Browse content similar to 01/12/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:22. | :00:25. | |
Exciting news here, one of the biggest bands in the world, | :00:25. | :00:29. | |
Coldplay, have called us up wanting to tell us something rather | :00:29. | :00:34. | |
exciting. There you see Chris and Will in our green room, munching | :00:34. | :00:39. | |
away on our snacks. Who knows what they want. Let's meet a man that | :00:39. | :00:43. | |
can give Alex a run for her money on the dancefloor, now she's hurt | :00:43. | :00:48. | |
her back. Even before then. Why he didn't win, I will never know. It's | :00:48. | :00:57. | |
Ed Byrne. APPLAUSE. Indeed, did Dara O'Briain give you | :00:57. | :01:06. | |
hassle for your time on Let's Dance? Yes, actually. Let's have a | :01:06. | :01:16. | |
:01:16. | :01:23. | ||
# I love to boogie on a Saturday night | :01:23. | :01:31. | |
I thought you were superb. That was a bad-coloured top to wear. It | :01:31. | :01:35. | |
looks like my skin is falling off. I didn't realise just how ugly that | :01:35. | :01:40. | |
top was until watching it back there. With Arlene as well, under | :01:40. | :01:44. | |
pressure there. Arlene, look, I rehearsed hard and long for that | :01:44. | :01:49. | |
and Arlene did a bit in the middle and she got it wrong! When you are | :01:49. | :01:52. | |
dancing with Arlene and you are doing moves and you are both doing | :01:52. | :01:56. | |
different things, people are going to look at you, clearly Ed's messed | :01:56. | :02:00. | |
up there. No, it was her! You are very kind. You didn't mention that | :02:00. | :02:06. | |
on the night. Didn't I? I didn't realise until I watched it back, | :02:06. | :02:11. | |
that's probably why. It's out there now. Phillips! We are going to be | :02:11. | :02:14. | |
chatting about your DVD later on and finding out... I believe that's | :02:14. | :02:18. | |
what Coldplay are here to plug as well, my DVD. You know more than us, | :02:18. | :02:21. | |
we have no idea why they're here. First, we can learn plenty from the | :02:21. | :02:25. | |
animal kingdom around us. Miranda Krestovnikoff has been to the North | :02:25. | :02:31. | |
Wales coast to be taught a lesson about climbing from the masters. | :02:31. | :02:36. | |
Across the globe mountain goats are the ultimate mountaineers. They can | :02:36. | :02:46. | |
:02:46. | :02:48. | ||
pick their way across near sreurtical cliffs -- verticle | :02:48. | :02:52. | |
cliffs. They face some of the most adverse weather conditions and they | :02:52. | :02:56. | |
inhabit some of the most inaccessible rock faces. These | :02:56. | :03:01. | |
goats really do live their lives on the edge. | :03:01. | :03:04. | |
Here on in North Wales these mountain goats can make it to | :03:04. | :03:09. | |
places that other grazing animals can't reach, feasting on the lush | :03:09. | :03:16. | |
grass tucked into crevices. They do it with such ease and confidence | :03:16. | :03:19. | |
and the fact there is a massive 50 metre drop to the sea below just | :03:20. | :03:26. | |
doesn't seem to bother them in the slightest. | :03:26. | :03:31. | |
I want to show how these animals are adapted to this rugged and | :03:31. | :03:39. | |
potentially lethal terrain and to see if I can match them. | :03:39. | :03:42. | |
Mountaineer Carlo has shared many mountain moments with goats. Just | :03:42. | :03:46. | |
to watch them is amazing to see the sort of terrain that they can get | :03:46. | :03:52. | |
on to and how they confidently move around that ground and it's awe- | :03:52. | :03:54. | |
inspiring because you are struggling with ropes and trying to | :03:54. | :03:58. | |
climb up the best you can. Knowing a little bit about how the goats do | :03:58. | :04:02. | |
it, is there any way I can go up one of these cliff faces today? | :04:02. | :04:08. | |
Yeah, absolutely. So, equipped with plenty of safety gear, we go to a | :04:08. | :04:13. | |
piece of cliff 190 metres up to a spot where goats scamper up every | :04:13. | :04:21. | |
day. For the goats, their first bit of | :04:21. | :04:25. | |
safety kit is in-built. Both the male and female goats have got | :04:25. | :04:29. | |
horns and the males use theirs a lot for fighting but the horns are | :04:29. | :04:34. | |
actually so thick they can cushion a fall, like my helmet really. They | :04:34. | :04:40. | |
extend a long way over the back of the neck, so it gives vital | :04:40. | :04:46. | |
protection there as well. Back to business. I am on my way up! OK. | :04:46. | :04:54. | |
into the mindset of a goat. I am thinking of hooves, I am thinking | :04:54. | :05:00. | |
where will I put my hand? It's impossible. Goats have specialist | :05:00. | :05:10. | |
:05:10. | :05:12. | ||
climbing vision with rectangular pupils, it gives superb periphery | :05:12. | :05:17. | |
vision. Concentrate, woman! Places to put your hand hand and feet. On | :05:17. | :05:20. | |
terrain like this there are barely any flat surfaces but the goats | :05:20. | :05:25. | |
have feet that are designed to stick. Each foot has two hooves | :05:25. | :05:32. | |
which are flexible and can spread apart giving a firm stable base. | :05:32. | :05:36. | |
Each hoof has an outer layer which is very hard, it gives a really | :05:36. | :05:41. | |
good purchase on these tiny ledges. The inside of the hoof is a | :05:41. | :05:46. | |
leathery pad which gives them a good grip. It creates a sort of | :05:46. | :05:49. | |
suction cup, sticking them to the rock. Because they have two it's | :05:49. | :05:56. | |
like a backup safety line. I have super gripping climbing shoes but | :05:56. | :06:04. | |
it's not enough. They don't suck to the rock. | :06:04. | :06:11. | |
Take small steps. I am trying to take any steps I can. The goats' | :06:11. | :06:15. | |
dainty gate is no accident. They keep their body weight over their | :06:15. | :06:22. | |
feet and centred, maintaining balance. Try and choose the line of | :06:22. | :06:27. | |
least resistance. Imagine you are a goat looking for the easy way up. | :06:27. | :06:33. | |
Like most animals they don't make life hard for themselves, they'll | :06:33. | :06:41. | |
zigzag up, along the ease easiest route. After a tough 20 minutes, I | :06:41. | :06:46. | |
take it to the top. I made it! Wow, that was fantastic. It's really | :06:46. | :06:51. | |
hard work. You have to be really strong and you are just balanced on | :06:51. | :06:55. | |
the edge all the time. This is really rough terrain, but for an | :06:55. | :07:03. | |
animal with so many mountaineering adaptations it's a walk in the park. | :07:03. | :07:10. | |
There's a lot we can learn from that. Horns as a rollcage. I can | :07:10. | :07:14. | |
bunch this into a pillow. That's the closest I get to that. You do a | :07:14. | :07:18. | |
bit of climbing. There is something very funny actually, when you climb | :07:18. | :07:23. | |
up out of a gully, and you meet a goat or a sheep even standing there | :07:23. | :07:30. | |
at the top and they just look at you. You are not from around here, | :07:30. | :07:36. | |
are you boy! We are here because we live here, what are you doing here? | :07:36. | :07:42. | |
You have taken your comedy to new heights. That's a good link! That's | :07:42. | :07:49. | |
nice. We don't don't throw this show together. Your latest DVD is | :07:49. | :07:53. | |
out in time for Christmas. Lots of DVDs out at the minute. It's a | :07:54. | :07:58. | |
crowded market. What makes yours stand out? It's a very pretty sort | :07:58. | :08:03. | |
of blue and light blue cover. Also, do you know what I heard an | :08:03. | :08:08. | |
interesting thing, only something like one in ten comedy DVDs even | :08:08. | :08:12. | |
gets watched. It's one of those things - the vast majority of just | :08:12. | :08:16. | |
bought as gifts. Oh yeah, I know him and then they don't even watch | :08:16. | :08:23. | |
it. If the person isn't going to watch it, why not buy mine. I have | :08:23. | :08:27. | |
a child. They're going to watch it anyway. At least it will look good. | :08:27. | :08:31. | |
People will go oh, different. You didn't go for the usual, the | :08:31. | :08:35. | |
McIntyre and Bishop and you know, you went for... Interesting, you | :08:35. | :08:38. | |
mentioned your child there. The last time you were on you were save | :08:38. | :08:44. | |
ago bit of your material -- saving a bit of your material. He was | :08:44. | :08:50. | |
bound to yield material. Normally to do with his bodily functions and | :08:50. | :08:53. | |
the fact, it's not the amount of stuff that comes out of a baby, | :08:53. | :08:57. | |
it's the pressure that builds up inside a baby. That's what will | :08:57. | :09:03. | |
take - that will take you by surprise. If I was to feed him | :09:03. | :09:06. | |
Ronseal, instead of milk I could do my fence with him. It's really | :09:06. | :09:13. | |
quite something. That's an idea I would like to see on Dragons' Den. | :09:13. | :09:16. | |
Cosmo maybe was the inspiration for this clip. | :09:16. | :09:21. | |
You know one of those kids, mum, mum, keeps going off like an alarm | :09:21. | :09:26. | |
clock. Mum, mum, mum, mum. Every now and again the mother will go | :09:26. | :09:30. | |
what? But it's like pressing snooze. After about the 8th time the kid | :09:30. | :09:34. | |
did it, the woman said the the funniest thing I ever overheard on | :09:34. | :09:37. | |
public transport. It gave me the perfect window on what it is to be | :09:37. | :09:43. | |
a parent. The kid goes mum, mum, mum, mum, mum, mum, mum, mum. The | :09:43. | :09:47. | |
woman, without even looking just went, I can't believe how happy I | :09:47. | :09:53. | |
was the first time you said that word. | :09:53. | :09:59. | |
Brilliant. It's a true story. have the alarm clock that says dad, | :09:59. | :10:04. | |
can I have, can I have, can I have. The last time we saw you was on | :10:04. | :10:10. | |
Pointless. Yeah. We didn't do so well. We were out second. We came | :10:10. | :10:19. | |
third. We got to the head-to-head against the McKreur. The one that | :10:19. | :10:26. | |
put us out was name dancers on Top of the Pops and we said Hot Gossip. | :10:26. | :10:33. | |
They were only on Kenny Everett. Who used to be choreographied by | :10:33. | :10:42. | |
Arlene! Celebrity Mastermind didn't go well either. Third! Last but one. | :10:42. | :10:46. | |
That's another way of looking at it. We are going to give you a chance | :10:46. | :10:50. | |
to redeem yourself on a subject that you should know better, the | :10:50. | :10:58. | |
subject of Ed Byrne. All right. Here we are. You have to wait, | :10:58. | :11:03. | |
question one, in 2005 Ed Byrne starred in the film Zemanovaload. | :11:03. | :11:13. | |
:11:13. | :11:15. | ||
How much is the DVD currently going for on ebay? I would give it 99p. | :11:15. | :11:22. | |
Incorrect. It was on sale for �4.39. I have a box of them, I will do | :11:22. | :11:29. | |
them for 99p. You studied horticulture at strat strat strat - | :11:29. | :11:35. | |
- Strathclyde University, what is the Latin name for mistletoe? | :11:35. | :11:39. | |
didn't mention I dropped out of horticulture. Passing? I am passing | :11:39. | :11:44. | |
on that. You were nominated for the Perrier Comedy Award, which | :11:44. | :11:53. | |
comedian beat to you the prize? Tommy Teiran. Correct. Well done. | :11:53. | :11:59. | |
You had one correct answer on the life and times of Ed Byrne. | :11:59. | :12:03. | |
asked me a question about Latin name for Holly. Mistletoe, listen | :12:03. | :12:08. | |
to the question! In a moment Chris Martin and Will Champion will be | :12:08. | :12:14. | |
here and we don't know what they want, do we? We don't. It's amazing | :12:14. | :12:18. | |
to think with all the success they've had they're still only in | :12:18. | :12:24. | |
their early 30s, some musicians have to wait a lot longer for their | :12:24. | :12:27. | |
break. Gyles Brandreth has a perfect perfect example. | :12:27. | :12:37. | |
:12:37. | :12:42. | ||
Sir he hadward Elgar is -- Edward Born here, in June 1857 at this | :12:42. | :12:46. | |
simple cottage near Worcester, Elgar's genius earned him a | :12:46. | :12:53. | |
knighthood. But his path to greatness was far from an easy one. | :12:53. | :12:57. | |
The son of a piano tuner he was a gifted musician and as a young man | :12:57. | :13:01. | |
he worked in his father's music shop in Worcester. He taught music, | :13:01. | :13:07. | |
composed, and performed locally. But his career refused to take off. | :13:07. | :13:13. | |
His life changed in 1886 when at the age of 29 he met Alice Roberts, | :13:13. | :13:16. | |
nine years his senior. He taught her piano lessons. She came from a | :13:16. | :13:21. | |
wealthy family who disapproved of Elgar's humble origins. But Alice | :13:21. | :13:28. | |
was determined to marry him and make him a success. Over the next | :13:28. | :13:32. | |
nine years, encouraged by Alice, Elgar published over 30 works. But | :13:32. | :13:37. | |
he failed to make his mark. Then one day at the couple's home his | :13:37. | :13:42. | |
luck changed. Tell me what happened? He had been teaching and | :13:42. | :13:47. | |
had come home rather tired and exasperated and was tinkering at | :13:47. | :13:51. | |
the piano and as he did so Alice picked out something that he played | :13:51. | :13:56. | |
and said that's a good tune. Elgar was puzzled and said, you mean this | :13:56. | :14:06. | |
:14:06. | :14:06. | ||
one? And worked that into what's become this big orchestral work. | :14:07. | :14:13. | |
Completed in 1899 it was a set of 14 musical portraits of his friends | :14:13. | :14:21. | |
and wife, each with its own distinctive mood. The most | :14:21. | :14:25. | |
celebrated is dedicated to his great friend and publisher. | :14:25. | :14:29. | |
It is the most passionate of all the 14 and even more passionate | :14:29. | :14:34. | |
than the one he wrote for his wife, Alice. | :14:34. | :14:38. | |
It's music that actually speaks louder than words. | :14:38. | :14:43. | |
Elgar conducted the Variations at Worcester's Public Hall for a | :14:43. | :14:48. | |
festival in 1899. It was a huge success. The 42-year-old Elgar had | :14:48. | :14:58. | |
:14:58. | :15:00. | ||
And with later compositions like his Pomp and Circumstance marches, | :15:00. | :15:07. | |
he was still regarded as Britain's greatest living composer. However, | :15:07. | :15:14. | |
it was the poingnancy of Nimrod, that secured his legacy. In 1995, | :15:14. | :15:19. | |
Nimrod was chosen to be performed every year at the Cenotaph on | :15:19. | :15:27. | |
Remembrance Sunday. I think that some would say this is | :15:27. | :15:31. | |
profound. Taken more slowly it stirs the feelings in a way that | :15:31. | :15:35. | |
obviously people react to inseriously. | :15:35. | :15:41. | |
The the National Youth Orchestra of Scotland is performing here at this | :15:41. | :15:48. | |
year's Three Choir's Festival in Worcestershire. So, where better to | :15:48. | :15:52. | |
hear a special performance of Nimrod than the place where it | :15:52. | :16:02. | |
:16:02. | :16:27. | ||
MUSIC: Nimrod. It packs such a punch, doesn't it? | :16:27. | :16:32. | |
It is beautifully crafted, but so simple it draws you in and then | :16:32. | :16:38. | |
mounts to this heart-rending climax, which is so stirring, defy anybody | :16:38. | :16:48. | |
:16:48. | :17:10. | ||
Bravo! APPLAUSE Bravo indeed. Incredible, isn't it, | :17:10. | :17:14. | |
to think that Nimrod was the result of a stressful day at work. His | :17:14. | :17:19. | |
wife picked that one. From one great British musician of | :17:19. | :17:26. | |
the past to two of the present. It is Coldplay's Chris Martin and Will | :17:26. | :17:32. | |
Champion. APPLAUSE | :17:32. | :17:32. | |
Right. Have | :17:32. | :17:33. | |
Have a | :17:33. | :17:33. | |
Have a seat. | :17:33. | :17:33. | |
Have a seat. Now, | :17:33. | :17:39. | |
Have a seat. Now, then, enlighten us? That was quite an intro. I'm | :17:39. | :17:43. | |
not sure we are as good as Elgar. I saw you conducting in the back, | :17:43. | :17:49. | |
you are obviously a fan of Elgar? He is amazing. Really wonderful. | :17:49. | :17:52. | |
So, you called us up? Thank you very much. | :17:52. | :17:56. | |
How can we help you out? We have been asking the question all night, | :17:56. | :18:01. | |
what is going on? Next week we are playing at the O2 in London, on a | :18:01. | :18:06. | |
Friday. We decided to add a show on the Saturday to make, well, attempt | :18:06. | :18:10. | |
to do a charity concert for this organisation that we work with | :18:10. | :18:16. | |
called Kids' Company. So we have put together an amazing line-up, we | :18:16. | :18:20. | |
thought we should tell people about it, otherwise it will be empty. | :18:20. | :18:24. | |
It is a Mexico of music and comedians? Yes, it is us playing | :18:24. | :18:32. | |
for an hour, then it is Steve Coogan, who is a comedian! Who else, | :18:32. | :18:39. | |
Tinie Tempah is going to play. Rob Bridon. Will is playing drums. It | :18:39. | :18:45. | |
is all to benefit this amazing youth organisation in London called | :18:45. | :18:49. | |
Kids' Company. So, we are really excited about. It we have never | :18:49. | :18:53. | |
tried anything like this before. As a band, Will, you must have | :18:53. | :18:59. | |
loads of requests, why did this charity strike a chord? | :18:59. | :19:02. | |
approached them. We were thinking we wanted to do something | :19:02. | :19:06. | |
significant and close to him. We had been hearing a lot of work | :19:06. | :19:10. | |
about this charity, what they do in London. There was an opportunity to | :19:10. | :19:17. | |
go to a school, a drop-in centre in cam been, where we grew up as a | :19:17. | :19:22. | |
band. So it really resonated with us. We had thought about doing with | :19:22. | :19:26. | |
a youth club or something that was dear to our hearts. So people were | :19:26. | :19:31. | |
so rave being the work that Camilla does with Kids' Company, so we went | :19:31. | :19:35. | |
to see them. It was an instant connection. | :19:35. | :19:41. | |
They are a great charity. I have done something for them | :19:41. | :19:46. | |
myself. Ago they approached me, I didn't have to do it the other way | :19:46. | :19:50. | |
around, phone them up, begging them for work! We were so lucky when we | :19:50. | :19:54. | |
were kids with people giving us opportunities. So we said when we | :19:54. | :20:00. | |
make it we will, you know, so, that is what we are doing. There are | :20:00. | :20:05. | |
tickets on Coldplay.com. It is a good way of getting the | :20:05. | :20:11. | |
kids out of the hook of working for drug dealers, that kind of thing, | :20:11. | :20:15. | |
they may otherwise end up going down the route of crime. | :20:15. | :20:23. | |
Ed was not available, by the way! Chris, obviously, this is going to | :20:23. | :20:28. | |
be full of passionate fans. You had a passionate fan the other week | :20:28. | :20:32. | |
with a tambourine? This was five days ago. The numbers are not | :20:32. | :20:37. | |
important. But, Will and Guy, our bass player, | :20:37. | :20:41. | |
decided not to do this concert. Somehow a lady heard we were | :20:41. | :20:46. | |
missing a rhythm section. This was last week in a church. Myself and | :20:46. | :20:51. | |
Johnnie were playing guitar, this lady started to play the tambourine. | :20:51. | :20:58. | |
I think she had only had a coup of lessons. It was very much | :20:58. | :21:04. | |
improvised! It was not necessarily in time. I had to be like a talent | :21:04. | :21:09. | |
show judge and nicely tell her never to play tambourine again! It | :21:09. | :21:13. | |
was hard. We are going it listen to one of | :21:13. | :21:17. | |
the songs you are going to play at the O2. | :21:17. | :21:24. | |
Let's have a listen. This is from par par are par. | :21:24. | :21:31. | |
# -- this is from Paradise. # This could be paradise | :21:31. | :21:38. | |
# This could be paradise # This could be paradise. # You can | :21:38. | :21:42. | |
see Coldplay live at the 02 on Saturday, December the south. | :21:42. | :21:46. | |
Well, with less than a month to go before Christmas, some people are | :21:46. | :21:50. | |
hitting the shops in search of the best presents at the best prices. | :21:50. | :21:55. | |
In the early 60s, it was harder to find a bargain as John Sargeant | :21:55. | :22:02. | |
explains. Shoppers on Britain's High Streets | :22:02. | :22:06. | |
are experienced bargain hunters. Some are walking encyclopaedias, | :22:06. | :22:11. | |
they know if the price is right, but it's not always been like that | :22:11. | :22:18. | |
# The price of a brand of milk # I tell you what... # Not long ago, | :22:18. | :22:21. | |
you could waste a lot of time shopping around as most of the | :22:21. | :22:28. | |
goods in the shops were sold at exactly the same price it was | :22:28. | :22:34. | |
called re-sale price maintenance. When it was abolished, passed on | :22:34. | :22:40. | |
the 13th of May, 1964, Britain's High Streets changed forever. | :22:40. | :22:44. | |
Before them, re-sale price maintenance, allowed manufactures | :22:44. | :22:50. | |
to set the prices that shops charged for goods. In these days a | :22:51. | :22:55. | |
of price comparison websites it seem peculiar. | :22:55. | :23:01. | |
Here, they remember how it worked. So, you would get a tin of bea nrbg | :23:01. | :23:06. | |
s in this store, it was the same price? Yes. No point to shopping | :23:06. | :23:10. | |
about, it would be the same price wherever you were. | :23:10. | :23:15. | |
What was the point? It took the price weapon out of the hands much | :23:15. | :23:18. | |
the stores and left it with the wfrs -- manufactures. | :23:18. | :23:23. | |
It meant that the shops had to use weapons other than price to compete | :23:23. | :23:27. | |
with each other. The promotions could leave shoppers in a pickle. | :23:27. | :23:33. | |
I find the shopping is confusing. I don't know if I am getting a good | :23:33. | :23:39. | |
buy. It is bewildering. A lobby led by the emerging | :23:39. | :23:42. | |
shopping superpowers, the supermarkets, pressed for change. | :23:42. | :23:46. | |
This those days there were few of them and they had a small share. | :23:46. | :23:50. | |
10%, maybe. Despite that, the reformers won the | :23:50. | :23:56. | |
day with the passing of the Reh sale Pricing Act. It changed the | :23:56. | :24:00. | |
face of shopping and banned price fixing. | :24:00. | :24:05. | |
Suddenly, overnight, it was a revolution, there were prices going | :24:05. | :24:09. | |
everywhere. If you were a clever shopper, you could get around and | :24:09. | :24:12. | |
find the bargains. That was a good thing. | :24:12. | :24:16. | |
Most of the bargains were in the supermarkets and the larger | :24:16. | :24:23. | |
retailers. It was the beginning of their rise and all at the expense | :24:23. | :24:28. | |
of the small independent stores, but almost half a century later, in | :24:28. | :24:30. | |
some areas, the manufactures influence the price that their | :24:30. | :24:34. | |
goods are sold for. With this perfume, for instance, you are | :24:34. | :24:39. | |
unlikely to be able to find it being sold as a discount. Similar | :24:39. | :24:43. | |
things happen in fashion. What manufactures of luxury products do | :24:43. | :24:47. | |
often is to sell goods to retailers that they know will not cut prices | :24:47. | :24:52. | |
to the bone. There are some exclusive brands who | :24:52. | :24:56. | |
restrict the distribution. Ie they don't sell to every retailer in the | :24:56. | :25:00. | |
High Street. How can they do that under the law? | :25:00. | :25:05. | |
There is no law to say that they have to supply particular retailers. | :25:05. | :25:10. | |
We can shift volumes of product if the manufactures don't want to | :25:10. | :25:14. | |
supply that retailer, they don't have to. The law says that the | :25:14. | :25:18. | |
manufactures are not allowed to dictate the price at which | :25:18. | :25:26. | |
retailers sell. The fight between manufactures and | :25:26. | :25:34. | |
retailers over restricting supplies turned nasty in 1998. Tesco brought | :25:34. | :25:41. | |
in container loads of Levi 501 from abroad. They tried to pile them | :25:41. | :25:47. | |
high and sell them cheap. They won. The court decided that test Tesco | :25:47. | :25:52. | |
couldn't do what they wanted with the Levi heritage. | :25:52. | :25:57. | |
The argument was that Levis was not about a pair of jeans that you wear | :25:57. | :26:01. | |
in the garden. It is about the fashion, the styles, the cuts, that | :26:01. | :26:07. | |
is something that they invest in. The end of re-sale price | :26:07. | :26:10. | |
maintenance, nearly 50 years ago changed Britain. The consumer | :26:10. | :26:14. | |
became the king, the corner shop went into decline and the | :26:14. | :26:18. | |
supermarkets began their long rise to dominance. | :26:18. | :26:26. | |
Well, John is here to explain more. Up until 14 years ago books were | :26:26. | :26:33. | |
exempt? That's right. Then books went and ten years ago, the | :26:33. | :26:37. | |
medicines had the retail price removed. So the battle goes on. | :26:37. | :26:42. | |
There are far fewer books in the shops than there were. The argument | :26:42. | :26:49. | |
to allow the soorp markets to run everything, how do the smaller | :26:49. | :26:53. | |
shops survive is still very much a live issue. | :26:53. | :26:58. | |
Do you remember when Radiohead brought out their album and said to | :26:58. | :27:05. | |
pay what you think it is worth, what did you think of that idea? | :27:05. | :27:10. | |
paid �108! Did you?! I bought one for Will. We thought that was great. | :27:11. | :27:16. | |
We can't do that as we are owned by a record company. They would get | :27:16. | :27:20. | |
cross with us. They would be cross if we advocated | :27:20. | :27:23. | |
that. It is an interesting thought, | :27:23. | :27:27. | |
though? That is what Radiohead do. It was cool. | :27:27. | :27:32. | |
Ed, would you have a crack at that? I don't have enough faith in myself | :27:32. | :27:37. | |
to say pay what you want. At least help me cover the cost of producing | :27:37. | :27:45. | |
the video! Talking of skill, this, that and the other. Is this you on | :27:45. | :27:49. | |
a unicycle? Oh, yes, that is me. Good skills. | :27:49. | :27:55. | |
There is the head coming off. Good skills When did you learn to do | :27:55. | :28:00. | |
that? What was her name!? You are not wrong. It was before I met the | :28:00. | :28:05. | |
rest of the band adesperate for attention. My dad said a couple of | :28:05. | :28:08. | |
years ago when our album was not doing so well, he said that one day | :28:08. | :28:14. | |
I could go back to that. We were struggling for a video idea a few | :28:14. | :28:18. | |
weeks ago in South Africa. So I thought now is the time to unleash | :28:18. | :28:22. | |
that talent. Indeed! I did it myself! So, your | :28:22. | :28:27. | |
father was like, if it doesn't work out, he always has unicycling to | :28:27. | :28:33. | |
fall back on. My dad said the same with Strictly. | :28:33. | :28:42. | |
We will have a ride around later. What is happening with the tour? | :28:42. | :28:46. | |
tour forever, basically, but next Saturday is important. I'm in | :28:46. | :28:50. | |
Aberdeen tomorrow. Saturday I'm working, Sunday in Hammersmith | :28:50. | :28:55. | |
Apollo. John? There was some talk about | :28:56. | :28:57. |