Browse content similar to 05/06/2013. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
with Matt Baker. And Alex Jones. You can say what you want about our | :00:21. | :00:26. | |
first guest tonight but this year she's celebrating 25 years since she | :00:26. | :00:32. | |
gave up her job as a hairdresser to become an international pop star. | :00:32. | :00:37. | |
And as for our second guest, having played Moll Flanders it was | :00:37. | :00:44. | |
inevitable she would get off with the Doctor. Please welcome Sharleen | :00:44. | :00:50. | |
Spiteri and Alex Kingston! A very good evening. Somebody scripted that | :00:50. | :00:55. | |
for me Alex, I would never have put it that way, but we did see you | :00:55. | :00:59. | |
kissing Matt Smith, quite the treat. Were you surprised by his | :00:59. | :01:05. | |
announcement that he was going to leave after the end of this one? | :01:05. | :01:09. | |
wasn't surprised as we had a chat about the potential. How long about | :01:09. | :01:16. | |
was that? ? I'm not going to say. I don't want to spoil it. At some | :01:16. | :01:20. | |
stage you have to move on and we did discuss when would be the right time | :01:20. | :01:23. | |
in a young actor's career if they were very associated with a | :01:23. | :01:29. | |
particular role. You have to move on, otherwise it becomes very | :01:29. | :01:33. | |
difficult, because you get typecast. Who would you like to see moving in? | :01:33. | :01:39. | |
I don't know. They say it might be a woman, you see. Dame Helen Mirren | :01:39. | :01:43. | |
has been mentioned. I don't think I could kiss her though. | :01:44. | :01:53. | |
:01:54. | :01:58. | ||
LAUGHTER Well... There is always a first time. I thought, are you going | :01:58. | :02:06. | |
to be the doctor? A few years ago there was chat about that but she is | :02:06. | :02:10. | |
married to him, essentially. lots of weird morphing stuff goes | :02:10. | :02:18. | |
on, so you never know. And how did your audition go? Let's not star. I | :02:18. | :02:23. | |
can't mention. Tonight we've got someone you are fans of and she will | :02:23. | :02:29. | |
be winning more fans with The White Queen on BBC One. He asked me to lie | :02:29. | :02:34. | |
with him and I refused, and if he dies, I will regret that forever. I | :02:34. | :02:40. | |
regret it now. You are a girl from a House of Lancaster and you live in a | :02:40. | :02:45. | |
country that's divided. You may not fall in love with a York King unless | :02:45. | :02:54. | |
there is profit in it for you. writer and actress Philippa Gregory. | :02:54. | :02:58. | |
Hi Philippa. We know that The White Queen is going to be a massive hit, | :02:58. | :03:03. | |
ten hours of it on BBC One. We can't wait. Are you happy with the way it | :03:03. | :03:08. | |
has gone so far from what you've seen? I'm delighted. I've seen it | :03:08. | :03:13. | |
all. Well, the sample of it there, you've got these fantastically | :03:13. | :03:16. | |
strong women characters, an amazing period of English history. Although | :03:16. | :03:22. | |
we know of it we don't know a lot about it in detail. This visually | :03:23. | :03:27. | |
beautiful very cinematic television series. We will discuss it at length | :03:28. | :03:32. | |
as the evening progresses. And we be testing your historical knowledge, | :03:32. | :03:37. | |
all three of you. This is tough, this. We are going to ask you to | :03:37. | :03:43. | |
guess the famous face from the tights that person is wearing. Like | :03:43. | :03:48. | |
that! We've been playing this afternoon. I think I know who that | :03:48. | :03:56. | |
is. You do? Hold that thought. With the opening of the new Mary Rose | :03:56. | :04:00. | |
Museum and the discovery of 4,000-year-old log boats near | :04:00. | :04:05. | |
Peterborough wrecks are making a resurgence at the moment. But what | :04:05. | :04:10. | |
of the wreck hunters who devote their lives to find new Conservative | :04:10. | :04:20. | |
:04:20. | :04:22. | ||
Riese. -- new Conservative Riese. The Scilly Isles, a secret location | :04:22. | :04:29. | |
hidden 30 feet beneath the waves. A 400-year-old shipwreck discovered | :04:29. | :04:35. | |
languishing on the ocean floor. The amateur wreck hunters Todd Stevens, | :04:35. | :04:42. | |
a local carpenter, and Robin Burrows from the landlocked West Midlands. | :04:42. | :04:46. | |
Their latest adventure, seven days diving by marine archaeologists sent | :04:46. | :04:52. | |
by English Heritage. Their objective - to prove that the wreck they found | :04:52. | :04:58. | |
is the flying Joan, part of Sir Walter Raleigh's fleet which sank | :04:58. | :05:02. | |
without trace on its final voyage. These guys are no strangers to | :05:02. | :05:09. | |
hunting for shipwrecks. Over the last 15 years they've found a | :05:09. | :05:13. | |
treasure-trove of artefacts, from ancient pottery, dominoes, coins, | :05:13. | :05:18. | |
even a 200-year-old musket. If it is down there, the likelihood is they | :05:18. | :05:25. | |
will find it. Any disasters? Plenty. Really? You dive a great many sites | :05:25. | :05:31. | |
just to find one of interest and you come up with a washing machine. That | :05:31. | :05:36. | |
was eagerly anticipated, how did that get all the way out there? | :05:36. | :05:42. | |
Clean washing I hope? We didn't look. How excited are you when you | :05:42. | :05:47. | |
find something like this? He is worse than a dog. As soon as the | :05:47. | :05:57. | |
:05:57. | :05:59. | ||
engine stops he is on his kit and over the side. What makes you so | :05:59. | :06:03. | |
confident that this latest find is important? This is quite crudely | :06:03. | :06:13. | |
:06:13. | :06:13. | ||
built. It all fits. Toby from welcomes Archaeology is leading the | :06:13. | :06:17. | |
team investigating the wreck site. What you can see here are the | :06:17. | :06:25. | |
timbers of the wreck all along here, and three guns. How important is it | :06:25. | :06:30. | |
to you, that amateur wreck hunters do highlight cases like this for | :06:30. | :06:34. | |
you? It is very important. When historic wrecks like this come to | :06:35. | :06:38. | |
light we hope they would be reported to the relevant authorities so they | :06:38. | :06:43. | |
can be protected for future generations. It is not treasure that | :06:43. | :06:47. | |
the archaeologists are after. It is all about getting the right wood | :06:47. | :06:54. | |
sample. Toby, that was your first dive. 1960s pleasure cruiser or are | :06:54. | :06:58. | |
you confident that's an old wreck? It is definitely the real deal. All | :06:58. | :07:03. | |
the evidence is pointing to a wreck for those dates. It is just finding | :07:03. | :07:09. | |
a bit of wood that will be the right quality of sample. We would send it | :07:09. | :07:13. | |
to a specialist. This ewould measure the distances between all the rings. | :07:13. | :07:20. | |
The tree grow grows certain amounts each year. If it is a warm year it | :07:20. | :07:24. | |
grows year and if it is cold, it grows less. The pattern can be | :07:24. | :07:29. | |
matched with other trees, so you can tell exactly where that tree came | :07:29. | :07:36. | |
from. Almost like a fingerprint?It is more like a bar code. The divers | :07:36. | :07:40. | |
are having to battle against very poor visibility, which is unusual at | :07:40. | :07:46. | |
this time of year. So far they haven't retrieved a sample good | :07:46. | :07:52. | |
enough to be analysed but after 45 minutes of under underwater saw sag | :07:52. | :07:56. | |
it looks like they've retrieved their bounty. This is exactly what | :07:56. | :08:01. | |
we were after, so it is a much thicker piece of wood. There's very | :08:01. | :08:07. | |
little in terms of marine borers. Hopefully we'll get some information | :08:07. | :08:13. | |
from it. A really productive day and a massive smile on my face, because | :08:13. | :08:17. | |
that last dive they came one that great sample. By the end of the week | :08:17. | :08:21. | |
they need two or three similar samples that they can go and | :08:21. | :08:27. | |
analyse. A good day. What a day and what a discovery. | :08:28. | :08:32. | |
Philippa, you are yet to right about Sir Walter. Have you got any plans | :08:32. | :08:38. | |
to include him? I'm worki through t the Plantagenets. He is Elizabethan, | :08:38. | :08:43. | |
a bit further on. He is this great adventurer it. He goes to America | :08:43. | :08:49. | |
several times and the ship is sunk after he is trying to find the | :08:49. | :08:59. | |
fabled city of Ed doored a o. He really -- El Dorado. It will be | :08:59. | :09:03. | |
great if it is the flying the Joan. Alison from English Heritage is | :09:03. | :09:08. | |
here. You are collating all this information from the dive. The | :09:08. | :09:14. | |
divers have brought some artefacts to the surface, including this | :09:14. | :09:19. | |
cannonball. And there's some pottery, some ceramics. The thing | :09:19. | :09:25. | |
we've been interested this is the wood samples. Can I ask why that's | :09:25. | :09:30. | |
being kept in water? It is our standard conservation guidance for | :09:30. | :09:33. | |
divers, to keep their finds wet, so they can get proper conservation | :09:33. | :09:37. | |
treatment. What do you think the chances are of this wreck being the | :09:37. | :09:45. | |
flying Joan? The finds that we have looked at today are 15th and 16th | :09:45. | :09:50. | |
century. Until we get our wood samples back and the dating we can't | :09:50. | :09:55. | |
be sure. That will allow us to give a date for the whole of the site. It | :09:55. | :10:01. | |
has been a known Anchorage for centuries, so there'll be | :10:01. | :10:04. | |
archaeological contamination. is a significant find, because you | :10:04. | :10:10. | |
know it is that age. Boats of that age are rare, regardless of whether | :10:10. | :10:16. | |
it is the flying Joan, it is an exciting site for us. The wreck | :10:16. | :10:20. | |
hunters in the film got in touch with English Heritage. What about | :10:20. | :10:24. | |
divers that might go down and take artefacts from a wreck and not pass | :10:24. | :10:34. | |
them on. How much of a problem is that? We don't set the legislation, | :10:34. | :10:37. | |
there's different bits of law that deal with that. We are keen to | :10:37. | :10:42. | |
encourage people to comply with the law. If salvage is undertaken | :10:42. | :10:45. | |
legitimately and if there is a museum and conservation in place, | :10:46. | :10:50. | |
there is no issues. I would like to encourage divers to talk to us, | :10:50. | :10:56. | |
because we can share our information about the known sites we know of. We | :10:56. | :11:01. | |
work well with the diving community. We will keep our fingers crossed | :11:01. | :11:09. | |
that it is the flying Joan. I have a question. When I was taught | :11:09. | :11:13. | |
at school, Sir Walter Raleigh was described as some sort of wonderful | :11:13. | :11:20. | |
nobleman, but was he really or was he a pirate? He was an adventurer. | :11:20. | :11:25. | |
He had guts. He was an adventurer and he was an important person of | :11:25. | :11:31. | |
his time. He was licensed as a pirate? He was, because the | :11:31. | :11:36. | |
Elizabeth and subsequently James would allow people to attack, say, | :11:36. | :11:40. | |
the Spanish treasure ships. They would be working as pirates but | :11:40. | :11:44. | |
licensed by the English Crown to do so. We were not taught that in | :11:44. | :11:52. | |
schools. Put it in a book, for goodness sake. Thanks again. It took | :11:52. | :11:56. | |
just one step for Private Nick Franklin's life to change forever. | :11:56. | :12:00. | |
Nick is another casualty of the war in Afghanistan, but as Dr Mark | :12:00. | :12:04. | |
Porter has been founding out his chances of getting back to something | :12:04. | :12:11. | |
like normal has been hugely helped by receive illusionary new surgery. | :12:11. | :12:13. | |
In October 2011 Private Nick Franklin left behind his wife and | :12:13. | :12:20. | |
baby son Jenson for his first tour of military duty in Afghanistan. | :12:20. | :12:24. | |
was hard, very hard to leave them behind and leave my wife, because | :12:24. | :12:29. | |
she was in bits, because she didn't expect me to go off so quickly. | :12:29. | :12:34. | |
four weeks after leaving home Nick suffered devastating injuries from | :12:34. | :12:41. | |
an IED, an improvised explosive device. The day that we went on the | :12:41. | :12:46. | |
patrol, I said to my mate, I've got a funny feeling that we are going to | :12:46. | :12:51. | |
get a contact from an IED or the Taliban themselves. Literally as I | :12:51. | :12:57. | |
just turned around to take one step, off it went. I was thrown up into | :12:57. | :13:07. | |
:13:07. | :13:08. | ||
the air. I was screaming, "My leg! My leg! ." Within 24 hours Nick was | :13:08. | :13:13. | |
back in the UK with Shareen at his bedside. I remember looking at him | :13:13. | :13:18. | |
and he was a state. I remember kissing him and saying, everything's | :13:18. | :13:24. | |
going to be all right. When thetive. ED went off, my leg went to here and | :13:24. | :13:29. | |
the blast took the lower half of my leg outright. With the my right leg | :13:29. | :13:35. | |
I've had a lot of fragmentation damage from the IED. It took a | :13:35. | :13:40. | |
percentage of my knee away. On paper it is supposed to be my good leg, | :13:40. | :13:46. | |
but it is not. With a growing family Nick is determined to get back to | :13:46. | :13:50. | |
work but the does Abeling pain from his knee makes it seem a distant | :13:50. | :13:56. | |
knee. I can't stand, turning, twisting, I can just about hold my | :13:56. | :14:06. | |
:14:06. | :14:10. | ||
son. It is too much weight on my knees. Confronted with complex bomb | :14:10. | :14:14. | |
injuries like Nick's specialists are having to push the boundaries of | :14:14. | :14:19. | |
orthopaedic surgery to their limits. I see you have had a lot of plastic | :14:19. | :14:23. | |
surgical work here. Scans show the load bearing section | :14:23. | :14:28. | |
of Nick's right knee is wearing away. The inside of the knee here | :14:28. | :14:35. | |
has been blown away and blown into pieces by a piece of shrapnel. In | :14:35. | :14:39. | |
Nick's case if he stands still, it doesn't hurt too much. If he tries | :14:39. | :14:45. | |
to move, the rough surfaces grate together and grind themselves away. | :14:45. | :14:50. | |
A standard knee replacement would mean cutting out what remains of | :14:50. | :14:54. | |
Nick's healthy ligaments and cartilage, potentially leaving him | :14:54. | :14:59. | |
less mobile. Using state-of-the-art 3 D scannings, they have engineered | :14:59. | :15:03. | |
tailor made implants with measurements so precise they will | :15:03. | :15:07. | |
have to be put in place by this robot. It is called extreme | :15:07. | :15:13. | |
orthopaedics. The robot holds the surgeon's hand and allows the | :15:13. | :15:17. | |
surgeon to achieve things that I couldn't achieve otherwise. If we | :15:17. | :15:21. | |
get this right, most people in the street will have no idea there is | :15:21. | :15:24. | |
anything the matter with them and he won't think there is anything the | :15:24. | :15:28. | |
matter most of the time. Nick is the only the third soldier | :15:28. | :15:33. | |
in the UK to have this surgery. think it is amazing that he has been | :15:33. | :15:37. | |
given that opportunity. He deserves it for what he has done for our | :15:37. | :15:41. | |
country. As a surgeon, being able to put a | :15:41. | :15:45. | |
young injured person back together again is unbelievably exciting. How | :15:45. | :15:50. | |
wonderful is that? Unbelievably exciting. The main thing is to get | :15:50. | :15:53. | |
back into a civilian job. It is your pride. It is how you want to look | :15:53. | :15:59. | |
after your family. Mark has given special access to | :15:59. | :16:03. | |
watch Nick's operation and we can see that later. | :16:03. | :16:09. | |
Nick, his wife and professor Cobb are here to tell us how far he has | :16:09. | :16:12. | |
progressed and we will chat in a while. It is good to see you all. | :16:12. | :16:18. | |
Nick is smiling. Charlene, you witnessed a minor | :16:18. | :16:24. | |
miracle, your guitarist, Ally had had a brain haemorrhage in 2009. How | :16:24. | :16:29. | |
is he now? He is playing guitar and touring. I mean, it is quite, it | :16:29. | :16:34. | |
came as such a shock, him being the youngest member of the band. He | :16:34. | :16:41. | |
lives a healthy lifestyle and had a grade five brain aneurysm. . .. | :16:41. | :16:46. | |
There were any warnings? No. It seems to be quite, it seems quite | :16:46. | :16:50. | |
common in musicians. But he was more than keen to get back? Oh, he | :16:50. | :16:54. | |
couldn't wait. Basically, he was in a coma for three months and he was | :16:54. | :16:57. | |
in hospital for about a year, but we thought once he started to get | :16:57. | :17:00. | |
better because they really said he wasn't going to live and we thought | :17:00. | :17:06. | |
that was the first time we really thought, he is not going to want to | :17:06. | :17:10. | |
go on tour and he was the one that was like "I have got to get on the | :17:10. | :17:14. | |
road. I have got to get out of this hospital. I have got to do what I'm | :17:14. | :17:18. | |
good at." It was amazing to watch him on stage and all the old memory, | :17:18. | :17:23. | |
he has been playing in Texas since he was 17 so all the old memory was | :17:23. | :17:25. | |
great. Excellent. | :17:25. | :17:29. | |
Wm, on a different note, but would be barking mad not to keep fit. At | :17:29. | :17:33. | |
least that's the view of a growing club of dog owners in Lanarkshire. | :17:33. | :17:39. | |
Well, after teaming up with a tour legged campanion, Sarah Mack | :17:39. | :17:42. | |
discovered it involves more than just a walk in the park! | :17:42. | :17:46. | |
With the Olympics last year and the Commonwealth Games come to go | :17:46. | :17:50. | |
Glasgow in 2014, more and more of us are being inspired to get off the | :17:50. | :17:55. | |
sofa and get fit. So I've come to Lanarkshire to join a running club, | :17:55. | :18:01. | |
but this one is slightly different. It not only helps us to get fit, but | :18:01. | :18:08. | |
our dogs too! Canicross has built up a large | :18:08. | :18:13. | |
following with keen runners and dog lovers alike. It is a sport which is | :18:14. | :18:21. | |
as healthy for man and dog. Lynnsy is a fitness fanatic who loves | :18:21. | :18:29. | |
running. And set-up her own club along with her fury best friend. And | :18:29. | :18:34. | |
like most dogs he loves to run. So explain the art of canicross. How | :18:34. | :18:41. | |
does it work? Well, the dog is harnessed attached to the owner with | :18:41. | :18:44. | |
a bungee line. The dog should be running out in front pulling you | :18:44. | :18:48. | |
along. Can any breed of dog do it? P-yes, | :18:48. | :18:54. | |
as long as the dog can run. They can all take partment | :18:54. | :19:00. | |
How did you get involved? contacted local running groups and | :19:00. | :19:05. | |
groups and asked if I could bring my dog and I wasn't able to. The power | :19:05. | :19:08. | |
of social media, I got in touch with like minded people and we formed a | :19:08. | :19:13. | |
group together and it grew from there. It changed my life. I went | :19:14. | :19:18. | |
from running five Ks with the dog to running marathons in the space of a | :19:18. | :19:21. | |
year. What do the canicross addicts like | :19:21. | :19:27. | |
about running with their beloved dogs? I just like it because it | :19:27. | :19:33. | |
makes you get really close to them. I am into running and I started | :19:33. | :19:38. | |
canicross. I love running. The safety side of things of running | :19:38. | :19:47. | |
a group is important? I would like to go places, but not on my own. | :19:47. | :19:52. | |
How did she cope with the running? She is really good and she pulls you | :19:52. | :19:56. | |
along with I is helpful when you are getting tired legs and you can | :19:56. | :20:01. | |
encourage her to go in front of you. Canicross has changed my dog's life | :20:01. | :20:05. | |
and my life. Anyone who wants to get out and ex-ear sighs their dog and | :20:05. | :20:10. | |
if they have -- exercise their dog and if they have a behavioural issue | :20:10. | :20:16. | |
this will help. I have come from a size 24 to a size | :20:16. | :20:20. | |
14. I am happy to stay at the back of the pack, but give it the best | :20:20. | :20:23. | |
you have got. When I am lagging behind at the | :20:23. | :20:28. | |
back, will you keep me company? will be there! | :20:28. | :20:31. | |
I'm off to join the rest of the pack! | :20:31. | :20:41. | |
:20:41. | :20:56. | ||
I'm feeling a wee bit nervous. So the first test to run without | :20:56. | :21:02. | |
falling flat on my face. Thankfully, I've passed! It was exhilarating | :21:02. | :21:07. | |
outside on a summer's evening running with 40 other dog owners and | :21:07. | :21:15. | |
their dogs. Canicross is definitely Ah, he is tired. There are plenty of | :21:15. | :21:18. | |
dos and don'ts when it comes to canicross which can be found on our | :21:18. | :21:24. | |
website. But Matthew Baker has more. Make sure your dog has water. Check | :21:24. | :21:28. | |
the ground that your ground is running on and don't over exert your | :21:28. | :21:33. | |
dog. If you are running a certain distance, you have got to get back | :21:33. | :21:37. | |
again. Make sure your dog isn't too tired. | :21:37. | :21:45. | |
Philippa, do you do this with your dog? He is a big dog. He is an | :21:45. | :21:52. | |
independent dog. It does look like him, but Ben is more handsome. | :21:52. | :21:57. | |
They are very big. He is very big and he is gentle and | :21:57. | :22:00. | |
afession nat, but self willed. So he will go where he wants to go and if | :22:00. | :22:05. | |
I have to run after him sometimes and none of this co-operative | :22:05. | :22:11. | |
running and if I scold him, he will sit with his back to me because he | :22:11. | :22:17. | |
is a sulker and he won't speak to me for half an hour or so until I say, | :22:17. | :22:23. | |
" Shall we make up?" Talking of strong characters you have played a | :22:23. | :22:28. | |
lot and you started at quite a young age. We have got this to show you. | :22:28. | :22:37. | |
Oh no. Sorry, I didn't realise. You did | :22:37. | :22:45. | |
that on purpose. That's right. I'm going to do it again. If I share my | :22:45. | :22:49. | |
knowledge with judo with you, you should share your knowledge with me. | :22:49. | :22:54. | |
We all want to get good results, don't we? Now work for it.You | :22:54. | :23:01. | |
couldn't have heard what I said. APPLAUSE | :23:01. | :23:07. | |
I have people watching The One Show and I know they will be calling me | :23:07. | :23:09. | |
tonight. Oh dear, I'm so embarrassed. | :23:09. | :23:18. | |
It was very well acted. My braids. Oh dear gosh. I haven't seen that | :23:18. | :23:24. | |
for a very long time. Can we move Part of a new project that's going | :23:24. | :23:29. | |
to let loads of people live and on the big screen see you and Kenneth | :23:29. | :23:34. | |
Branagh perform Macbeth. Tell us about this project then? Well, I do | :23:34. | :23:41. | |
do some judo throws on Kenneth. I am working my way up. I haven't told | :23:41. | :23:49. | |
him yet! Macbeth, it is part of the international Manchester | :23:49. | :23:55. | |
international festival and this has started since I have been away in | :23:55. | :24:00. | |
Los Angeles, but it is the only festival that commission new works | :24:00. | :24:05. | |
and that's new works in the visual arts and popular culture and in the | :24:05. | :24:13. | |
performing arts. So the festival itself commissioned Kennet and Rob | :24:13. | :24:19. | |
Ashford to come up with a new interpretation of Macbeth. And you | :24:19. | :24:25. | |
are playing Lady Macbeth Yes, I am. Have you seen the concept of theatre | :24:25. | :24:30. | |
in cinemas? You get a bigger audience and people who can't get to | :24:30. | :24:33. | |
Manchester get the chance to see it locally. | :24:33. | :24:37. | |
One of the difficulties is the location in which we are performing | :24:37. | :24:42. | |
the play, it is a small space for a theatre and so the number of people | :24:42. | :24:47. | |
that are able to see the production is limited and in fact, the | :24:47. | :24:53. | |
production has sold out. But so I was thrilled when I found out that | :24:53. | :24:57. | |
National Theatre Live were going to screen it and I have seen screenings | :24:57. | :25:01. | |
in Los Angeles of performances at the National Theatre and it works | :25:01. | :25:05. | |
really well. You almost forget that you are watching it on screen. | :25:05. | :25:10. | |
You have come straight from rehearsal. I have, yeah. It is going | :25:10. | :25:14. | |
really well actually. I am a little nervous, but I'm having such a good | :25:14. | :25:18. | |
time in rehearsal and everybody is great. How is Kenneth Branagh? He is | :25:18. | :25:21. | |
a big deal, isn't he? He is renowned for working on this type of | :25:22. | :25:27. | |
material. How have you found him as a director? Mm, well he is | :25:27. | :25:31. | |
codirecting with Rob Ashford because Ken is playing Macbeth he can't be | :25:31. | :25:36. | |
in both places at the same time, but he tries! | :25:36. | :25:41. | |
He is wonderful. I mean, he is very generous and the thing that I'm | :25:41. | :25:47. | |
loving is that the space is safe. One feels that one can just try | :25:47. | :25:51. | |
things and look a fool and everybody is there supporting you just having | :25:51. | :25:57. | |
a go. So I just, I think, that it will be very, very exciting. We wish | :25:57. | :26:02. | |
you all the best. Yes, we do. The Big Screen Live of Macbeth is on | :26:02. | :26:07. | |
Saturday, 20th July. 69 years ago today, thousands of | :26:07. | :26:11. | |
allied troops along the South Coast were waiting for the signal to begin | :26:12. | :26:21. | |
what became known as D-Day. Years of plans -- planning was behind it. Dan | :26:21. | :26:27. | |
Snow reports. The wild heathlands of hankly Common | :26:27. | :26:37. | |
:26:37. | :26:41. | ||
in Surrey. Recently starred as James Bond's remote Skyfall estate. In the | :26:41. | :26:46. | |
dark days of 1943, Britain and the allies were looking forward to did | :26:46. | :26:53. | |
D-Day. Their plan to invade the beaches of Europe and free Europe | :26:53. | :26:58. | |
from the Nazis. And hidden in the woods was a top-secret site where | :26:58. | :27:03. | |
one British genius was able to test his cunning ideas to take on the | :27:03. | :27:12. | |
formidable German defences. Among them, Hitler's Atlantic Wall. Miles | :27:12. | :27:16. | |
of concrete fortifications running along the French coast and bristling | :27:16. | :27:21. | |
with artillery, barbed wire and millions of mines. The allies knew | :27:21. | :27:27. | |
from experience what damage defences -- damage to fences like these dwo | :27:27. | :27:33. | |
could. A raid on the occupied port ended in disast when their troops | :27:33. | :27:37. | |
became trapped on the beach. Over 4,000 men were wounded, captured or | :27:37. | :27:43. | |
killed. The allies were determined not to | :27:43. | :27:48. | |
make that same mistake a second time. So here in the Surrey woodland | :27:48. | :27:58. | |
:27:58. | :28:00. | ||
they built this - a replica section of the Atlantic Wall to practise on. | :28:00. | :28:06. | |
How did they know how to build it? Because they looked at real thing | :28:06. | :28:10. | |
and they used information from the French resistance and sent raiding | :28:11. | :28:15. | |
parties across at night tomed swim ashore and come up the beach to chip | :28:15. | :28:18. | |
concrete off the real wall to make sure the mix of the concrete was | :28:18. | :28:23. | |
right. It is jaw dropping just how much | :28:23. | :28:28. | |
effort they went to to build this wall. Once it was finished they | :28:28. | :28:32. | |
spent the time working out how to smash it down and to solve that | :28:32. | :28:39. | |
problem they turned the imagination of a maverick, Major General. | :28:39. | :28:45. | |
His name was Percy Hobart, a difficult, but brilliant royal | :28:45. | :28:49. | |
engineer. He was renowned for his ability to think outside the box as | :28:49. | :28:56. | |
David explains. Percy Hobart's a fantastic character. He found his | :28:56. | :29:01. | |
moment in World War II. He takes normal battle tanks like this | :29:01. | :29:07. | |
Churchill tank and converts them by adding new weaponry. They end up | :29:07. | :29:17. | |
:29:17. | :29:17. | ||
being called Hobart's Funnies. This one was called the Goat. It was | :29:17. | :29:24. | |
designed to be against a wall and detonated from a distance. They put | :29:24. | :29:28. | |
this mortar and this is one of the rounds they fired. Inside there are | :29:28. | :29:35. | |
28 pounds of high explosive. It will go about 100m and make one hell of a | :29:35. | :29:39. | |
hole in anything it is fired at. enough of these could cause a huge | :29:39. | :29:46. | |
hole in a wall like this one? first one didn't do it, there are 28 | :29:46. | :29:50. | |
other rounds in there. You keep firing until you are through. | :29:50. | :29:56. | |
Percy's work was supposedly top secret. This local resident wrote, | :29:56. | :30:03. | |
our bedroom ceiling cracked in all directions during some exceptionally | :30:03. | :30:13. | |
noisy exercises on the Commons. What Molly couldn't eknow was her bedroom | :30:13. | :30:17. | |
ceiling was one small cushily at the in the build-up to the biggest land, | :30:17. | :30:23. | |
sector and air assault in history. On June sixth 1944, D-Day finally | :30:23. | :30:28. | |
arrived. After months of practise on Hankley Common, Percy's specially | :30:28. | :30:34. | |
adapted tanks rolled on to the French beaches. In just one day they | :30:34. | :30:38. | |
helped breach the mighty Atlantic wall and the allies were on their | :30:38. | :30:42. | |
way. In less than a year the war in Europe was over. It just goes to | :30:42. | :30:46. | |
show that even against an obstacle as powerful as the German war | :30:46. | :30:54. | |
machine, a little bit of British ingenuity goes a long way. You can | :30:54. | :31:01. | |
see the first episode of Dan's documentary D-Day - The Last Heroes | :31:01. | :31:07. | |
this Sunday evening at ten past nine. You mentioned that your mum | :31:07. | :31:12. | |
was part of the D-Day plans? They gave her some plans to take to | :31:12. | :31:17. | |
Portsmouth. She had to drive from London to Portsmouth. She was in the | :31:17. | :31:24. | |
female Yeomenry. As she was going south, there was a huge convoy of | :31:24. | :31:29. | |
American troops, also heading south. Her car got stuck with in nonstop | :31:29. | :31:38. | |
stream of tanks and armoured vehicles and everything. She said in | :31:38. | :31:44. | |
a very nonaggressive female officer kind of way, help me, help me, I | :31:44. | :31:49. | |
have to get to Portsmouth. And he stopped the convoy, which was a huge | :31:49. | :31:53. | |
thing to do, and her car got through and she got through to the | :31:53. | :31:59. | |
headquarters. She believes that if it had not been for her... That is a | :31:59. | :32:04. | |
whole new book Poverties I thought he might ring Dan right now. | :32:04. | :32:08. | |
programme doesn't go out until Sunday. | :32:08. | :32:14. | |
Sharleen, eight years on Texas have eventually brought out a new album. | :32:14. | :32:18. | |
It is called The Conversation. It is brilliant, but why has it taken so | :32:18. | :32:24. | |
long and where have you been? years ago when we did the last Texas | :32:24. | :32:31. | |
album it got to the point where we had sold so many records, been on so | :32:31. | :32:35. | |
many TVs, did so much towering. People liked us but I think it was | :32:35. | :32:42. | |
just a bit too much of us so we decided to take some time off. | :32:42. | :32:49. | |
Families and kids and that stuff. And then Ally had a brain aneurysm. | :32:49. | :32:55. | |
Are all the other members the same? Yep, everybody. We all see each | :32:55. | :33:00. | |
other all the time anyway, so for us it was, with it felt like we hadn't | :33:00. | :33:05. | |
stopped. We've managed to get our act together and we went back out | :33:05. | :33:12. | |
and did some dates. We thought, stop being so lazy, make a record. | :33:12. | :33:22. | |
:33:22. | :33:28. | ||
album is called The Conversation. # Give it up | :33:28. | :33:33. | |
# Never gonna hold you up # You've always been afraid of love | :33:33. | :33:43. | |
:33:43. | :33:45. | ||
# It is time to have a conversation. APPLAUSE | :33:45. | :33:51. | |
That looked like you were doing Canicross there. My dog would never | :33:51. | :33:59. | |
do that. I had a bit of an accident during the video. We've got the | :33:59. | :34:09. | |
footage. Oh! Sharleen! You are holding your head. My mouth | :34:09. | :34:13. | |
instantly filled with blood, so I thought I smashed my teeth. I hit my | :34:14. | :34:18. | |
face on the corner of the pavement. It was rather sore. Were those | :34:18. | :34:23. | |
extras there? No, they were members of the public, trying to pick me up | :34:23. | :34:29. | |
and I was screaming, don't touch me! It was pretty painful. That must | :34:30. | :34:34. | |
have put you out of action for three weeks? No, I got about three days. | :34:34. | :34:39. | |
They kept saying, take arnica. everything from behind. Like we can | :34:39. | :34:45. | |
do other shots, shoot you from the other side. Soup through a straw? | :34:45. | :34:52. | |
Yes, it was pretty sore when I was running. I had a really bad headache | :34:52. | :34:57. | |
for a week. Did your partner look after you? No, he's typical, he's | :34:57. | :35:03. | |
Welsh isn't he. Sharleen!I walked in and he took one look at me and | :35:03. | :35:09. | |
said, what happened to you? No, he was like, that looks pretty bad. | :35:09. | :35:14. | |
ehe cook for you, because he is a celeb at the chef. I couldn't move | :35:14. | :35:19. | |
my mouth. I just wanted to lie down. Was your dad there? He always used | :35:19. | :35:29. | |
:35:29. | :35:30. | ||
to come with you? My dad goes on tour with us. He will kill me. Look | :35:31. | :35:36. | |
at his AC/DC T-shirt. He was in the merchant Navy all our lives and he | :35:36. | :35:42. | |
drove my mum insane when he retired, so we had to take him on tour. | :35:42. | :35:47. | |
People can come and seep you at Hyde Park? We are doing Hyde Park, | :35:47. | :35:55. | |
Carfest. Is it north or south Carfest? Both. And we do the Texas | :35:55. | :35:58. | |
tour in October. October and November we are out on a big Texas | :35:58. | :36:02. | |
tour, which we haven't done in a long time. We are glad to have you | :36:02. | :36:06. | |
back. It is about time. The Conversation is out right now. | :36:06. | :36:12. | |
Now, the earlier on we saw Dr Mark Porter meet Private Nick Franklin as | :36:12. | :36:17. | |
he prepared for ground-breaking surgery on his shattered knee. | :36:17. | :36:21. | |
Here's what happened just seven weeks ago. 18 months ago Private | :36:22. | :36:26. | |
Nick Franklin's legs took the full force of a booby trap bomb when he | :36:26. | :36:32. | |
was serving in Afghanistan. Obviously I lost my left leg below | :36:32. | :36:36. | |
the knee and I sustained a large amount of damage to the right leg. | :36:36. | :36:41. | |
The bone is missing around this area here. Is it painful?Very painful. | :36:41. | :36:46. | |
What does it stop you doing? A lot of things. I can't really pick up my | :36:46. | :36:54. | |
little boy, because it puts too much pressure on my knee. And my wife is | :36:54. | :36:58. | |
having to be a career for the little ones and for me. There was a few | :36:58. | :37:03. | |
times when he said, I wish they had just took the leg off, because he | :37:03. | :37:07. | |
was in so much pain. Getting this operation is going to make such a | :37:07. | :37:12. | |
difference. The complex bomb damage to Nick's right leg mean there is | :37:12. | :37:17. | |
little chance of his ever getting back to an active life. So | :37:17. | :37:22. | |
specialists here at the King Edward VII Hospital in London are going to | :37:22. | :37:30. | |
try to repair Nick's shattered knee with implants put in by a robot. | :37:30. | :37:36. | |
Welcome to extreme orthopaedics. can see from the back of the knee | :37:36. | :37:40. | |
the shrapnel blew away the weight-bearing part of his knee. | :37:40. | :37:44. | |
is what you are going to do today different from a standard knee | :37:44. | :37:49. | |
replacement? Most people fit high street store clothes and their knees | :37:49. | :37:53. | |
fit department store knees, but each person is blown up did is blown up | :37:53. | :37:57. | |
in a rather different way. So for these young men we make things | :37:57. | :38:02. | |
specially for them. Nick's tailor-made implants will be | :38:02. | :38:07. | |
positioned by the help of this robot fed with the exact geometry of his | :38:07. | :38:11. | |
damaged knee and the plans for fixing it. We are about ten minutes | :38:11. | :38:15. | |
into the operation and it is time to bring the robot in. It is very | :38:16. | :38:21. | |
important it is done with pin-point accuracy or Nick can end up with a | :38:21. | :38:25. | |
knee which is worse. There is no room for error. First Professor Cobb | :38:26. | :38:31. | |
must lock the robot on to Nick's knee. With a normal operation I look | :38:31. | :38:35. | |
and decide it is about here. What we are going to do now is find a lot of | :38:35. | :38:42. | |
points. This is the crucial point of which any precise operation. Using | :38:42. | :38:45. | |
an interactive touchscreen he matches up a series of reference | :38:45. | :38:51. | |
points inside the joint with the robot's 3D images of it. Let's go. | :38:51. | :38:55. | |
The robot is ready to begin its work, sculpting Nick's damaged tibia | :38:55. | :39:02. | |
and femur with a high -speed cutting burr. This is the bit I'm stressing | :39:02. | :39:06. | |
about, or one of the bits, because I'm close to the back of the joint. | :39:06. | :39:13. | |
And you can see it is a bit like a Space Invaders game, clearing the | :39:14. | :39:19. | |
bone. Professor Cobb is guiding the burr but the robot is keeping a | :39:19. | :39:24. | |
close eye on his progress. As you get towards the boundary, the robot | :39:24. | :39:27. | |
starts to resist, saying I don't want to be here. You don't want to | :39:27. | :39:32. | |
be here either. If you know what's good for you, stop now. Would you be | :39:32. | :39:37. | |
able to hand over completely to the robot? No. If you hand over | :39:37. | :39:42. | |
completely it stops. It would never be possible to achieve this degree | :39:42. | :39:47. | |
of accuraciy by human eye or hand alone. We are 45 minutes into the | :39:47. | :39:53. | |
operation. It has all gone very well. The robot has cut the slots | :39:53. | :39:58. | |
into the bone to accept the metal surfaces of the joint. So far, so | :39:58. | :40:04. | |
good. I've prepared these shape shapes. These are coated in the same | :40:04. | :40:09. | |
chemical as bone. Bone is going to grow straight on to these. Can you | :40:09. | :40:13. | |
see this sort of technology becoming routine? If I have a knee | :40:13. | :40:17. | |
replacement in 20 years' time might I be using this sort of thing? | :40:17. | :40:22. | |
think what you will expect is to have plans made like this, because | :40:22. | :40:26. | |
that doesn't cost very much and you will expect some sort of | :40:26. | :40:32. | |
technological assistance. Are you happy? Very happy. I'm delighted | :40:32. | :40:39. | |
actually. For an hour and 15 and the professor's put Nick's new knee in. | :40:39. | :40:44. | |
Is technology is amazing. Let's hope it gives Nick the life he's hoping | :40:44. | :40:49. | |
for. We can find out because Nick, Shareen and Professor Justin Cobb | :40:49. | :40:54. | |
are here. Nick, seven weeks ago, how are you feeling now? A lot better. | :40:54. | :40:59. | |
It is seven weeks, a long time ago, but yeah, the operation went really | :40:59. | :41:03. | |
well and... What are you noticing? Are you noticing that it feels | :41:03. | :41:08. | |
stronger? A lot stronger. It is a lot more secure an it was before. | :41:08. | :41:12. | |
Obviously when I was walking, sometimes bone would lock and it | :41:12. | :41:18. | |
would give in, so I would have to stop. And I would have to lean on my | :41:18. | :41:24. | |
wife to get to get my leg back into its normal state. But since I've had | :41:24. | :41:28. | |
the op done it is a massive improvement. I don't have to take so | :41:28. | :41:32. | |
many pain killers any more. You said you wanteded to be able to interact | :41:32. | :41:37. | |
more with your children. Is it making a big difference Shareen at | :41:37. | :41:41. | |
home? Definitely. It has made such a huge difference. He doesn't have to | :41:41. | :41:46. | |
lean on me any more. He is walking a lot better. He's off the pain | :41:46. | :41:51. | |
killers can. It has improved his temperament as well. He used to get | :41:51. | :41:55. | |
grumpy when he was in pain. what's incredible is the timing of | :41:55. | :42:01. | |
the operation. It was vital in your lives. Tell us why? I had to get | :42:01. | :42:09. | |
induced, because our bany Page was due on 11th April. His operation was | :42:09. | :42:16. | |
on 18th. If I went over, he wouldn't be there for the birth. Wow!So it | :42:16. | :42:22. | |
was like, get her out quick. Professor Cobb it is remarkable to | :42:22. | :42:29. | |
see that. Nick was interested to have that as a log to look back at. | :42:29. | :42:33. | |
But pioneering technology helps the accuracy. What else could this be | :42:33. | :42:40. | |
used for? The suite of technologies allows us to almost do anything now | :42:40. | :42:42. | |
in terms of reconstructing the skeleton but for ordinary people | :42:43. | :42:48. | |
wearing out it has allowed us to do things much more accurately and | :42:48. | :42:52. | |
taking away less person. The wonderful thing about Nick is he is | :42:52. | :43:02. | |
:43:02. | :43:03. | ||
walking abusefully so soon. -- walking beautifully so soon. | :43:03. | :43:07. | |
must be absolutely delighted Nick. I guess you can't really put into it | :43:07. | :43:10. | |
words. What you've been through is incredibly traumatic in itself. | :43:10. | :43:14. | |
is traumatic and it is hard for a lot of blokes who go through what | :43:14. | :43:19. | |
I've been through. But obviously with the support of my wife and my | :43:19. | :43:25. | |
family I've managed to push through a hell of a lot of it. I should have | :43:25. | :43:35. | |
been on crutches for an extra two months. And it is determination. A | :43:35. | :43:40. | |
massive improvement. I want to push on and get on with the rest of my | :43:40. | :43:44. | |
life. We wish all the best to you and to your family and to Professor | :43:44. | :43:50. | |
Cobb. Now, I'm guessing you ladies have flown quite a lot. But look at | :43:50. | :43:56. | |
this picture. That wasn't down to unruly passengers. It was extreme | :43:56. | :44:01. | |
turbulence. Kochee on the ceiling, the lot. Marty Jopson Plett the man | :44:01. | :44:06. | |
charged with making sure that modern aircraft are safe from lightning | :44:06. | :44:12. | |
strikes. In the average year around 300,000 | :44:12. | :44:17. | |
lightening bolts hit Britain. 45 people are struck by lightening and | :44:17. | :44:24. | |
in the air over 20,000 aircraft are hit. How does it happen? | :44:24. | :44:30. | |
It is all to do with what is making my hair stand on end. Electrical | :44:30. | :44:36. | |
charge in atoms. Inside clouds, water and ice are constantly moving | :44:36. | :44:43. | |
around. Scientists aren't sure how, but this causes some ice to become | :44:43. | :44:48. | |
electricically charged. The positively charged ice accumulates | :44:49. | :44:53. | |
at the top of the cloud. The negatively charged ice builds up at | :44:53. | :45:00. | |
the bottom. And because opposite charges attract, this build-up of | :45:00. | :45:04. | |
negative charge pulls positive charge to the surfaces of the earth. | :45:04. | :45:08. | |
And there is enough charge here that it flashes over and that's how you | :45:08. | :45:15. | |
get a lightening strike. Lightening is dangerous enough on the ground. | :45:15. | :45:22. | |
But what happens when you are at 35,000 feet in a metal tube? This is | :45:22. | :45:32. | |
:45:32. | :45:36. | ||
what happens. 100 million volts passes through the plane. Cardiff | :45:36. | :45:39. | |
University have set-up a lightening laboratory to allow engineers like | :45:40. | :45:44. | |
Chris Stone to understand the effects and come up with solutions. | :45:44. | :45:48. | |
Chris, how often do planes get struck then? On average each | :45:48. | :45:51. | |
commercial aircraft is struck once a year. | :45:51. | :45:56. | |
That's a lot. It is quite a lot. So they survive it. What are they | :45:56. | :46:01. | |
made of? They are made out of aluminium which is a good conductor | :46:01. | :46:05. | |
of electricity. Chris has simulated what happens | :46:05. | :46:10. | |
when lightening hits the aluminium planes. In fact, it the charge | :46:10. | :46:14. | |
passes along the exterior and out the other end causing almost no | :46:14. | :46:20. | |
damage. But these days, planes are increasingly being made out of more | :46:20. | :46:24. | |
energy efficient materials. Modern aircraft are being built out of | :46:24. | :46:28. | |
carbon-fibre to reduce weight, to save energy, to make the aeroplanes | :46:28. | :46:32. | |
more green. The trouble is carbon-fibre isn't as | :46:32. | :46:38. | |
conductive so the lightening causes more damage. We can simulate that | :46:38. | :46:44. | |
here. We bring the lightening in through the cables. Pass it between | :46:44. | :46:47. | |
these two points here and it strikes the panel. | :46:47. | :46:50. | |
So how much current is you got then? It is three times the average | :46:50. | :46:55. | |
lightening strike. Let's do it. Come on! | :46:55. | :46:59. | |
Each lightening strike Chris makes contains the same energy as a | :46:59. | :47:04. | |
nuclear power station produces in a day. So it is best not to be in the | :47:04. | :47:14. | |
:47:14. | :47:28. | ||
That was it? That's amazing. That's a hell of a | :47:28. | :47:33. | |
bang. A he hell of a bang. In slow motion, we can see frame by | :47:33. | :47:38. | |
frame what happens as the strike hits. It only lasts 32 million thsz | :47:38. | :47:44. | |
of a second. But the damage is clear to see. | :47:44. | :47:48. | |
Look at that. So if this was the outside of an aeroplane, that would | :47:48. | :47:55. | |
be bad news? You wouldn't like that to happen. To ensure it doesn't, | :47:55. | :47:59. | |
Chris tests carbon-fibre panels covered with different coatings to | :47:59. | :48:06. | |
see which coats with -- copes with lightening best. Firing.The tests | :48:06. | :48:12. | |
revealed the answer. A cooper weave just 600ths of' millimetre thick. | :48:12. | :48:18. | |
This is a cooper foil. So this is the same carbon-fibre | :48:19. | :48:26. | |
with chicken wire over the top. Yes. You can see the damage there | :48:26. | :48:30. | |
is. This gives you the best of both worlds? Yes, the lightness of the | :48:30. | :48:35. | |
panel and the conductivity of the metallic foil. | :48:35. | :48:40. | |
Chris' work means when our fuel efficient planes of the future are | :48:40. | :48:46. | |
struck by lightening, we will still be as safe inside as we are now. | :48:46. | :48:52. | |
Well, thanks, Martin, but what is it like to be struck by lightening? | :48:52. | :48:58. | |
Well, we know someone who can tell us, Barry Stanley. No you welcome | :48:58. | :49:01. | |
Barry. It is nice to have you with us. What can you remember about the | :49:01. | :49:07. | |
experience you had? It is extremely painful. Nine years down the line I | :49:07. | :49:12. | |
still feel the pain every step I a take, it feels like walking on | :49:12. | :49:16. | |
broken glass, broken raiser blades. It was on your birthday. Set the | :49:16. | :49:23. | |
scene for us. You were out for a walk? I was visiting my mum in the | :49:23. | :49:27. | |
Lake District. We were having a look and it came over dark and it started | :49:27. | :49:30. | |
belting it down with the rain. I suggested we should head back to the | :49:30. | :49:36. | |
car. We started walking back towards the car and 30 foot from the car, a | :49:36. | :49:42. | |
bolt of lightening came down and I was underneath it. And what happened | :49:42. | :49:45. | |
next then? Well, the lightening through me about six foot up in the | :49:45. | :49:49. | |
air. I hit the deck and when I was lying on the ground, apparently | :49:49. | :49:55. | |
there was just smoke coming off me. Me mum and brother were sitting up | :49:55. | :50:00. | |
shaking my head, are you all right? There was me face first in the mud. | :50:00. | :50:04. | |
Rolled me over. No pulse. They started mouth to mouth and chest | :50:04. | :50:09. | |
compressions and got me breathing. So when did you come around then? | :50:09. | :50:12. | |
briefly regained consciousness in the air ambulance. I looked to my | :50:12. | :50:16. | |
left and opened my eyes and all I could see was clouds. I didn't know | :50:16. | :50:21. | |
what was going on, where I was. idea how you managed to survive | :50:21. | :50:25. | |
that? What have they said to you about it? More chance of you winning | :50:25. | :50:29. | |
the Lottery than being struck by lightening, but the only thing I can | :50:29. | :50:32. | |
put it down to is the love and support from my family and the fact | :50:32. | :50:36. | |
I was physically strong and fit and healthy at the time. | :50:36. | :50:40. | |
Well, you have an incredible outlook on life. You really do. And you | :50:40. | :50:44. | |
won't let anything beat you. Thank you for coming in. Yes, thanks, | :50:45. | :50:47. | |
Barry. Philippa. There is a lot of | :50:48. | :50:51. | |
excitement surrounding the new television series. A ten parter on | :50:51. | :50:56. | |
the BBC called The White Queen. Let's have a look at what we can | :50:56. | :51:03. | |
expect. I cannot be your mistress. I may die | :51:03. | :51:08. | |
in battle, but this could be my last request. You could deny your king | :51:08. | :51:17. | |
that? You will not die. You are quick and brave and lucky. Then I | :51:17. | :51:27. | |
:51:27. | :51:29. | ||
must go and this will be the end of it. Tomorrow. Sunset. Meet me by the | :51:29. | :51:34. | |
big oak tree even if only to say goodbye. | :51:34. | :51:42. | |
We are all gripped. I can't wait. It is based on your series of books, | :51:42. | :51:48. | |
the Cousins War. What was the White Queen? She is the wife of Edward the | :51:48. | :51:52. | |
fourth and one of the stories in history we do know they are married | :51:52. | :51:57. | |
for love. They married in secret and actually her arrival in court as the | :51:57. | :52:01. | |
Queen is one of the things that prolongs the wars because Edward's | :52:01. | :52:05. | |
chief adviser and mentor takes a dislike to her and that means there | :52:05. | :52:09. | |
is another series of wars after the ones that Edward just goes off and | :52:09. | :52:15. | |
wins. It has everything, love, lust and war. What role did you play then | :52:15. | :52:16. | |
as well as writing the books? Bringing the story to life for the | :52:16. | :52:21. | |
screen? Well, I was executive producer on the project. So I was | :52:21. | :52:25. | |
involved in casting and all of those decisions, but the main thing | :52:25. | :52:29. | |
because I'm a writer by trade, of course, the main thing I was really | :52:29. | :52:33. | |
interested with the sciment so I worked closely with the script | :52:33. | :52:37. | |
writer, Emma Frost and the team of script writers. | :52:37. | :52:40. | |
And where there big arguments about the scenes you had to get off and | :52:40. | :52:44. | |
you wanted to keep in? There are always creative differences and this | :52:44. | :52:48. | |
was one of the happiest projects I worked on. It was extraordinary | :52:48. | :52:52. | |
because we set off with a determination as staying as closely | :52:52. | :52:59. | |
to the novels novels as possible. You lose, you are out of time, you | :52:59. | :53:06. | |
know, although it is ten hours, it is based on three big novels and | :53:06. | :53:09. | |
those focussed on three complex women characters. Of course, you | :53:09. | :53:12. | |
have problems of how much you are going to be able to put in. | :53:12. | :53:16. | |
A real luxury to have for you. When you see something on a big screen, | :53:16. | :53:20. | |
you go, " It is not like that at all. They look different." It must | :53:20. | :53:30. | |
:53:30. | :53:31. | ||
be lovely to have that It is a lucks lucksee -- it is a luxury, you are | :53:31. | :53:34. | |
right. Is What do you like about Philippa's | :53:34. | :53:39. | |
work? You just get lost within the story and it is fantastic to be | :53:39. | :53:43. | |
reading something that's historically accurate. So you feel | :53:43. | :53:51. | |
like you are educating yourself at the same time. You can relate to | :53:51. | :53:54. | |
pieces of it within your own life which is amazing. | :53:54. | :53:59. | |
How much can you flesh out? From an enteartainment how much do you feel | :54:00. | :54:06. | |
like that you want to elaborate? Nobody keeps any diary of what is | :54:06. | :54:11. | |
use to us. Of course, they go behind a closed door. All the material has | :54:11. | :54:15. | |
to be fiction. So it is almost like a reconstruction sometimes. You know | :54:15. | :54:19. | |
that someone is there. You know why they are dl because you can see what | :54:19. | :54:22. | |
they do when they are there and then you write the scene where they make | :54:22. | :54:26. | |
up their mind to go and when they go through the emotion. It is emotions | :54:26. | :54:31. | |
and feelings are always going to be fiction, but that is also true for | :54:31. | :54:35. | |
people who are writing straight history. They too only have a small | :54:35. | :54:40. | |
amount of factual material to go on. So you often find historians say, " | :54:40. | :54:47. | |
We know that Elizabeth fillet such and such." -- felt such and such." | :54:47. | :54:52. | |
don't know if you agree, one of the lovely things you write your novels | :54:52. | :54:56. | |
from a female prospective. Most historians tell it from a male | :54:56. | :55:01. | |
prospective. Do you find that? what I really enjoyed about the | :55:01. | :55:09. | |
whole of the series of books so far is I was struck by how young the | :55:09. | :55:13. | |
chief protagonists are. They were really very, very young and yet were | :55:13. | :55:18. | |
put in these positions of extraordinary power and inside an | :55:18. | :55:24. | |
awful sort of way. -- and in an awful sort of way. What they had to | :55:24. | :55:29. | |
endure as young girls in terms of having to bed men, whatever, who | :55:29. | :55:33. | |
were much older than them. I mean and in light of what we are dealing | :55:33. | :55:37. | |
with today in the news and everything, I just feel like gosh, | :55:37. | :55:42. | |
it has not really changed all that much or is it something that is | :55:42. | :55:46. | |
actually just part of, it is an awful thing to say, nature and | :55:46. | :55:50. | |
society, but it has been going on for a very, very long time. | :55:50. | :55:58. | |
Well, we can indulge in pill ip pa's work -- Philippa's work. | :55:58. | :56:06. | |
There is White Queen breaking news. Yes, the big news is that male cast | :56:06. | :56:11. | |
members were banned from wearing tights during film of it The White | :56:11. | :56:19. | |
Queen. On The One Show we can't get enough of men in tights. | :56:19. | :56:29. | |
:56:29. | :56:32. | ||
So we are going to celebrate them in a game we are calling Celebrity | :56:32. | :56:35. | |
Tight Spots. Are you up for this? You have to try | :56:35. | :56:42. | |
and spot the celebrity from their legs. Dave is modelling the trophy. | :56:42. | :56:49. | |
No padded trousers on him. You see, I like those tights. Come in.Just | :56:49. | :56:54. | |
put the trophy down, but be careful with where you bend! They are a | :56:54. | :56:59. | |
horrible shade, aren't they? Mushroom. Let's have a look...There | :56:59. | :57:04. | |
is not much room in them tights. Sorry. Let's look at the first set | :57:04. | :57:10. | |
of pins. Alex this one is for you. Now, here are your clues. This actor | :57:10. | :57:16. | |
and presenter put an adder, so ary a ladder in many pairs of tights | :57:16. | :57:21. | |
playing comedy versions of King Charles I and the Duke of Wellington | :57:21. | :57:26. | |
It is not Hugh Laurie. Not quite. A friend of his. You could say he | :57:26. | :57:32. | |
is... Not Stephen Fry.Yes. Let's have a look. It is Stephen | :57:32. | :57:35. | |
Fry. APPLAUSE | :57:35. | :57:40. | |
Did you spot them earlier. Did you get that right? I knew that was | :57:40. | :57:44. | |
Stephen Fry. Do you recognise these knobbly | :57:44. | :57:53. | |
knees? This image is from a die hard actor's first TV Novembery in 1978. | :57:53. | :57:58. | |
-- TV movie in 1978. It is Bruce Willis. | :57:58. | :58:06. | |
It is not. He was clean shaven in Love Actually and Harry Potter. Who | :58:06. | :58:16. | |
:58:16. | :58:18. | ||
do you think it is? Oh Potter. AlanRicman. | :58:18. | :58:23. | |
-- Alan Rickman. We have two pairs of legs for you, | :58:23. | :58:32. | |
Philippa. Your clues are. These comedy brothers probably flogged a | :58:32. | :58:42. | |
:58:42. | :58:42. | ||
few pair of tights. They often found themselves in a tight spot and they | :58:42. | :58:46. | |
drank in the Nag's Head. He David sayson and the other one is | :58:46. | :58:49. | |
the other one! APPLAUSE | :58:49. | :58:54. | |
Have weigh got time for is a decider? -- have we got time for is | :58:54. | :59:00. | |
a decider? Thank you. The Conversation is out now. What a | :59:00. | :59:03. | |
wonderful conversation we had. You can see Macbeth in Manchester | :59:03. | :59:07. |