Browse content similar to 06/01/2014. Check below for episodes and series from the same categories and more!
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APPLAUSE Happy New Year. Welcome to The One | :00:15. | :00:45. | |
Show with Matt Baker. And Alex Jones. And... Kylie and will.i.am! | :00:46. | :00:46. | |
Welcome to our new studio! I love what you have done with the place. A | :00:47. | :00:55. | |
spruced up. You have half inside and half outside. Is there enough | :00:56. | :01:01. | |
technology in here for you? Well, the table should be... It can do all | :01:02. | :01:09. | |
sorts. You are properly setting something off right now. Kylie - | :01:10. | :01:17. | |
you're joining as a new coach on The Voice. Is it right that this man | :01:18. | :01:24. | |
helped persuade you to take the job? A friend of mine let me know that | :01:25. | :01:27. | |
Kylie was having a meeting at a restaurant at 10am, so... If I had | :01:28. | :01:36. | |
gone at 10am, I would have been late and showed up at 12. I forced myself | :01:37. | :01:41. | |
to wake up at 7am. Is that hard for you? I did not sleep the night | :01:42. | :01:49. | |
before! It means he was committed! That is good. I did not know he was | :01:50. | :01:55. | |
going to be there, I was having a meeting. Honestly, the fact that | :01:56. | :02:04. | |
Will was there and I was able to ask in the burning question of what it | :02:05. | :02:09. | |
was like. I did not need stats and figures, I wanted to know what it | :02:10. | :02:12. | |
was like, and here we are! I am very thankful. Thank you for being on it | :02:13. | :02:21. | |
because it was hard for me to make a decision as whether I would come | :02:22. | :02:27. | |
back series three. Jesse left and we were wondering whether you would go | :02:28. | :02:34. | |
as well. I was torn. We did three seasons and Jesse and Danny were not | :02:35. | :02:44. | |
coming back. What do I do? They said, who is going to replace Jesse | :02:45. | :02:51. | |
and Danny? When they mentioned Kylie, I was like... Wow! To be | :02:52. | :02:59. | |
honest with you, I was like, they are never going to get Kylie! I | :03:00. | :03:04. | |
said, if you get Kylie, I will do it! We are really pleased you are | :03:05. | :03:12. | |
back. It is going to be great. Today was the day that most of us went | :03:13. | :03:16. | |
back to work and many of us are thinking about starting a new | :03:17. | :03:19. | |
career. Prince William has gone back to class to start farming! He wants | :03:20. | :03:27. | |
to be Matt Baker! If you could go back to college to start over, what | :03:28. | :03:33. | |
would you do? We will ask you in a minute! I always wanted to do | :03:34. | :03:42. | |
criminology. A bit CSI. I am a carer but I think I would study to work | :03:43. | :03:48. | |
abroad with the Red Cross. Anything you wanted to have a go at? I want | :03:49. | :04:01. | |
to be a vet. Law. Marine, biology. Would you? Excellent. Is this a love | :04:02. | :04:11. | |
of scuba diving? I love sharks. I would like to do farming. Not | :04:12. | :04:18. | |
because Prince William is doing the same. General organisational skills | :04:19. | :04:23. | |
would be good. I would learn a language. She could shout at me in | :04:24. | :04:31. | |
Spanish! Rank you. Thank you to the people of Chiswick. You have an | :04:32. | :04:39. | |
interest in science. You have spent some time with the Hadron Collider? | :04:40. | :04:47. | |
I have spent some time at MIT. I go there. University? Yes, I am taking | :04:48. | :04:55. | |
computer science. I get to travel and do my course on the laptop. That | :04:56. | :05:02. | |
is when I went to Switzerland. What is it like? There is a big building | :05:03. | :05:10. | |
behind me. It may look small but that is a big building underground. | :05:11. | :05:15. | |
1 million feet underground. I may be exaggerating. I went there to sponge | :05:16. | :05:24. | |
up on the wizards there. Did you have any physics questions answered? | :05:25. | :05:30. | |
There may be a long answer to that so maybe we should leave it! Some | :05:31. | :05:38. | |
kids are at this school doing a programme where we teach kids | :05:39. | :05:43. | |
science and maths. It is an after-school programme and we get | :05:44. | :05:47. | |
them geared up for tomorrow. We don't just want kids to go to | :05:48. | :05:51. | |
college but we want them to go to college and get jobs. The last thing | :05:52. | :05:56. | |
we want to do is take a kid from the herd, send them to college and then | :05:57. | :06:04. | |
there are no jobs. We want to get kids on the right track to go to | :06:05. | :06:09. | |
college on a programme. Then they can use science and mathematics | :06:10. | :06:14. | |
skills with that course and when they graduate there will be a better | :06:15. | :06:18. | |
chance of them are coming entrepreneurs. -- becoming. How long | :06:19. | :06:30. | |
is it going to take to find what to do with the boson particle? What | :06:31. | :06:43. | |
would you do, Kylie? I wish I had something as cool as that is to say! | :06:44. | :06:50. | |
I would probably do history, English literature and graphic design. Among | :06:51. | :06:58. | |
those who went back to work with some of the volunteers who returns | :06:59. | :07:03. | |
to real jobs after spending time helping others in jobs. Many have | :07:04. | :07:09. | |
had very little time to relax this Christmas. Can you tell me again how | :07:10. | :07:16. | |
may people on board? In the eye of the storm and this is calm. This is | :07:17. | :07:22. | |
the nerve centre for British sailors across the world but for the past | :07:23. | :07:26. | |
few days, its main concern has been about people closer to home. They | :07:27. | :07:32. | |
and an army of volunteers have been responding to hundreds of incidents. | :07:33. | :07:36. | |
I am here in Cornwall which has been hit by many of the storm. I'm about | :07:37. | :07:39. | |
to go out with the coastguard in Falmouth. They are dealing with a | :07:40. | :07:45. | |
variety of emergency calls in very, very challenging conditions. Never | :07:46. | :07:51. | |
mind ringing in the New Year, this one has crashed in. They are the | :07:52. | :07:58. | |
worst winter storms in two decades. Coastguard volunteers have been | :07:59. | :08:02. | |
working nonstop to keep us safe. Since Christmas Eve they have been | :08:03. | :08:06. | |
called out to 429 incidents around the country. This team of ten | :08:07. | :08:13. | |
volunteers near Penzance said the number of callouts has been much | :08:14. | :08:17. | |
higher than normal. How bad does it get? It has been very bad. It has | :08:18. | :08:22. | |
been breaking up over the clock here. Like 3000 other volunteers, | :08:23. | :08:30. | |
Natalie has sacrificed her holidays to help out. I am tired. I was out | :08:31. | :08:38. | |
over the New Year from half past one and got home at about half past | :08:39. | :08:42. | |
five. I was called out again and I felt like I had been working nights. | :08:43. | :08:47. | |
I did not get much sleep. Tomorrow I start back at a local secondary | :08:48. | :08:54. | |
school. As well as the long hours, the role is emotional. A young man | :08:55. | :08:59. | |
died here on New Year's Eve after being swept out to sea. I have two | :09:00. | :09:04. | |
teenage boys so I found it quite heartbreaking that we lost that boy. | :09:05. | :09:12. | |
Unfortunately, I had the job of going down onto the beach and | :09:13. | :09:14. | |
covering him up so that was quite emotional. It is quite sad. Most | :09:15. | :09:21. | |
years we do lose somebody down here. Often they do not heed the advice. | :09:22. | :09:27. | |
The volunteers have to deal with so-called storm chasers and thrill | :09:28. | :09:31. | |
seekers, they try to capture these dramas on film. The thought of going | :09:32. | :09:37. | |
to look at nature in its rawest elements draws people to the coast. | :09:38. | :09:42. | |
Do not put yourself at risk. Do not go in for that one shots or that one | :09:43. | :09:49. | |
video you can put on YouTube. It is extraordinary that the rescue team | :09:50. | :09:53. | |
have to spend time taking this up but it is so obvious that nobody has | :09:54. | :09:58. | |
any business of being on here walking up here. With most people | :09:59. | :10:03. | |
returning to work or school, perhaps life will become a bit calmer for | :10:04. | :10:08. | |
the volunteers. Even if that is more than can be said for the weather. | :10:09. | :10:15. | |
What amazing people. The Voice is back on Saturday at 7pm on BBC One. | :10:16. | :10:20. | |
Two big changes and new presenters as well as new coaches. We have | :10:21. | :10:27. | |
Ricky from the Kaiser Chiefs. What we love is when you, as coaches, | :10:28. | :10:34. | |
come together to do a number. We did one performance altogether and it | :10:35. | :10:37. | |
was amazing. The highlight is Tom Jones. Hearing Tom Jones sing... Has | :10:38. | :10:46. | |
he been in here? Oh, yes. It is a wall of sound, it is phenomenal. You | :10:47. | :10:52. | |
gravitate towards him. Here we go, let's have a look. | :10:53. | :10:59. | |
# I predict a riot! APPLAUSE | :11:00. | :11:25. | |
Ricky, he must have had tickets on himself. He must have felt pretty | :11:26. | :11:33. | |
good about himself! Very handsome as well, Ricky. He is dashing, quite a | :11:34. | :11:40. | |
revelation. Kylie must be brilliant to perform with. What is it like? I | :11:41. | :11:48. | |
have been a fan of Kylie for a very long time so to be sitting next to | :11:49. | :11:54. | |
her... The coaches have to pass through Kylie first! To perform with | :11:55. | :12:05. | |
her on stage is a thrill. What will you bring, Kylie? You have 27 years | :12:06. | :12:08. | |
of experience but what you think your role will be? The boss! Really? | :12:09. | :12:22. | |
Yes! I stamp my stilettos! You can only be yourself and I am naturally | :12:23. | :12:29. | |
a bit of a softy. You do need a bit of softness on the show. We saw a | :12:30. | :12:34. | |
picture of the four of you. Here it is, can we see it? You can see your | :12:35. | :12:40. | |
handbag there. I took my handbag on. A girl never knows what she | :12:41. | :12:45. | |
needs. Kylie, you are really into it. Is it the fact that you have so | :12:46. | :12:52. | |
much expertise now and you just want to pass that on to others? Will is | :12:53. | :12:59. | |
doing that. Is that what it is for you? It is inspiring with Will's | :13:00. | :13:07. | |
dedication to his acts, and studio, who is with you. Hang on, I am | :13:08. | :13:13. | |
thinking about Will, what is the question? Just about your | :13:14. | :13:21. | |
opportunities? You know what it is. It is a little thrill that is just a | :13:22. | :13:28. | |
moment in time for you that you own is because you had the experience to | :13:29. | :13:32. | |
get that in your system and pass it on. It is really call. Let's talk | :13:33. | :13:37. | |
about Leo. She was phenomenal last year. You must have been | :13:38. | :13:40. | |
disappointed that she did not win it. What has high year been like? In | :13:41. | :13:54. | |
my eyes, Lee 01. -- won the reality for me is that Lee oh is the winner. | :13:55. | :14:02. | |
We have been working together and we finished our record about three | :14:03. | :14:13. | |
weeks ago. When is that out? Soon! Brilliant. We look forward to seeing | :14:14. | :14:18. | |
you. The Voice starts this Saturday at 7pm on BBC One. Now, for many | :14:19. | :14:23. | |
contestants on The Voice, the dream is to write a song and for it to go | :14:24. | :14:28. | |
to number one. But beware budding songwriters. Coming up with an | :14:29. | :14:31. | |
original track is trickier than it seems. Especially when you consider | :14:32. | :14:34. | |
130 million have already been written. Artistic works like music | :14:35. | :14:42. | |
have been protected by copyright laws designed to stop people ripping | :14:43. | :14:46. | |
each other for more than 300 years. Since then, judges have been getting | :14:47. | :14:53. | |
busy deciding whether or not someone has been a copycat. One of the | :14:54. | :14:56. | |
longest running and most bitterly contested cases in all history | :14:57. | :15:01. | |
involved ex-Beatle, George Harrison. The case centred on a song from his | :15:02. | :15:08. | |
triple album. He wrote it and gave it to his friend Billy Preston who | :15:09. | :15:13. | |
already recorded it. The song was called My Sweet Lord. Journalist | :15:14. | :15:16. | |
Alan Smith commented on the track in a review. His exact words were... In | :15:17. | :15:24. | |
its own right, this is a strong song with a chunky feel but a familiar | :15:25. | :15:31. | |
tune. It seems to owe something to a song which had been number one in | :15:32. | :15:36. | |
the American charts for five weeks eight years before. He's So Fine. It | :15:37. | :15:46. | |
is very similar to My Sweet Lord, as we can here with some technical | :15:47. | :15:48. | |
jiggery-pokery. Alan Smith was not the only one to | :15:49. | :16:02. | |
notice this. The company owning rights was also on the case and in | :16:03. | :16:09. | |
Fabbri 1971, they issued a rift alleging infringement of copyright. | :16:10. | :16:14. | |
Matters came to head the George Harrison in 1976 with a court | :16:15. | :16:18. | |
hearing in New York. I had to stand up in court with my guitar with | :16:19. | :16:22. | |
people grilling me to talk about how to write a song, which is difficult | :16:23. | :16:24. | |
because every song is slightly different anyway. Peter Oxon Dale is | :16:25. | :16:30. | |
a forensic musicologist and his job is to compare songs to look the | :16:31. | :16:34. | |
similarities and spot copyright infringement. He studied the court | :16:35. | :16:41. | |
case. It comprises two simple motifs. The first is only three | :16:42. | :16:53. | |
notes. It then followed by motif B. But on the second one, we have a | :16:54. | :17:03. | |
different note introduced. Now, that is a grace note. The judge looked at | :17:04. | :17:12. | |
both versions of My Sweet Lord, produced by George Harrison, and the | :17:13. | :17:15. | |
earlier version recorded by Billy Preston, and the Preston recorded | :17:16. | :17:18. | |
included something which proved crucial. That is motive a. And | :17:19. | :17:36. | |
again. Motif B. Motif B. With the grace note. Guilty as charged! Send | :17:37. | :17:42. | |
him down to the slammer. It was repeating the grace note in Billy | :17:43. | :17:45. | |
Preston's version which confirmed, as the writer of the song, George | :17:46. | :17:50. | |
Harrison was liable for copyright infringement. Although the judge | :17:51. | :17:54. | |
didn't think he deliberately copied He's So Fine, he called a | :17:55. | :17:58. | |
subconscious plagiarism. With all those songs buzzing around in your | :17:59. | :18:02. | |
head, how does a budding songwriter avoid subconscious plagiarism? | :18:03. | :18:08. | |
Computer experts here at Goldsmiths University of London believe they | :18:09. | :18:13. | |
have found the answer. This man has devised a computer programme | :18:14. | :18:17. | |
designed to make identifying plagiarism in a matter-of-fact, not | :18:18. | :18:21. | |
opinion. The programme starts by giving each note in a melody and | :18:22. | :18:24. | |
number based on its length and pitch. Here's what the programme | :18:25. | :18:29. | |
looks like. My goodness, note by note through the melody, and then be | :18:30. | :18:33. | |
get to the bottom line. And we have a similarity which ranges between | :18:34. | :18:39. | |
zero, not similar at all, which means they are identical. Usually a | :18:40. | :18:45. | |
cut-off of 25% similarity. Anything above that would be plagiarism. He | :18:46. | :18:49. | |
has a database of 14,000 songs but fall the one show, he tested My | :18:50. | :18:56. | |
Sweet Lord against He's So Fine and the computer says... We came up to | :18:57. | :19:02. | |
39%. So guilty as charged? You could say so. George Harrison eventually | :19:03. | :19:09. | |
had to pay more than half $1 million for unintentionally plagiarising | :19:10. | :19:14. | |
He's So Fine. In the music industry, have a saying, where there is a hit, | :19:15. | :19:17. | |
there is a bit. According to the judge then, and the computer now, My | :19:18. | :19:25. | |
Sweet Lord is indeed a copy of He's So Fine. But we know which version | :19:26. | :19:31. | |
we prefer, don't we? Gyles joins us now. What do you think of this | :19:32. | :19:40. | |
studio? I love the new set for the it's as modern as tomorrow. With a | :19:41. | :19:44. | |
lot of time for yesterday. It's got it all here. Can I thank you for my | :19:45. | :19:52. | |
president -- present. Guess what they gave me. The one direction CD. | :19:53. | :19:57. | |
I didn't know I was going to like it as much as I did. Move over, McFly. | :19:58. | :20:03. | |
One direction the boys for me. I particularly like this track, Live | :20:04. | :20:12. | |
When You're Young. Listen to this. It's a good one. One of your | :20:13. | :20:20. | |
favourites. It got me moving. It got me moving back in time and I went | :20:21. | :20:25. | |
back 30 years and I went to my record collection and found an album | :20:26. | :20:30. | |
given to me by The Clash, literally. I knew them, too, in 1982. Listen to | :20:31. | :20:36. | |
this, Should I Stay Or Should I Go?, the title of the track. What are you | :20:37. | :20:46. | |
saying, Gyles? I'm saying it sounds quite familiar. And the boys from | :20:47. | :20:51. | |
one direction won't know it because they went to live them. Listen to | :20:52. | :20:56. | |
another one direction track, Midnight Memories. You like this | :20:57. | :21:05. | |
one, too. I love this one, yes. Back in the 1980s, you won't be surprised | :21:06. | :21:09. | |
to know Def Leppard where my style gurus. I modelled my luck then on | :21:10. | :21:14. | |
them. And therefore, I'm very familiar with Pour Some Sugar On Me. | :21:15. | :21:22. | |
Listen to that one. -- I modelled my lock on them. What are you saying | :21:23. | :21:29. | |
with this? It's interesting, down the decades, the memory lingers on | :21:30. | :21:34. | |
and intriguing tunes seem to come back to us. There is actually a word | :21:35. | :21:38. | |
for this. And the word is Cryptomnesia. Cryptomnesia is | :21:39. | :21:45. | |
literally hidden memories. And it turns out we can hear things, see | :21:46. | :21:49. | |
things, and then we reproduce them when we think we are recreating | :21:50. | :21:55. | |
something original. Chefs do that too, with food. You could take a | :21:56. | :22:00. | |
pizza and unfold it and then have calzone. We tried to test out on | :22:01. | :22:08. | |
Will and Kylie. In the 1990s, a man experimented with Cryptomnesia and | :22:09. | :22:14. | |
showed people pictures of aliens and then he invited them to draw a | :22:15. | :22:17. | |
picture of an alien without reference to the pictures they had | :22:18. | :22:20. | |
seen. We have conducted this experiment. With our two artists | :22:21. | :22:31. | |
here. This is Will Mac alien. He has given it and ally. -- and ten I. | :22:32. | :22:42. | |
Antenna. He wants to hang from the ceiling. Let's have a look at | :22:43. | :22:55. | |
Kylie's. If you take your phone, phones do not have antenna any more. | :22:56. | :23:05. | |
Aliens are highly intelligent. This is highly's alien. It's lovely. That | :23:06. | :23:12. | |
Kylie's. Thank you both ever so much. And thank you, Gyles. Nice to | :23:13. | :23:22. | |
see you. As we found out over the last few weeks, moving is a big | :23:23. | :23:29. | |
deal. Well, throughout 2014, a much bigger move is happening. One that | :23:30. | :23:32. | |
is quite literally a military operation. Here's Tony. By the end | :23:33. | :23:40. | |
of 2014, every British military base in Helmand province will close all | :23:41. | :23:43. | |
be handed over to Afghan forces. That means every vehicle, every nut | :23:44. | :23:50. | |
and bolt worth bringing home has to be brought home. If you consider | :23:51. | :23:54. | |
camp Bastian the British HQ in Afghanistan, it's the size of | :23:55. | :23:57. | |
Redding, this will be the biggest house move you will ever see. This | :23:58. | :24:04. | |
base deep in the desert is that help for all the British fighting forces. | :24:05. | :24:09. | |
It has cafeterias, vehicle depots, and airport and accommodation for | :24:10. | :24:14. | |
nearly 30,000 people. Getting all this home, or redeployment, will | :24:15. | :24:22. | |
cost ?300 million and it's the job of joint Force support, with 160 | :24:23. | :24:26. | |
people on the ground committed to the task. With a further 500 | :24:27. | :24:30. | |
specialists in the UK, who can fly out for specific jobs. I liken it to | :24:31. | :24:35. | |
moving house, moving to Afghanistan back to the UK. When you move house, | :24:36. | :24:42. | |
you make sure everything is cleaned, packed up properly, you bubble wrap | :24:43. | :24:45. | |
it properly and put into boxes, marked a bedroom and of the room and | :24:46. | :24:50. | |
things like that. The scale of the operation is huge. All equipment is | :24:51. | :24:54. | |
measured in terms of shipping containers. And some 5500 shipping | :24:55. | :25:00. | |
containers will be brought home. In addition, 3345 vehicles and major | :25:01. | :25:07. | |
equipment generators will come back, too. Only when soldiers on the | :25:08. | :25:12. | |
ground have no further use for their fighting kit is the decision taken | :25:13. | :25:16. | |
to send it home. In the case of a patrol vehicle like this million | :25:17. | :25:20. | |
pound one, it means getting it from the front where it has been | :25:21. | :25:23. | |
fighting, to the valid safety of camp Bastian. This is the job of the | :25:24. | :25:29. | |
combat logistics patrols, the enormous armoured rogue convoys. | :25:30. | :25:32. | |
They escort vehicles and carry heavy equipment on the most hostile of | :25:33. | :25:38. | |
roads and across deserts. You can have guns and. Any equipment in | :25:39. | :25:44. | |
there. The worst thing you could bring back is a waste tank because | :25:45. | :25:49. | |
it stinks. Once back at camp Bastian, they are stripped of their | :25:50. | :25:55. | |
weapons, armour and secret kit. Then they get an advanced service by | :25:56. | :25:58. | |
engineers and anything from the brakes being tested to an advanced | :25:59. | :26:00. | |
service by engineers and anything from the brakes being tested | :26:01. | :26:02. | |
twin-engine being replaced. After that, there are given an intensive | :26:03. | :26:07. | |
clean. Each vehicle getting 20 man-hours at the biggest car wash | :26:08. | :26:13. | |
you have ever seen. We need a ten times cleaner than that. Free of | :26:14. | :26:19. | |
insects, eggs, and various other nasty is which could possibly harm | :26:20. | :26:23. | |
the UK agriculture. 700 vehicles can be held for redeployment at Bastian, | :26:24. | :26:29. | |
at its not all big boys toys which reprocessing. All other equipment | :26:30. | :26:33. | |
returning is packed securely by soldiers before going to the airport | :26:34. | :26:36. | |
for the next step of the journey, like tents, jerry cans, ammunition, | :26:37. | :26:42. | |
expensive to replace, and with the cost of transporting home. Anything | :26:43. | :26:47. | |
not worth the cost of the journey will be sold locally, given to the | :26:48. | :26:54. | |
Afghans or saved for disposal. The job of getting evident on to the | :26:55. | :26:58. | |
aircraft is headed up by the squadron leader, Martin Logan. We | :26:59. | :27:04. | |
move everything. Recently, we have moved a whole load of containers of | :27:05. | :27:09. | |
uniforms. We've also moved Jamaica helicopter. They require a | :27:10. | :27:14. | |
significant amount of time on the ground by a specialist team to | :27:15. | :27:17. | |
restrain them and make sure they are safe to fly. Even a simple palette | :27:18. | :27:22. | |
of boxes takes teamwork and choreography of the highest order. | :27:23. | :27:28. | |
Only now can all of this equipment be loaded onto aircraft out of camp | :27:29. | :27:35. | |
Bastian. Sun goes by a and some by Laurie and in the case of this tank, | :27:36. | :27:40. | |
it's a short fight -- flight the Middle East before a 6000 mile sea | :27:41. | :27:45. | |
voyage on and enormous ferry. Now back in the UK, all these vehicles | :27:46. | :27:50. | |
will be serviced at the enormous exchange point in Wilts. Then go | :27:51. | :27:56. | |
onto new regiments and back to work. And here at Brize Norton, at the end | :27:57. | :28:00. | |
of the air bridge, and given the RAF and to get some of the kit off this | :28:01. | :28:05. | |
aeroplane and back onto UK soil. This job will go on long into the | :28:06. | :28:09. | |
night and this operation will go on for the next 12 months. Making it | :28:10. | :28:13. | |
the biggest house move we are ever likely to see. Thanks, Tony. We are | :28:14. | :28:23. | |
celebrating with some very special performances using the number 14. | :28:24. | :28:29. | |
Today, we have 12 of the best Japanese Taiko drummers in the | :28:30. | :28:32. | |
country. And two superstar special additions. Kylie Minogue and | :28:33. | :28:34. | |
Will.i.am. That's it for today. They are going to play us out. We will | :28:35. | :28:37. | |
see you tomorrow with Griff Rhys Jones. Bye bye. | :28:38. | :28:41. |