Browse content similar to 01/02/2013. Check below for episodes and series from the same categories and more!
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Over to the other side, that is all. Welcome to the end of the The One | :00:25. | :00:31. | |
Show week. Our guest tonight is a man who is all skin and bones and | :00:31. | :00:40. | |
makes Women run a mile. No, no, no! Not you! You are on with John | :00:40. | :00:46. | |
Sergeant. Please welcome Stephen Merchant! | :00:46. | :00:53. | |
Hi, Steve. How are you? All right. That joke is insultingly, right? | :00:53. | :01:01. | |
That took us all afternoon. It was not even a joke. Just then a bit | :01:01. | :01:09. | |
longer next time. How have you been. Good. How are you? Good. What have | :01:09. | :01:19. | |
:01:19. | :01:19. | ||
you been doing? I was not just like at Chris's house. I do a bit of | :01:19. | :01:25. | |
writing. That is what I have been doing. I had a sandwich. It has | :01:25. | :01:32. | |
been a packed day. It is all about mummy news tonight. Can you put | :01:32. | :01:38. | |
those on, please, Steve? We wanted to handle the goblet in front of | :01:38. | :01:48. | |
:01:48. | :01:49. | ||
you. -- we want you. This is 3,000 years old. Come on! Just put the | :01:49. | :01:59. | |
:01:59. | :02:00. | ||
gloves on. Be careful! That is extraordinary. That is 3,000 years | :02:00. | :02:08. | |
old. The wow. It is the eternal cup of life. It is like when you go to | :02:08. | :02:18. | |
:02:18. | :02:19. | ||
a restaurant and get a bottomless drink. 10 grand. 10 ran, mate. | :02:19. | :02:24. | |
Nobody will sell it to you. More artifacts later. I am genuinely | :02:24. | :02:29. | |
excited. There really is mummy news tonight because Manchester Museum | :02:29. | :02:37. | |
is making public 24 of its specimens. We sent our own | :02:37. | :02:47. | |
:02:47. | :02:49. | ||
priceless relic - I did not right The Manchester children's hospital | :02:49. | :02:55. | |
cares for nearly 200,000 young people every year. But tonight the | :02:55. | :03:01. | |
radiology department are seeing an older patient. This is Dmitri, a | :03:01. | :03:09. | |
magnificent, 2000 year old gilded Egyptian mummy. -- Dmitri hour. For | :03:09. | :03:13. | |
the first time, the mysteries of what lies behind had bandages will | :03:13. | :03:20. | |
be revealed in minute detail. This scanner will bring her back to life. | :03:20. | :03:29. | |
She was discovered in 1910 at the sight of -- in Egypt. She has been | :03:29. | :03:39. | |
:03:39. | :03:40. | ||
on display since then in Manchester. Were she Royal? She was not. People | :03:40. | :03:48. | |
assume that every ancient Egyptian was mummified. That is not the case. | :03:48. | :03:52. | |
For most of the population, it was a pit in the sand. The body may | :03:52. | :03:55. | |
have been preserved but you may not have been covered in nice things | :03:55. | :03:59. | |
for the afterlife. The University of Manchester has been a pioneer in | :03:59. | :04:07. | |
this research since they carefully unwrapped a mummy in 1908 in front | :04:08. | :04:12. | |
of a packed auditorium. Over 100 years later, the tradition of | :04:12. | :04:20. | |
research continues. What will be scanned do? It has an X-ray source | :04:20. | :04:26. | |
that rotates rapidly. It is like a bacon slicer. You are doing now | :04:26. | :04:30. | |
rare slices. There will be around 3,000 slices, and then, with | :04:30. | :04:35. | |
software, you can get information. And the mummy will not be hurt at | :04:35. | :04:43. | |
all? No, because we don't have to worry about radiation. Waiting for | :04:43. | :04:52. | |
the result. Wow. What do you think? That is terrific. What are the | :04:52. | :04:57. | |
seeing? That allows us to look inside the painted plaster. Here, | :04:57. | :05:02. | |
you can see the spine. It is fractured there. You can see the | :05:02. | :05:07. | |
chest is tightly wrapped. The pelvis is disrupted. Normally the | :05:07. | :05:13. | |
chest would be that shape. That has probably happened postmortem. I did | :05:13. | :05:17. | |
not see any evidence of disease. The wrappings are in good condition. | :05:17. | :05:24. | |
She has got some Stubbs. What are they? They are gold-plated Stubbs | :05:24. | :05:31. | |
in the wrappings. What are we seeing here? These are the eyes. | :05:31. | :05:36. | |
This bone is missing. That tells us that the brain has been taken out | :05:36. | :05:46. | |
:05:46. | :05:47. | ||
through the nose. Oh. Classic mummification. A bit grim! | :05:47. | :05:52. | |
Egyptians did not believe there was higher brain function. If you take | :05:52. | :05:58. | |
the brain out, it cleans the skull and stops decay. This is the first | :05:58. | :06:07. | |
time anybody has seen it like this. It is. Dosh. -- Ghosh. She has got | :06:08. | :06:17. | |
As long as she looked good on the outside, she would be good for | :06:17. | :06:27. | |
:06:27. | :06:28. | ||
eternity. So this is not a bad mummification? It is quality. | :06:28. | :06:33. | |
think she has come to life again as somebody who lived in ancient Egypt. | :06:33. | :06:38. | |
That is how you should remember her. I think I will. | :06:38. | :06:48. | |
:06:48. | :06:50. | ||
So John is back from smuggling mummies. How are you? I am well. | :06:51. | :06:56. | |
the mummy, we know about her. What about the others? All over the | :06:56. | :07:01. | |
world, there are several hundred. If you are an Egyptologist, you are | :07:01. | :07:06. | |
in heaven. You really want to see these mummies. It is what people | :07:06. | :07:11. | |
are doing across the world. We have already acquainted ourselves with | :07:11. | :07:16. | |
the lovely dream vessel here. Can you tell us what these other two | :07:16. | :07:24. | |
are? This is important. We are being careful. The point about this | :07:24. | :07:28. | |
is it is magical. All of these things are magical. You don't need | :07:28. | :07:34. | |
any liquid. You can just drink forever. One drink or any drink? | :07:34. | :07:40. | |
Anything. It is like a free bar! If you have got a chance of one of | :07:40. | :07:48. | |
these, take one. Deduce still that from Manchester University? I had | :07:48. | :07:58. | |
:07:58. | :08:02. | ||
to work hard to get that. -- deduce If you turn this over, this warns | :08:02. | :08:12. | |
:08:12. | :08:15. | ||
your heart not to lie about yourself. That is pretty good. | :08:15. | :08:25. | |
:08:25. | :08:25. | ||
of these things matter in the afterlife. The last bit, this is | :08:25. | :08:32. | |
incredible. You can see those fingers? Those are the fingers of | :08:32. | :08:40. | |
the guy that wrenched the stuff out of the body of the mummy. That is a | :08:40. | :08:47. | |
terrible sign. It says, back off. IMA mummy and I want to live | :08:47. | :08:54. | |
forever. Those are the actual fingers of the M Obama. -- of the | :08:54. | :09:04. | |
:09:04. | :09:05. | ||
man who embalmed the mummy. These are not real fingers. Oh, I see! | :09:05. | :09:14. | |
thought we had got past that. Let's calm down. But this is a | :09:14. | :09:24. | |
:09:24. | :09:25. | ||
representation. We want to know why mummies are called mummies. It's | :09:25. | :09:35. | |
:09:35. | :09:39. | ||
because one of the preservation fluids was called mummia. Fat is a | :09:39. | :09:49. | |
:09:49. | :09:51. | ||
rubbish reason! -- that is. We have got an example of an animal. A cat. | :09:51. | :09:58. | |
That is a cat case. You can see the gap between the two sides. That is | :09:58. | :10:04. | |
where you put the body of the cat. What else have you got? Or more | :10:04. | :10:14. | |
:10:14. | :10:20. | ||
animals! That is a crocodile. It is a small crocodile. What about this? | :10:20. | :10:28. | |
That is a bird. So you are in the afterlife and you have got to staff | :10:28. | :10:35. | |
with you. A round of applause for John! | :10:35. | :10:39. | |
We after stories of amazing things Suns have done with their fathers | :10:39. | :10:45. | |
for next week. Bruce Willis is going to be here! His new film is | :10:45. | :10:54. | |
all about him and his son. E-mail us. Any photographer worth their | :10:54. | :10:59. | |
salt will tell you that light is key to a good but will -- | :10:59. | :11:09. | |
:11:09. | :11:11. | ||
Britain is rarely celebrated for its sunshine. But in the 18th | :11:11. | :11:17. | |
century, Mary and Jane set about solving this perennial problem. | :11:17. | :11:21. | |
There are deer was simplicity itself, but the beauty was in the | :11:21. | :11:26. | |
detail. -- their idea. Having spent 10 years touring | :11:26. | :11:32. | |
Europe, the Cousins returned to Devon in 7095, laden with souvenirs | :11:32. | :11:37. | |
and with a dream of a house that maximised the week English sun. -- | :11:37. | :11:45. | |
17 of 95. So they built this 16 sided house, which, appropriately, | :11:45. | :11:49. | |
means all around. The building has been designed so that the ladies | :11:49. | :11:54. | |
could follow the sun around the house during the day. As the sun | :11:54. | :11:58. | |
travels from East to West, one room after another has the benefit of | :11:58. | :12:02. | |
direct sunshine. The ladies could follow the sun around the house. | :12:02. | :12:09. | |
The day would begin in the east, in the study. Then, it would follow | :12:09. | :12:15. | |
the sun to the musical room. The library. Then the drawing room. By | :12:15. | :12:21. | |
the time it was dark, it would retire for supper in the dining | :12:21. | :12:31. | |
:12:31. | :12:36. | ||
The cousins could only ever appreciate their clever idea one | :12:36. | :12:44. | |
room-mate time. But what I want to do his capture a whole day at A La | :12:44. | :12:52. | |
Ronde in one shot. Fortunately, technology is on our side. Not only | :12:52. | :12:56. | |
is the camera set up with a time that that is going to take a | :12:56. | :13:00. | |
photograph every three minutes, but it is on a tripod driven by a motor, | :13:01. | :13:05. | |
which is going to follow the sun through the day until it sets in | :13:05. | :13:12. | |
the West. All I need to do is press the button. | :13:12. | :13:17. | |
The two spinsters were, in early days, feminists. The conditions of | :13:17. | :13:22. | |
their will said the house could only ever be passed to a man if no | :13:22. | :13:27. | |
other female relative to be found. As a result, A La Ronde has only | :13:27. | :13:32. | |
ever had one male owner in almost 200 years before the National Trust | :13:32. | :13:38. | |
bought it in 1991. Even today, the spirit of the ladies is not only | :13:38. | :13:44. | |
inside the walls, but covers them. They were added craft people, | :13:44. | :13:50. | |
experimenting and a whole range of materials, a past and that dictated | :13:50. | :13:56. | |
the building's form. They needed as much light as the day would give | :13:56. | :14:00. | |
them, which is where A La Ronde's octagonal brilliance comes into | :14:00. | :14:06. | |
play. This is true at the top of the House, especially. As you come | :14:06. | :14:14. | |
around the corner, there's and amazing surprise. Upstairs? Yes. | :14:14. | :14:19. | |
The crowning glory is exceptionally delicate up here, and visitors are | :14:19. | :14:28. | |
not allowed. But today we have been given exclusive access. My goodness. | :14:28. | :14:33. | |
I don't think I have ever seen anything quite like this before, | :14:33. | :14:39. | |
Salli, or indeed anything like this. How have they made this? At the | :14:39. | :14:47. | |
time, the house was really fashionable because it had a grotto, | :14:47. | :14:57. | |
:14:57. | :15:00. | ||
It is quite high up here. 10 metres above the crowd we took them | :15:00. | :15:10. | |
:15:10. | :15:14. | ||
several years to create this It is an extraordinary undertaking | :15:14. | :15:18. | |
in an extraordinary house. Through the use of our camera, we have | :15:18. | :15:25. | |
captured nearly 600 photos which I can flick through like a flick book. | :15:25. | :15:30. | |
Even better, once they are put together on a computer, it reveals | :15:30. | :15:37. | |
the genius of the ladies and their idea. A house that makes the most | :15:37. | :15:47. | |
:15:47. | :15:57. | ||
of the week British sunshine from That was a good film with a clever | :15:57. | :16:05. | |
technique. I used to have the jury box like that. As big as that? | :16:05. | :16:08. | |
I saw I Give It A Year this afternoon and I thought it was | :16:08. | :16:13. | |
brilliant. He was supposed to be asking about his showbiz home. | :16:13. | :16:18. | |
thought we would skirt over it. either of you know what is going | :16:18. | :16:24. | |
on? I was laughing like a drain in the cinema. For people who have not | :16:24. | :16:28. | |
seen it, which is everybody because it is not out, can you give us a | :16:28. | :16:34. | |
synopsis? There are a couple of newly weds... Don't just go through | :16:34. | :16:40. | |
the motions. We have only got 14 seconds to answer the question. I | :16:40. | :16:43. | |
am trying to rattle through and now I do not have time to explain | :16:43. | :16:47. | |
because I have to answer your question. Review would just shut up, | :16:47. | :16:53. | |
I could explain. The energy is better straight away. Go and see it. | :16:53. | :16:59. | |
She loved it in the cinema on her own, like a tragic, lonely woman. | :16:59. | :17:06. | |
It is about a phrase often muttered at weddings, isn't it? It is a spin | :17:06. | :17:12. | |
on a romantic comedy. You are the best man and friend of the groom. | :17:12. | :17:16. | |
The problem with this clip is that because it is 7pm on Friday night | :17:16. | :17:21. | |
you have had to cut out all of the jokes. So you will basically see me | :17:21. | :17:26. | |
talking. It is good but it could be better, so use your imagination. | :17:26. | :17:31. | |
This is the definitive worst best man's speech, and it is horrendous. | :17:31. | :17:39. | |
Yes, but you will not see it. Because it is BBC One and it is 7pm. | :17:39. | :17:43. | |
For those of you who do not know me, and especially if we meet in the | :17:43. | :17:48. | |
bar later, my name is Danny, do you want a pint? It is great to see so | :17:49. | :17:53. | |
many people turn out to see him tie the knot, and about time. She has | :17:53. | :17:56. | |
got it all. She is brilliantly clever and I thought she could | :17:56. | :18:01. | |
easily be a model, if it were not for her nose. I have no idea why | :18:01. | :18:06. | |
her previous boyfriend cheated on her but I am glad that he did. You | :18:06. | :18:10. | |
are 8 out of 10, and I mean that sincerely. We are delighted you | :18:10. | :18:16. | |
have found each other. Everyone, raise your glass as we say a toast | :18:16. | :18:23. | |
to Nat and Josh. That is how it starts, but where does it go? | :18:23. | :18:27. | |
are the difficulties of the first year of marriage, the fact that now | :18:27. | :18:30. | |
you are having to deal with the mechanics of living together, who | :18:30. | :18:33. | |
takes out the rubbish, and this and that, the petty gripes and | :18:33. | :18:40. | |
squabbles. The romance ebbs away. It is a happy film! Your character | :18:40. | :18:45. | |
is probably the most annoying person I have ever seen, in a good | :18:45. | :18:52. | |
way. You did improvise quite a lot to get to that state of annoying. | :18:52. | :18:56. | |
Yes, we did. I was already pretty annoying and they let me be even | :18:56. | :19:02. | |
more annoying and obnoxious. It was good fun. When I do stuff with | :19:02. | :19:05. | |
Ricky Gervais, he makes other actors laugh, and that would annoy | :19:05. | :19:10. | |
me when I was behind the camera, but now I do the same thing. | :19:10. | :19:15. | |
said when you used to do stuff with Ricky Gervais. That is in the past. | :19:15. | :19:21. | |
Is it all over? Too many questions. Which one do you want me to answer? | :19:21. | :19:28. | |
You used to do stuff? I am working with him at the moment. I would not | :19:28. | :19:36. | |
have him as my best man. Do you think he is as funny when you are | :19:36. | :19:45. | |
not around? Yes. Tell us about this new film, Moody 43 with Halle Berry. | :19:45. | :19:49. | |
That is a series of sketches with lots of famous people and they | :19:49. | :19:57. | |
asked me to do one with Halle Berry. Were you nervous? Not at all. I was | :19:57. | :20:02. | |
staring at her beautiful face. That is not the most flattering picture. | :20:02. | :20:12. | |
:20:12. | :20:13. | ||
It was not terrible. The let's hope she is not watching. She is not! | :20:13. | :20:17. | |
have some couples here, and it is their first anniversary today. | :20:17. | :20:22. | |
Let's meet them. We cannot meet them because we're going to play a | :20:22. | :20:27. | |
game. Somehow, they are going to get to see your new film. If you | :20:27. | :20:31. | |
guess which girl is with which boy, and you can see there are too many | :20:31. | :20:37. | |
boys, if you can couple them up, we will pay for the tickets. If you | :20:37. | :20:41. | |
fail to couple a mock, you pay for the tickets. That is not going to | :20:41. | :20:49. | |
happen! M merk, good evening. How did you meet your husband? On a | :20:49. | :20:53. | |
night out, drinking in Manchester. He is a police officer and comes | :20:53. | :21:01. | |
from a large, crazy, Lao of family. How is it going? Great, we are | :21:01. | :21:06. | |
having a baby. Mary, tell us about your husband. He is a computer geek | :21:06. | :21:11. | |
and that is how we met. We work together and my printer was not | :21:11. | :21:18. | |
working quite often, suddenly. often than it should have done. How | :21:18. | :21:23. | |
is it going? Really well. I talked to you before I used it was like | :21:23. | :21:30. | |
day one, no problems. Tell us about your husband. He is a care | :21:30. | :21:36. | |
assistant and he used to work doing what I do, in a bar, so we swapped | :21:36. | :21:45. | |
jobs. He is also from Scotland and he has a really annoying hobby. | :21:45. | :21:51. | |
Stephen, you are looking for... This is pretty shallow, I have to | :21:51. | :21:55. | |
say. You are looking for someone who might be a policeman. Somebody | :21:55. | :21:59. | |
who could work in computers that will go with Mary, and somebody who | :21:59. | :22:05. | |
is caring. First, which one is Emma's husband? First anniversary | :22:05. | :22:12. | |
today. I will kiss her and see who punches me. This is tricky. I'm | :22:12. | :22:20. | |
going to go with Sam. OK, can you stand behind her? Who do you think | :22:20. | :22:30. | |
:22:30. | :22:36. | ||
Mary's husband might be? This is tricky. Oh, God! Come on, Stephen. | :22:36. | :22:46. | |
Shut up, woman, this is not easy. I will go for Rob. We have just three | :22:46. | :22:54. | |
men. Who is her real husband? He is a carer, used to work behind the | :22:54. | :23:02. | |
bar. Were you not listening? Thought I am going to go with this | :23:02. | :23:12. | |
:23:12. | :23:12. | ||
chap. Come here. Stick around U2. Let's look at Emma's wedding day | :23:12. | :23:19. | |
picture. No, it is Mark. Sam, you go over there. A round of applause | :23:19. | :23:24. | |
for Mark. You are paying for those tickets and they come to stay with | :23:24. | :23:34. | |
you Fourie week! Mary and Rob. Let's look at Mary's photograph. No. | :23:34. | :23:41. | |
So you are paying for them are. And the last couple, let's look at the | :23:41. | :23:50. | |
photograph. Stephen Merchant is paying for all of the tickets. | :23:50. | :23:59. | |
they still do the discount thing on Wednesday? Great, that is good. | :23:59. | :24:04. | |
Give It A Year is out next Friday. Time for Foody Friday, with a dish | :24:04. | :24:13. | |
that even I can cook, although I never have. Noodles. | :24:13. | :24:18. | |
Instant dried noodles, the ultimate convenience food. Last year, 100 | :24:18. | :24:23. | |
billion packs and pots were eaten worldwide. Noodles have been eaten | :24:23. | :24:26. | |
everywhere for centuries, from the Middle East, to Italy and Asia, | :24:26. | :24:30. | |
with the earliest records appearing in a Chinese cookbook 2000 years | :24:30. | :24:36. | |
ago. But they go back even further. Archaeologists in north-west China | :24:36. | :24:39. | |
recently dug up a bowl of noodles from under 10 feet of sediment. | :24:39. | :24:43. | |
They believe they are 4000 years old. Sadly, they would not let me | :24:43. | :24:50. | |
eat them. Still, I have these. The instant variety are often seen as a | :24:50. | :24:53. | |
bit lowbrow, but there is an altogether more sophisticated meal | :24:53. | :24:58. | |
being served in Japanese and Chinese noodle bars. In this | :24:58. | :25:03. | |
restaurant, they are taking it very seriously. Lots of us eat noodles | :25:03. | :25:09. | |
but very few get them made like this. This is very traditional. It | :25:10. | :25:14. | |
is very hard as well, as you can see. What is the DOH that he is | :25:14. | :25:21. | |
using? Flour, salt and water. It is so simple. How long has he taken to | :25:21. | :25:26. | |
learn to do this? It takes 10 years to master it. Because you have to | :25:26. | :25:32. | |
understand how it works. He makes it look very easy. Yes. Do you | :25:32. | :25:40. | |
fancy having a go? How hard can it be? And now back? I am not doing | :25:40. | :25:47. | |
very well! This is a disaster. is a bit harsh. There is almost a | :25:47. | :25:54. | |
noodle there. In the 19th century, the Japanese started selling their | :25:54. | :26:02. | |
own Chinese-style noodles. Slowly, they adapted the recipe. This soup | :26:02. | :26:05. | |
is basically noodles in a broth, and there are many different | :26:05. | :26:09. | |
varieties, depended on whether you use pork, chicken or Sorley stock. | :26:09. | :26:13. | |
You can add herbs, Chile or chop vegetables, making it a meal in | :26:13. | :26:18. | |
itself, and a cheap one at that, with the average poll costing less | :26:18. | :26:28. | |
than �10. -- bowl. At this restaurant, they use a machine to | :26:28. | :26:32. | |
make the noodles. Simply, flour, water and other ingredients going | :26:32. | :26:36. | |
and on the other end, perfect noodles come out. Obviously, | :26:36. | :26:42. | |
noodles are important but this is also about stock. Yes, this one. | :26:42. | :26:47. | |
Very thick and creamy. Thick and milky, yes. What is in the stock | :26:47. | :26:57. | |
was to mark pig bones, basically. It is cooked and boiled over 18 | :26:57. | :27:07. | |
:27:07. | :27:08. | ||
hours. Almost like a gravy. It is very thick and cheery. | :27:08. | :27:13. | |
Ming Xun is with us. He is one of only a small number of people who | :27:13. | :27:21. | |
can make noodles from scratch. How long is it going to take. Can you | :27:21. | :27:28. | |
ask him? 20 seconds. It is a good job because that is all we have | :27:28. | :27:35. | |
left. Jay you have done this. the thing is to have an elastic | :27:35. | :27:41. | |
move and because if it is to shop they will break. Stephen is going | :27:41. | :27:46. | |
to have a go. See if you can do better than in the other game. | :27:46. | :27:54. | |
right, you have a go next time! I am not even sure what he is doing. | :27:54. | :27:58. | |
You have got the hands for it. Dainty fingers. I have always liked | :27:58. | :28:05. | |
your fingers. You just stretch it, really. What is difficult about | :28:05. | :28:12. | |
that? There is no way I can do that. I do not know what is going on. | :28:12. | :28:19. | |
is like magic. They appear from nowhere. You said noodles are 4000 | :28:19. | :28:24. | |
years old. When did they come to this country? With the first | :28:24. | :28:29. | |
Chinese restaurants. There was a Chinese community in the east end | :28:29. | :28:38. | |
in the 18th century, so there would have been some form of Chinese food. | :28:38. | :28:48. | |
Go on, Stephen. And then he did that. Then he did that. What do I | :28:48. | :28:58. | |
:28:58. | :29:01. | ||
do now? I cannot just keep pulling. You are doing well. He is the only | :29:01. | :29:07. | |
man who can do this, but I will have ago. There is stuff happening. | :29:07. | :29:14. | |
It is a good effort, Stephen. Pretty good effort. Thank you, Jay. | :29:14. | :29:20. | |
Stephen, good luck with the movie. It is out a week today. Next week, | :29:20. | :29:25. |