Browse content similar to 04/11/2011. Check below for episodes and series from the same categories and more!
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Hello, friends, and welcome to your pre-Bonfire Night One Show with | :00:15. | :00:25. | |
:00:25. | :00:31. | ||
Alex Jones. And Chris Evans. guest tonight is a bit like a | :00:31. | :00:33. | |
firework, she exploded brightly onto our screens with her self- | :00:33. | :00:36. | |
titled comedy show. And you know she'll always hit the ground, | :00:36. | :00:46. | |
:00:46. | :00:56. | ||
Lovely to see you. Thank you. have perfected that. Is there a | :00:56. | :01:01. | |
crash mat? There was there, because that was hard corridor, that is the | :01:01. | :01:06. | |
official term. Sometimes there is no crash mat, you are very good at | :01:06. | :01:11. | |
falling over. In the studio, sometimes I fall onto the carpet. I | :01:11. | :01:17. | |
am a slave to my art! In the writing process, when you think, | :01:17. | :01:24. | |
this requires a fall? I write it all pretty much without falling, | :01:24. | :01:28. | |
unless it is essential to the plot, like falling in the grave. If | :01:28. | :01:32. | |
you're at a funeral, you are going to fall in the grave. Alex loves | :01:32. | :01:39. | |
the show, she is your number one fan. Strictly, you are a big fan. | :01:39. | :01:42. | |
am not just saying this, but Alex is one of my favourites. I should | :01:42. | :01:47. | |
have said favoured, but I am being completely honest, Harry as well. | :01:47. | :01:51. | |
Harry is brilliant. We have breaking news from Strictly | :01:51. | :01:57. | |
especially for you. Are you ready? He has! Miranda, please do Strictly, | :01:57. | :02:01. | |
we want your saucy moves on our dancefloor, and you are going to be | :02:02. | :02:08. | |
doing it with me! Brendan Cole wants you! This is very exciting, | :02:08. | :02:14. | |
but I am taller than Brendan. can sort that out... Somehow! | :02:14. | :02:20. | |
wears big Cuban heels. He does. is the 10th anniversary, it has | :02:20. | :02:26. | |
never been bigger or better, would you do it? Alex... That looks like | :02:26. | :02:31. | |
Yes to me! It is brilliant, and you get to wear all those frocks and | :02:31. | :02:36. | |
lashes. It doesn't matter, they could do with a bit of that! Carrie | :02:36. | :02:40. | |
Grant will be telling us what gives fireworks their amazing colours. | :02:40. | :02:44. | |
She has lied that a bonfire night in Wetherby. And we would like to | :02:44. | :02:50. | |
see photos of you and your guys, not your families and friends, | :02:50. | :02:56. | |
wheelbarrows, get them to us and we will show some good ones later. | :02:56. | :03:01. | |
about we move from Guy's to pies? Just the mention of the word makes | :03:01. | :03:11. | |
:03:11. | :03:11. | ||
It is a serious title holder, the best of its kind, winner of the | :03:11. | :03:18. | |
supreme champion at the British Pie Awards 2011. But this pie is only | :03:18. | :03:22. | |
available to a select few, and I have not been part of the lucky | :03:22. | :03:26. | |
clientele. To taste the current champion pie, I must pass through | :03:26. | :03:31. | |
this gate into what is to make an alien world, football. I have never | :03:31. | :03:36. | |
really seen the appeal of football, but to get a taste, I will have to | :03:36. | :03:40. | |
face the dreaded game. Because it is here at much for football club | :03:40. | :03:46. | |
where Graham Aimson makes his prize from scratch. -- Morecambe. So this | :03:46. | :03:52. | |
is the best 2010 in Britain. It is. How do you feel about that? It is | :03:52. | :03:58. | |
not something we expected. You are going against specialists in baking, | :03:58. | :04:04. | |
from posh places. Unbelievable. What is the secret to a good pie? | :04:04. | :04:08. | |
50% of it is the pastry, that has got to be the best pastry you can | :04:08. | :04:12. | |
make, then using the right ingredients. Not the cheaper end of | :04:12. | :04:18. | |
the meat. I am not surprised these pies win awards, because we are in | :04:18. | :04:20. | |
the Great Pie making county of Lancashire, but it must be a | :04:20. | :04:25. | |
nightmare preparing more than 1,000 highs to a high standard, all at | :04:25. | :04:30. | |
once on match day. Half-time, 15 minutes, and in the home stand, | :04:30. | :04:34. | |
that will be 1,500 people in one serving of 15 minutes. They do not | :04:34. | :04:39. | |
like waiting around, I get lots of messages about it. There is a very | :04:39. | :04:44. | |
good smell in his kitchen, pastry, meat, pie, I can't wait until half- | :04:44. | :04:49. | |
time. The fans of Morecambe and tonight's rivals, Rotherham United, | :04:49. | :04:53. | |
arrive for the match, and the pies are headed for the stands. For the | :04:53. | :04:59. | |
first time, I am seriously envious of football fans. This is pie | :04:59. | :05:03. | |
madness, serious pie action going on here! It is time for me to lend | :05:03. | :05:13. | |
:05:13. | :05:17. | ||
If it doesn't come out, what is the deal? As the half-time Rush hots up, | :05:17. | :05:22. | |
it is clear I am more hindrance than help. What to think of the | :05:22. | :05:28. | |
pies? Phenomenal, no wonder they won the award, tremendous. They are | :05:28. | :05:34. | |
the best buys in the Football League. What makes them so special? | :05:34. | :05:39. | |
Tasty, delicious. It has made to the Man U are today! The fans just | :05:39. | :05:49. | |
:05:49. | :05:53. | ||
As I joined them on the terraces, time to find out why. My first pie | :05:53. | :05:57. | |
of the match. This is a good pie, proper filling, proper chicken, | :05:57. | :06:02. | |
lovely pastry. Pies and football, made for each other. But could the | :06:02. | :06:06. | |
Lee of the pie make me a fan of the game. All you hardened football | :06:06. | :06:11. | |
fans do not need to worry, football was never really likely to convert | :06:11. | :06:16. | |
me, but I am a fan of the pie, so I may well be back, but only at half- | :06:16. | :06:22. | |
time. Good pie film, Jay! You have more | :06:22. | :06:27. | |
award-winning pies. I have are the ones which won at the Great Fish | :06:27. | :06:34. | |
Pie Championships which take place in April. How do get involved? | :06:34. | :06:39. | |
to their website, and you have to be a commercial producer. It is not | :06:39. | :06:42. | |
just your Andes pie, it has to be one that is commercially available, | :06:42. | :06:47. | |
and it has to be a full pike, pastry, bottom, side and top, not | :06:47. | :06:53. | |
just pastry on top. If this were Crufts, we are in the Champions' | :06:53. | :06:58. | |
Ring. This is the award-winning pork pie, produced down in | :06:58. | :07:02. | |
Leicestershire, walkers and sons. They have been producing this since | :07:02. | :07:06. | |
1824. We have a picture of queues around the block on Christmas Eve, | :07:06. | :07:10. | |
people queuing for these pies. We do have a picture, they have | :07:10. | :07:17. | |
decided not to show it! We have seen it! This pie, apparently, you | :07:17. | :07:24. | |
can see the fluted edges. fluted edges! 100% pork shoulder | :07:24. | :07:29. | |
and belly, really good jelly. all about the jelly. Miranda, | :07:29. | :07:34. | |
please. The tis very hard for you to smell them. It is one of | :07:34. | :07:39. | |
Britain's great gifts to the world. Just the smell, the nose and that! | :07:39. | :07:45. | |
That is delicious. The steak and kidney pie here, this is 10 and | :07:45. | :07:51. | |
sons. This was voted the best steak and kidney. It is a combination of | :07:51. | :07:54. | |
the flaky pastry, everyone is hand filled, so you get a perfect | :07:54. | :07:59. | |
balance of steak and kidney. Don't you hate a steak-and-kidney pie | :07:59. | :08:05. | |
with no kidney? It can ruin your day. How good is this? Really not | :08:05. | :08:09. | |
just I am on the television good, it is properly good! What is your | :08:09. | :08:18. | |
favourite? I will have to go sweet, apple-pie. Shut your face! This is | :08:18. | :08:24. | |
from Leicestershire as well, and it is now yours! Always fresh apples. | :08:24. | :08:31. | |
We know that npowers sometimes the Jay Moran do, we have a picture | :08:31. | :08:38. | |
there. -- we know that pies sometimes feature in Miranda. | :08:38. | :08:42. | |
were constant pies and cakes in the background, I was slightly offended, | :08:42. | :08:46. | |
because I do look like her, and you might think that she is a woman who | :08:46. | :08:52. | |
likes pies! That pie has been around for two and a half years. | :08:52. | :08:57. | |
You have got a foodie firework, what is this? This is a chocolate | :08:57. | :09:05. | |
bomb. We imported it from France. We have, as you will see, you may | :09:05. | :09:09. | |
have to put the apple pie down, because we have got bobbles for you, | :09:09. | :09:12. | |
because it is the BBC and we are very safety-conscious for you. I | :09:12. | :09:18. | |
would rather like it if he would retire behind the sofa. It is a | :09:18. | :09:22. | |
special effect, but you can buy these! Please do not make one at | :09:22. | :09:32. | |
:09:32. | :09:33. | ||
home. The French have given us many It takes a while! It is a slow | :09:33. | :09:38. | |
burner. It was worse than is in rehearsal, honestly! Can it really | :09:38. | :09:48. | |
:09:48. | :09:51. | ||
take 30 seconds? We have got all That was rubbish! What was that?! | :09:51. | :09:56. | |
Either way, in rehearsal, it did exactly the same thing. However, we | :09:56. | :10:02. | |
have got a hammer. We can see what is inside. Please, take a seat. | :10:02. | :10:08. | |
Sarkozy now has that to answer for as well, everybody! And that brings | :10:08. | :10:13. | |
us to the secret ingredient, sorry, that should have been in that bomb. | :10:13. | :10:19. | |
Over to Marty Jopson on the birth We are captivated by things that go | :10:19. | :10:26. | |
bang. The bigger, the better! Explosives have revolutionised both | :10:26. | :10:32. | |
industry and warfare, but where did it all begin? The exact date we | :10:32. | :10:36. | |
started blowing stuff up is lost in the mists of time, but the earliest | :10:36. | :10:42. | |
reference to an explosive mixture is over 1,000 years old, from | :10:42. | :10:48. | |
ancient China. And that was black powder. Explosives expert Dr David | :10:48. | :10:53. | |
Kenyon is going to explain how a subject that changed the world was | :10:53. | :10:58. | |
discovered by accident. -- substance. This is charcoal, I can | :10:58. | :11:04. | |
tell that. Silver, I am guessing. Sulphur, years. And saltpetre. So | :11:04. | :11:07. | |
these were the first ingredient. These were the regional ingredients | :11:07. | :11:12. | |
as discovered by the Chinese back in the 8th century. They were not | :11:12. | :11:15. | |
looking to blow stuff up when they discovered it. Their scientists | :11:15. | :11:19. | |
were looking for medicinal uses of chemicals. They were actually | :11:19. | :11:23. | |
looking for an end next year, the secret to eternal life, they mixed | :11:23. | :11:26. | |
all of these things together, and it blew up, and they thought, we | :11:26. | :11:31. | |
will use this for something else. The recipe was smuggled out of | :11:31. | :11:34. | |
China in the 13th century in scholastic writings. Through Arabia, | :11:34. | :11:38. | |
it arrived here, the Royal gunpowder Mills in Waltham Abbey in | :11:38. | :11:43. | |
Essex. For 300 years, it was the centre of excellence for Britain's | :11:43. | :11:47. | |
explosive empire, providing gun par for the Napoleonic, Crimean and | :11:47. | :11:52. | |
Boer wars. I am going to make the same type of explosive used back | :11:52. | :12:02. | |
:12:02. | :12:04. | ||
Just like the new concoction itself, news of black powder spread like | :12:04. | :12:09. | |
wildfire, especially when scholars worked out the secret of making it | :12:09. | :12:15. | |
go bang. To 10 that fireball into an explosion, what you need to do | :12:15. | :12:19. | |
is contain the gunpowder. -- turn. If you contain the gunpowder at the | :12:19. | :12:24. | |
end of a long tube, you can use it to shoot a projectile out of the | :12:24. | :12:28. | |
end, like a bullet or a cannonball. Across Europe, black powder found | :12:28. | :12:33. | |
immediate and widespread use in just this way, hence its more | :12:33. | :12:38. | |
common name gunpowder. The first recorded guns and Cannon appear in | :12:38. | :12:41. | |
Europe than the 14th century, and gunpowder stayed in military use | :12:41. | :12:47. | |
until the 1800. But it was not just used in warfare, it was soon | :12:47. | :12:57. | |
:12:57. | :12:57. | ||
Gunpowder, Nadir at Waltham Abbey, was one of the driving forces of | :12:58. | :13:00. | |
the Industrial Revolution. -- made here. It was used to create | :13:00. | :13:05. | |
everything from canals to railway cuttings and even sewerage systems. | :13:05. | :13:09. | |
Gunpowder is still used in quarrying, but today it has one | :13:09. | :13:14. | |
main use. Gareth Barnes runs a specialist fireworks factory, one | :13:14. | :13:17. | |
of the last in the UK. He makes pyrotechnics for pop concerts, | :13:18. | :13:22. | |
films and commercial displays, and he has offered to help me make a | :13:22. | :13:27. | |
custom firework. It is not like the ones you get on a high street and | :13:27. | :13:32. | |
includes a range of complex chemicals. Where does the stick go? | :13:32. | :13:35. | |
These days we fired them out of a mortar, a bit like an artillery | :13:35. | :13:40. | |
shell, so we put a black powder charge underneath and fire them out. | :13:40. | :13:44. | |
So this is going to go together like that and we will shoot the | :13:44. | :13:49. | |
whole thing in the air. Correct. am this is modern gunpowder. Yes, | :13:49. | :13:52. | |
more than milled gunpowder, very fast in comparison to the older | :13:52. | :14:02. | |
:14:02. | :14:06. | ||
gunpowder. And there we go. Only OK, what do I do? Stand back so | :14:06. | :14:10. | |
your head is not over the tune, gently lowered it down. I think we | :14:10. | :14:20. | |
:14:20. | :14:31. | ||
Cool! That was the one I made! Fireworks are my favourite use of | :14:31. | :14:41. | |
:14:41. | :14:50. | ||
Very nice, very informative, as always. Miranda, for a special | :14:50. | :14:53. | |
secret surprise prize, guess what he is going to be talking about on | :14:53. | :15:03. | |
Monday. Dynamite. Excellent, you win your series in box set. There | :15:03. | :15:08. | |
is not a better gift. Now we can cross live to Carrie Grant, who is | :15:08. | :15:14. | |
about to set this guy alive in Wetherby, Yorkshire. Hello. -- to | :15:14. | :15:21. | |
set the sky alive. We have got the fifth annual firework display here, | :15:21. | :15:26. | |
and they have to be 1000 people here. Some of those pies made their | :15:26. | :15:33. | |
way up here. What do we reckon? don't think Chris Evans would eat | :15:33. | :15:39. | |
it with the burnt bits on it. is because it is a Lancashire a pie | :15:39. | :15:45. | |
and you are a Yorkshire man. Marty was speaking earlier about | :15:45. | :15:50. | |
gunpowder being over 1000 years old. We have got more sophisticated. I | :15:50. | :15:54. | |
wanted to chat to our expert, Martin. There will be thousands of | :15:54. | :15:58. | |
displays this weekend. I get scared by the rockets but it is the | :15:58. | :16:02. | |
sparklers that are dangerous. the humble sparkler that causes the | :16:02. | :16:08. | |
problem. 2000 degrees centigrade and held in a hand. That is why you | :16:08. | :16:15. | |
were wearing gloves. Yes. What is the most popular firework? | :16:15. | :16:20. | |
rocket. I hope we are going to get rockets tonight. Are we ready for | :16:20. | :16:30. | |
:16:30. | :16:37. | ||
the countdown? Five, four, three, What are we seeing?, it's. How do | :16:37. | :16:47. | |
:16:47. | :16:55. | ||
they get the colours? Technology, Fantastic glittering comets. | :16:55. | :17:02. | |
She is worth the licence fee on her own. Thank you. We have some of | :17:02. | :17:10. | |
your pictures. This one was sent in by Lauren and Garry Jenkins from | :17:10. | :17:18. | |
Birmingham. I have got a small one. This is from Ruby, seven. And this | :17:19. | :17:27. | |
is a tall one. The biggest Guy Fawkes we have had so far this year. | :17:27. | :17:32. | |
Are you going to a fireworks display? Working around the | :17:32. | :17:37. | |
Strictly schedule, obviously! Obviously. I am a bit scared of | :17:37. | :17:42. | |
fireworks, scared of an unexpected bang. How can you have an | :17:42. | :17:49. | |
unexpected one on Bonfire Night? They are all expected. It is not | :17:49. | :17:53. | |
knowing when it will go off. cannot stand the suspense. Control | :17:53. | :18:02. | |
freak. De you think? Well, she loves a complex. It is good | :18:02. | :18:10. | |
material for series 3. Nice link. Series 1 and two out on DVD. You | :18:10. | :18:18. | |
are working on series 3. Have you written any yet? All right! I am | :18:18. | :18:28. | |
:18:28. | :18:28. | ||
starting to write it now. When? Right now. This is all fodder. | :18:28. | :18:33. | |
characters? Yes. I cannot give you much because I have not really | :18:33. | :18:38. | |
written it. It is series 3. The BBC have commissioned it, but you have | :18:38. | :18:44. | |
not started to write it at all. This is the nature of the beast. | :18:44. | :18:50. | |
And it is going from BBC Two over to BBC One. Is that pressure? | :18:51. | :18:55. | |
a bit, although it was pre- watershed, so it is the same show, | :18:55. | :19:05. | |
really. One question, will Gary be back? Gary will be back. What about | :19:05. | :19:11. | |
Alex, she would be great in that show. You could dance into the shop. | :19:11. | :19:21. | |
What else would you like to-do? could buy some things. Now, that is | :19:21. | :19:25. | |
funny! Alex has chosen this clip because she watches the show | :19:25. | :19:32. | |
religiously. This was chosen especially by Alex Jones. To mock | :19:32. | :19:42. | |
:19:42. | :19:43. | ||
or belittle, nine letters. Disparage. Who are you? Last night | :19:43. | :19:53. | |
:19:53. | :20:11. | ||
was great. I did it. There was one Hello. The best thing about it is | :20:11. | :20:15. | |
that the girls at home can identify with Miranda. Is that the most | :20:15. | :20:20. | |
important thing to you? Is that the inspiration? It is amazing that | :20:20. | :20:24. | |
anyone watches it, let alone likes it. And still bewildered by that | :20:24. | :20:29. | |
and it keeps me going. I did not write it with women in mind. I | :20:29. | :20:32. | |
tried to make it as universal as possible because I deliberately did | :20:32. | :20:37. | |
not want it to be a show for women as such. Do you really write it on | :20:37. | :20:42. | |
your own, or is there a Stephen Merchant to your Ricky Gervais? | :20:43. | :20:48. | |
the beginning I have two people who help with the story line, they will | :20:48. | :20:51. | |
be to formulate it. And at the end I have some people who do some | :20:51. | :20:58. | |
jokes, but mainly it is me. Aside from Miranda, you are doing serious | :20:58. | :21:02. | |
acting in called the midwife. have been doing the drama, thank | :21:02. | :21:07. | |
you. It is called call the midwife and I think it is out in January. | :21:07. | :21:15. | |
Look, there is me, acting. Looking serious. I have got glasses on, so | :21:15. | :21:21. | |
that is proper drama, that is. It is 1950s, sit in the East End, | :21:21. | :21:25. | |
based on memoirs of midwives at the time. I play a very posh fish out | :21:26. | :21:33. | |
of water character. Did you enjoy that? I loved it. If you have | :21:33. | :21:36. | |
ridden bicycles for Sport Relief from John o'Groats to Land's End -- | :21:36. | :21:42. | |
Lands End. Matt is going on a rickshaw for Children In Need. Any | :21:42. | :21:52. | |
advice? Vaseline. A bucket, minimum! How far did you cycle? | :21:52. | :21:55. | |
did a relay. We did John o'Groats to Land's End but we were not all | :21:55. | :22:03. | |
doing all of it. Two hours on, two hours off. Can you read that? | :22:03. | :22:13. | |
:22:13. | :22:36. | ||
I think your jobs are safe! This is a helmet and we have the rickshaw | :22:36. | :22:41. | |
challenge. Will you partake? could go top of the leaderboard | :22:41. | :22:46. | |
after this. Here is Jamie Crawford on how to capture the perfect | :22:46. | :22:54. | |
seasonal snap. Welcome to the North York Moors, | :22:54. | :23:03. | |
the perfect place to photograph the fantastic colours of autumn. I have | :23:03. | :23:08. | |
come to a remarkable landscape feature, three-quarters of a mile | :23:08. | :23:13. | |
across and 400 ft deep, a lot of people think it is a crater caused | :23:13. | :23:19. | |
by a meteorite strike. Nice idea but not the case, as Peter tells me. | :23:19. | :23:24. | |
This started as a fairly small valley with spring's coming out of | :23:24. | :23:30. | |
the sides. After heavy rainfall, the natural course of time, the | :23:30. | :23:36. | |
soil would have been washed away and the whole would have been | :23:36. | :23:45. | |
widened and deepened as a result of that spring action. This giant | :23:45. | :23:48. | |
landscape is absolutely fantastic and you would assume that as soon | :23:48. | :23:52. | |
as you take a shot of it it will turn out just as spectacular, but I | :23:52. | :23:56. | |
often find that if you just shoot the entire wide frame without | :23:56. | :24:02. | |
anything to put it into perspective, it ends up looking flat. Instead, I | :24:02. | :24:05. | |
tend to search out something to help to give a bit of depth to the | :24:05. | :24:13. | |
photograph. By using these bright yellow flowers in the foreground of | :24:13. | :24:18. | |
the photograph, it hopes to give some perspective. This shot, | :24:18. | :24:22. | |
highlighting the contrast between the autumnal shades of the giant | :24:22. | :24:29. | |
hole and the small yellow flowers is my first screensaver candidate. | :24:29. | :24:33. | |
The North York Moors Railway slices through this beautiful landscape | :24:33. | :24:37. | |
and it is taking me to my next location. The weather is against me | :24:37. | :24:40. | |
today, but the beauty of digital photography is that taking a chance | :24:40. | :24:45. | |
on a shot, even if the odds are stacked against you, costs nothing. | :24:46. | :24:49. | |
Probably best if you are photographing to take it off auto | :24:49. | :24:54. | |
focus, otherwise it will focus on the window and not the scenery. And | :24:54. | :25:00. | |
even a gamble can sometimes yield an interesting picture. Next stop, | :25:00. | :25:05. | |
Blakey Ridge, the highest point of the more, with James and Vicky, who | :25:05. | :25:09. | |
run a local bike hire company, in search not only of the lovely, | :25:09. | :25:14. | |
muted colours of autumn, but its glorious textures. Sometimes it is | :25:14. | :25:18. | |
worth mixing things up and having landscape combined with a bit of | :25:18. | :25:22. | |
action. Use a fast shutter speed to freeze the action. You might have | :25:22. | :25:28. | |
to take your camera off its auto setting to find this. This | :25:28. | :25:32. | |
combination of action and landscape is my second candidate for an | :25:32. | :25:39. | |
autumn screensaver. But for real colour and drama in autumn, you | :25:39. | :25:45. | |
need to be among the trees and the turning leaves. I have come to this | :25:45. | :25:53. | |
arboretum, with a collection of trees from around the world. I have | :25:53. | :25:59. | |
started with my macro lens to get some close detail. We have perfect | :25:59. | :26:03. | |
water droplets on the leaves to get -- with the back filled with lovely | :26:03. | :26:08. | |
autumn colour. And you can look beyond the leaves. The colours and | :26:08. | :26:14. | |
textures of autumn can be found in details like Bach and acorns. And | :26:14. | :26:19. | |
don't be afraid to tinker with the natural order. These rich brown | :26:19. | :26:22. | |
concurs are irresistible against the green foliage. I have helped | :26:22. | :26:27. | |
the composition of it to get a lovely shot. Sometimes you have got | :26:27. | :26:35. | |
to push the limits the bit to get the shot you want. Climbing this | :26:35. | :26:39. | |
grand old oak tree will give me a Birdseye look at the arboretum. I | :26:39. | :26:44. | |
am not guaranteed a great shot, but it is worth a try. I am about 40 | :26:44. | :26:50. | |
feet up. It is a great view. I think at this point I will opt for | :26:50. | :26:56. | |
the One Show bum shuffle, that well-known move. It becomes mildly | :26:56. | :27:00. | |
nerve-racking. There are if you uncomfortable bits on this branch. | :27:00. | :27:04. | |
The height allows me to get some shots from an unusual perspective. | :27:04. | :27:08. | |
The glowing colours of the trees make autumn what it is, and this | :27:08. | :27:15. | |
photograph, to me, captures its magical properties. So here we are, | :27:15. | :27:18. | |
the three shots that best reflects this wonderful season for | :27:18. | :27:25. | |
photography, any of which would be ideal for an autumn screensaver. | :27:25. | :27:30. | |
Thanks, Jamie. You can download his autumnal screen savers from the | :27:30. | :27:35. | |
website. As we mentioned earlier, next week, Matt will pedal from | :27:35. | :27:39. | |
Edinburgh to London for Children In Need. He would love your support, | :27:39. | :27:48. | |
so donate to the number one screen. -- the number on screen. Can you | :27:48. | :27:54. | |
beat Hugh Fearnley-Whittingstall's time of 34 seconds? I could do 34 | :27:54. | :28:02. | |
minutes! We have a leaderboard. Liked Top Gear. Exactly. In and out | :28:02. | :28:07. | |
of the cones, and then you have to pick up Pudsey. How much does the | :28:07. | :28:17. | |
:28:17. | :28:26. | ||
41.61 seconds to beat Rob Brydon. 34 seconds to beat Hugh Fearnley- | :28:26. | :28:31. | |
Whittingstall. She has picked up Pudsey at the halfway mark. Oh, my | :28:31. | :28:39. | |
goodness! She is doing pretty well. In fact, she is doing very well. | :28:39. | :28:44. | |
She is doing unbelievably well. She has experience of cycling. She is | :28:44. | :28:52. | |
through the heart. Stop the clock. Stop the clock. With no cones, you | :28:52. | :29:02. | |
have scored 28.7 and you go top of the leaderboard. Unbelievable! | :29:02. | :29:08. | |
There you go. That is all for tonight. Miranda's DVDs are | :29:08. | :29:11. | |
available on Monday just in time for Christmas. Next week, Gary | :29:11. | :29:16. | |
Barlow, Sir Bruce Forsyth, Gene Simmons, Peter Jones and Neil | :29:16. | :29:21. |