Browse content similar to 04/02/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the programme. Now, the last time tonight's guest | :00:18. | :00:25. | |
was on the show, he spoke about his new film, which had a character who | :00:26. | :00:30. | |
could go back in time. We wondered if he would like to live this moment | :00:31. | :00:39. | |
again. That Notting Hill, that was so boring. Old and boring, yes. It | :00:40. | :00:50. | |
was so boring please welcome Richard Curtis! Sorry to bring that back to | :00:51. | :01:00. | |
haunt you. It is all right. It has richly lifted the standard of my | :01:01. | :01:05. | |
work. She was a jam. But the good news is, Lillian could not be here | :01:06. | :01:11. | |
tonight. That is good news, she is very well. The bad news is that she | :01:12. | :01:17. | |
has reviewed your new DVD, About Time, and she will be telling us... | :01:18. | :01:23. | |
So, we may not sell a single copy. It is quite comp entry. We have also | :01:24. | :01:30. | |
got a brand-new twist on a game very close to your heart, one which | :01:31. | :01:32. | |
features in your new film, table tennis. It is quite amazing. We may | :01:33. | :01:40. | |
even entice you to have a little game later on. We will be speaking | :01:41. | :01:43. | |
to Richard about his films tonight, and we want you to join in by | :01:44. | :01:47. | |
sending in your own wee creations of some of Richard's most famous movie | :01:48. | :01:55. | |
scenes. You could do a bridge, under the duvet. You could recreate a | :01:56. | :02:02. | |
scene from Love Actually. Or you could get your kit off and stand | :02:03. | :02:07. | |
outside your front door, like in Notting Hill. If you are one of | :02:08. | :02:14. | |
life's Mr Beans, then just sending a picture of yourself. How many good | :02:15. | :02:19. | |
friends would you say you have, Richard? Three? That is a good | :02:20. | :02:29. | |
number. Or 33. Well, you do not need many. Because if you are on | :02:30. | :02:35. | |
Facebook, you would probably have 100,000, and they would probably all | :02:36. | :02:38. | |
be complete strangers. To mark the 10th birthday of the social | :02:39. | :02:45. | |
networking site, Lucy has been to Amersham to try to make some friends | :02:46. | :02:49. | |
the old-fashioned way. I think I am a pretty sociable person, but can I | :02:50. | :02:55. | |
make ten new friends in one day? Are you interested? It depends what you | :02:56. | :03:00. | |
offer. Do you think we can be friends? Actually, trying to make | :03:01. | :03:08. | |
friends is quite difficult. What is the secret to long lasting | :03:09. | :03:13. | |
friendship? Reliability. I have got a friend I see once a year, at | :03:14. | :03:17. | |
Christmas, and that is it. But if ever I needed him, he is there. | :03:18. | :03:22. | |
Could I make it into your friend network? I would help you out but | :03:23. | :03:27. | |
not a friend. Do you think we could be friends? I think so. Thank you. | :03:28. | :03:37. | |
Hi, guys. What is the secret of a long-lasting friendship? I think | :03:38. | :03:46. | |
understanding each other, being a good listener and a great | :03:47. | :03:50. | |
problem-solving. People you feel do not judge you, and you can trust | :03:51. | :03:54. | |
them. What is the biggest thing you have done for a friend? My friend | :03:55. | :03:58. | |
rang me up and really needed to somebody to speak to at midnight, so | :03:59. | :04:03. | |
I headed off half way across town to go and see him by taxi. I guess your | :04:04. | :04:08. | |
friends just come to you, really. Well, maybe to you! | :04:09. | :04:17. | |
Letzgo Hunting asks some experts who understand the true value and | :04:18. | :04:23. | |
importance of friendship, a group of ten-year-olds. What is the secret of | :04:24. | :04:28. | |
friendship? I think they should have a good sense of humour and not take | :04:29. | :04:33. | |
themselves too seriously. Not to blurt out secrets. Never to lie | :04:34. | :04:38. | |
about things. If you go to your friend and you say, I have five | :04:39. | :04:43. | |
dogs, but then they go round to your house and you only have a hamster, | :04:44. | :04:47. | |
they will be thinking, where are the dogs? You are not the boss of them, | :04:48. | :04:52. | |
they can do what they want as well as you do what you want. That is | :04:53. | :04:55. | |
nice, so you give them some free will? Yes. | :04:56. | :05:13. | |
Well, a very big thank you to everybody who became Lucy's friend. | :05:14. | :05:23. | |
I counted 19. That was good. But there is a question about whether or | :05:24. | :05:26. | |
not friends would be the right time. Some of them are good friends, some | :05:27. | :05:31. | |
not so much. Thumbs up, or thumbs down, Richard, to Facebook? I think | :05:32. | :05:36. | |
thumbs up. It is interesting, from the perspective of a writer, what do | :05:37. | :05:41. | |
you think about social networking, communicating just by writing? Well, | :05:42. | :05:47. | |
we do a lot of that in Bridget Jones, with absolutely disastrous | :05:48. | :05:51. | |
effect. One of my friends told me the other day that it would be | :05:52. | :05:54. | |
completely unacceptable to chuck someone except by text. The horror | :05:55. | :06:00. | |
of breaking that news face-to-face would make it impossible for the | :06:01. | :06:03. | |
person getting chucked. To do it by text is polite, recent, humane. What | :06:04. | :06:08. | |
is the world coming to?! It is probably a good time to mention our | :06:09. | :06:15. | |
own Facebook page. We are asking for your favourite facts, and then | :06:16. | :06:19. | |
tomorrow, on the show, our team of boffins will tell you whether they | :06:20. | :06:22. | |
are true or not. My favourite so far has to be from Martin, who asks, are | :06:23. | :06:28. | |
ants really the only insect who stretch when they wake up? When has | :06:29. | :06:33. | |
he seen that, that is the question?! How do you know when they | :06:34. | :06:40. | |
are asleep? I am going to be asking every insect, and also asking the | :06:41. | :06:44. | |
boffins tomorrow. As we saw earlier, Lillian was a bit critical of | :06:45. | :06:49. | |
Notting Hill. This is a very nervous moment. Well, as Richard's film is | :06:50. | :06:58. | |
about going back in time, we thought we would ask Lillian back, with her | :06:59. | :07:02. | |
friends this time, from her film club, to review the new one. Thank | :07:03. | :07:08. | |
God for the friends. It is called about About Time. Yes, Lillian is | :07:09. | :07:15. | |
back. And she has brought some friends - Barbara, Frederick, Joan | :07:16. | :07:24. | |
and Andrea. They are here to watch Richard's latest film. I thought | :07:25. | :07:30. | |
this phone was old but suddenly it is my most valuable possession. I | :07:31. | :07:38. | |
love your frock. And my hair? It is not too brown? I love Brown. The | :07:39. | :07:46. | |
fringe is new. The fringe is perfect, it is the best bit. I have | :07:47. | :07:52. | |
got this dodgy friend who is about to assault me! OK, I am coming. I | :07:53. | :08:01. | |
hope I see you again. You will. It is time for the verdict. Parts of it | :08:02. | :08:09. | |
were sad, parts of it were happy. It was one of those films where you are | :08:10. | :08:12. | |
frightened to get up and go to make a cup of tea or go to the toilet in | :08:13. | :08:16. | |
case you miss something. I was totally involved. I liked the ending | :08:17. | :08:22. | |
because it was how we should live our lives. I think it deserves | :08:23. | :08:28. | |
eight. I would give it ten. I would give it ten out of ten. That was a | :08:29. | :08:30. | |
much better film than Notting Hill. Isn't that lovely?! The comedian in | :08:31. | :08:46. | |
me was -- so hoping that when you cut to her, she was fast asleep. | :08:47. | :08:51. | |
That would have been brilliant. She was emotional, actually, Lillian, I | :08:52. | :08:56. | |
think she had had a bit of a cry. I am absolutely thrilled, eight out of | :08:57. | :09:00. | |
ten, who was that they know that was very thrilling and very risky | :09:01. | :09:03. | |
indeed. I am hoping if they had given two, you would not have shown | :09:04. | :09:09. | |
it. The DVD About Time is out tomorrow. The main character goes | :09:10. | :09:14. | |
back in time. You have said this is going to be the last film for you as | :09:15. | :09:18. | |
a director, is that because it encapsulates everything that you | :09:19. | :09:23. | |
want to say? Sort of. It is a big old job directing a film, it takes | :09:24. | :09:28. | |
in the end about three years. The message of the film is to cherish | :09:29. | :09:33. | |
every day of your life, try and enjoy the texture of it, enjoy your | :09:34. | :09:36. | |
address and your shirt. While we were making the film, we were | :09:37. | :09:41. | |
filming on a beach, and we thought, wouldn't it be nice the next time we | :09:42. | :09:46. | |
were on a beach just to be walking along and chatting, instead of | :09:47. | :09:49. | |
working? So I think I will try to obey the orders of the film and take | :09:50. | :09:54. | |
life a bit easier. I watched it again on Saturday, and I would | :09:55. | :09:57. | |
really want to know, where is the house in the film? It is so | :09:58. | :10:04. | |
beautiful. It is in a place in Cornwall, and it really is | :10:05. | :10:08. | |
absolutely gorgeous. We had an extraordinary summer. There was a | :10:09. | :10:12. | |
cafe selling ice cream is at the bottom of the garden, and the actors | :10:13. | :10:16. | |
were very rarely there when we needed them, because they would be | :10:17. | :10:21. | |
sneaking off to get an ice cream. It is a brilliant film, Richard, I have | :10:22. | :10:26. | |
already seen it three times. Has anybody tried to persuade you that | :10:27. | :10:29. | |
it would be such a good idea if you just did one more, maybe? No, it is | :10:30. | :10:34. | |
literally just you. If Lillian brings me and says one more film, | :10:35. | :10:38. | |
then I might just change my mind. We can arrange that. Emma, your | :10:39. | :10:45. | |
long-term partner, was associate producer, how does that work, as a | :10:46. | :10:52. | |
relationship? I come to her very optimistically and give her pieces | :10:53. | :10:55. | |
of paper, and she tells me that what is written on them is very bad, and | :10:56. | :11:00. | |
I must try harder. She is there to encourage me and help me make the | :11:01. | :11:04. | |
film I want to make, but also, when I fail, to make things better. She | :11:05. | :11:09. | |
also rented a house next to the house where we were filming, and she | :11:10. | :11:13. | |
would make cakes each day and bring them to try to cheer up the | :11:14. | :11:17. | |
atmosphere on the set. The family in the film is the family everybody | :11:18. | :11:22. | |
wants to but there is a quirky character, like in every family, in | :11:23. | :11:28. | |
this one, called Kit Kat. Have you got a dysfunctional character in | :11:29. | :11:33. | |
your own family? Well, do you know, it is funny, one of the characters | :11:34. | :11:36. | |
are like a mixture. There is a bit of Emma, there is a bit of my | :11:37. | :11:41. | |
daughter, a bit of my sister, a bit of my friend Helen. It is a strange | :11:42. | :11:45. | |
thing, you kind of steel things from other people. The character played | :11:46. | :11:52. | |
by Bill is my dad, but there is quite a bit of Bill as well. And | :11:53. | :11:57. | |
bits of me as well. You are using the ingredients to make something | :11:58. | :12:01. | |
new. It is almost like the perfect film. So many people are absolutely | :12:02. | :12:05. | |
delighted by it. It gives you everything that you kind of want. JK | :12:06. | :12:10. | |
Rowling has recently said that she followed her heart instead of her | :12:11. | :12:16. | |
head, with Hermione marrying Ron Weasley. But would you have changed | :12:17. | :12:20. | |
anything if you could go back in your work? I think nobody really | :12:21. | :12:28. | |
wants to marry Hugh Grant. That is where you are so wrong! Don't you | :12:29. | :12:35. | |
think?! No, I think he has got many redeeming features. I wish they had | :12:36. | :12:42. | |
all live at the end of Blackadder. You have got lots of the same cast | :12:43. | :12:46. | |
in your films, so what are they going to do now? We are going to go | :12:47. | :12:49. | |
on walking holidays together. Brilliant! Well, About Time is out | :12:50. | :12:57. | |
on DVD now. When you break a leg or an arm, you do not expect to be | :12:58. | :13:02. | |
taken to a police station. But when it comes to a mental illness, some | :13:03. | :13:09. | |
people can spend up to writer and poet Benjamin Zephaniah spent a day | :13:10. | :13:13. | |
with West Midlands Police to witness a new way to deal with the problem. | :13:14. | :13:17. | |
I am spending the day with West Midlands Police as they try out a | :13:18. | :13:23. | |
new way of dealing with people with suspected mental health problems. | :13:24. | :13:26. | |
The idea is to try where possible to avoid taking them I am Benjamin | :13:27. | :13:31. | |
Zephaniah, and why do I care? Because one night, my cousin, who | :13:32. | :13:37. | |
had mental health problems, ended up in a cell, and died. From the | :13:38. | :13:45. | |
information we have received, there is a possible self harm threat as | :13:46. | :13:52. | |
well. This is called street triage. When the call comes in, a police | :13:53. | :13:57. | |
officer, paramedic and mental health nurse go to the scene together, | :13:58. | :14:02. | |
which means that between them, they can decide on the spot the best | :14:03. | :14:05. | |
place to take that person. This call is about a man who has been | :14:06. | :14:10. | |
threatening to harm himself. I have been asked to wait outside while the | :14:11. | :14:13. | |
officers go inside to assess the situation. For the first time, | :14:14. | :14:20. | |
really, we have got the opportunity to have a mental health nurse | :14:21. | :14:24. | |
accessing the mental health records, the police officer | :14:25. | :14:26. | |
accessing the police records, and the paramedic accessing the | :14:27. | :14:31. | |
ambulance data, so when we get there, we will be able to see the | :14:32. | :14:34. | |
best way to deliver the right service for that person. | :14:35. | :14:41. | |
At the scene, the Mall is no longer there. If he was having the episode | :14:42. | :14:49. | |
earlier in the hospital, couldn't he be having it now in the Street? | :14:50. | :14:56. | |
Intentionally, yes. You're not going out to arrest him? No. I chested in | :14:57. | :15:04. | |
the scheme because my cousin died in custody. This was ten years ago. -- | :15:05. | :15:12. | |
I am interested. Dealing with people who are mentally ill is one of the | :15:13. | :15:17. | |
hardest things you do as a police officer. One fifth of this force 's | :15:18. | :15:24. | |
call outs are under the Mental Health Act. Under this act, a person | :15:25. | :15:31. | |
can be detained in a police cell for up to 76 hours. Whether they have | :15:32. | :15:39. | |
committed a crime or not. I just was absolutely terrified. I was tired, | :15:40. | :15:44. | |
exhausted, distressed, and I ended up curled up on the floor sobbing | :15:45. | :15:50. | |
for hours and hours. This is the voice of gene. We have changed her | :15:51. | :15:56. | |
name. She has a history of mental health problems. She's been held | :15:57. | :16:02. | |
five times in a police cell, once for 36 hours. I remember sitting in | :16:03. | :16:07. | |
that cell thinking, what have I done wrong? Is it my fault I am unwell | :16:08. | :16:13. | |
mentally? Last year, a government report called for a new approach, | :16:14. | :16:20. | |
but figures show that in 2012 and 2013, it still happened to 8000 | :16:21. | :16:26. | |
people. This triage team can decide straightaway whether it makes more | :16:27. | :16:30. | |
sense to take a person to hospital, and assessment centre or back home. | :16:31. | :16:38. | |
A new call has come in. And 86-year-old lady who's in a police | :16:39. | :16:44. | |
station, very distressed, foldable and confused. So hasn't she been | :16:45. | :16:51. | |
arrested? No, she has just walked in. Do you want us to take you home | :16:52. | :16:58. | |
today? Re/Max he said he wanted to take me in a motorcar or something. | :16:59. | :17:04. | |
It is taking the surfaces in as soon as we can, rather than people being | :17:05. | :17:11. | |
moved from one place to another. People have realised we need to | :17:12. | :17:15. | |
invest a bit more time and effort to people who are vulnerable. Is this | :17:16. | :17:22. | |
costing more money or saving money? Saving money. The triage team have | :17:23. | :17:28. | |
been called back to the hospital. The man has returned. He is fearful | :17:29. | :17:34. | |
that we are going to arrest him for something, which is not the case, so | :17:35. | :17:38. | |
to get his cooperation, we will take a bit of a step back. If you could | :17:39. | :17:43. | |
just let him know there is a police officer inside, but just one. But | :17:44. | :17:48. | |
the team's efforts on this occasion are fruitless. The gentleman didn't | :17:49. | :17:57. | |
want to talk to us. The man was assessed at a later date and found | :17:58. | :18:02. | |
not to be mentally unwell. I hope this scheme works so that the right | :18:03. | :18:06. | |
people get the right help at the right time. At long last, I'm glad | :18:07. | :18:13. | |
to see something is being done. Thanks to Benjamin. Something is | :18:14. | :18:18. | |
being done. Dr Mark Porter joins us now to talk about this. The pilot | :18:19. | :18:23. | |
scheme has been tried out in other areas. Yes, it is one of eight. What | :18:24. | :18:31. | |
are the results? The results in Cleveland are astonishment. When the | :18:32. | :18:40. | |
teams went out, just 12 out of 371 people needed it. When the mental | :18:41. | :18:45. | |
health nurse was not there, there were 224 people brought in. That | :18:46. | :18:51. | |
shows the scale of it. We didn't see any examples in the film, but | :18:52. | :18:56. | |
children are affected by Section 136 of the Mental Health Act. Yes, it is | :18:57. | :19:01. | |
an issue across the spectrum. What else needs to be done? You have to | :19:02. | :19:11. | |
point out the nature of mental illness. Some of these crises are | :19:12. | :19:15. | |
always going to be played out in public. There are things we can do | :19:16. | :19:18. | |
early. If we can help someone with oppression before they get to the | :19:19. | :19:23. | |
stage where they are standing on a bridge, that can help. The MP Norman | :19:24. | :19:31. | |
Lamb has put nearly half ?1 billion into improving access to | :19:32. | :19:34. | |
psychological services. There's a lot of ground to make up. The | :19:35. | :19:39. | |
perception still is that there's this gulf between physical and | :19:40. | :19:44. | |
mental illness, and that mental -- that mental illnesses are less of a | :19:45. | :19:51. | |
priority. It's always been a huge priority for Comic Relief. We have a | :19:52. | :19:56. | |
project that is all about public attitudes. They say that one in four | :19:57. | :20:01. | |
of us will experience some kind of mental illness. I certainly have. | :20:02. | :20:06. | |
The more experiments that can be done and the more it can be taken | :20:07. | :20:12. | |
out of the shadows, the better. And if less stigma is attached to those | :20:13. | :20:17. | |
who have problems, we can help. It's difficult to know how you cope, if | :20:18. | :20:22. | |
you are there. The attitude of the police reflects a lot of the | :20:23. | :20:28. | |
attitudes in society. It would be unacceptable if someone who had | :20:29. | :20:32. | |
epilepsy was taken to a police cell. But the cup axe in mental health | :20:33. | :20:36. | |
provision must mean that there are more people on the streets who end | :20:37. | :20:44. | |
up in police cells. Yes, in England there has been a 2% cuts in the last | :20:45. | :20:48. | |
few years, and there wasn't much in there in the first place. Thank you | :20:49. | :20:54. | |
for coming in. If you need more information on anything we have | :20:55. | :20:58. | |
spoken about, just go to our website. Our next film is all about | :20:59. | :21:05. | |
showbiz agents, sometimes called ten percenters. Although these days, | :21:06. | :21:12. | |
some take a bigger cut than that! An agent from a real showbiz family has | :21:13. | :21:18. | |
some trade secrets. Showbiz agents are the deal-makers | :21:19. | :21:25. | |
of the entertainment industry. Behind every star there's someone | :21:26. | :21:28. | |
navigating their career and pulling the strings. Like me, they operate | :21:29. | :21:33. | |
out of the spotlight to find their clients work, manage the highs and | :21:34. | :21:38. | |
lows of their careers, and ideally, make them millions before taking a | :21:39. | :21:44. | |
cut. I make my living negotiating deals for top performers and | :21:45. | :21:49. | |
broadcasters. I'm what's known in the business as a ten percenter. How | :21:50. | :21:54. | |
important is an agent to an artist's career? And agent is vital. | :21:55. | :22:01. | |
It controls the blood flow of the art. They are the ones who find the | :22:02. | :22:08. | |
person to suggest to audition for a role. Showbiz runs in my family. My | :22:09. | :22:15. | |
dad was an agent in the 40s and 50s, and my uncle launched Sunday Night | :22:16. | :22:22. | |
at the London Palladium, one of the biggest shows on TV at the time. | :22:23. | :22:27. | |
Anyone who was anyone was on their books. When you think of Leslie | :22:28. | :22:34. | |
grade, and his agency, they were the pinnacle of everything that was show | :22:35. | :22:39. | |
business in this country. One of the unsung legends of the agency | :22:40. | :22:44. | |
business was Billy Marsh. He work with my family, and taught my | :22:45. | :22:48. | |
brother, Michael Grade, the secrets of the trade. Billy had one | :22:49. | :22:55. | |
expression. Do anything for them, but never put their coats on for | :22:56. | :23:01. | |
them or carry their bags, because you end up being subservient. They | :23:02. | :23:05. | |
need to respect you. It was Billy Marsh who got Bruce Forsyth his big | :23:06. | :23:15. | |
break. I was at a dreadful agent before Billy. He had me signed for | :23:16. | :23:19. | |
life like a servant you couldn't get rid of. It was bad. What kind of | :23:20. | :23:25. | |
qualities do you look for in an agent? It is looking far ahead, | :23:26. | :23:30. | |
looking at what is the best for you, is the money right... And should | :23:31. | :23:36. | |
they go a bit further, to see if they can squeeze people a bit more | :23:37. | :23:41. | |
for money. You do work up a personal relationship with them, which is | :23:42. | :23:46. | |
very, very important. It's a bit like a double act. Yes, but I get | :23:47. | :23:56. | |
all the laughs! Bruce and Billy's professional relationship. -- lasted | :23:57. | :24:00. | |
until Billy's death in 1995, but such loyalty is rare in this | :24:01. | :24:05. | |
business. There was more competition to keep a client, because if you | :24:06. | :24:10. | |
have a bad run with a client, all the others are around dispensing | :24:11. | :24:14. | |
what we used to call the unhappy pill in the dressing room. You would | :24:15. | :24:22. | |
go into the dressing room and say, you must have seen your agent. And | :24:23. | :24:28. | |
they say, I haven't seen my agent for three weeks. You keep slipping | :24:29. | :24:32. | |
them the unhappy pill. And then you ring them, and say, have you thought | :24:33. | :24:40. | |
of changing agent? My father had no need of the unhappy pill when he | :24:41. | :24:45. | |
signed Palladium regular Cliff Richard in the early 60s. Every time | :24:46. | :24:51. | |
I came here to see a show, I always think of your dad. The man who | :24:52. | :24:57. | |
brought us here was your dad. Sometimes, you can feel like you are | :24:58. | :25:04. | |
just in someone else's money machine. I never felt like that with | :25:05. | :25:11. | |
him. Today, Cliff Richard mostly organises his own career, and | :25:12. | :25:15. | |
recognises that things have changed since my father's day. I sometimes | :25:16. | :25:21. | |
feel sorry for people coming out of the X Factor. Even the losers are | :25:22. | :25:25. | |
good. But are they getting the support their way that your dad | :25:26. | :25:30. | |
supported us? We had the best of times. I'm hoping it is all | :25:31. | :25:36. | |
cyclical. Showbiz has changed dramatically since my father's era, | :25:37. | :25:41. | |
but one thing will always be the same - behind every talent there | :25:42. | :25:46. | |
will always be an agent, making deals and taking their 10%. | :25:47. | :25:51. | |
What will we be without them? And Comic Relief wouldn't be the same | :25:52. | :26:01. | |
without you. Comic Relief had an agent, and it wouldn't exist without | :26:02. | :26:06. | |
him. I think there are some really fantastic agents around still. | :26:07. | :26:13. | |
Earlier on, we asked you to recreate some iconic Richard Curtis film | :26:14. | :26:17. | |
seems. Let's do Bridget Jones first of all. OK. He's gone all Bridget | :26:18. | :26:34. | |
Jones on us! Nearly identical! Now the father and son. From Love | :26:35. | :26:44. | |
Actually. Here is Nick and Nathan from Doncaster. It gets better. | :26:45. | :26:57. | |
That's really cute. I hope he hasn't got love problems already. We asked | :26:58. | :27:04. | |
for any natural Mr Beans to send photos in. His friends always tell | :27:05. | :27:12. | |
his dad that he is a dead ringer for Mr Bean! We said earlier on that | :27:13. | :27:19. | |
table tennis plays a big part in About Time. Come over here. Six | :27:20. | :27:24. | |
people can play this game of table tennis, or even up to 12 people. I | :27:25. | :27:33. | |
will slot in here. There we go. Grab that bat and join in. Richard, why | :27:34. | :27:39. | |
is table tennis is such a big part of the film? I always used to play | :27:40. | :27:44. | |
with my dad, and he always let me win, for 20 years! This is very | :27:45. | :27:50. | |
similar to the normal table tennis game. You can have up to 20 | :27:51. | :27:58. | |
players. Watch the tower behind you! You can only do two shots, and then | :27:59. | :28:04. | |
you have to swap over. Karim, I'm going to have a go at you. The idea | :28:05. | :28:09. | |
is to get a table like this into every single primary school in the | :28:10. | :28:15. | |
UK. Are the rules the same as normal table tennis? No, it's different. We | :28:16. | :28:23. | |
haven't got time to go into it! Karim, this is like a massive orange | :28:24. | :28:28. | |
segments. What happens if you go over the white line? Nothing, you | :28:29. | :28:34. | |
carry on playing. You can only play to the same player twice. Come on. | :28:35. | :28:43. | |
Which is, a family of six, this is perfect for you! That is it for | :28:44. | :28:52. | |
today. A big thank you to Richard Curtis. About Time is out as DV -- | :28:53. | :28:59. | |
on DVD. Tomorrow we are going to be joined by Lee Mack and Wayne Sleep, | :29:00. | :29:00. | |
so get your ballet shoes on! 'Let's bring you the news...' | :29:01. | :29:18. | |
'The latest headlines...' | :29:19. | :29:21. |