Browse content similar to 05/08/2011. Check below for episodes and series from the same categories and more!
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Hello and thank you for tuning in. Read the next bit, Alex. Lovely to | :00:23. | :00:28. | |
have you back, Chris. They do very much. Tonight's guest is the pop | :00:28. | :00:32. | |
star, actor and sex symbol who graced a million bedroom walls in | :00:32. | :00:37. | |
the '70s. Now he is Eddie Moon in EastEnders. Tonight, the only way | :00:37. | :00:47. | |
:00:47. | :00:55. | ||
is Essex, David Essex! Good evening. Thank you. Alex, stop having these | :00:55. | :01:00. | |
cool dudes on on Friday night. look very smart. I made an effort. | :01:00. | :01:07. | |
It is the weekend. Shall we go out later? If you want. Big Tom went | :01:07. | :01:11. | |
out with us afterwards. We marked the guests on whether they come up | :01:11. | :01:15. | |
with us or not. We will sort something out. It has been a big | :01:15. | :01:20. | |
year for you. You joined EastEnders in June. Yeah, it has been | :01:20. | :01:25. | |
wonderful. It is fast and furious. It is quite intimidating when you | :01:25. | :01:28. | |
go into it. But to work with the calibre of actors I have been | :01:28. | :01:32. | |
working with has been brilliant. The level of performance that I | :01:32. | :01:37. | |
think the actors come up with and the writers and directors, all the | :01:37. | :01:43. | |
way through, given the kind of intensity of the schedule is | :01:43. | :01:49. | |
phenomenal. You have brought gravity to it as well. It has gone | :01:49. | :01:54. | |
well. You have hit it out of the park. It is such a high-profile | :01:54. | :01:58. | |
programme that if you get it wrong... And it is the first time | :01:58. | :02:03. | |
you have been on telly talking about it. We will talk more later. | :02:03. | :02:08. | |
David Essex was originally called David Cook. That's right, I changed | :02:08. | :02:13. | |
my name because you could not join Equity if there was an existing | :02:13. | :02:18. | |
member called Cook, and there was. So my manager said, what about | :02:18. | :02:28. | |
:02:28. | :02:28. | ||
Essex. Luckily, it was not Middlesex. This was inspired by you. | :02:28. | :02:34. | |
So we have David Essex in Essex. I am rubbish at this. Up here, we | :02:34. | :02:44. | |
:02:44. | :02:53. | ||
have got Rod Hull. What about the That works for me. Let's go down a | :02:53. | :03:01. | |
bit. We have Michael Bolton. about going to London for George W | :03:01. | :03:11. | |
:03:11. | :03:14. | ||
If we go to Wales, we have got Lisa Snowdon. At was grasping at straws | :03:14. | :03:20. | |
this afternoon. Simon Weston Super Mare. You can join in with this | :03:20. | :03:25. | |
game. We want to know if your surname is also a place in the UK. | :03:25. | :03:31. | |
Send us a picture of yourself and tell us where you live. We look | :03:31. | :03:37. | |
like weather presenters. We are looking for Manchesters in Bristol | :03:37. | :03:41. | |
or Bristol as Machin Manchester. Send them in and we will show some | :03:41. | :03:48. | |
of the best later. How about a bit of weapon in Edinburgh? Angela is | :03:48. | :03:52. | |
there. -- a bit of Ripon in Edinburgh. | :03:52. | :03:56. | |
Yes, you have joined me on the Royal Mile in Edinburgh. I am | :03:56. | :04:06. | |
:04:06. | :04:07. | ||
surrounded by thousands of people. We have a fire-eaters and jugglers. | :04:07. | :04:12. | |
And even statues. This atmosphere is amazing. It is going to stay | :04:12. | :04:16. | |
like this for the next three weeks, because this is the greatest show | :04:16. | :04:21. | |
of its kind in the world. More than 40,000 performances will be given | :04:21. | :04:25. | |
here in 250 locations. We thought, what can we bring you that will | :04:25. | :04:29. | |
give you the atmosphere of the Edinburgh Festival? So I looked | :04:29. | :04:35. | |
through his extraordinary catalogue, and we came up with this. This is a | :04:35. | :04:40. | |
group of young Colombian circus performers. They are from | :04:40. | :04:44. | |
disadvantaged backgrounds. They were street children until this | :04:44. | :04:48. | |
woman came into their lives. Felicity Simpson, how did you | :04:48. | :04:52. | |
change these children from the streets of Colombia into a world- | :04:52. | :04:57. | |
class -- world-class acrobats? is not down to me, it is their life | :04:57. | :05:02. | |
choice. They are all graduates of the world's first circus school | :05:02. | :05:06. | |
specifically for children from difficult backgrounds. What sort of | :05:06. | :05:10. | |
skills did they need? Straight, clearly. It is a four year course | :05:10. | :05:14. | |
where they learn acrobatics, ballet, all the different disciplines you | :05:14. | :05:19. | |
will be seeing. But they also learn vital social skills such as | :05:19. | :05:27. | |
trusting each other. You are going to catch me! And discipline. Or all | :05:27. | :05:32. | |
of those things that will change their lives. We will see more of | :05:32. | :05:38. | |
them later. In the meantime, take a bow! | :05:38. | :05:45. | |
What a lovely evening in Edinburgh. Now, football is back. The | :05:45. | :05:49. | |
Community should takes place this weekend. There have already been | :05:49. | :05:56. | |
lots of Friendly's. Last week, a statue was unveiled at the Coventry | :05:56. | :06:00. | |
ground of footballing legend Jimmy Hill. Why is he a legend? Because | :06:00. | :06:03. | |
he revolutionised the way the game is played and the way the players | :06:03. | :06:07. | |
are paid. He here is Phil Tufnell on wife Colleen Rooney has Jimmy | :06:07. | :06:11. | |
Hill to thank for the size of her walk-in wardrobe and her heated | :06:11. | :06:15. | |
horse box. That was Jordan. I can't keep up. | :06:15. | :06:19. | |
Top footballers in England are superstars, paid what some say fire | :06:19. | :06:23. | |
obscene amounts of money. But it has not always been like that. 50 | :06:23. | :06:27. | |
years ago, footballers were paid about the same as the average | :06:27. | :06:31. | |
factory worker. Football club owners agreed on a salary cap, | :06:31. | :06:35. | |
restricting wages to just �20 a week. But that changed in January | :06:35. | :06:39. | |
1961, when the players threatened to go on strike. The players have | :06:39. | :06:44. | |
long argued against the maximum wage. The campaign for a fairer | :06:44. | :06:48. | |
system was led by Jimmy Hill, the head of the Professional | :06:48. | :06:51. | |
Footballers' Association. ambitious lad who will be looking | :06:51. | :06:56. | |
for his next pound or two to add to his wages has to turn his attention | :06:56. | :07:00. | |
outside the game. That meant even star players like Tom Finney had | :07:00. | :07:04. | |
part-time jobs on the side. He was known as the Preston plumber. | :07:04. | :07:09. | |
Former England captain Jimmy Armfield and Tom banks were players | :07:09. | :07:17. | |
keen to see change. Goal! They could not stop the magician and | :07:17. | :07:21. | |
that is Phil Tufnell. It must have been frustrating being England | :07:21. | :07:25. | |
internationals and getting paid 20 quid a week. We accepted it, and | :07:25. | :07:32. | |
most of us were happy. When there was a disturbance, some players | :07:32. | :07:36. | |
were apprehensive because they were wondering what effect it might have. | :07:36. | :07:41. | |
What changed that? Jimmy Hill changed it all. He was the man with | :07:41. | :07:47. | |
the ambition and the drive and the words. He got on television and | :07:47. | :07:52. | |
changed everything. He was a gem. Meetings were held by Jimmy Hill to | :07:52. | :07:55. | |
discuss strike action. Many players were happy with their lot and felt | :07:55. | :08:00. | |
that they did not deserve more than people with normal jobs, but at one | :08:00. | :08:03. | |
crucial strike meeting, Tommy Banks made a telling contribution that | :08:03. | :08:09. | |
convinced many players that they deserved more. He said, let's get | :08:09. | :08:15. | |
on with it, and got up. My dad works in the pit, and he only gets | :08:15. | :08:21. | |
that. And he said, will there be 33,000 people watching him | :08:21. | :08:24. | |
shovelling coal? Would you have gone on strike if push came to | :08:24. | :08:33. | |
shove? If the union wanted us to go, we would have gone. | :08:33. | :08:37. | |
But the threat of a strike was enough. The club's caved in to | :08:37. | :08:41. | |
Jimmy Hill's demands, the salary cap was abolished and the wages | :08:41. | :08:48. | |
shot up. I went to 40, and I thought I was a millionaire until I | :08:48. | :08:55. | |
went to play for England. Then someone was paid �100 a week by the | :08:56. | :09:02. | |
then chairman, and I suddenly felt undervalued. The wage cap had gone. | :09:02. | :09:06. | |
The players had started the transformation to the super-rich. | :09:06. | :09:10. | |
And the superstars they have become today. It is claimed that higher | :09:10. | :09:13. | |
wages have broken the bonds between the players and fans. In the old | :09:13. | :09:17. | |
days, the players would get on the same bus as the supporters. Now | :09:17. | :09:22. | |
they roll up in their Ferraris. Ahead of the player -- the head of | :09:22. | :09:26. | |
the players' union is Sir Gordon Taylor. In my day, if you were not | :09:26. | :09:30. | |
playing well, you still got booed. If you were doing well, they did | :09:30. | :09:33. | |
not care what you earned. They have taken over from celebrities like | :09:34. | :09:38. | |
film stars and pop stars. If you go to a concert, you are not bothered | :09:38. | :09:42. | |
about what they are getting paid. It is the same with a film. | :09:42. | :09:48. | |
Everybody has the right to do the best they can for themselves. | :09:48. | :09:56. | |
the modern day superstars away debt of thanks to Jimmy Hill? I would | :09:56. | :10:00. | |
include him in my prayers every night. So has big money spoiled the | :10:00. | :10:05. | |
game? It has certainly changed almost out of recognition. Fellows, | :10:05. | :10:09. | |
would you swap playing against Tom Finney and Stanley Matthews for the | :10:09. | :10:14. | |
money they get now? I would have no second thoughts. If I could have | :10:14. | :10:19. | |
what they have today. conditions are better, the pictures | :10:19. | :10:23. | |
are better, the wages are better, everything is better. So it is | :10:23. | :10:33. | |
better nowadays? Just about. Jimmy Hill revolutionised the game. | :10:33. | :10:37. | |
Hats off to him. Speaking of football, you used to play for West | :10:37. | :10:43. | |
Ham juniors. Yet, with the dinosaurs in the background. Quite | :10:43. | :10:51. | |
a while ago. I got to about 13, and then I got besotted by blues music. | :10:51. | :10:58. | |
And I thought, what can I do, play and his twin? So I start to play | :10:58. | :11:04. | |
drums. And it went downhill from there. When did acting come into | :11:04. | :11:11. | |
it? I was lucky. I had a mentor who was a theatre critic and spoke | :11:11. | :11:16. | |
eight languages. He was my manager. I was a kid from the East End who | :11:16. | :11:20. | |
had never seen theatre. But he started to take me to the theatre | :11:20. | :11:25. | |
and I joined a repertory company when I was about 18. It was | :11:25. | :11:30. | |
terrific. You learn so much. There were usually only about four little | :11:30. | :11:37. | |
old ladies at the end of the peer, but it was a learning experience. | :11:37. | :11:40. | |
Now you are and EastEnders. But weren't you supposed to join in | :11:40. | :11:47. | |
2006? I know it. The timing was not right. But I am pleased I went in | :11:47. | :11:53. | |
this time. This character that we came up with together with the | :11:53. | :11:57. | |
writers, it has been a challenge and it is special to play him. I | :11:57. | :12:04. | |
have enjoyed it. I am blown away by the quality of the actors, with the | :12:04. | :12:10. | |
amount of pressure. And the scriptwriting. It is like a | :12:10. | :12:15. | |
logistical nightmare, you can imagine. They are working ahead. I | :12:15. | :12:19. | |
come out of the programme next Friday, but I am still on screen | :12:19. | :12:24. | |
until October. There are some massive storylines coming up for | :12:24. | :12:31. | |
the character I play. You have only been there since June. April. | :12:31. | :12:37. | |
researched this?! That was my fault. Here is unit with your son, Michael. | :12:37. | :12:42. | |
Don't pretend you have changed, coming round here like some | :12:42. | :12:45. | |
reformed character does because you have a bit of grey in your hair. I | :12:45. | :12:55. | |
see through you. You are so full of anger. I get that. I used to fill | :12:55. | :13:02. | |
the same way, pent up, trapped. Not knowing which way to turn. Always | :13:02. | :13:09. | |
one foot out of the door. difference is, I choose not to get | :13:09. | :13:18. | |
pinned down. I don't pretend I and many different. Really good stuff. | :13:18. | :13:23. | |
But as you said, you are going away to do All The Fun Of The Fair, your | :13:23. | :13:28. | |
musical. But this is your first telly chat. Will you come back to | :13:28. | :13:36. | |
EastEnders? We want an exclusive. am not sure. You must know it! | :13:36. | :13:41. | |
have been asked to come back because it has gone well. Hopefully | :13:41. | :13:45. | |
a film of All The Fun Of The Fair is happening after the tour. Then | :13:45. | :13:48. | |
there is another film I have been asked to do. I'd just finished a | :13:48. | :13:53. | |
film before EastEnders, and I have done a soundtrack for that. There | :13:53. | :13:57. | |
are lots of things. I am lucky. I seem to be able to work in | :13:57. | :14:05. | |
different mediums. Her, on, would you say 50-50, 70-30, that you will | :14:05. | :14:12. | |
be back? Give us something. It has been a great challenge. I have | :14:12. | :14:18. | |
enjoyed it. He is sitting on his hands, literally. We will leave it | :14:18. | :14:28. | |
:14:28. | :14:29. | ||
Foodie Friday his back. Unfortunately its host isn't. He is | :14:29. | :14:36. | |
still on holiday but Antonia Carluccio will be joining a Chorley. | :14:36. | :14:42. | |
Here is virtual J on how we fell in love with the taste of Italy. | :14:42. | :14:52. | |
:14:52. | :14:55. | ||
The UK looks Italian food. Each year we spend billions on the taste | :14:55. | :15:02. | |
of fresh herbs, tomatoes, and olive oil that typified Italian cuisine. | :15:02. | :15:07. | |
Now Peter and pastis as familiar as pies and potatoes it is easy to | :15:07. | :15:16. | |
forget how exotic it was a few decades ago. We were once so | :15:16. | :15:21. | |
unfamiliar with pasta in 1957 many BBC viewers were taken in when | :15:21. | :15:24. | |
Panorama played an April Fool with this film about spaghetti growing | :15:24. | :15:29. | |
on trees. Many of you will have seen the pictures of the vast | :15:29. | :15:34. | |
spaghetti plantations. Fast forward to today and sales of past they | :15:34. | :15:41. | |
have risen a phenomenal 500% in 20 years rivalling the potato as the | :15:41. | :15:45. | |
basis for the typical British family meal. How did the Italian | :15:45. | :15:50. | |
edition of the British palate, back? I have come to our own | :15:50. | :15:55. | |
Italian hot spot. Bedford? Here an estimated one in seven of the | :15:55. | :16:00. | |
population is of Italian descent. In the 1950s the local brickworks | :16:01. | :16:05. | |
needed labour and tend to young men from southern Italy. Many stayed, | :16:05. | :16:15. | |
brought their families and brought food. This man arrived aged seven | :16:15. | :16:18. | |
and his father at set-up this family restaurant after leaving the | :16:18. | :16:24. | |
brickworks. When I used to go to school the kids would move away | :16:24. | :16:28. | |
from me because they said I smelt of garlic. They didn't take to our | :16:28. | :16:33. | |
food at all. What about customers today, do they know a lot more? | :16:33. | :16:40. | |
can tell by the requests we get from customers. They want gold | :16:40. | :16:45. | |
peppers, Parma ham, type of ingredients they were not | :16:45. | :16:49. | |
previously asking for, but clearly they are now travelling more and | :16:49. | :16:54. | |
expecting more. Do the locals embrace their Italian food | :16:54. | :16:58. | |
heritage? There you are one of the Bedford Italians. If you brought an | :16:58. | :17:04. | |
Italian ready meal would you be disowned dashboard. Probably, yes. | :17:04. | :17:11. | |
It is not the same. I and Queen of the ready meals. In terms of pasta, | :17:11. | :17:16. | |
pretty much of the shelf. The good it is easier? I have no idea how it | :17:16. | :17:26. | |
:17:26. | :17:28. | ||
is done. I'd do use microwave food. Ready meal versions are met with | :17:28. | :17:34. | |
the movement -- amazement and scorn. I try and steal away from them. | :17:34. | :17:38. | |
They are not Italian, they are classic replicas. What do you think | :17:38. | :17:43. | |
about customers to come in and ask for pineapple on a pizza? It is not | :17:43. | :17:48. | |
Italian food. Pineapple, barbecue force -- source, that is not | :17:48. | :17:53. | |
Italian food. What is the worst thing? We do a fish Peter and | :17:53. | :18:02. | |
somebody asked for Banana. -- Peter. They do have Paul Berrow and banana. | :18:02. | :18:12. | |
They used the excuse that their Your dad died a few years ago, what | :18:12. | :18:16. | |
would he have made of the way Italian food had become part and | :18:16. | :18:22. | |
parcel of British culture? He would have enjoyed seeing what had | :18:22. | :18:25. | |
happened and seen how the client tell enjoy their Italian food. | :18:25. | :18:35. | |
to taste Bedford's genuine article. That is the way he should be. Crisp, | :18:35. | :18:39. | |
ingredients are fresh, you can see where the flames have got to the | :18:39. | :18:43. | |
edge of the crust. You don't get anything like this if you get one | :18:43. | :18:53. | |
:18:53. | :18:56. | ||
Antonia Carluccio is here. How were you? Extremely well. What else have | :18:56. | :19:01. | |
you given us we should be unbelievably grateful for? Shall I | :19:01. | :19:09. | |
be a stereotype and say it love? want the truth. Food, we have here | :19:09. | :19:18. | |
the famous carpacchio. That has been transformed into something | :19:18. | :19:23. | |
because you have carpacchio or fish or whatever. The original was this | :19:23. | :19:32. | |
one in Venice. A woman came from the exhibition about carpacchio and | :19:32. | :19:39. | |
she was pale and the waiter said it a bit of meat, I am. He gave her a | :19:39. | :19:43. | |
slice of beef like this. They went to the kit chin, got some mustard | :19:43. | :19:50. | |
and catch up, and that is what happened -- kitchen. We will get | :19:50. | :19:58. | |
stuck into that. The travesty now in England is that they don't beat | :19:58. | :20:04. | |
it as they should be. Can I apologise? We promised to beat it | :20:04. | :20:14. | |
harder and better. Beat the meet, I know what you're saying. What have | :20:14. | :20:19. | |
we really messed up? If you take for example spaghetti bolognese, | :20:19. | :20:29. | |
:20:29. | :20:30. | ||
this is a horror film. Look at that. First of all, it is not spaghetti, | :20:30. | :20:40. | |
:20:40. | :20:45. | ||
it should be tagliatelle. It responds better to the taste buds. | :20:45. | :20:54. | |
Carry on. And hand-made tagliatelle, it has another effect on the palate. | :20:54. | :21:04. | |
:21:04. | :21:05. | ||
The taste is the most important thing. So you have tagliatelle | :21:05. | :21:15. | |
:21:15. | :21:20. | ||
ragout. -- ragu. This is made in England by English. No good. Sorry, | :21:20. | :21:30. | |
that is miles better than ours. But in cream in carbonara. I see one | :21:30. | :21:40. | |
:21:40. | :21:40. | ||
has even mushrooms. This is the British carbonara. That one is the | :21:40. | :21:45. | |
one from Rome. It is only just you can Begg, a bit of panned ETA and | :21:45. | :21:55. | |
:21:55. | :22:00. | ||
nothing else -- the joke from one egg, a bit of ham. --yolk. | :22:00. | :22:04. | |
Interesting how food changes. When Indian food came over all the meat | :22:04. | :22:14. | |
was on the bone. Have a taste of that. That is really good. Antonia, | :22:14. | :22:19. | |
Cammy saving you very much for coming in. You an absolute legend. | :22:19. | :22:28. | |
-- Antonio, can we just say thank you very much. | :22:28. | :22:34. | |
Moving on, time for our final visit to Tiggywinkles Wildlife Rescue | :22:34. | :22:40. | |
Centre. Miranda is hanging with the chicks. | :22:40. | :22:43. | |
My week here at Tiggywinkles has been full of the joys of spring. I | :22:43. | :22:49. | |
have seen little, Herod -- heads held -- a hedgehog and herons, | :22:49. | :22:55. | |
ducklings and deer, but sadly it is my last day. This is probably the | :22:55. | :22:59. | |
one place that needs my help most. The bird nursery where all the | :22:59. | :23:02. | |
little baby birds come when they enter the hospital. I have just | :23:02. | :23:12. | |
been handed, look at this, these tiny birds. It is feeding time. | :23:12. | :23:15. | |
Pretty much twentyfour seven in this room but they have just | :23:15. | :23:22. | |
arrived so they are due for eight feet. During May, June and July | :23:22. | :23:25. | |
3,000 baby birds arrive here usually having been orphaned or | :23:25. | :23:32. | |
fallen out of nests. Over 200 are mixed together in indoor aviaries, | :23:32. | :23:37. | |
rather clever dog will nests. You have got a veritable assortment of | :23:37. | :23:47. | |
:23:47. | :23:52. | ||
Baby Bird. A lot of great tits, a little piqued. Blackbirds as well. | :23:52. | :23:56. | |
Because they have such small stomachs and high metabolism in | :23:56. | :24:02. | |
needs to people constantly feeding them all day. Why do they have to | :24:02. | :24:08. | |
be fed so often, they are tiny? the mild -- in the wild their | :24:08. | :24:17. | |
mother would constantly be feeding them. They do manage to do it every | :24:17. | :24:23. | |
15 minutes which is quite an achievement as there is special | :24:23. | :24:27. | |
food for the seed eaters, worms for the older insect eaters, and a | :24:27. | :24:33. | |
special concoction for the others. What is that? That is something we | :24:33. | :24:40. | |
may cure ourselves with dried insects, water, supplement. Is that | :24:40. | :24:46. | |
exclusive to Tiggywinkles? Yes. Where so we start? With these guys | :24:46. | :24:51. | |
ever hear. Look at that reaction, that is amazing. The moment you tap | :24:51. | :24:56. | |
them on the beak their mouth is wide-open, gaping, just ready for | :24:56. | :25:00. | |
their food. It is a testament to the staff feeding from dusk till | :25:00. | :25:06. | |
Dawn that 80% of the baby birds survive. But the novelty wears off | :25:06. | :25:12. | |
after you have done it? No, it doesn't. | :25:12. | :25:16. | |
On my last day I couldn't leave without visiting my favourite | :25:16. | :25:21. | |
patient. Earlier in the week I introduced you to a very special | :25:21. | :25:26. | |
visitor here. This is Casper, the White Fox. He has lost the use of | :25:26. | :25:31. | |
his back legs. He spent the last couple of days dragging his legs | :25:31. | :25:34. | |
behind him and will work it is thought his back is any bruised we | :25:34. | :25:41. | |
want to see if he can use his legs by testing them in water. He can | :25:41. | :25:48. | |
swim. They are moving backwards and forwards. They are really working. | :25:48. | :25:51. | |
Because most mammals have a swimming reflex it is a great way | :25:51. | :25:58. | |
of testing limbs and swore -- stopping muscles from wasting. | :25:58. | :26:03. | |
automatically swims so the back legs on moving. Great news but as | :26:03. | :26:07. | |
this is his first swim that is plentiful today. Shall be taken | :26:07. | :26:16. | |
that now? Have you had enough? -- shall we take him out now. | :26:16. | :26:19. | |
Just amazing that whatever you can do for humans, you can do for | :26:19. | :26:24. | |
animals. He cannot use his back legs but a bit of hydrotherapy, he | :26:24. | :26:29. | |
will be back on his feet soon. What a lovely way to end a fantastic | :26:29. | :26:33. | |
week here. The baby her job there was pushed out of the nest is still | :26:33. | :26:38. | |
doing well. -- Hedgehog. And the baby shrews have been sent to a | :26:38. | :26:43. | |
foster farmer. The blue tits in the ashtray have fled as well so time | :26:43. | :26:49. | |
for me to go. In a couple of minutes we will be | :26:49. | :26:54. | |
fledging as well. To where we always fledged two. It is amazing | :26:54. | :27:04. | |
Kaspar is better. He was white and he has got more red. Time to get | :27:04. | :27:11. | |
back to Angela who is making itself comfortable in Edinburgh. | :27:11. | :27:17. | |
I don't get an opportunity to do this every day. While you have been | :27:17. | :27:24. | |
a way they have Tormey one of their trucks. Ready? If you thought that | :27:24. | :27:34. | |
:27:34. | :27:34. | ||
Apology for the loss of subtitles for 60 seconds | :27:34. | :28:35. | |
was good, wait till you have seen I am going to teach you how to do | :28:35. | :28:39. | |
that when I get back. Thank you so much. David, you are | :28:40. | :28:44. | |
touring. You might be going to Edinburgh. No, we are going to | :28:44. | :28:53. | |
Glasgow. I have somebody called Mr and Mrs Irvine. They live near | :28:53. | :29:02. | |
Glasgow. This is your tour, All The Fun of The Fair, kicks off. Stars | :29:02. | :29:08. | |
and Bellingham and goes for six months. We have got that | :29:08. | :29:15. | |
Derbyshires from Derbyshire. The Yorks from York. And the Eccles | :29:15. | :29:20. |