Browse content similar to 03/10/2016. Check below for episodes and series from the same categories and more!
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We've got a stellar line-up tonight, as usual. | :00:27. | :00:31. | |
because we have a question, don't we, from a member | :00:32. | :00:38. | |
because we have a question, don't your name, where are you from? Laura | :00:39. | :00:43. | |
being on the sofa? Funny you your name, where are you from? Laura | :00:44. | :00:59. | |
big deal about discos, the your name, where are you from? Laura | :01:00. | :01:09. | |
a big deal. your name, where are you from? Laura | :01:10. | :01:26. | |
lot longer to go. I hear you. LAUGHTER | :01:27. | :01:26. | |
I get LAUGHTER | :01:27. | :01:45. | |
remember it was exciting being on telly. You look | :01:46. | :01:51. | |
remember it was exciting being on Brothers. How did you end up in the | :01:52. | :01:51. | |
studio? My Brothers. How did you end up in the | :01:52. | :01:58. | |
worked at live and kicking, who represented | :01:59. | :02:04. | |
worked at live and kicking, who questions and if your question was | :02:05. | :02:04. | |
good questions and if your question was | :02:05. | :02:14. | |
question two weeks later to Andrew questions and if your question was | :02:15. | :02:31. | |
don't have to change the questions. Who | :02:32. | :02:31. | |
don't have to change the questions. corpse with wind issues. Which we'll | :02:32. | :02:41. | |
get corpse with wind issues. Which we'll | :02:42. | :02:41. | |
how you would feel if you corpse with wind issues. Which we'll | :02:42. | :02:48. | |
and not biological parents at corpse with wind issues. Which we'll | :02:49. | :03:00. | |
Suzi Mann from the BBC Asian network. Good afternoon | :03:01. | :03:07. | |
BBC... Three years ago I adopted my brother's son when he | :03:08. | :03:14. | |
BBC... Three years ago I adopted my about him when he was ten months | :03:15. | :03:14. | |
old. Prior to this about him when he was ten months | :03:15. | :03:30. | |
son. Instinctively, I think way before meeting | :03:31. | :03:38. | |
son. Instinctively, I think way like to do. I don't think he fully | :03:39. | :03:38. | |
understands I'm like to do. I don't think he fully | :03:39. | :03:47. | |
him that I didn't give birth to you, so | :03:48. | :03:57. | |
him that I didn't give birth to you, that's where he was born. | :03:58. | :04:05. | |
him that I didn't give birth to you, quite young. Then I moved | :04:06. | :04:14. | |
him that I didn't give birth to you, simplifies everything for him. | :04:15. | :04:33. | |
him that I didn't give birth to you, when she was five months old. Take | :04:34. | :04:34. | |
me back when she was five months old. Take | :04:35. | :04:40. | |
adopted. I was 17, it was my surrogate | :04:41. | :04:47. | |
adopted. I was 17, it was my moments before the celebrations | :04:48. | :04:47. | |
began. constantly being sick. I was taken | :04:48. | :05:08. | |
aside by the Deputy teacher, constantly being sick. I was taken | :05:09. | :05:17. | |
losing weight drastically. I said, I'm | :05:18. | :05:25. | |
losing weight drastically. I said, found out you were adopted? I'd | :05:26. | :05:33. | |
losing weight drastically. I said, heartache, there would be no | :05:34. | :05:43. | |
imagine one day finding out that the two people I call | :05:44. | :05:51. | |
imagine one day finding out that the think it would probably collapse the | :05:52. | :05:51. | |
world around me. Not think it would probably collapse the | :05:52. | :06:02. | |
hotel owner in the UK. I was born think it would probably collapse the | :06:03. | :06:09. | |
bored because I was born My uncle and Andy adopted me. It was | :06:10. | :06:14. | |
only at My uncle and Andy adopted me. It was | :06:15. | :06:39. | |
away with anything. And here I was, my mum | :06:40. | :06:54. | |
away with anything. And here I was, hate my Mum, I'm not allowed to do | :06:55. | :06:54. | |
things. If I hate my Mum, I'm not allowed to do | :06:55. | :07:00. | |
house. Because of going through the pain in | :07:01. | :07:08. | |
house. Because of going through the having love from two mums and two | :07:09. | :07:08. | |
dads, and highlight the difficulties of | :07:09. | :07:14. | |
interfamily adoption, especially if highlight the difficulties of | :07:15. | :07:21. | |
complex in the future, I'm so son. I remember it was one morning | :07:22. | :07:28. | |
he was son. I remember it was one morning | :07:29. | :07:44. | |
that moment. -- he son. I remember it was one morning | :07:45. | :07:44. | |
and this is my son. morning exploring the topic further. | :07:45. | :07:52. | |
A lot of morning exploring the topic further. | :07:53. | :08:06. | |
to know how common it actually is? Indeed | :08:07. | :08:06. | |
quantify it would be very difficult. So a lot of | :08:07. | :08:13. | |
quantify it would be very difficult. quite common in the 70s and 80s. At | :08:14. | :08:19. | |
family knowing that this child is adopted, now they are | :08:20. | :08:35. | |
of those circumstances, was there a common thread | :08:36. | :08:46. | |
of those circumstances, was there a why they were | :08:47. | :08:52. | |
of those circumstances, was there a almost like passing | :08:53. | :09:12. | |
of those circumstances, was there a achieve with the documentary going | :09:13. | :09:12. | |
out tomorrow? achieve with the documentary going | :09:13. | :09:19. | |
will resonate. The whole idea of Asian network | :09:20. | :09:25. | |
will resonate. The whole idea of were discussing adoption and plucked | :09:26. | :09:32. | |
will resonate. The whole idea of through e-mail from his brother | :09:33. | :09:38. | |
will resonate. The whole idea of he's still coming to terms with it. | :09:39. | :09:38. | |
Going back to the he's still coming to terms with it. | :09:39. | :09:53. | |
kind of closure. We really hope. These | :09:54. | :10:00. | |
kind of closure. We really hope. important. You discuss it at length | :10:01. | :10:00. | |
in this documentary important. You discuss it at length | :10:01. | :10:09. | |
Tomorrow morning at 11am. Daniel, we don't want to | :10:10. | :10:17. | |
Tomorrow morning at 11am. Daniel, we is about Harry Potter if it's all | :10:18. | :10:17. | |
right. Cast friend Hermione. Yes. Now we're | :10:18. | :10:28. | |
going to friend Hermione. Yes. Now we're | :10:29. | :10:37. | |
It does look like Emma Watson. friend Hermione. Yes. Now we're | :10:38. | :11:03. | |
look like me necessarily. The films are | :11:04. | :11:03. | |
look like me necessarily. The films vision of the world Daniel knows | :11:04. | :11:09. | |
look like me necessarily. The films named Jim with an extraordinary | :11:10. | :11:09. | |
talent named Jim with an extraordinary | :11:10. | :11:12. | |
day a single phone call turned his life upside down. Jim Kay has been | :11:13. | :11:19. | |
asked to reimagine a magical world, but not just any world, it's the | :11:20. | :11:26. | |
world of Harry Potter. Thanks to the films we are all familiar with the | :11:27. | :11:29. | |
look of JK Rowling's most famous creation. But for the past two years | :11:30. | :11:35. | |
Jim has been reinventing the world of Harry Potter from scratch for a | :11:36. | :11:39. | |
brand-new illustrated series of books. I hadn't done many children's | :11:40. | :11:45. | |
books and the ones I had done work quite dark so I did a book called | :11:46. | :11:49. | |
the monster calls, which was very dark, mostly black and white. I | :11:50. | :11:54. | |
hadn't really drawn children before. So it was huge pressure. The first | :11:55. | :11:57. | |
six months I didn't sleep well at all. I was thinking too much about | :11:58. | :12:02. | |
what other people would think. The thing children have is that when | :12:03. | :12:06. | |
they draw fantasy they just do it instinctively. When you're an adult | :12:07. | :12:09. | |
you are second-guessing. There is a big sign above my door that says | :12:10. | :12:16. | |
it's fantasy stupid. When I was drawing Hogwarts, it's not supposed | :12:17. | :12:18. | |
to look like it stands up, it's supposed to be held up by magic. You | :12:19. | :12:23. | |
have to try and remember what it was like as a child to just let your | :12:24. | :12:29. | |
imagination run free. To help Jim visualise the inhabitants of this | :12:30. | :12:33. | |
magical world, he bases the book's characters are real people, | :12:34. | :12:36. | |
including its star, Harry Potter. My character for Harry I spotted on the | :12:37. | :12:42. | |
train. He was just, he had something, I thought, I'd love to | :12:43. | :12:46. | |
draw that, just striking, big eyes, unusual. So Lavinia rolled clay | :12:47. | :12:55. | |
Caldwell became Harry. I'm reuniting them along with his mum, Alison, and | :12:56. | :13:02. | |
adding a touch of magic. Lots of cake. You don't have to read it all, | :13:03. | :13:06. | |
don't worry. How does it feel knowing you are the boy who has | :13:07. | :13:09. | |
inspired how Harry Potter will look up quite a big deal, isn't it? Well, | :13:10. | :13:16. | |
yeah, when I found out I went a bit crazy. Eventually when I was allowed | :13:17. | :13:20. | |
to tell my friends none of them believe me, even when I showed | :13:21. | :13:24. | |
pictures of it. They thought it was a bit bizarre really. It must be | :13:25. | :13:28. | |
surreal to have Jim, up to you. Very surreal, somebody you don't know | :13:29. | :13:32. | |
begins to talk to you. Very quickly. I knew I had two stops to chat to | :13:33. | :13:37. | |
his mum and say, I'm an illustrator. I couldn't say what it was, all | :13:38. | :13:41. | |
secret, would you be able to help me out on the project? How did the | :13:42. | :13:44. | |
relationship developed for you to get what you need it? We meet, don't | :13:45. | :13:48. | |
we, at once, twice a year? Around that. I ask if your model for me. | :13:49. | :13:56. | |
That is his mum being a demented, strangling Clay. This is acting, | :13:57. | :14:04. | |
Alison. Clay and his mum have never been to Jim's studio, so the one | :14:05. | :14:08. | |
show has arranged for an exclusive preview of the next book in the | :14:09. | :14:12. | |
series. Harry Potter and the chamber of secrets. You'll be the first | :14:13. | :14:19. | |
person to see it. The detail is just... Incredible. That's .be. | :14:20. | :14:27. | |
I was on the chair. Chair for a broomstick. Does it make you feel | :14:28. | :14:35. | |
proud? Immensely proud, they are stunning pictures, stunning. It's | :14:36. | :14:40. | |
something we'll keep and treasure. It can't be easy trying to reimagine | :14:41. | :14:44. | |
a subject that has been so embedded in the public mind. But in his own | :14:45. | :14:51. | |
unique style Jim Kay has managed to create the world of Harry Potter in | :14:52. | :14:55. | |
a way that is both fitting and incredibly distinctive. For Potter | :14:56. | :15:00. | |
fans like me it means there is a whole new world to explore. Let me | :15:01. | :15:10. | |
get this right... Evanesco! Bewildered Harry Potter goes on and | :15:11. | :15:14. | |
on. Let's talk about this new novel you've written, Graham. A novel, | :15:15. | :15:18. | |
yes. APPLAUSE Why not? We were talking about | :15:19. | :15:25. | |
adoption earlier on. Can I say, I feel that applause is justified. I | :15:26. | :15:30. | |
wish you'd been in my office when I was typing "At end". Was it a real | :15:31. | :15:36. | |
task is to mark honestly I loved doing it, I didn't know whether I | :15:37. | :15:41. | |
would. I've always said I wanted to write a novel. I got to the age I | :15:42. | :15:44. | |
thought, I need to stop talking and do it. I did worry, have I given | :15:45. | :15:50. | |
myself the longest, harder stonework in the world? But, in fact, I loved | :15:51. | :15:55. | |
it, I loved spending time in the location, it's set in Ireland, I | :15:56. | :15:58. | |
loved spending time with the characters. And also it's not | :15:59. | :16:03. | |
collaborative, there's no talking to people about what we're going to do. | :16:04. | :16:05. | |
No, I'll tell you what's happening. I don't think I would like that all | :16:06. | :16:15. | |
the time, but it was a break from my other jobs. It was a surprise, | :16:16. | :16:20. | |
though, because this was very different from what you have done | :16:21. | :16:26. | |
before. I think a lot of people would not imagine Graham Norton | :16:27. | :16:29. | |
writing about this plot. Give us a flavour of the story. I always | :16:30. | :16:37. | |
thought I would write a kind of urban, urbane, quite cynical and | :16:38. | :16:40. | |
funny novel. In fact, what I have written is a sort of bittersweet | :16:41. | :16:46. | |
romance, with a tone of melancholy. Quite traditional. Very traditional. | :16:47. | :16:53. | |
There are some laughs along the way, and ultimately it is quite | :16:54. | :16:58. | |
optimistic. But there is an air of sadness through it. Where did that | :16:59. | :17:05. | |
come from? They say you should write about what you know, but I didn't | :17:06. | :17:08. | |
want to be in this book. So there are no gay characters. It is not set | :17:09. | :17:13. | |
in London and it is not about the media. My life is so peculiar that | :17:14. | :17:16. | |
by the time I got back to something people could relate to that I knew, | :17:17. | :17:22. | |
I was back in Ireland in the late 70s. That was the last time I had a | :17:23. | :17:27. | |
life like that. That was why I ended up setting it there. And rural | :17:28. | :17:35. | |
Ireland, every 100 yards, you pass a house and there is an extraordinary | :17:36. | :17:38. | |
story associated with the people who live there. And Irish people love | :17:39. | :17:43. | |
telling ghost stories. And they are not about people we love -- people | :17:44. | :17:51. | |
love telling those stories. They are not about people you know, but you | :17:52. | :17:54. | |
store them away and collect them. So lots of things that happen in this | :17:55. | :17:59. | |
book are versions of stories I knew growing up. Without giving it away, | :18:00. | :18:05. | |
the end is left open so that you could do a sequel with the main | :18:06. | :18:09. | |
character. Did you enjoy the process enough to do a sequel? I enjoyed it | :18:10. | :18:17. | |
enough to write another book. For me, that was just the end of the | :18:18. | :18:20. | |
book. It was only afterwards that people said, is there going to be | :18:21. | :18:25. | |
another? And that had not struck me. So I don't know. But if the people | :18:26. | :18:36. | |
demand it... I will step up. What would you do next time to make it | :18:37. | :18:39. | |
easier for yourself, or do differently? I just loved doing it. | :18:40. | :18:48. | |
I would probably try and take more time off, rather than trying to | :18:49. | :18:53. | |
squeeze it in. But of course, when you are busy, you get stuff done. I | :18:54. | :18:57. | |
thought I would write this book at my holiday home in Ireland. No. I | :18:58. | :19:02. | |
was just drunk leaning against a wall that. I got it written in | :19:03. | :19:09. | |
London, where I am working. So I would have to be off and think, | :19:10. | :19:12. | |
today is a book day. And I would look forward to doing that. Unlike | :19:13. | :19:17. | |
an autobiography, you are competing with the big boys. You have had some | :19:18. | :19:22. | |
good reviews, so we look forward to the next one. Thank you. It is a | :19:23. | :19:27. | |
gentle crime story, but I hope people enjoy it. It is out on | :19:28. | :19:32. | |
Thursday, and you can see Graham Norton in Graham Norton's show. We | :19:33. | :19:35. | |
will give you a plug while you are here. On iPlayer, you can see the | :19:36. | :19:44. | |
two of us together. Who are your guests? Now you're asking. Danny | :19:45. | :19:51. | |
DeVito, John Bishop, Miranda Hart, Ewan McGregor and somebody else. Sam | :19:52. | :20:00. | |
Neill. And Amber Riley singing. Time to get serious. If you believe the | :20:01. | :20:05. | |
weather forecasters, this week could be your last chance before winter to | :20:06. | :20:13. | |
get out and paint your garden fence. That is part of my weekend job list! | :20:14. | :20:19. | |
Honestly. I have a shed to do and a climbing frame. An insight into | :20:20. | :20:27. | |
Matt's world. Dom is on hand with some time-saving tips. | :20:28. | :20:37. | |
Old fence panels. To find out if these products are better than a | :20:38. | :20:43. | |
humble print, I have come to the royal botanic gardens in Edinburgh | :20:44. | :20:47. | |
to meet defence expert Neil Baxter. Fences and sheds have to be | :20:48. | :20:54. | |
preserved. Give me your opinion on these fence sprayers. The joy of | :20:55. | :20:58. | |
them is that you get out, get the job done and you can sit down with a | :20:59. | :21:02. | |
gin and tonic. I feel a One Show test coming on. We will be running | :21:03. | :21:07. | |
the rule over paint sprayer is. The market leaders against two own | :21:08. | :21:16. | |
brands from Wickes and B and Q. I'm not getting my mitts dirty, I have | :21:17. | :21:21. | |
enlisted the help of some local professionals. Yes, a team of fake | :21:22. | :21:27. | |
tan spraying beauticians from Edinburgh College. You are obviously | :21:28. | :21:31. | |
used to getting deliberately giving punters a bronze once over. Before | :21:32. | :21:37. | |
the team get to work, they will have to get to know how to use their new | :21:38. | :21:41. | |
tools, which Irena seems to be struggling with. She has got the | :21:42. | :21:51. | |
cheapest sprayer from B's Diall range. Megan is ready to go with the | :21:52. | :21:57. | |
second most expensive sprayer from Cuprinol. While is getting more | :21:58. | :22:04. | |
paint on the floor than in our most expensive gadget, the precision | :22:05. | :22:09. | |
finish from Ronseal. And she has not even start this spring the fence | :22:10. | :22:13. | |
yet. And Natalie are taking it all in her stride, as she will be | :22:14. | :22:16. | |
keeping it simple with a paintbrush. Don't know what the big deal is. It | :22:17. | :22:21. | |
has taken them 40 minutes just to load up with paint. Fake tanners, | :22:22. | :22:31. | |
are you ready? US! Go! And they are off. Is this how you do your | :22:32. | :22:37. | |
tanning? No. All four sprayers need pressure to get the paint from the | :22:38. | :22:40. | |
pot to the fence, and Jenna is struggling with the settings. What | :22:41. | :22:46. | |
is going on here? You are obviously on the wrong setting, because it is | :22:47. | :22:50. | |
dribbling out. But not everyone is having paint problems. You are | :22:51. | :22:55. | |
steaming ahead. And what about Natalie and her paintbrush? The | :22:56. | :23:00. | |
least amount of preparation and the hardest amount of work. Just five | :23:01. | :23:07. | |
minutes gone, and Emma, with the Ronseal sprayer, is finished. It was | :23:08. | :23:15. | |
really easy to use. Megan is second with the two blaster. But it is | :23:16. | :23:20. | |
tougher going for Jenna and the Wickes one can sprayer. It looks | :23:21. | :23:25. | |
like melted chocolate. And I read finishes fourth with B's own | :23:26. | :23:32. | |
brand. Look at the state of that! Looks like you have plastered it, | :23:33. | :23:36. | |
not painted it. And as we approach the half-hour mark, lagging behind | :23:37. | :23:41. | |
his Natalie with her paintbrush. But with one final stroke, she is done, | :23:42. | :23:44. | |
and our five fence panels are covered. But look at these clogged | :23:45. | :23:50. | |
nozzles. They have been bunged up by the wax and the paint. I know from | :23:51. | :23:54. | |
experience with those sprayers that when you have finished with them, | :23:55. | :23:57. | |
you have got to clean up the pipes, the nozzles, the tubes, basically | :23:58. | :24:01. | |
the whole shebang. And that is another 20 minutes of work. In | :24:02. | :24:05. | |
today's challenge, the quickest sprayer with the least splatter was | :24:06. | :24:09. | |
the Ronseal precision finish, our most expensive gadget. But good luck | :24:10. | :24:16. | |
cleaning that up. So with your shed and climbing frame in mind, are you | :24:17. | :24:20. | |
going to do a paintbrush or are you going to buy a sprayer? 100% | :24:21. | :24:29. | |
paintbrush. I am old school. And your new film is called Swiss Army | :24:30. | :24:33. | |
Man. That's the best Segway I have heard! So this to us. It is quite a | :24:34. | :24:42. | |
roll. I am intrigued to find out how they got you to do the movie. | :24:43. | :24:46. | |
Everyone thinks I need to be convinced. I really didn't. It was | :24:47. | :24:52. | |
an amazing script. Yes, a very weird script, but I have read lots of | :24:53. | :24:56. | |
weird terrible scripts, and this was a great weird script. I basically | :24:57. | :25:00. | |
play a magical dead body who starts, after a few minutes of the film, | :25:01. | :25:04. | |
starts coming back to life, and he is discovered by Paul Dano's | :25:05. | :25:08. | |
character, who is a hopeless lost soul wandering on a beach. And he | :25:09. | :25:13. | |
finds my character and they go on a magical journey together. It sounds | :25:14. | :25:18. | |
weird, but it is actually a beautiful story about two human | :25:19. | :25:23. | |
beings, although one is quite dead. A small detail. Your special. -Ness, | :25:24. | :25:36. | |
and that is why I need you to help me. Back in civilisation, there are | :25:37. | :25:41. | |
7 billion other living people on the planet, just running around and | :25:42. | :25:44. | |
blinking and breathing and eating, and you used to be one of them. You | :25:45. | :25:49. | |
were probably just looking for happiness. This is what you look | :25:50. | :25:53. | |
like when you're happy. We will look for someone to make you happy, a | :25:54. | :25:58. | |
friend, a girlfriend or dog. Good boy. Sometimes, you might be lucky | :25:59. | :26:01. | |
enough to bump into the one person you want to spend the rest of your | :26:02. | :26:14. | |
life with, and that is love. You take a lot away from it afterwards, | :26:15. | :26:18. | |
because teaching you about life and what is important. And it is a movie | :26:19. | :26:24. | |
that is about joy. There are these two odd characters, but he is | :26:25. | :26:27. | |
reminding this dead body of why life worth living, and in the pro-sex | :26:28. | :26:31. | |
exploring the things that make us happy. It is a brilliant performance | :26:32. | :26:36. | |
from both yourself and Paul Dano. To give him credit, he has to hump you | :26:37. | :26:43. | |
around for the entire film. He said he has never been stronger than when | :26:44. | :26:47. | |
he finished this film. I am not a particularly heavy person, but I am | :26:48. | :26:52. | |
the weight of a human being and he was lucky me around. That was a line | :26:53. | :26:56. | |
he improvised halfway through the film. There is a moment in the film | :26:57. | :27:02. | |
where I am not supposed to be moving it, and you can see me slightly | :27:03. | :27:06. | |
moved my head to avoid him seeing me laugh. It was a bit that was not in | :27:07. | :27:19. | |
the script. Well, coaxing. Yes! A lot of things happen that are very | :27:20. | :27:24. | |
amusing, and yet you can't even blink. No. I got very good at not | :27:25. | :27:29. | |
blinking. There is also a fear because Paul is giving his amazing | :27:30. | :27:33. | |
performance and I am just lying there, there is a sense of, if I | :27:34. | :27:37. | |
even move a tiny bit, I have ruined his whole scene. So that fear kept | :27:38. | :27:42. | |
you very still. In all seriousness, you do say this is the film you are | :27:43. | :27:46. | |
most proud of, particularly one scene where you are on the bus. Yes, | :27:47. | :27:54. | |
it is hard to explain, as the whole film is. But this scene, if I had to | :27:55. | :27:58. | |
let go of every other scene I have ever been in, this is the most | :27:59. | :28:01. | |
beautiful scene I have ever been part of. It is about five minutes | :28:02. | :28:04. | |
long. And he is teaching me about music and singing and excitement. | :28:05. | :28:11. | |
Paul's character is talking about life back home, and it is an | :28:12. | :28:15. | |
extraordinary moment. And we get to sing on the soundtrack as well. Me | :28:16. | :28:20. | |
and Paul provide a lot of the soundtrack. The soundtrack is | :28:21. | :28:30. | |
amazing. It is us and Andy Hull from the band Manchester Orchestra. The | :28:31. | :28:33. | |
bits that are impressive were not me. That is it for tonight. Thank | :28:34. | :28:40. | |
you to our guests, Daniel Radcliffe and Graham Norton. Daniel's film | :28:41. | :28:45. | |
Swiss Army Man is in cinemas now and Graham Norton's novel Holding is out | :28:46. | :28:50. | |
on Thursday. Tomorrow, straight from the Starship Enterprise, we will be | :28:51. | :28:54. | |
joined by Star Trek's Mr Sulu himself, George Takei. Good night, | :28:55. | :28:55. | |
everybody. | :28:56. | :28:58. |