Browse content similar to 06/02/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Matt Baker. You | :00:19. | :00:25. | |
could be forgiven for thinking that night's guests really do not get | :00:26. | :00:28. | |
along. Just leave, you are not wanted. You are a failed husband, a | :00:29. | :00:37. | |
failed father, a failed Muslim, you are a failed man! Well, there will | :00:38. | :00:41. | |
be no argy-bargy in the studio tonight, and anyway they are good | :00:42. | :00:46. | |
mates, it is EastEnders' Nitin Ganatra and Himesh Patel. Good | :00:47. | :00:53. | |
evening, last! Wonderful to see you. Great to be here. You have been | :00:54. | :00:59. | |
working together since 2007, but your story starts a little bit | :01:00. | :01:02. | |
before that, tell us how fate brought you together. Yeah, so it | :01:03. | :01:09. | |
started in early 2007 maybe, my sister told me she was in a | :01:10. | :01:14. | |
restaurant in Leicester, and she bumped into Nitin and got his | :01:15. | :01:20. | |
autograph for me. So you were a big fan? I had been to see him in Bride | :01:21. | :01:28. | |
And Prejudice. I was terribly famous at the time! On the autograph, he | :01:29. | :01:36. | |
wrote, so you want to be an actor? Famous last words! After that, two | :01:37. | :01:41. | |
months before I started EastEnders, I went to see a radio comedy, and | :01:42. | :01:49. | |
Nitin was in it. I went down and spoke to him between the two | :01:50. | :01:55. | |
episodes that were getting recorded. Did you remember that moment? I | :01:56. | :01:59. | |
remember writing the autograph, because I was in a restaurant at the | :02:00. | :02:04. | |
time, I thought, OK, the kind of made the connection. You were about | :02:05. | :02:12. | |
16 or 17? And then, what was it? Some time later, I got a call about | :02:13. | :02:16. | |
EastEnders, went in for a meeting, and as I went in, I passed him in | :02:17. | :02:23. | |
the corridor. Do you always write that on people's autographs? May | :02:24. | :02:28. | |
be! We will work together one day! It is the only time I have written | :02:29. | :02:33. | |
it. All those subliminal notes, give me a large cheque! You have been an | :02:34. | :02:41. | |
interesting family. On that subject, we take for granted that most people | :02:42. | :02:45. | |
are lucky enough to grow up knowing their grandparents. But in the event | :02:46. | :02:49. | |
of family breakdown, when mums and dads can arrange access rights | :02:50. | :02:54. | |
through the law, it is not the same for grandparents, as Esther has | :02:55. | :02:57. | |
discovered. 18 months ago, I joined a wonderful | :02:58. | :03:02. | |
club with over 14 million members in the UK. I became a grandparent. I am | :03:03. | :03:09. | |
absolutely amazed by the feeling of love, which is quite overwhelming. | :03:10. | :03:15. | |
If I don't see him for a couple of days, I really feel a pang. So I can | :03:16. | :03:22. | |
only imagine what it must be like to be a grandparent who doesn't have | :03:23. | :03:26. | |
this sort of relationship because they are not allowed to. It is | :03:27. | :03:35. | |
estimated that more than 250,000 grandparents are denied access to | :03:36. | :03:38. | |
their grandchildren. I am on my way to meet Jane and Mark, who have not | :03:39. | :03:42. | |
seen their granddaughter in almost seven years following the break-up | :03:43. | :03:48. | |
of their son's marriage. It is a horrible feeling, to feel that, for | :03:49. | :03:53. | |
whatever reason, the little girl that we loved so deeply is no longer | :03:54. | :03:58. | |
part of our family. There isn't a day that goes by where I do not | :03:59. | :04:03. | |
think of her. We just choose to have someone the full times. It is like a | :04:04. | :04:10. | |
living bereavement. It is a horrible empty void that is there every | :04:11. | :04:14. | |
single day. They have written many letters and tried many times to make | :04:15. | :04:20. | |
contact, to no avail. People who have not been through this may not | :04:21. | :04:25. | |
understand the depth of their pain. You were completely devastated. Yes, | :04:26. | :04:31. | |
heartbroken, and ashamed that this should happen. Ashamed? Yes, being a | :04:32. | :04:36. | |
grandparent, you do feel as though you should be able to make things | :04:37. | :04:40. | |
right in your family, and you suddenly come up against a brick | :04:41. | :04:44. | |
wall, there's nothing you can do. If you are a parent trying to get | :04:45. | :04:48. | |
access to your own child, you can seek help through the courts. But | :04:49. | :04:52. | |
for grandparents, the law offers little support. Do grandparents have | :04:53. | :04:58. | |
a right to see children? What does the law say? They do not have | :04:59. | :05:03. | |
automatic rights, no special rights for themselves at all. They would | :05:04. | :05:09. | |
need to show to the court that there was a need for the child to see them | :05:10. | :05:15. | |
and it was in the child's best interests. Jane and Mark wrote to | :05:16. | :05:20. | |
their local paper about their situation. To my astonishment, nine | :05:21. | :05:24. | |
grandparents suddenly appeared at my front door who hired never met | :05:25. | :05:30. | |
before, but we had a common feeling, because they were going through | :05:31. | :05:33. | |
exactly what we were going through. And to date I have been contacted by | :05:34. | :05:39. | |
over 1000 grandparents. They set up a support group for grandparents who | :05:40. | :05:43. | |
do not have access, which now meets once a month in their home. The pain | :05:44. | :05:49. | |
of it is just awful, and I have got three young grandchildren that I | :05:50. | :05:55. | |
never see. They are missing out on grandparents. And I know that myself | :05:56. | :06:02. | |
and my husband would be wonderful grandparents if we were given a | :06:03. | :06:06. | |
chance. Do you think you ought to have legal rights that you could | :06:07. | :06:11. | |
enforce? Or do you think we are not in that ball game? Our grandchildren | :06:12. | :06:15. | |
should have legal rights, not necessarily us. This is all about | :06:16. | :06:19. | |
the grandchildren, surely. We are adults, we can make choices. | :06:20. | :06:25. | |
Children can't. I have a granddaughter I have never seen | :06:26. | :06:27. | |
since birth, and they have never given me a reason, and it is quite | :06:28. | :06:32. | |
sad. That is why I have come for these meetings, and it helps an all | :06:33. | :06:36. | |
lots to get over that hurdle. It is hard to describe, the ongoing pain. | :06:37. | :06:49. | |
I am never reduced to tears... Oh, I am not but... I think it is time for | :06:50. | :06:53. | |
drizzle cake! There was so much pain in that room | :06:54. | :06:56. | |
from a group that only really want the welfare of the children that | :06:57. | :07:03. | |
they have now lost, and I don't feel that it is about a change in the | :07:04. | :07:08. | |
law. I think it is about parents recognising that, really, all they | :07:09. | :07:12. | |
want to do is support and help and love their grandchildren. And I'm | :07:13. | :07:19. | |
wondering, is it not possible that these bridges could be mended? | :07:20. | :07:25. | |
I am sure lots of viewers at home sympathise with the women and men in | :07:26. | :07:31. | |
that film. The bond between a grandparent and a grandchild is, you | :07:32. | :07:35. | |
know, invaluable, isn't it? Quite rightly, you want to follow this up, | :07:36. | :07:41. | |
don't you? Yes, if we can, because I don't think people recognise the | :07:42. | :07:48. | |
pain, that came as a shock to me. The fact that it feels like a | :07:49. | :07:52. | |
bereavement, they think about their grandchildren every day. I am | :07:53. | :07:54. | |
wondering whether any parents watching that film might think, is | :07:55. | :08:00. | |
it possible now to take the first step? Starting from now, I am sure | :08:01. | :08:05. | |
things have happened, maybe people regret that, but bear in mind that | :08:06. | :08:09. | |
these grandparents do not want to take sides. They do not want to keep | :08:10. | :08:13. | |
a battle going, they want to do the opposite, they want to re-establish | :08:14. | :08:17. | |
the bond of love that they miss so much. How would they take the first | :08:18. | :08:22. | |
step? Well, if any parent feels that they can, and I do hope they might | :08:23. | :08:27. | |
think about it seriously. If they get in touch with me, if they write | :08:28. | :08:31. | |
to the One Show in the normal way, but just put Esther, spell at how | :08:32. | :08:39. | |
you choose! What I will try and do, I cannot promise to solve every | :08:40. | :08:45. | |
problem, but if I can facilitate the communication again, only for the | :08:46. | :08:49. | |
sake of the children. You know, wearing my child line had, I know | :08:50. | :08:53. | |
grandparents can be such a force for good in children's lives, | :08:54. | :08:58. | |
continuity, a sense of fun. When I was a horrible teenager, I ran away | :08:59. | :09:04. | |
from home to my grandmother, because she taught me the games she used to | :09:05. | :09:07. | |
learn when she was little, nursery rhymes. There was wonderful family | :09:08. | :09:12. | |
continuity, and it is so worthwhile from the child's point of view. If | :09:13. | :09:17. | |
we have viewers who find themselves in the same position at the | :09:18. | :09:20. | |
grandparents in that film, what would your advice be to them? Stay | :09:21. | :09:24. | |
neutral. Make it absolutely clear that you are not taking sides. Maybe | :09:25. | :09:29. | |
there has been some family falling out, maybe you are on one side or | :09:30. | :09:34. | |
the other in terms of the family, but from the point of view of the | :09:35. | :09:37. | |
grandparent, you are in the middle and only care about the child. Your | :09:38. | :09:41. | |
focus is on your relationship with your grandchild. As we saw, that | :09:42. | :09:46. | |
love runs very, very deep, and children benefit from that. Often | :09:47. | :09:50. | |
the person in the family with the most life experience. Absolutely, | :09:51. | :09:59. | |
and that is why they feel so ashamed, that they should be | :10:00. | :10:00. | |
bringing things together. OK, Esther, thank you very much indeed. | :10:01. | :10:05. | |
Do please get in contact, parents. Whether you see it as a blight on | :10:06. | :10:09. | |
our streets or an acceptable form of artistic expression, most people | :10:10. | :10:14. | |
have a view on graffiti. They do. Mike Dilger has been to explore a | :10:15. | :10:17. | |
wood in Devon where a more natural type of graffiti with a meaningful | :10:18. | :10:23. | |
message has been discovered. Throughout history, people have | :10:24. | :10:27. | |
carved their names and trees, or inscribed messages of true love. But | :10:28. | :10:32. | |
across the UK, tree carvings have been discovered which reveal much | :10:33. | :10:37. | |
bigger stories, of love, great camaraderie, and even war. And it is | :10:38. | :10:44. | |
archaeologist Chantal who has discovered there is more to these | :10:45. | :10:47. | |
carvings than what is inscribed on the tree. I normally associate | :10:48. | :10:52. | |
archaeology with dead or buried things, but you are looking at trees | :10:53. | :10:56. | |
that are alive, of course. It is, but it is what the children have | :10:57. | :11:01. | |
done to the trees that interests me. These carvings are a passion of | :11:02. | :11:05. | |
mine, and I look at military ones, because I am obsessed with the First | :11:06. | :11:09. | |
and Second World War. Chantal tracks down inscriptions by people sent to | :11:10. | :11:14. | |
fight in the wars and then researches their personal histories, | :11:15. | :11:17. | |
and her latest find has brought to this would in Devon. This tree is | :11:18. | :11:24. | |
absolutely plastered in graffiti. Some of them are really clear. We | :11:25. | :11:33. | |
have got Carlson here, then San Diego, California, USA. With this | :11:34. | :11:38. | |
information, she uses military archives and public records to find | :11:39. | :11:43. | |
out about each soldier's history. We know he was in F company of an | :11:44. | :11:50. | |
infantry regiment, and he carried on in the army after the Second World | :11:51. | :11:54. | |
War, he survived, he stayed in the army. Private Carlson and thousands | :11:55. | :11:59. | |
of other American troops were stationed here in Devon as they | :12:00. | :12:02. | |
prepared for the invasion of Normandy in June 1944. This is | :12:03. | :12:10. | |
actually an area where the Americans were encamped preparing for the | :12:11. | :12:14. | |
D-day invasions, so they would use this forest as a rat run to the | :12:15. | :12:18. | |
nearest town, so coming back from the pub or going to meet girls may | :12:19. | :12:23. | |
be. Flew her research, she has discovered that some of the men who | :12:24. | :12:26. | |
carved their names here never returned home. -- through. This one | :12:27. | :12:34. | |
here is really clear, Earl of them. Yes, from South Carolina USA. What | :12:35. | :12:39. | |
do you know about this chap? Earl Odom, he took some hunting down, but | :12:40. | :12:46. | |
he was also a member of F company, here from May to June, when they | :12:47. | :12:51. | |
were sent onto ships to await their D-day invasion. On the 11th of June, | :12:52. | :12:55. | |
he received a gunshot wound to his stomach, and on the 12th he died. | :12:56. | :13:01. | |
That is quite emotional, really quite sad. Just a few weeks after he | :13:02. | :13:05. | |
carved this, he died on the battlefields of France. But he is | :13:06. | :13:11. | |
organised on a tree in Devon. -- immortalised. The story does not end | :13:12. | :13:15. | |
there. Chantal has tracked down some of his relatives, who know we are | :13:16. | :13:19. | |
going to call them about Earl Odom but have no idea why. | :13:20. | :13:24. | |
Thank you first and foremost, Nancy and Debbie, for joining us. Can you | :13:25. | :13:29. | |
tell us your memories of him? He was a very loving person, and I remember | :13:30. | :13:35. | |
I was real close to him, that was his sister, she was real close to | :13:36. | :13:40. | |
him. What was his job before he went to war? Probably a farmer, but he | :13:41. | :13:47. | |
went to walk very young, because he was 33 when he died in 1944. The | :13:48. | :13:51. | |
reason we are interested in Earl Odom is the most amazing tree | :13:52. | :13:57. | |
graffiti that Chantal found in Devon, south-west England. You | :13:58. | :14:01. | |
probably cannot see that, you might be of DC a circle, and there is some | :14:02. | :14:08. | |
writing in there. -- you might be able to see. That says South | :14:09. | :14:12. | |
Carolina, yes. The best thing about the tree, which is really unusual, | :14:13. | :14:18. | |
you can actually pinpoint it to a two-week period when he was in the | :14:19. | :14:23. | |
area. That is amazing, that is very amazing. You must be very proud of | :14:24. | :14:28. | |
your great uncle. It is a pleasure for us to meet and talk to you. We | :14:29. | :14:38. | |
are proud. Thank you. And as the Second World War starts to fade from | :14:39. | :14:43. | |
living memory, it is interesting to think that individual soldiers have | :14:44. | :14:52. | |
left their mark to say, I was here. Amazing. I love that species of | :14:53. | :14:57. | |
tree. It's called a dog tree. You can tell by the bark! | :14:58. | :15:03. | |
I actually fell for that. Yes, all right, thank you. I need to | :15:04. | :15:09. | |
minute to recover. On we go. As the chirpy cheerful postman of | :15:10. | :15:13. | |
Albert Square, but this week Masood has been labelled a complete failure | :15:14. | :15:18. | |
by his son, Tamwar. But has he hit rock bottom? Or could there be | :15:19. | :15:30. | |
further for Masood to fall? Oh, what am I? I'm not a husband. A | :15:31. | :15:50. | |
dad? To Tam or Syed or Shabnam. Not even a postman any more. Come on, | :15:51. | :15:54. | |
you are making a scene here, man. Oh, you are never safe. You know | :15:55. | :16:00. | |
that. No matter how old you get, right. You can always lose | :16:01. | :16:02. | |
everything. Well, there you are, Masood, | :16:03. | :16:16. | |
literally in the gutter. Can he sink any lower? Where is this going? He | :16:17. | :16:20. | |
does. It gets quite critical for him. After that scene, he ends up | :16:21. | :16:25. | |
opening his suitcase and eating his underpants. And then, it is kind of | :16:26. | :16:33. | |
a new low for a postman to eat your own underpants. Or for anybody It | :16:34. | :16:37. | |
gets pretty bad. It is lovely. It is nice to see this character kind of | :16:38. | :16:43. | |
unravel a little bit. It is fun to play, no matter how dark it gets, it | :16:44. | :16:48. | |
gets more and more fun. Is he still a goody in your eyes? Obviously | :16:49. | :16:52. | |
there is a darker side to him. I think it is in the writing, really. | :16:53. | :16:56. | |
Everyone is on fire at the moment with EastEnders. The writers are all | :16:57. | :16:59. | |
kind of really enjoying the work. They are all creating new stuff. It | :17:00. | :17:08. | |
is being led beautifully by dom particular Tredwell Collins. | :17:09. | :17:16. | |
-- Dominic. It is allowing us as actors to play | :17:17. | :17:22. | |
around with T everyone loves Masood and knows he is a good guy. The | :17:23. | :17:26. | |
risk-taking is interesting, they are pushing the envelope out with these | :17:27. | :17:29. | |
characters and letting them explore their lives more. For me, it is | :17:30. | :17:34. | |
great. It can get a touch too tedious to be nice guy all the time. | :17:35. | :17:41. | |
Himesh, do you have any ideas where you would like to see Tamwar going | :17:42. | :17:46. | |
in terms of storilines? I spoke to them before this, he has done a lot. | :17:47. | :17:53. | |
He lost a lot. It has been a year of loss. They've stuck together. We are | :17:54. | :17:58. | |
seeing the affect it is having on Masood now. But what has it done to | :17:59. | :18:02. | |
Tamwar. He is always in the middle. He is stuck in the middle. What | :18:03. | :18:06. | |
conclusions did you come up with? Well, it was interesting. It happens | :18:07. | :18:11. | |
quite often that people give into the darkness and go down a certain | :18:12. | :18:15. | |
path or are led down a certain path by certain circumstances, you know, | :18:16. | :18:19. | |
but, what if he deals with it in a different way? It is something I'm | :18:20. | :18:23. | |
going to be looking forward to talking todom and the story team | :18:24. | :18:26. | |
about. There are rumours, we have to bring this up, that you are going to | :18:27. | :18:31. | |
have a bit of a revamp, ?25 million worth. What is the Goss? What is the | :18:32. | :18:35. | |
new buildings? How is the Square going to look? Do we know anything? | :18:36. | :18:40. | |
I think they are still in the designing stage. All the ideas are | :18:41. | :18:44. | |
being thrown on the table. I think it's kind of long overdue. I | :18:45. | :18:49. | |
remember my first day in the Vic, carrying my postman's bag. I | :18:50. | :18:52. | |
couldn't get through the doors because they were designed in a | :18:53. | :18:55. | |
really weird way, where you have to go through sideways and there's lots | :18:56. | :19:02. | |
of set that's kind of had its day. Three decades old. It wasn't built | :19:03. | :19:05. | |
to last that long. It was built to last a short period of time. They've | :19:06. | :19:10. | |
made it work. It is, as you say, an exciting time with all sorts of | :19:11. | :19:12. | |
things happening. We are looking forward to T I think it is going to | :19:13. | :19:18. | |
take a while to get there. It'll look beautiful. It is 2018. Yes. | :19:19. | :19:26. | |
Good, right, now, for some, thing sight, brace yourselves, everybody, | :19:27. | :19:31. | |
the sight of this might trigger some terrible memories. There you are, do | :19:32. | :19:35. | |
you remember that, Attack of the Killer Tomatoes? For the younger | :19:36. | :19:38. | |
viewers out there. It is just fiction. Very much. Our next film is | :19:39. | :19:50. | |
matter of fact. Here is a tell about a nasty fruit about to attack our | :19:51. | :19:55. | |
shores. The Malaysian durian fruit, growing in Asia for thousands of | :19:56. | :19:58. | |
years. Only now has it been imported to the UK. This thing has a very | :19:59. | :20:06. | |
distinct smell. People have likened the pungent odour to dead rats, | :20:07. | :20:11. | |
sewage and rotting meat. Its prickly exterior is removed and fruit vacuum | :20:12. | :20:15. | |
packed before being sent over to the UK for consumption. But, beware, I'm | :20:16. | :20:21. | |
told as soon as the seal is broken, the smell of the durian will escape. | :20:22. | :20:27. | |
Let's see if the great British public want to do the durian fruit | :20:28. | :20:34. | |
tasting. It smells horrible. That is vile. Very, very strong cheese, | :20:35. | :20:39. | |
pineapple and a bit of cheese and onion. I've tried kangaroo before | :20:40. | :20:44. | |
now. OK, let's see what you make of this. No, no. Quick. Sorry. So, the | :20:45. | :20:54. | |
taste is bad. But what did the public think when given a whiff in | :20:55. | :21:01. | |
our fridge? I don't know what is wrong with your nose, mate, it is | :21:02. | :21:06. | |
horrible. Inhail, deeply. My refrigerator smells worse than that. | :21:07. | :21:11. | |
Breathe in. Breathe in. It is very pongee, isn't it? It is terrible. Do | :21:12. | :21:15. | |
you want it take some? We can't shift it. We have so much of it. ! I | :21:16. | :21:25. | |
like it. It is nice. Oh. Well, one man who is delighted at the | :21:26. | :21:28. | |
Malaysian daughterian is available here in the UK is 201 1 MasterChef | :21:29. | :21:35. | |
winner. Tim Anderson. He is with us now. -- Malaysian durian. It is a | :21:36. | :21:42. | |
smelly customer, wafting around the studio now. What are the good | :21:43. | :21:47. | |
points? Why should we be eating more? Well, the aroma is one of its | :21:48. | :21:54. | |
strongest points but it has a lovely, intensely creamy | :21:55. | :21:59. | |
custard-like texture. That, I guess, is in a lot of ways both what | :22:00. | :22:03. | |
appeals and disgusts. The smell which is cheesy and funky and I | :22:04. | :22:08. | |
think quite a bit like rotten onions. I have theories so the tow | :22:09. | :22:13. | |
you have made. It is at odds with the creaminess -- I have the | :22:14. | :22:19. | |
risotto. How would they eat this in Malaysia? It is a somewhat expensive | :22:20. | :22:24. | |
fruit and different varieties are different. It is not bad, you know. | :22:25. | :22:29. | |
You have the chips, they are dehydrated and that's in a slaw with | :22:30. | :22:34. | |
peanut dressing, basically. Have a go at the ice-cream. It is the most | :22:35. | :22:39. | |
intense one. When you dehydrate them, some of the aroma dissipates | :22:40. | :22:45. | |
and you are left with a nice, sweet, almond-type flavour but this | :22:46. | :22:49. | |
ice-cream. The Risotto is lovely, I was about to say. | :22:50. | :22:56. | |
The interesting thing s it is lovely when it is cooked but one of us, | :22:57. | :23:00. | |
somewhere in this studio will be sniffing the raw fruit before the | :23:01. | :23:05. | |
end of the programme. Now John Segreant has been to Coventry to | :23:06. | :23:09. | |
witness what is the end of an era. This may not look like it but this | :23:10. | :23:14. | |
is one of the most famous companies in the country. For what they've | :23:15. | :23:18. | |
been making here in Coventry for more than 100 years. Sadly, it's now | :23:19. | :23:21. | |
fallen on hard times. Generations of schoolchildren, | :23:22. | :23:32. | |
millions of us, me included, were their customers. This is the home of | :23:33. | :23:44. | |
Cashers name tags. During its heyday, the workforce was up to | :23:45. | :23:49. | |
1,000 strong. Now they are down to only 10. A company stalwart started | :23:50. | :23:54. | |
here at 18. He has been with the company for over 43 years. What was | :23:55. | :23:58. | |
it like when you first joined? The first thing I noticed was the noise. | :23:59. | :24:02. | |
It was really noisy. But it was a hive of activity. How many name | :24:03. | :24:08. | |
tapes were you producing? In our busiest period from June to | :24:09. | :24:11. | |
September, we are typically processing 20,000 individual name | :24:12. | :24:15. | |
orders through the system. A week. At that time we didn't have much | :24:16. | :24:18. | |
competition at all. We were sending name tapes all over the world. The | :24:19. | :24:24. | |
company made woven fabrics long before their first name tapes came | :24:25. | :24:28. | |
off the line in the 1870s. They kept their original skills to produce a | :24:29. | :24:33. | |
range of products, including badges for swimming teams and fat ball | :24:34. | :24:42. | |
clubs. They diversified into other woven fabrics. One of the things | :24:43. | :24:45. | |
they came up with, the first company to come up with the idea of making | :24:46. | :24:50. | |
the name tapes which all children, ever since have had woven into their | :24:51. | :24:54. | |
school clothes. They were by appointment to the Queen. Some of | :24:55. | :24:57. | |
the name tapes were the ones made for Prince Charles when he was at | :24:58. | :25:01. | |
school. And when did the decline start? We | :25:02. | :25:06. | |
started losing the name orders perhaps 20 years ago, in the | :25:07. | :25:11. | |
mid-'90s. I suppose a lot of the kids weren't having proper name | :25:12. | :25:17. | |
tapes, was that it? No, you could buy markers and printed and iron-on | :25:18. | :25:21. | |
names. It was easy perhaps for parents rather than have a woven | :25:22. | :25:27. | |
name. When the company was put into receivership, you knew it was all | :25:28. | :25:32. | |
over, did you? Well, yes, for 47 people last week, it certainly was. | :25:33. | :25:36. | |
That must have been a terrible bloe. They were upset. There were people | :25:37. | :25:39. | |
crying. It was sad to see. The company may be in dire straits but | :25:40. | :25:44. | |
their legacy lives on in Coventry. We invited people from the Joseph | :25:45. | :25:48. | |
Cash primary school, named after the company's founder. They've come to | :25:49. | :25:53. | |
receive some of the last woven name tags to the made in this factory. | :25:54. | :25:58. | |
Are you excited about this? Yes. Are you sure? Yes. I didn't hear you? | :25:59. | :26:05. | |
YES Is that your name? I really like the | :26:06. | :26:11. | |
badges. When the coat gets lost, you know which one is yours. Put them in | :26:12. | :26:15. | |
the wash. They won't come off. With a sticker label, it'll come off | :26:16. | :26:18. | |
easily. Right, you are all labelled up. Hooray. | :26:19. | :26:24. | |
Hooray. Some name tapes may continue to be made in factories like this, | :26:25. | :26:28. | |
but there is no doubt that the glory days of this Coventry industry are | :26:29. | :26:33. | |
over. Aw, thanks, John. Let's hope there | :26:34. | :26:38. | |
is a positive outcome. Would you believe it, Nitin, when you first | :26:39. | :26:49. | |
came over, lived near there. Yes. I did. We've discovered you used to do | :26:50. | :26:54. | |
experimental performance, is this right? I did. Well, it is time to | :26:55. | :26:58. | |
find out who is going to be sniffing this durian fruit in all of its raw | :26:59. | :27:02. | |
glory. Is it going to be you two, or is it going to be Matt? Somebody is | :27:03. | :27:07. | |
going to be leaving the studio... Honestly, I won't be able to. I | :27:08. | :27:11. | |
tried some of the ice-cream and it was, oh, punchy. | :27:12. | :27:15. | |
So, we have some experimental scenes, don't we? | :27:16. | :27:19. | |
We do. We have experimental performers who have reenacted famous | :27:20. | :27:23. | |
EastEnders scenes. All you have to do is try and recognise the scene. | :27:24. | :27:27. | |
OK. Ready for the fist one. If you get two right, you don't have to | :27:28. | :27:32. | |
sniff it. I've heard that before. Well, you can confer. Yeah. The Sla | :27:33. | :27:57. | |
text res is. Is it -- the Slaters. Is it the. You are not my mother, | :27:58. | :28:02. | |
one, you are my sister, mum. You are my mum, sister. It is, it | :28:03. | :28:10. | |
is. We'll give you that. It was when Zoe found out that Kat was not her | :28:11. | :28:14. | |
centre, was her mother. It gets weirder. Here is the second one. -- | :28:15. | :28:20. | |
not her centre. -- not her sister. Any thoughts? You look like you | :28:21. | :28:40. | |
might know. Was it when Janine pushed - oh what was his name - | :28:41. | :28:46. | |
Barry off the cliff? Oh, my goodness me. | :28:47. | :28:52. | |
I'm gagging. I have just released this from its packet. It is | :28:53. | :28:57. | |
absolutely offensive. That's it from this evening. Thank you to our | :28:58. | :29:01. | |
guests. You have got to smell it. Oh! I'm back with Chris tomorrow and | :29:02. | :29:10. | |
Kevin Spacey and Kate Mara. See you then. | :29:11. | :29:12. |