most effectively.

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Here's the glass. And that's the note.

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SHE SINGS A SUSTAINED NOTE

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Sarah has been given a set of headphones that are playing her the correct note

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so she can hear that and reproduce it.

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If she keeps the needle in the red, she knows she's got the right note.

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You're getting there and you can see where the glass is going.

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It is kind of whoa, whoa, you can see it.

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SHE SINGS A SUSTAINED NOTE

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Whoa!

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You did it! Well done!

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That made me jump.

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-Come and look at the damage you have caused.

-Wow.

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You really made a mess of that glass. That was your voice, with just a little bit of help.

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-Shall we do it again? That was great.

-That was cool.

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SHE SINGS A SUSTAINED NOTE

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MUSIC: Carmina Burana

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-Oh, my God.

-Come on, let's do it again.

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SHE SINGS A SUSTAINED NOTE

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GLASS SMASHES

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We did it again.

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Brilliant. I'm on a roll, now. Give me a whole box of them!

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-I hope those glasses weren't expensive. Gyles, you've got your gloves on.

-I've got my gloves on

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because it is quite cold and I could do with a mug of something hot.

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I've got some cocoa but we've got to finish working, first.

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The truth is, for a summer's day, it is quite chilly.

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But I don't mind because here, the views are so breathtaking,

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it is an amazing place to be. Truly beautiful.

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You must come one day and if you do, and you are an artist,

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bring your easel and your paints with you. Are you an artist?

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No, I cannot draw to save my life. However, I do appreciate art.

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My favourites include the great Irish painter Francis Bacon,

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the great Indian painter who died recently, MF Husain,

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and some modern artists as well - Banksy, Damien Hirst, and Rolf Harris.

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Rolf Harris, a bit of cutting edge.

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You're cutting edge, I'm more soft centre.

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I think my favourite English artist is John Constable.

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One of the privileges that we have working for The One Show

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is we go out to see amazing places and to actually meet some remarkable people.

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For this film,

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I went in the footsteps of the great John Constable

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and this is a film not only about an artist

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but it's a love story, as well. I think you'll like it.

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The Hay Wain, Flatford Mill

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and The Leaping Horse are among our greatest landscape paintings.

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They are the work of John Constable

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and demonstrate his passion for the English countryside.

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But his greatest love affair was with his wife, Maria,

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and her death had a powerful effect on his art.

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The ruins of Hadleigh Castle here in Essex are far removed from

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the landscape we normally associate with the work of John Constable.

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The picture that he painted here is bleak and lonely

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and reflects the grief he felt at the loss of his beloved wife.

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Hadleigh Castle was painted in 1829,

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the year after Maria's death.

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She died shortly after the birth of their seventh child.

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Constable was devastated.

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He said after her death,

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"I shall never feel again as I have felt.

0:19:360:19:39

"The face of the world is totally changed to me."

0:19:390:19:43

His state of the mind at the time resonates through the painting.

0:19:430:19:46

Looking at this painting,

0:19:460:19:48

it's very hard not to believe that this bleak,

0:19:480:19:51

brooding dark painting isn't filled with his feelings of loss

0:19:510:19:56

and sorrow at her death.

0:19:560:19:57

John Constable was born in 1776 in Suffolk,

0:19:570:20:01

the son of a wealthy merchant.

0:20:010:20:03

He first met Maria Bicknell when she was a young girl

0:20:030:20:06

but when she was 21 and he was 33, he declared his love.

0:20:060:20:11

Her family, however, were against the match.

0:20:110:20:13

As far as they were concerned,

0:20:130:20:15

he was a ne'er-do-well unsuccessful painter.

0:20:150:20:18

Her grandfather threatened to disinherit her

0:20:180:20:21

if she continued this alliance with John Constable.

0:20:210:20:25

Undeterred, they continued a courtship lasting seven years,

0:20:250:20:29

played out in occasional meetings and some 200 letters.

0:20:290:20:34

"One consolatory idea is always present with me,

0:20:340:20:38

"our hearts are one."

0:20:380:20:39

"I should not love you

0:20:390:20:40

"if you did not feel my absence but feel it as a man.

0:20:400:20:44

"Rejoice that..."

0:20:440:20:45

It's a long, passionate,

0:20:450:20:47

tender regency love affair right from the Jane Austen period.

0:20:470:20:51

"Your letter, dear John, gave me the highest pleasure. To know that you are well..."

0:20:510:20:57

"..that by thoughts are never a moment from you

0:20:570:20:59

"and I wish for no greater happiness than to always subscribe myself ever affectionately yours.

0:20:590:21:06

Maria had to do as her father wished,

0:21:060:21:08

regardless of what her heart told her.

0:21:080:21:10

But something else stood in their way -

0:21:100:21:12

Constable's passion for the countryside

0:21:120:21:15

and his desire to be the greatest landscape painter.

0:21:150:21:19

But his frustrated love for Maria was not wasted,

0:21:190:21:23

it was channelled into his early paintings.

0:21:230:21:25

Constable's work starts to become stronger, fresher, more individual.

0:21:250:21:30

There's a beautiful example of that where he paints a landscape

0:21:300:21:33

looking towards the rectory where her grandfather lived at dawn

0:21:330:21:37

and the sky is suffused with pink

0:21:370:21:39

and it's very hard not to feel that passion.

0:21:390:21:42

In 1816, Constable's parents both died, leaving him a modest income.

0:21:420:21:48

Maria's father allowed them to marry

0:21:480:21:50

but refused to attend the ceremony.

0:21:500:21:54

It was a happy marriage, producing seven children

0:21:540:21:57

and leading to the period when Constable produced his greatest works.

0:21:570:22:01

The six-footers, like the Hay Wain and the Leaping Horse,

0:22:010:22:05

are the paintings that made his name.

0:22:050:22:07

You get the sense, for example, the Hay Wain,

0:22:070:22:10

a tremendous sense of fulfilment and contentment. It's a wonderful picture of the English countryside,

0:22:100:22:16

but it's important to remember that it was also quite radical,

0:22:160:22:19

and although it's now a poster of rural England,

0:22:190:22:25

those paintings were not popular when they were originally painted.

0:22:250:22:29

Constable struggled to sell his work,

0:22:290:22:32

but a worse tragedy was to come.

0:22:320:22:34

Maria developed tuberculosis, and in 1828,

0:22:340:22:38

she died after just 12 years of marriage.

0:22:380:22:41

Is it fair to say that the painting we're looking at now,

0:22:410:22:44

the paining he did here at Hadleigh Castle,

0:22:440:22:46

reflects his mood at the time of her death?

0:22:460:22:49

He was overwhelmed by grief.

0:22:490:22:51

He said, "Hourly I am reminded of the loss of my angel."

0:22:510:22:54

It's really true that the sky has darkened for him.

0:22:540:22:58

Seven long years of courtship

0:22:580:23:00

followed by 12 short years of marriage.

0:23:000:23:04

It's an extraordinary romance, and in Constable's paintings,

0:23:040:23:07

we have it still, that legacy of love.

0:23:070:23:10

Who doesn't like a good love story?

0:23:150:23:17

I collect stories about artists and their love lives.

0:23:170:23:20

You know the story about Augustus John?

0:23:200:23:22

-No, but I can't wait to hear it.

-Another great English painter.

0:23:220:23:26

He was something of a Romeo, to the extent

0:23:260:23:29

that whenever he met a child of any kind,

0:23:290:23:33

he always patted it on the head just in case it was one of his.

0:23:330:23:36

SHE LAUGHS

0:23:360:23:38

That's a good one!

0:23:380:23:40

I'm a townie, and I was once told that townies,

0:23:400:23:42

when they go for a walk in the country,

0:23:420:23:44

they always look downward, whereas country people look up.

0:23:440:23:47

There's good reason to look up here,

0:23:470:23:49

because the bird-watching is fantastic.

0:23:490:23:52

If you're lucky you can see peregrine falcons, buzzards,

0:23:520:23:55

guillemots and razorbills, all great bands.

0:23:550:23:57

Uh-huh. I used to have an album from The Eagles!

0:23:570:24:01

Speaking of buzzards, they're sometimes known as tourists' eagles,

0:24:010:24:05

because people often mistake a buzzard for a golden eagle.

0:24:050:24:10

The buzzard, of course, is quite a bit smaller.

0:24:100:24:12

I'm a bit of an authority when it comes to the birds.

0:24:120:24:15

Gyles, you are an expert at pretty much everything,

0:24:150:24:17

but when it comes to birds on The One Show, only Mike Dilger is the man for the job.

0:24:170:24:22

Oh, yes, I've heard about that, Mike Dilger and the birds.

0:24:220:24:25

The Scottish Highlands, Britain's last great wilderness,

0:24:280:24:31

and home to our most majestic bird of prey, the Golden Eagle.

0:24:310:24:36

Usually, it's only the golden eagles or the odd helicopter pilot

0:24:390:24:44

that gets a bird's-eye view of these rugged hills.

0:24:440:24:48

Today, I'm hoping that's about to change.

0:24:480:24:52

Lloyd Buck is a bird trainer who has always been fascinated

0:24:540:24:57

by what his birds see when they're soaring in the skies.

0:24:570:25:01

And he particularly liked the bird's-eye view of Tilly,

0:25:020:25:05

his captive golden eagle.

0:25:050:25:07

I got Tilly when she was ten months old,

0:25:070:25:10

and now, after nine years, as far as she's concerned, we're partners.

0:25:100:25:15

I'm her mate, so to speak.

0:25:150:25:17

To get an eagle's-eye view, he's teamed up with specialist cameraman Jonathan Watts,

0:25:170:25:22

to produce the world's first high-definition camera

0:25:220:25:25

light enough to be carried on an eagle's back.

0:25:250:25:27

You've been working on this for a long time.

0:25:270:25:30

How excited are you about trying it out for the first time on Tilly's back?

0:25:300:25:33

It's a mix of everything we've been playing with and hoping to get,

0:25:330:25:37

so if we get a bit of lift and Tilly gets right up there, we should just get fantastic views.

0:25:370:25:42

But to get the aerial footage that Jonathan and Lloyd are after,

0:25:420:25:46

everything needs to be just right.

0:25:460:25:48

It's what makes it hard. It's not easy, what we're doing.

0:25:480:25:51

You've got to have the right conditions, not raining,

0:25:510:25:54

nice wind or updraught.

0:25:540:25:56

You've got to have the equipment all set up right on her,

0:25:560:26:00

and most importantly, she's got to be in the right frame of mind.

0:26:000:26:04

You've got to do everything at her pace

0:26:040:26:06

in a way she wants it to be done.

0:26:060:26:08

Good girl!

0:26:080:26:09

-How's she looking, Lloyd?

-All right.

0:26:100:26:12

The camera is attached to a harness by Velcro

0:26:120:26:16

and weighs as much as two mobile phones.

0:26:160:26:18

Given that a golden eagle can lift prey ten times that weight,

0:26:180:26:22

carrying it shouldn't be a problem.

0:26:220:26:24

But to get airborne at all, Tilly needs some wind,

0:26:240:26:27

and usually, in Scotland, that's pretty much guaranteed.

0:26:270:26:31

What do you think of the conditions? They're not perfect.

0:26:310:26:34

No. There's hardly any wind, which is a shame, but we'll get something.

0:26:340:26:40

It's not going to be the spectacular soaring we hoped for.

0:26:400:26:43

But we might get a bit of gliding but let's just see.

0:26:430:26:46

It'll give us a chance to see how well the camera works.

0:26:460:26:48

Really exciting. What do you do now? Release...

0:26:480:26:50

-Oh, those wings are beautiful!

-Good girl.

-Go on. Go on, girl!

0:26:500:26:54

Aw, lovely!

0:26:540:26:56

Wa-hey! Go on, up you go, girl.

0:27:000:27:04

But on this windless day, Tilly just can't get the lift to soar,

0:27:040:27:08

and before long, she has to land, showing off

0:27:080:27:13

those lovely golden feathers on her neck that gives golden eagles their name.

0:27:130:27:16

But 24 hours later, the wind has picked up,

0:27:190:27:22

and Tilly takes to the skies.

0:27:220:27:25

Eagles can't move their eyes,

0:27:310:27:32

and the footage shows how Tilly turns her head constantly,

0:27:320:27:36

looking out for mobbing crows trying to push her off their patch.

0:27:360:27:41

A golden eagle's eyesight is thought to be eight times better

0:27:490:27:52

than ours, so Tilly will easily be able to spot prey,

0:27:520:27:55

like mountain hares, even from this height.

0:27:550:27:58

This high quality footage may be as close as we're ever going to get

0:28:050:28:09

to an eagle's-eye view of the world.

0:28:090:28:11

It will help Lloyd learn more about eagles' flight behaviour,

0:28:110:28:15

and for Tilly, it could be her big break in television

0:28:150:28:18

or the silver screen, getting unique aerial shots.

0:28:180:28:22

Perhaps we should call it 'Tilly-vision'.

0:28:220:28:25

-When I was a boy, there was a weekly comic called The Eagle.

-Was there?

0:28:310:28:35

Science fiction, not amazing birds like that.

0:28:350:28:38

I have to say, here in County Antrim you do not need a bird's-eye view

0:28:380:28:41

to realise you're in one of the most beautiful parts of the world.

0:28:410:28:44

That's it from us. I need to get Gyles back on the bus

0:28:440:28:47

-because his flask of cocoa is waiting for him.

-We had a fabulous day.

0:28:470:28:50

See you again soon. Bye!

0:28:500:28:52

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0:28:580:29:00

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