Browse content similar to 03/08/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Matt Baker. | :00:23. | :00:30. | |
With us a man who starred in one of the most popular films of all time. | :00:30. | :00:37. | |
Everything is new # And all I have learned has overturned # I beg of | :00:37. | :00:47. | |
you # There's something in the air tonight, his stars are brand it's... | :00:47. | :00:54. | |
Dominic Cooper. You were wincing there, head in hands. It is so out | :00:54. | :01:01. | |
of tune. You looked great. That is the most important thing. How did | :01:01. | :01:05. | |
it feel with the singing? I didn't believe I could do it. I had no | :01:05. | :01:11. | |
confidence in singing, let alone in a musical film. Then I went to see | :01:11. | :01:16. | |
the show and I thought they have chosen the wrong person. I was | :01:16. | :01:23. | |
terrified. But it was good fun. was a high note and you hit it. | :01:23. | :01:28. | |
think Pierce Brosnan was more out of tune. Well he boosted hi | :01:28. | :01:33. | |
confidence. Dock nick has a film out and he will tell us about that | :01:33. | :01:38. | |
later. We had a great response from the film on litter in Hyde Park. | :01:38. | :01:43. | |
Here is what happened when the park stopped picking up litter for two | :01:43. | :01:50. | |
days. Half a tonne was collected in two days. In a corner of the park. | :01:50. | :01:54. | |
We're not going to let this go. Litter is a big problem. We looked | :01:54. | :01:58. | |
for a community in need of help to sort out their streets. We found | :01:58. | :02:08. | |
one in Blackburn. Didn't we? this is the Wally Range area. They | :02:08. | :02:11. | |
have been complaining about a terrible litter problem for as long | :02:11. | :02:16. | |
as they can remember. This is what this street looked like earlier. | :02:16. | :02:25. | |
Filthy, covered in rubbish, wasn't it? Later you can see how the local | :02:25. | :02:30. | |
community got together and cleaned this a place up. Great. Dominic | :02:30. | :02:36. | |
what do you think of litter? Michael Crawford's daughter hate | :02:36. | :02:41. | |
everyone who drops litter. despice it I once tried to do | :02:41. | :02:45. | |
something, and learned not, by throwing something back through a | :02:45. | :02:50. | |
car window that came out of it and six large people got out and I ran | :02:50. | :02:58. | |
for my life. Did you knock somebody? They were throwing, this | :02:58. | :03:03. | |
stuff was pouring out, chicken bones and cups. But some people | :03:03. | :03:07. | |
don't think about the environment and maybe it doesn't affect some | :03:07. | :03:13. | |
people. But it maybes me feel ill. We will be back later. We make | :03:13. | :03:20. | |
choice each day, but some choices are life changing. Wendy Robins has | :03:20. | :03:26. | |
been documenting some of those big choices. We meets a woman who Derby | :03:26. | :03:31. | |
who at 15 made a choice that would define her forever. I'm Jasvinder | :03:31. | :03:35. | |
Sanghera, I was born in Britain and went to school in Britain. When I | :03:35. | :03:40. | |
was 15 I said no the to an arranged marriage. I ran away from home and | :03:40. | :03:45. | |
that decision affected by life and the lives of my three children | :03:45. | :03:51. | |
forever. Jasvinder Sanghera grew up in a Sikh family in Derby. Arranged | :03:51. | :03:56. | |
marriages war common tradition and when she was 14, her parents told | :03:56. | :04:01. | |
her they had found her a husband from India. Tell me about when you | :04:01. | :04:06. | |
were shown that photograph of your husband to be? I was a normal kid | :04:06. | :04:10. | |
who came home from school one day and my mother sat me down and | :04:10. | :04:15. | |
presented me with a photograph. I said, mum, I don't want to marry | :04:15. | :04:19. | |
this person. She left it at that and put the photograph on the | :04:19. | :04:23. | |
mantle Pooh she would say this is your future husband. The pressure | :04:24. | :04:29. | |
mounted when I was 15 and a half. My mother would say you will go | :04:29. | :04:34. | |
through with this. That is when I started to say no. And my mother | :04:34. | :04:38. | |
took me out of school and I was locked in a room at home. The thing | :04:38. | :04:43. | |
was I had seen it happen to my sisters. They would say you're in a | :04:43. | :04:48. | |
-- you're no different to us. did you escape. I saw an | :04:48. | :04:56. | |
opportunity. The door was open and I just ran. She escaped with the | :04:56. | :05:01. | |
help of her best friend's brother and the two fled to Newcastle. She | :05:01. | :05:07. | |
h hid -- she hid on the floor of the car until she saw the Tyne | :05:07. | :05:11. | |
bridge. Over night I had lost everyone I had known and loved. I | :05:11. | :05:16. | |
would come and walk around and look over the bridge and think, well if | :05:16. | :05:23. | |
I throw myself in, who will miss me? After months in hiding, a | :05:23. | :05:28. | |
police officer persuaded her to contact her family. My mother's | :05:28. | :05:34. | |
response was shocking. It was, you stay where you are. Unless you want | :05:34. | :05:39. | |
to come home, marry who we say. Otherwise you are now dead in our | :05:39. | :05:49. | |
:05:49. | :05:51. | ||
eyes. She spent even -- ve seven years as an outcast. Tell me about | :05:51. | :05:56. | |
your sister. She suffered horrific domestic violence. We used to have | :05:56. | :06:01. | |
a relationship in secret and she would tell me that she is suffering | :06:01. | :06:05. | |
violence. I would say tell mum and dad. She did, but they sent her | :06:05. | :06:11. | |
back and said it is your duty to make this marriage work, because of | :06:11. | :06:16. | |
our honour. My sister, 24, she had a little boy of five. She set | :06:16. | :06:22. | |
herself on fire and suffered over 90% burns and died. Jasvinder | :06:22. | :06:29. | |
Sanghera set up Karma Nirvana, a charity for victims of abused and | :06:29. | :06:36. | |
forced marriages. Give me an idea of the calls you receive here. | :06:36. | :06:42. | |
Today we have had a teacher call about a 14-year-old girl. We | :06:42. | :06:46. | |
rescued a victim of a forced marriage. We receive over 400 calls | :06:46. | :06:53. | |
a month. The biggest achievement has to be that we're saving lives. | :06:53. | :06:57. | |
Although Jasvinder Sanghera sent her photographs, they never forgave | :06:57. | :07:01. | |
her and in their eyes, bringing shame on the family. When my father | :07:01. | :07:06. | |
died. I went to the house and in the corner of his room on the wall | :07:06. | :07:12. | |
there was my photograph. And I thought, you know dad, in death, | :07:12. | :07:16. | |
you say a thousand things to me. But you could never say them when | :07:16. | :07:21. | |
you're alive. I think what a waste. All these years later, Jasvinder | :07:21. | :07:27. | |
Sanghera still has no relationship with the family. Her eldest | :07:27. | :07:33. | |
daughter is getting married soon, but there with no one from at the | :07:33. | :07:39. | |
wedding from her family. A sad decision of -- a sad consequence of | :07:39. | :07:46. | |
a decision taken 30 years ago. decision has given her a university | :07:46. | :07:50. | |
education, independence trgs right to choose who she wants to marry. | :07:50. | :07:54. | |
I'm proud of my mum for making that decision and doing that and being | :07:54. | :08:04. | |
the person that she is now. only a big choice but a huge | :08:04. | :08:07. | |
sacrifice. She is here us with. We can see from the film, 30 years on, | :08:07. | :08:12. | |
it is still hard to come to terms with what your decision. How often | :08:12. | :08:17. | |
do you think about that moment? You say that open door and you ran | :08:17. | :08:21. | |
through it. The decision I made when I was 15 is a decision that | :08:21. | :08:26. | |
stays with me every day of my life. It impacts on me, my children. They | :08:26. | :08:31. | |
also disowned. I see my family who physically cross the road and | :08:31. | :08:36. | |
ignore me. So it never leaves you. Are you in contact with any members | :08:36. | :08:42. | |
of your family? Only one member of my family talks to me. My new book | :08:42. | :08:47. | |
took me on a journey to find my sister. Who I had never met. In | :08:47. | :08:51. | |
India. It was a new door and I have a sister born and raised in India | :08:51. | :08:55. | |
that accepts me for who and what I stand for. Yet, those born here in | :08:55. | :09:01. | |
the UK don't. What about your own children, do they keep in contact | :09:01. | :09:06. | |
with your children? No, my children, my daughter is getting married and | :09:06. | :09:10. | |
no member of my family will be there. Bar the one person that | :09:10. | :09:14. | |
speaks to me. You still feel you made the right decision? Yes. One | :09:14. | :09:18. | |
thing I didn't know when I was 15 when I was making that decision I | :09:19. | :09:27. | |
was making it for my children in the future. There are successful | :09:27. | :09:33. | |
arranged mairns. Re-- Successful arranged marriages. But if people | :09:33. | :09:36. | |
are forced, what advice would you give them. There is help available | :09:36. | :09:40. | |
and there is no reason for anyone born here to go through with a | :09:40. | :09:43. | |
forced marriage. It is difficult, because this is your family doing | :09:43. | :09:49. | |
it to you. I understand that. But I am proof you can do it. Call the | :09:49. | :09:53. | |
help line, in confidence and find out. Tell somebody you trust. | :09:53. | :09:58. | |
much of a problem is this in Britain? What the Government tell | :09:58. | :10:02. | |
us is that we're dealing with the tip of the iceberg, but there are | :10:02. | :10:11. | |
hundreds of people at risk. Thank you. And for that lovely film as | :10:11. | :10:17. | |
well. Miranda Krestovnikoff is used to working with bald men on this | :10:17. | :10:26. | |
show. There are our fine fellas. she was at home caring for this | :10:26. | :10:30. | |
patients at Tiggywinkles Animal Rescue Centre in Buckinghamshire. | :10:30. | :10:35. | |
The aim of rescue centres is to get animals back in the wild. But | :10:35. | :10:41. | |
sometimes that just isn't possible. Some patients will never leave | :10:41. | :10:44. | |
Tiggywinkles's doors. Including a special ledge hog that we featured | :10:44. | :10:51. | |
a couple of years ago. -- hedgehog. There he is. You can see why he has | :10:51. | :10:59. | |
the name Spud. Hedgehogs usually have thousands of hairs. But Spud | :10:59. | :11:07. | |
only has 20. He is so retracted. When we first met him they thought | :11:07. | :11:13. | |
they may have found a solution. But he is still as bald as can. After | :11:13. | :11:18. | |
his five minutes of fail fame, there were suggestion. People send | :11:18. | :11:27. | |
us in wigs made of cactus, they wanted us to rub tomatoes. Somebody | :11:27. | :11:32. | |
said to urinate on him. But we didn't try that. We have just made | :11:32. | :11:36. | |
him as comfortable as possible. Butless not alone. He has a couple | :11:37. | :11:42. | |
of -- but he is not alone. He has a couple of housemates with a similar | :11:43. | :11:47. | |
problem. We have a naked squirrel. If he has not got hair growth, | :11:47. | :11:53. | |
there might be problems with hair and nails. We have to keep a check | :11:53. | :12:01. | |
on him. To do that, we have got to catch him. Squirrels have double | :12:01. | :12:06. | |
jointed hind legs and sharp claws. He may be bald, but there is | :12:06. | :12:16. | |
:12:16. | :12:23. | ||
We have got him. You get bald people, so you get bald anything. | :12:23. | :12:29. | |
His skin is in good condition. He is not itching or sore. You can see | :12:29. | :12:37. | |
his teeth. They're huge. But they all even. The teeth grow all the | :12:37. | :12:45. | |
time. His teeth and nails are fine. Yes I'm happy. I will leave him | :12:45. | :12:54. | |
with you. He doesn't want to let go of your finger. One, two, three. It | :12:54. | :12:58. | |
doesn't mat Fer they are bald they welcome here. As they can't protect | :12:58. | :13:02. | |
themselves from the cold, they will live out their days here. But most | :13:03. | :13:07. | |
other animals can be released. With some help. A lot of young animals | :13:08. | :13:11. | |
get separated from their mothers a t this time of year. But there is | :13:11. | :13:21. | |
:13:21. | :13:22. | ||
help at hand with specially trained foster parents here. Jack's -- jack | :13:22. | :13:30. | |
is one of them. She has been looking after a couple of baby hare | :13:30. | :13:35. | |
is. They are born fully furred and mum usually just comes to see them | :13:35. | :13:44. | |
once a day. So they have to fend for themselves from the start. They | :13:44. | :13:50. | |
are hiding. In the wild they don't have a nest. Just a hollow in the | :13:51. | :14:00. | |
ground. He has disappeared! Warm up his milk. In the wild they put into | :14:00. | :14:04. | |
separate forps by the mother to to avoid the entire litter being lost. | :14:04. | :14:10. | |
Although they are independent after birth, it takes up to five weeks to | :14:10. | :14:20. | |
:14:20. | :14:22. | ||
be fully weaned. That is his last feed. Yes. Are two hares are eight | :14:22. | :14:27. | |
week ole and are ready to go. The first one can't wait. There he goes. | :14:27. | :14:34. | |
Brilliant. That is superb. It is really nice. The second is more | :14:34. | :14:40. | |
reluctant, but he soon gets his bearings. I thought he may have a | :14:40. | :14:46. | |
good look around. First. Great. is happy. He will make a new home | :14:46. | :14:52. | |
for himself. Let's go. Let's go to the pub I think. Well deserved. | :14:52. | :14:59. | |
Tomorrow the bird caught up in netting gets a taste of freedom and | :14:59. | :15:09. | |
:15:09. | :15:11. | ||
That heron, because of that heron we have been talking about | :15:11. | :15:18. | |
haemorrhoids. I didn't hear the end. It's on the wing. Not the bags | :15:18. | :15:27. | |
under the eyes, that's what I use it for. You have a brand new film | :15:27. | :15:33. | |
Devil's Double. You play the son of Saddam Hussein and Lateef who is | :15:33. | :15:41. | |
forced to become his body double. Look, look. Look at me. We could be | :15:41. | :15:51. | |
:15:51. | :15:52. | ||
twins, no? You are taller. much? This much? Didn't they used | :15:52. | :15:58. | |
to say that you looked like Uday Hussein? I want you. I want you to | :15:58. | :16:05. | |
be my double. I want you to be my brother. | :16:05. | :16:07. | |
APPLAUSE You are very convincing as both | :16:07. | :16:11. | |
characters. For the majority of the film you are acting alongside | :16:11. | :16:14. | |
yourself weirdly. How difficult was that and how did they achieve it, | :16:14. | :16:19. | |
because it's so realistic? Various methods, but ultimately without | :16:19. | :16:27. | |
wanting to glaze over and get bored, but it was about getting - I was | :16:27. | :16:33. | |
Uday and then the camera would make a move and I would run off and step | :16:33. | :16:37. | |
into the Lateef outfit and run back on with an ear piece listening to | :16:37. | :16:41. | |
the scene of me, so I was reacting and responding to no-one in the | :16:41. | :16:44. | |
physical space and also have to second guess the performance of | :16:44. | :16:48. | |
Lateef while I was place Uday, not knowing what I would do in the | :16:48. | :16:52. | |
scene. It wasn't about staying in one crack fer for long periods of | :16:52. | :16:56. | |
time, because of the lack of time that we had. Jumping between the | :16:57. | :17:02. | |
two and trying to get into the head space of two ultimately | :17:02. | :17:06. | |
extraordinarily different men. saw it quite early in the morning, | :17:06. | :17:13. | |
which was - it is graphic and violent. But it's based completely | :17:13. | :17:19. | |
on a true story. It is. We have for the benefit of an audience, | :17:19. | :17:24. | |
manipulated it in a certain way and used elements of the story and also | :17:24. | :17:29. | |
taken out some, because it's from a book by Lateef, who escaped from | :17:30. | :17:36. | |
the regime and managed to get away, but also for my benefit it was very | :17:36. | :17:40. | |
helpful to take an essence and learn about them and make two very, | :17:40. | :17:44. | |
very different characters, so an audience hopefully is aware of who | :17:44. | :17:47. | |
they are watching at any given moment, otherwise it becomes very | :17:47. | :17:52. | |
complicated. Was he on set, Lateef? He was. He came occasionally and I | :17:52. | :17:57. | |
spoke to him at length in the beginning, but once I realised we | :17:57. | :18:00. | |
weren't making a descriptive account of the situation, I found | :18:00. | :18:05. | |
it quite difficult or daunting him being there. I bet. I wondered if I | :18:06. | :18:09. | |
was getting it right or how involved he is in it. It's recent, | :18:09. | :18:14. | |
if you think about it. Didn't he say that you got 95% of the | :18:14. | :18:19. | |
character spot on and there's the missing 5%? I'm not sure what that | :18:19. | :18:24. | |
is! Essentially it didn't matter a great deal, because it was the | :18:24. | :18:28. | |
creation of two characters rather than impersonating those those | :18:28. | :18:32. | |
people were. Your mum came along? She did. I was worried about her | :18:33. | :18:38. | |
seeing the scenes of vitence or me being brutal to myself. The story | :18:38. | :18:42. | |
is completely cap vaiting. When I heard read about it and knowing so | :18:42. | :18:46. | |
little and having that part of the world be so present in my life | :18:46. | :18:50. | |
growing up, I felt quite guilty not knowing nearly enough about it or | :18:50. | :18:56. | |
the people within it or that regime. It is a superb film. Quickly, going | :18:56. | :19:00. | |
back to Mamma Mia. Millions of people love it. Could there be | :19:00. | :19:06. | |
another? Will you sing better? don't know. Possibly worse. I do | :19:06. | :19:11. | |
always ask. Anything for a holiday in Greece. I've heard nothing, but | :19:11. | :19:18. | |
maybe they have and I haven't. That would be even worse! Thank you. The | :19:18. | :19:24. | |
film is out on 12th August. The number of times you come across | :19:24. | :19:27. | |
floral tributes is a reminder of how many lose their lives to | :19:27. | :19:31. | |
traffic accidents, but many councils are now clearing them away | :19:31. | :19:36. | |
against family wishes, saying they are a distraction to drivers. | :19:36. | :19:40. | |
Between between We meet a mum from Manchester determined to keep her | :19:40. | :19:46. | |
daughter's memory alive. Are you offended by this? Do you find the | :19:46. | :19:50. | |
flowers a dangerous distraction when you are driving? Is this road- | :19:50. | :19:55. | |
side rubbish or a poignant reminder that a life has been lost? Whatever | :19:55. | :19:58. | |
your thoughts, these home-made memorials are becoming more and | :19:58. | :20:07. | |
more common. Nothing wrong with that, but many would disagree. Many | :20:07. | :20:12. | |
councils have dranded -- branded them a hazard. Authorities are | :20:12. | :20:16. | |
clamping down, setting time limits and removing them completely, even | :20:16. | :20:22. | |
against the wishes of grieving relatives. Six years ago Marie's | :20:22. | :20:25. | |
daughter was killed when the car she was travelling in collided with | :20:25. | :20:30. | |
a taxi mini bus. The tribute that appeared hours later has always | :20:30. | :20:35. | |
given her family comfort. All my friends and everything had left | :20:35. | :20:41. | |
flowers. It was covered. There were light and candles. There were holy | :20:42. | :20:47. | |
pictures. Everything here. Beautiful. What was that like when | :20:47. | :20:53. | |
you saw it? It gave me great comfort. It did give me a bit of | :20:53. | :20:59. | |
comfort at the time. After a few weeks when the flowers died and | :20:59. | :21:03. | |
everything was shifted, then we just set up the tree. | :21:04. | :21:07. | |
Manchester City Council, in common with others across the UK, has a | :21:07. | :21:14. | |
policy of removing memorials. council a long time before shifted | :21:14. | :21:21. | |
it one night at 4.30am. How did that make you feel? It felt like | :21:21. | :21:27. | |
that they had just ripped my heart out. I said to the council, what | :21:27. | :21:30. | |
kind of men that it took three men to come and shift something like | :21:30. | :21:35. | |
this? Have they got no hearts? They must have known that it meant | :21:35. | :21:39. | |
something to somebody. How could they do it? What was the explain | :21:39. | :21:43. | |
that they gave you? Why did they say it had to be moved? They said | :21:43. | :21:46. | |
it was a distraction and at the time there was a big advertisement | :21:46. | :21:54. | |
up on the railing behind us and I said that's a bigger distraction. | :21:54. | :21:59. | |
What evidence is there to say tributes are dangerous? Well, Road | :21:59. | :22:03. | |
Peace the charity for victims says there isn't any and we have only | :22:03. | :22:08. | |
been able to find one incidence in 2007 when a driver overtaking on | :22:08. | :22:12. | |
the wrong side of a road ploughed into a group who were looking at a | :22:12. | :22:20. | |
memorial. Surely a billboard like that is more distracting? | :22:20. | :22:22. | |
Manchester City Council says not only are the tributes distracting, | :22:22. | :22:29. | |
but they can be upsetting. That view is shared in nearby Bolton. | :22:29. | :22:33. | |
have had quite a lot of feedback from our residents and individual | :22:33. | :22:39. | |
members of the public, saying that these tributes actually are | :22:39. | :22:43. | |
upsetting them, because they do a number of things. Some families see | :22:43. | :22:49. | |
them tied to their fences for years and years and they actually wither | :22:49. | :22:59. | |
:22:59. | :22:59. | ||
and die and then the family comes back again. The - we were | :22:59. | :23:03. | |
responding to what the public wanted. Some councils, including | :23:03. | :23:09. | |
Bolton and Manchester, have put up permanent memorials, but do people | :23:09. | :23:13. | |
agree with the removal of personal tributes? They are not doing any | :23:13. | :23:16. | |
harm. It's not hurting anyone. I think they should be allowed to | :23:16. | :23:20. | |
have them there as long as they want. They are perfectly acceptable | :23:20. | :23:24. | |
and probably help the people who are grieving, but I don't like to | :23:24. | :23:28. | |
see them if there are there a long time. There should be a limit | :23:28. | :23:36. | |
liement. It's a tribute to people - - limit -- time limit. It's a | :23:36. | :23:39. | |
tribute to the people. If the flowers are there rotting it looks | :23:39. | :23:42. | |
a mess. I think they are appropriate and they are OK. | :23:42. | :23:49. | |
There's not a problem. Back at the memorial, I met an academic who has | :23:49. | :23:54. | |
been studying the tributes for over two decades. When did road-side | :23:54. | :24:00. | |
memorials become common in country? -- in this country? The last 25 | :24:00. | :24:03. | |
years. What has happened is they've become so open now and everyone | :24:03. | :24:08. | |
sees them and it's becoming part of the mourning culture. We don't have | :24:08. | :24:12. | |
structured practises about how to mourn, so no-one comes to tell you, | :24:12. | :24:16. | |
"I want to dress in black and wear an armband." We don't get that any | :24:16. | :24:20. | |
more. You are left to do your own mourning. This is from the people. | :24:20. | :24:24. | |
You know what you want to do and you can do it immediately and | :24:24. | :24:28. | |
because of all the meaning and the emotional ownership that you gain | :24:28. | :24:32. | |
by doing this action, that is the important thing. It's led by the | :24:32. | :24:36. | |
people and anyone can do it. You don't have to be rich or famous. | :24:36. | :24:45. | |
Anyone can do it. I find those tributes incredibly sobering and | :24:45. | :24:49. | |
they are better than speed cameras. You drive along and you think this | :24:49. | :24:54. | |
is obviously a hotspot? I agree. They always make me slow down and | :24:54. | :25:01. | |
think twice about how unbelievably dangerous the vehicles are and I | :25:01. | :25:05. | |
totally agree with that lady there about the mourning process that we | :25:05. | :25:11. | |
have. It's a local space and it's for the public. Exactly. Well, it's | :25:11. | :25:15. | |
time to go back to the Whalley Range area of Blackburn, where the | :25:15. | :25:19. | |
locals have been hard at work cleaning up the streets and Anita | :25:19. | :25:24. | |
has been getting her hands dirty. I've been getting them dirty. The | :25:25. | :25:31. | |
sight was depressing, but cleaning it all up, the bag here, was | :25:31. | :25:36. | |
uplifting. The entire community came out. Here's how the One Show | :25:36. | :25:40. | |
Litter Army got on. This is the Whalley Range area of Blackburn. | :25:40. | :25:45. | |
The people have been mistaking it for a rubbish bin. It's got so bad | :25:45. | :25:49. | |
with some locals even spotting rodents, but things are about to | :25:49. | :25:53. | |
change, because I've been armed with a megaphone and the Litter | :25:53. | :26:03. | |
:26:03. | :26:05. | ||
Army. You've got the T-shirts and bag and gloves. Are you ready to | :26:05. | :26:15. | |
:26:15. | :26:19. | ||
clean your filthy streets? Then disperse! Well done, everybody. You | :26:19. | :26:28. | |
are doing a great job. People have take-aways and they are stopping | :26:28. | :26:31. | |
the car and pulling over and throwing it away. This is an issue | :26:31. | :26:35. | |
and problem and we need to collectively sort it out and today | :26:35. | :26:45. | |
:26:45. | :26:51. | ||
has shown that we can sort it if we All this litter, which you can see | :26:51. | :26:54. | |
in front of me, has come out of the bushes, which have been cut back | :26:54. | :26:57. | |
and it doesn't belong on the streets, so let's get it cleaned up. | :26:57. | :27:07. | |
:27:07. | :27:10. | ||
Guys. Well, the place now looks spotless and I know it's Ramadan, | :27:11. | :27:14. | |
so extra special that people took the time to come out whilst | :27:14. | :27:18. | |
everyone is fasting, but you live here. Why have you allowed it to | :27:18. | :27:24. | |
get so mucky? General attitudes and people have been lazy. We should | :27:24. | :27:29. | |
really wake up and start cleaning our own areas and take the | :27:29. | :27:32. | |
responsibility. Absolutely. I hope we have started that. Are you going | :27:32. | :27:39. | |
to throw litter from now on, guys? Right answer. Waive trained them | :27:39. | :27:44. | |
well. Look. This is how much litter we have been picking up. Three | :27:44. | :27:49. | |
trucks. The last bag going in. There it goes. Two very important | :27:49. | :27:52. | |
people to speak to before we wrap this whole thing up. We have Jean | :27:52. | :27:56. | |
who is from the Housing Association. You have responsible for a couple | :27:56. | :28:00. | |
of streets which are really filthy. How are you going to keep on top of | :28:00. | :28:04. | |
this? We intend to continue to work with the communities and young | :28:04. | :28:09. | |
people and with the agencies to combat what is a national problem. | :28:09. | :28:12. | |
Councillor, the people are cleaning their streets and they pay their | :28:12. | :28:15. | |
council tax. Isn't it the council's responsibility to do something as | :28:15. | :28:18. | |
well? The council are doing their bit. I think collectively we need | :28:18. | :28:23. | |
to work together, just like today, the community has shown the spirit | :28:23. | :28:26. | |
and the community and the organisations all working together. | :28:26. | :28:31. | |
It's all happening. They are all coming together. It's time to get | :28:31. | :28:35. | |
you out of the way so we are going to get rid of this rubbish. It's | :28:35. | :28:44. | |
going to the dump! Brilliant stuff. We have had loads of responses. | :28:44. | :28:47. | |
Loads of them in. Little Eddie there. Aged nine. He's been picking | :28:47. | :28:51. |