Browse content similar to 05/08/2016. Check below for episodes and series from the same categories and more!
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# Rubber ball, I'll come bouncing back to you | :00:25. | :00:28. | |
You know us Balls, always bouncing back! | :00:29. | :00:42. | |
Hello and welcome to The One Show, with Alex Jones. | :00:43. | :00:45. | |
And back by popular demand - my popular demand - | :00:46. | :00:47. | |
Our guest tonight once described himself as a friend first, boss | :00:48. | :01:00. | |
He's no longer selling stationery in Slough. | :01:01. | :01:08. | |
He's gone from Office Manager to Rock God. | :01:09. | :01:24. | |
It's not David Brent, but it is a man who looks | :01:25. | :01:35. | |
very much like him - it's... | :01:36. | :01:37. | |
Thank you. Nice to have you back. He'll have an album coming out and a | :01:38. | :01:55. | |
song book. I haven't come here to be insulted. I have created a whole | :01:56. | :02:01. | |
world. David Brent has a film out and has paid for an album and | :02:02. | :02:05. | |
created the song book and it is good people know it isn't me. It is David | :02:06. | :02:13. | |
Brent. When I bring out my own album, Ricky Gib Bass Sings The | :02:14. | :02:20. | |
Blues, shoot me. The songs and the film are so bad, they are good. | :02:21. | :02:27. | |
Musically, they are strong. They are not comedy songs like Monty Python, | :02:28. | :02:34. | |
but the joke is, the songs are catchy. Crossing America, picking up | :02:35. | :02:43. | |
chicks. And when you find out it is sung by a 55-year-old tampon wrap, | :02:44. | :02:49. | |
it is the background that is funny. That is the wombat appeal to Michael | :02:50. | :02:53. | |
Ball, particularly. This was the scene in our office earlier. | :02:54. | :03:07. | |
Really got into it. On the ukelele and everybody joined in. It is a | :03:08. | :03:24. | |
good song. This is the best bit now. Really catchy. They are catchy | :03:25. | :03:28. | |
songs. Michael Kiwanuka will be here and he | :03:29. | :03:48. | |
will be performing his song, Love Hate later on. | :03:49. | :03:53. | |
Michael, you're the musical theatre expert, you'd better | :03:54. | :03:54. | |
It's been 40 years since the messiest, most madcap | :03:55. | :03:57. | |
children's gangster musical was released in cinemas. | :03:58. | :03:59. | |
And Clare Grogan has got herself in amongst the splurge guns. | :04:00. | :04:07. | |
In 1976, a British film broke the world of American organised crime to | :04:08. | :04:15. | |
our screens. As well as having some cracking musical numbers, there was | :04:16. | :04:22. | |
a good helping of custard pies. I am talking about Bugsy Malone and as it | :04:23. | :04:27. | |
celebrates its 40th anniversary this summer, I am on the trail of some | :04:28. | :04:46. | |
gangsters. Come in. I am Clare, I am a singer and I am looking for... | :04:47. | :04:52. | |
Singer! I don't need a singer, come back tomorrow. It is by Alan Parker, | :04:53. | :05:00. | |
set in New York and filmed in the UK, the cast was played by children. | :05:01. | :05:09. | |
200! It is the education system that has maintained its popularity. What | :05:10. | :05:15. | |
school doesn't like Bugsy singalong. There is a brand-new bunch of | :05:16. | :05:21. | |
talented actors in Hammersmith. Give this to Babyface. Snake eyes, give | :05:22. | :05:29. | |
this to Babyface. Give this to Babyface. What am I talking about, I | :05:30. | :05:37. | |
am Babyface. No you're not, I am Babyface. Sam's gang is all here. | :05:38. | :05:45. | |
You haven't changed a bit. How old were you? I was 14. He was one of | :05:46. | :05:56. | |
the old one. First day on set, was it Pinewood? It was, do you remember | :05:57. | :06:01. | |
the first day, a huge set like that are built just for us. It was built | :06:02. | :06:07. | |
on stilts to allow the steam come through the vents. It was like the | :06:08. | :06:11. | |
best summer camp you could go to as a kid. You must have had a riot with | :06:12. | :06:20. | |
the splurge guns. Not at first, it stunk like mad. With Alan, he | :06:21. | :06:24. | |
treated all these young people as equals. He expected you to perform, | :06:25. | :06:31. | |
we weren't looking around, we were making a film. Alan come up with a | :06:32. | :06:39. | |
pan, he said you are going to carry the carpet. At the time, I was | :06:40. | :06:48. | |
gutted, but it was brilliant. They became as iconic as the characters. | :06:49. | :06:56. | |
The relationship between Jodie Foster and Alan Parker. Jodie Foster | :06:57. | :07:01. | |
would get an line wrong and Alan Parker would shout at her and she | :07:02. | :07:05. | |
would say, what ever! How could she speak to him like that. I went to | :07:06. | :07:12. | |
get my haircut, I had this extreme haircut. I was sitting there | :07:13. | :07:22. | |
devastated and I think she clocked it. You know what they do with hair | :07:23. | :07:30. | |
like this, she put it on her lip and she said they make them into | :07:31. | :07:34. | |
moustaches. I think she was trying to make me laugh. Sheridan, this is | :07:35. | :07:42. | |
for you. It was lemon curd and I couldn't open my eyelids. They took | :07:43. | :07:47. | |
me to the dressing room and puts me in the shower with all my clothes | :07:48. | :07:54. | |
on. Having so much fun, and then we knew we had to die. So that was a | :07:55. | :08:03. | |
bit sad. It is so long ago, I am wondering if my memories are | :08:04. | :08:07. | |
correct. You weren't actually in it, dear. At the end of Bugsy, If You | :08:08. | :08:21. | |
Give A Little Love, it was fantastic. Every human being can | :08:22. | :08:26. | |
relate to that. Everybody is stressed well, considering it is a | :08:27. | :08:34. | |
gangster war. It created a world for us that was so unique and there | :08:35. | :08:40. | |
hasn't been a movie like it since. So this is show business. | :08:41. | :08:45. | |
Easily one of the best movies ever. It is a great stage play as well. | :08:46. | :08:56. | |
David Brent is back, he is on tour with his band, at Foregone | :08:57. | :09:00. | |
Conclusion. I know what an Michael Ball fan is like. Go on then, | :09:01. | :09:07. | |
described. She is here. It is embarrassing. Who do you think David | :09:08. | :09:16. | |
Brent would like his fans to be? I think he would want quite rock and | :09:17. | :09:20. | |
roll, he wants to be cool and he isn't. He wants to be famous and he | :09:21. | :09:27. | |
isn't famous enough. Someone like, Mick Jagger or Bruce Springsteen. | :09:28. | :09:35. | |
It's never going to happen. You have taken Brent to the big screen and it | :09:36. | :09:40. | |
is a bold move, and it happened in an interesting way, quite organic? I | :09:41. | :09:45. | |
said I wouldn't bring back The Office, and I haven't. It would be | :09:46. | :09:52. | |
weird, the people sat at the same desks after 15 years. And they cost | :09:53. | :09:59. | |
too much. I said it would have to be different enough and I resisted it. | :10:00. | :10:04. | |
On the tenth anniversary, the BBC got me to do some introductions for | :10:05. | :10:08. | |
their iPlayer. I saw the old episodes I hadn't seen for ten | :10:09. | :10:12. | |
years, and I laughed. Then I did something for comic relief, a little | :10:13. | :10:18. | |
sketch. It had been long enough and it was a six minute sketch. I had to | :10:19. | :10:23. | |
think about what he would be doing now, so I made him a wrap. He thinks | :10:24. | :10:40. | |
he's Simon Cowell. We had a song called Equality Street. I suddenly | :10:41. | :10:48. | |
realised I had seven or eight David Brent songs. We did a gig as David | :10:49. | :10:54. | |
Brent with this great band from razor light and they got together. | :10:55. | :10:59. | |
Why would David Brent have this amazing band, he is paying for it. | :11:00. | :11:05. | |
It is a vanity project, he is haemorrhaging cash, cashing in | :11:06. | :11:07. | |
pensions and that was the idea of the movie. A man, so desperate for | :11:08. | :11:13. | |
fame was spending his hard earned money on one more shot. The books | :11:14. | :11:18. | |
his little toe and expect someone to come and sign him. He hasn't changed | :11:19. | :11:26. | |
a lot? No, but what has changed is the world around him. He was 39, the | :11:27. | :11:33. | |
boss and a bit of a prat, now he is not the boss, he is 55 and it is | :11:34. | :11:38. | |
full of alpha males. We have had the apprentice when they come on and | :11:39. | :11:42. | |
say, I will destroy anyone who gets in my way. So he is the underdog. | :11:43. | :11:48. | |
This is a lovely clip of David talking. I have been out with all | :11:49. | :11:53. | |
sorts of girls, rich, poor, white girls. Finn girls, fat girls. I went | :11:54. | :12:01. | |
out with a very big lady, lovely, bubbly. Beautiful eyes. Everyone was | :12:02. | :12:10. | |
saying, Brent, if she loses weight, it she will be a stunner. And she | :12:11. | :12:14. | |
did lose weight, but she wasn't a stunner. It is so wrong, it is | :12:15. | :12:24. | |
hysterical. He is accidentally offensive, he tries to please | :12:25. | :12:27. | |
everyone and say the right thing, but because he isn't sure, it is | :12:28. | :12:31. | |
about the white, middle-class Bankston and he knows about | :12:32. | :12:38. | |
political correctness, he is not homophobic, racist or sexist, but he | :12:39. | :12:43. | |
panics and he digs himself a whole. Is there an element of you in him? | :12:44. | :12:49. | |
There is an element of all others in him, we all want to be loved, we all | :12:50. | :13:00. | |
want to be filmed. He has this relationship with fame that is | :13:01. | :13:04. | |
unhealthy. It has got worse. Fame has changed, it is insatiable and he | :13:05. | :13:08. | |
thinks it will sort everything out and it won't. He just needs to be | :13:09. | :13:15. | |
himself. It is a fabulous film. David Brent: Life on the Road it is | :13:16. | :13:18. | |
in cinemas from the 19th of August. We've been counting down | :13:19. | :13:23. | |
to the Olympics all week and in less than five hours, | :13:24. | :13:25. | |
the Opening Ceremony kicks off. Colin Jackson will be just | :13:26. | :13:28. | |
one of the BBC faces taking you through 16 days | :13:29. | :13:32. | |
of incredible sport. Before Colin flew to Rio, | :13:33. | :13:35. | |
Christine Walkden took the former medal winner and his TV star sister | :13:36. | :13:37. | |
on a holiday made of memories. It was the hot summer of 76. Elton | :13:38. | :13:54. | |
John and Kiki Dee were number one. Colin Jackson and his sister were | :13:55. | :14:00. | |
driving to Brixham for their first big family holiday. This is | :14:01. | :14:09. | |
brilliant. I remember seeing the harbour for the first time and being | :14:10. | :14:14. | |
wowed by it. I had never been to a fishing port like this. What wowed | :14:15. | :14:18. | |
me were the colour of the houses. They had made the drive from Cardiff | :14:19. | :14:23. | |
in their dad's beloveds Ford Cortina. I remember it being daddy's | :14:24. | :14:31. | |
pride and joy. Really? Yes. We weren't allowed to eat and drink in | :14:32. | :14:37. | |
the car. Their mum and dad came to Wales from Jamaica in the 1950s. | :14:38. | :14:44. | |
Smile! They had saved from month to take the family to Brixham. We | :14:45. | :14:49. | |
stayed in Pontin 's. I remember spending many nights before we | :14:50. | :14:52. | |
actually arrived going through the brochure. We saw what my parents did | :14:53. | :14:58. | |
to give us everything they gave us, so their hard work, commitment, they | :14:59. | :15:02. | |
grafted in putting us in the position where we could have and do | :15:03. | :15:07. | |
what we wanted to do. I would definitely choose them as my parents | :15:08. | :15:15. | |
again. You cannot say better that. I think my dad took the entertainment | :15:16. | :15:19. | |
a little bit too far, what do you reckon? He is getting in the mood. | :15:20. | :15:25. | |
It is pretty rare to have one sibling who reaches the heights of | :15:26. | :15:31. | |
competing for their country are becoming a successful TV actress. | :15:32. | :15:37. | |
But that parents had two. Two highly successful, high-flyers. What was | :15:38. | :15:45. | |
the recipe? They were keen in making is independent. That steered us and | :15:46. | :15:50. | |
filled us with confidence. We were never told no, you cannot do this. | :15:51. | :15:56. | |
Even though it was short lived, we got maximum support. Time to swap | :15:57. | :16:01. | |
the Cortina for a boat trip along the English Riviera. | :16:02. | :16:06. | |
This was the highlight, I can assure you. It does bring back fantastic | :16:07. | :16:14. | |
memories, I tell you. Of what? Just being a child. As Colin reached the | :16:15. | :16:18. | |
pinnacle of world athletics, his family were with him every step of | :16:19. | :16:22. | |
the way. Watching Colin do the major races with my parents, we ran every | :16:23. | :16:28. | |
hurdle. The relief and the joy at the end of it was just phenomenal. | :16:29. | :16:34. | |
Jackson going well indeed. With the highs of victory came the lows of | :16:35. | :16:38. | |
failure and in 92 Colin's dream of Olympic gold fell apart. The tension | :16:39. | :16:45. | |
and pressure got to him. I ran a great first round then didn't warm | :16:46. | :16:50. | |
up for the second round. I pulled a muscle, my left a. That completely | :16:51. | :16:56. | |
through my race. Even now I watch that race. Even now I get upset. He | :16:57. | :17:05. | |
was in supreme form. Did you feel guilty? Massively guilty. That | :17:06. | :17:10. | |
feeling of guilt didn't leave me for a whole year. Until I broke the | :17:11. | :17:16. | |
world record and I kind of felt, at least I've made some amendments to | :17:17. | :17:20. | |
that awful performance. Jackson takes it, 12.9 one. A new world | :17:21. | :17:27. | |
record for Colin Jackson. But the pressure to be the best was pushing | :17:28. | :17:32. | |
Colin and his body to the limit. Looking back, I had what they call | :17:33. | :17:38. | |
body dysmorphia. You end up taking things slightly extreme, really | :17:39. | :17:41. | |
restrict the amount of food, because I felt I didn't look a certain way. | :17:42. | :17:46. | |
It's an ugly position to be in, it's not a nice place to be. Now, on | :17:47. | :17:53. | |
reflection, I was very silly lad, wasn't I? It is plain Colin has | :17:54. | :17:59. | |
always had the love and support of his family, and his big sister, | :18:00. | :18:04. | |
Suzanne. She is possibly one of the wisest people I know. Has he ever | :18:05. | :18:09. | |
told you this before? I've heard whispers! LAUGHTER | :18:10. | :18:14. | |
Nice fish and chips. Christine can take me on holiday any time. You say | :18:15. | :18:25. | |
that... And I don't mean it. You have one of the most distinctive | :18:26. | :18:32. | |
lasting comedy. A picture paints a thousand words, a laugh paints 50. | :18:33. | :18:37. | |
I'm nervous, what's going on? We're going to show clips of you laughing | :18:38. | :18:43. | |
and you have to guess who or what tickled you. Easy. I'm even annoyed | :18:44. | :18:51. | |
by my last. We're calling this game... What you laughing at? It's a | :18:52. | :19:00. | |
shocker. It's mad, like an explosion. You laughing at Warwick | :19:01. | :19:06. | |
Davis, Stephen merchant or Ashley Jensen? That's in the corridor, it's | :19:07. | :19:13. | |
Ashley Jensen, because I put her off. All I had to say was... She | :19:14. | :19:17. | |
said that where are you going? I had to say if the idea. I threw in "The | :19:18. | :19:24. | |
Ivy restaurant". Then every time I sat restaurant she laughed. That's | :19:25. | :19:33. | |
it. I can't see a thing. Are you laughing at Louis CK, Karl | :19:34. | :19:41. | |
Pilkington or Warwick Davis? LAUGHTER | :19:42. | :19:45. | |
It doesn't sound like a laugh. Shall we give you a clue? It's not Louis | :19:46. | :19:53. | |
CK. Something to do with pets. Is it not Warwick Davis as a frog? It's | :19:54. | :20:02. | |
Karl Pilkington. Oh yeah. I don't know... It's a game of Mr and Mrs. | :20:03. | :20:09. | |
The question was, something like... What was it? What were your pet | :20:10. | :20:15. | |
hates? He said, when they go to the toilet everywhere. I said, it | :20:16. | :20:19. | |
doesn't mean what do you hate about your pets, what are your pet hates? | :20:20. | :20:25. | |
You'd never heard it before. This is what are laughing at? Nigel! Nigel! | :20:26. | :20:33. | |
I dressed up my editor on the office. LAUGHTER | :20:34. | :20:42. | |
Are used to get so creative. It was all found objects, it's a real art | :20:43. | :20:46. | |
project. Everyday I would come up with something else. My favourite | :20:47. | :20:50. | |
was when I wrapped in this paper and he was a prat-erpillar. I got the | :20:51. | :21:01. | |
second one run, didn't I? He got there. This is a great game, I want | :21:02. | :21:06. | |
to play more. You will love the next film, it's another game. It might be | :21:07. | :21:10. | |
the first and possibly over the last time we do eight summer game show. | :21:11. | :21:15. | |
Let's hope so. You heard of Who Wants to Be A Millionaire?, The | :21:16. | :21:18. | |
Generation Game and Play Your Cards Right. They are brilliant. Alex | :21:19. | :21:23. | |
Riley's show is nothing like them. Nothing sums up the holiday season | :21:24. | :21:27. | |
better than the great British queue, from traffic jams to airports, | :21:28. | :21:33. | |
Wimbledon to music festivals, roller-coaster rides to the humble | :21:34. | :21:38. | |
ice cream van. Being British we obey the queue no matter how long, slow | :21:39. | :21:42. | |
and frustrating they are, don't we everybody? Yes, Alex. But not today. | :21:43. | :21:49. | |
Here at Alton Towers we're going to give three lucky families the chance | :21:50. | :21:55. | |
to take part in The One Show's very own pop-up game show. It's time for | :21:56. | :21:57. | |
jump the queue. The other three families. We're from | :21:58. | :22:15. | |
ones grow! We're the Blake family from Leicestershire. Here's what | :22:16. | :22:20. | |
they are playing for. The golden ticket that allows them to jump the | :22:21. | :22:24. | |
queue on every ride all day long. Here are the rules. Each family will | :22:25. | :22:32. | |
wrap one of their members using industrial strength toilet roll. In | :22:33. | :22:36. | |
mummy racing. The two must thoroughly wrapped mummies, as | :22:37. | :22:40. | |
chosen by our professional referee, will earn the right to go | :22:41. | :22:44. | |
head-to-head in a first past the post race where the first one across | :22:45. | :22:48. | |
the line wins the golden ticket that will allow them to jump the queue. | :22:49. | :22:55. | |
Could our three designated mummys step forward? | :22:56. | :22:59. | |
In this context, mummy refers to mummification. Not the gender of the | :23:00. | :23:07. | |
contestants. It's over to our referee, Paul, to start the game. | :23:08. | :23:13. | |
Remember only two mummies will earn the right to go through to the final | :23:14. | :23:18. | |
race. And they will be chosen on just how well wrapped they are. The | :23:19. | :23:23. | |
referee watching closely to make sure there is no funny business | :23:24. | :23:28. | |
going on. What's your job? Making sure all the holes are covered. It's | :23:29. | :23:33. | |
almost as if you've got some toilet roll on your face. Is that a nice | :23:34. | :23:36. | |
feeling, somebody poking their fingers into your eyes? She does it | :23:37. | :23:45. | |
all the time. Time up. May I say the quality of mummification has been | :23:46. | :23:49. | |
some of the best we've seen all series. Well done. There is room for | :23:50. | :23:56. | |
only two in the final race. It's over to Paul to eliminate one of the | :23:57. | :24:05. | |
families. Paul is the daddy when it comes to mummies. Only total | :24:06. | :24:10. | |
coverage and authentic eyeholes will be accepted by him. The two families | :24:11. | :24:15. | |
who go through to the final round are for steel family and the Bogue | :24:16. | :24:21. | |
family. Nobody leaves Jump The Queue empty-handed, so you can keep what's | :24:22. | :24:24. | |
left of the role of industrial strength toilet roll. So to the | :24:25. | :24:30. | |
final race of where the fastest mummy to cross the finish line will | :24:31. | :24:35. | |
win the right to Jump The Queue. It's that simple. Take note of the | :24:36. | :24:39. | |
golden rule, hoppers will be disqualified with no mercy. Our | :24:40. | :24:44. | |
finalist at the starting line. Lots of nerves. And plenty of loo roll. | :24:45. | :24:53. | |
When you're ready. They are off to a flyer with mummy Bogue taking an | :24:54. | :24:59. | |
early lead. Mummy Steel lagging well behind, I can't believe it, it looks | :25:00. | :25:02. | |
like it'll be all over, the crowd are going bonkers. It is mummy Bogue | :25:03. | :25:09. | |
going to take it. Mummy Steel crosses the line. Until the last | :25:10. | :25:15. | |
minute I thought of the Bogues had it in the bag but a late rush from | :25:16. | :25:21. | |
the Steels meant it was too close to call. Alex, I have to say, rules are | :25:22. | :25:29. | |
rules, I spotted a last-minute hop by mummy Steel. Therefore, I'm | :25:30. | :25:32. | |
awarding this want of the Bogue family. CHEERING | :25:33. | :25:37. | |
How do you feel? I thought we'd lost. Here is your Jump The Queue | :25:38. | :25:47. | |
golden ticket. That's how we played Jump The Queue! | :25:48. | :25:52. | |
That mummy thing isn't going to take off, is it? Not going to work. | :25:53. | :25:58. | |
That's nearly all for tonight and the next two weeks. We'll be back on | :25:59. | :26:04. | |
Monday 22nd August. In the meantime you'll have to make do with the | :26:05. | :26:07. | |
Olympics, which is going to be brilliant. Thanks to Ricky, David | :26:08. | :26:12. | |
Brent: Life on the Road is in cinema soon. Go and see it. | :26:13. | :26:20. | |
But now, playing us out with his single 'Love Hate', | :26:21. | :26:22. | |
from his album of the very same name, both out now, | :26:23. | :26:25. | |
# Calling all the people here to see the show | :26:26. | :26:35. | |
# Calling for my demons now to let me go | :26:36. | :26:40. | |
# I need something, give me something wonderful | :26:41. | :26:51. | |
# She won't take me somewhere I'm not supposed to be | :26:52. | :27:00. | |
# You can't steal the things that god has given me | :27:01. | :27:03. | |
# No more pain and no more shame and misery | :27:04. | :27:15. | |
# You can't take me down You can't break me down | :27:16. | :27:20. | |
# I can see a place of trouble and I'm on the verge | :27:21. | :27:40. | |
# For the love of everybody I did something wrong | :27:41. | :27:53. | |
# Now I feel some days of trouble | :27:54. | :28:06. | |
# Calling all the people here to see the show | :28:07. | :28:34. | |
# Calling for my demons now to let me go | :28:35. | :28:39. | |
# I need something, give me something wonderful | :28:40. | :28:52. | |
# You can't take me down, you can't break me down, you can't take me | :28:53. | :28:59. | |
down #. APPLAUSE CHEERING | :29:00. | :29:11. | |
20,000 square miles of rugged coastline, | :29:12. | :29:14. |