Browse content similar to 06/03/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the programme. And what has happened to Alex | :00:23. | :00:30. | |
Jones' voice? It has happened in the last hour. Let's get on with it, | :00:30. | :00:34. | |
tonight's guest is a star of stage and screen, and he is so end | :00:34. | :00:39. | |
recognisable that in his latest musical, some people argued that | :00:39. | :00:47. | |
the person they had come to see was not even in the show. Is it flame- | :00:47. | :00:53. | |
haired crooner Mick Hucknall? Is it Welsh opera hunk Bryn Terfel? No! | :00:53. | :01:03. | |
:01:03. | :01:03. | ||
It is everyone's favourite musical star Michael Ball! How are, guys? | :01:03. | :01:11. | |
Do not give me whatever you have got. Well, I did give him a little | :01:11. | :01:19. | |
harder earlier on. But, praise indeed that your biggest fans came | :01:19. | :01:24. | |
to see you and did not realise it was you. Yes, and honestly, they | :01:24. | :01:28. | |
were arguing about whether or not in fact it was me, even in the | :01:28. | :01:34. | |
poster. Well, I drove past and I did a double-take. I thought, is | :01:34. | :01:41. | |
that Michael? It is a world away from what I have looked like before. | :01:41. | :01:47. | |
In honour of Michael's new role in Sweeney Todd, we thought we would | :01:48. | :01:53. | |
see if any of you have had a confrontation with a demon barber. | :01:53. | :01:58. | |
We are looking for haircuts like this. Send them into us, and we | :01:58. | :02:02. | |
will show them at the end of the show. Mind you, this will take some | :02:02. | :02:10. | |
beating. That is phenomenal. Those were the days, hey, Michael? | :02:10. | :02:17. | |
Separated at birth. Across Britain, our high streets are in trouble, | :02:17. | :02:22. | |
with one in three shops empty in some places. But one business is | :02:22. | :02:28. | |
bucking the trend. Simon Boazman went to investigate. It is just | :02:28. | :02:32. | |
gone 8am, and most people are on the way to work. You will struggle | :02:32. | :02:36. | |
to find a bank or a shop which is open, but one thing you can do is | :02:36. | :02:40. | |
to put a bet on. Betting shop numbers have remained stable in the | :02:40. | :02:46. | |
UK, at around 8,500, for the past decade. But overall, the number of | :02:46. | :02:50. | |
major change shops has increased since 2009. It in a recent review, | :02:50. | :02:54. | |
the Government concluded that bookmakers are especially prevalent | :02:54. | :03:01. | |
in low-income areas. As the law stands, betting shops can open up | :03:01. | :03:05. | |
in the same premises as a bank, estate agent or restaurant, without | :03:05. | :03:09. | |
any change of planning permission. That means there can be several | :03:09. | :03:15. | |
bookies on any high street. But what attracts the punters? How much | :03:15. | :03:24. | |
would you spend every day? About �20 or �30. What does it give you, | :03:24. | :03:31. | |
is it the excitement? If you win, it is nice to know you're proved | :03:31. | :03:39. | |
right. I have just had a winner, which has put me up. I am up to | :03:39. | :03:44. | |
about �20 overall, and I have bet around �5. It is a good feeling, | :03:44. | :03:48. | |
which is what makes people come back. That is fine, for those who | :03:48. | :03:55. | |
can handle it. I always think how much I need for the rest of the | :03:55. | :04:01. | |
month beforehand. If the bookie was not here, would you bet at home? | :04:01. | :04:08. | |
Yes, my friend, she bets at home. I prefer to come to the betting shop. | :04:08. | :04:11. | |
Do you sometimes make sacrifices so that you can come and spend the | :04:11. | :04:18. | |
afternoon at the bookies? I do not spend the afternoon here, I come in, | :04:18. | :04:24. | |
have my back and go home. If you lose? I am not bothered. You can | :04:24. | :04:30. | |
live with it? Exactly. However, there are around 450,000 problem | :04:30. | :04:35. | |
gamblers in the UK, an increase of third in the last five years, and | :04:35. | :04:43. | |
some believe high street bookies are part of the problem. In Suffolk, | :04:44. | :04:48. | |
in London, there are more than 70 betting shops. This local | :04:48. | :04:51. | |
councillor has campaigned for communities to have a greater say | :04:51. | :04:55. | |
over the number of bookies in their area. A couple of bookies, | :04:55. | :05:01. | |
absolutely fine, but when they are dominating the high street. Do you | :05:01. | :05:04. | |
think they are really dominating the high street? There are more | :05:04. | :05:10. | |
bookies than Baker's. When there are so many in one area, it ends up | :05:10. | :05:15. | |
putting other businesses off. political parties share similar | :05:16. | :05:20. | |
concerns. The bookies themselves say that they make a valuable | :05:20. | :05:25. | |
contribution to high streets across the UK. We are a positive impact on | :05:25. | :05:29. | |
the high street, we employ people, we pay rates. The ultimate test is | :05:29. | :05:35. | |
whether customers choose to use it or not. And the type of batting | :05:35. | :05:40. | |
available is changing. Fixed-odds gaming machines now account for 40% | :05:40. | :05:45. | |
of profit in the industry. They're limited to four per shop. But | :05:46. | :05:51. | |
critics say they are getting around this too easily. You can place a | :05:51. | :05:57. | |
bet of �100 every 20 seconds on those machines, meaning you could | :05:57. | :06:02. | |
lose �80,000 in one's up mack without speaking to anybody. With | :06:02. | :06:06. | |
only four per shop, they are just opening a shop after shop after | :06:06. | :06:10. | |
shop. Customers are increasingly looking for different kinds of | :06:10. | :06:16. | |
betting activities. But would you be tempted to open up a second shop | :06:16. | :06:21. | |
on a high street to allow you to put another four machines in? | :06:21. | :06:25. | |
would not specifically be for that reason, it would be about whether | :06:26. | :06:29. | |
there was demand for our services in a different part of the high | :06:29. | :06:34. | |
street. This gambling addict has lost tens of thousands of pounds | :06:34. | :06:41. | |
over the last 25 years. I was sometimes borrowing money to keep | :06:41. | :06:46. | |
going, or to pay bills and make commitments, because I had gambled | :06:46. | :06:51. | |
that money away. It really spreads into every aspect of your life. | :06:51. | :06:58. | |
has banned himself from every book makers in his local area. Take your | :06:58. | :07:02. | |
photograph into the shop, sign the form, and if they identify you as | :07:02. | :07:08. | |
that person, they ask you to leave the premises. Eugene is worried | :07:08. | :07:12. | |
about the increase in the number of bookies on the high street. My fear | :07:12. | :07:16. | |
is that the more bookies there are on the high street, the greater the | :07:16. | :07:19. | |
temptation for people who potentially have a gambling problem, | :07:19. | :07:27. | |
and that could be just about anybody. Well, Simon is with the | :07:27. | :07:32. | |
snow in the studio. Obviously, there has been a problem in this | :07:32. | :07:38. | |
area for decades. If you compare it to the late 1960s, there were more | :07:38. | :07:42. | |
than 15,000, and now, there are about half that number. It is not | :07:42. | :07:47. | |
how many, it is where they are. There was a report last year which | :07:47. | :07:51. | |
found that high streets in low- income areas were being blighted by | :07:51. | :07:55. | |
bookies. One reason could be that bookmakers have always been in low- | :07:55. | :08:00. | |
income areas, but as more retail space is becoming available, with | :08:00. | :08:03. | |
shops closing, they're moving in. To give you a sense of scale, | :08:03. | :08:07. | |
Harriet Harman's in the constituency, in Camberwell and | :08:07. | :08:11. | |
Peckham, has more than 70 bookmakers. If you compare it with | :08:11. | :08:16. | |
the Borough of Newham, a low-income area, with Richmond-upon-Thames, | :08:16. | :08:20. | |
Newham will have three times as many bookmakers. So, it is not the | :08:20. | :08:28. | |
total number, it is where. About one year ago, Mary Portas delivered | :08:28. | :08:33. | |
her findings on British high streets. What did she say? | :08:33. | :08:36. | |
response to that will be given in the spring. But one thing which has | :08:36. | :08:42. | |
been announced already following her review is a thing called the | :08:42. | :08:46. | |
Mary Portas pilot scheme, which is a competition for local areas which | :08:46. | :08:52. | |
have an ailing high street to compete for a �1 million fund to | :08:52. | :08:54. | |
rejuvenate the high street and turn it around. So, they have got to | :08:54. | :08:59. | |
make a video, say how they will do it, send it into the local council, | :08:59. | :09:03. | |
and the winners will be announced in May. It's a good idea, it could | :09:03. | :09:10. | |
get the community spirit going. 12 winning town centres will be | :09:10. | :09:13. | |
splitting the �1 million. So, it is not a great deal of money, people | :09:13. | :09:21. | |
will have to be inventive. Thank you very much. Now, Michael, you | :09:21. | :09:27. | |
are used to breaking into song at the drop of a hat. | :09:27. | :09:35. | |
# A gentle breeze from harsher by mountain. | :09:35. | :09:44. | |
# Softly blows... Lovely, that's so nice. The reason we are singing | :09:44. | :09:47. | |
that is because the writer of Chitty Chitty Bang Bang passed away | :09:47. | :09:57. | |
:09:57. | :09:57. | ||
yesterday. Rest in peace. Here's another look at historic songs from | :09:57. | :10:02. | |
the workplace, with Carrie Grant. The coal mines of Britain once | :10:02. | :10:07. | |
employed one million men. The hot and dangerous work inspired deep | :10:08. | :10:17. | |
traditions of strong men, strong unions and music. It is the brass | :10:17. | :10:22. | |
bands of the Yorkshire coalfields which we associate most with coal | :10:22. | :10:28. | |
miners. But another tradition also grew up - singing. There are now | :10:28. | :10:31. | |
fewer miners than there have been for hundreds of years, but coal | :10:31. | :10:35. | |
still binds together communities across the country, and for many | :10:35. | :10:38. | |
miners, singing is the language which helps them to remember their | :10:38. | :10:46. | |
lost work. They say, to understand Mining, you have to go underground. | :10:46. | :10:56. | |
:10:56. | :10:59. | ||
So, wish me luck. My guide is Ian, a writer and broadcaster on music, | :10:59. | :11:03. | |
who is descended from long line of miners. Where they singing while | :11:03. | :11:09. | |
they were working? You cannot, you're in a close in area, your | :11:09. | :11:15. | |
briefing all of that dust, it is not... If you're breathing all of | :11:15. | :11:19. | |
that stuff in, you will not be singing. But the music sprang up | :11:19. | :11:23. | |
from the terrible conditions underground. This is about one | :11:23. | :11:30. | |
metre high, but some of these tunnels were about half of that. | :11:30. | :11:35. | |
And to think they would spend eight hours down here every day, you | :11:35. | :11:44. | |
would really need to sing at the end of the day. Many coal miners' | :11:44. | :11:48. | |
songs are sentimental and wistful, not unlike American working songs | :11:48. | :11:53. | |
from the Deep South. I can draw a line from the Yorkshire coalfields | :11:53. | :12:00. | |
to the Mississippi Delta. If you look at the blues and they're the | :12:00. | :12:06. | |
app music, it is localised music, but it has a world appeal. -- and | :12:06. | :12:12. | |
the Cajun music. It is talking about love, tenderness and kindness, | :12:12. | :12:16. | |
and people in pit villages around where I live know about that as | :12:16. | :12:24. | |
well. These things are universal. Why wouldn't you sing about it? | :12:24. | :12:29. | |
None of these men work in the pits any more, but the Castleford male- | :12:29. | :12:37. | |
voice choir still describe themselves as minus. -- as coal | :12:37. | :12:47. | |
:12:47. | :12:48. | ||
miners. They're singing Take Me Home, the lament of the boy forced | :12:48. | :12:58. | |
:12:58. | :13:04. | ||
to leave the mining community he # Take me home to my family. How | :13:04. | :13:07. | |
important was singing when you were working? We used to sing on the | :13:07. | :13:15. | |
train when we were going down. But Bath time, that was the real time. | :13:15. | :13:21. | |
That is when all the young lads used to sing. With there are being | :13:21. | :13:26. | |
hardly any mines left now, what do you think will happen to the songs? | :13:26. | :13:30. | |
As long as there is anybody with any recollection of that era, the | :13:30. | :13:33. | |
songs will survive. And I would like to think they will go on | :13:33. | :13:37. | |
longer than that. Even though the coalmines from Yorkshire have | :13:37. | :13:40. | |
largely disappeared, and get the feeling from everyone that the | :13:40. | :13:44. | |
industry was about more than just work. And perhaps it is the music | :13:44. | :13:54. | |
which is keeping the mind and spirit alive. -- the mining spirit. | :13:54. | :14:04. | |
:14:04. | :14:09. | ||
That has really touched me, thank you. | :14:09. | :14:14. | |
I was listening to those songs and my grandfather was a cold miner, my | :14:14. | :14:19. | |
Uncle Tom worked in the colliery, they are all members of a choir. I | :14:19. | :14:26. | |
am a member of a male voice choir and there is nothing like it. You | :14:26. | :14:31. | |
know that, that is where the voice comes from, from the Welsh side! | :14:31. | :14:39. | |
Your role in Sweeney Todd is a bit different. | :14:39. | :14:44. | |
You are incredibly versatile. thought you were going to say, | :14:44. | :14:48. | |
incredibly attractive in that picture! One of the things that | :14:48. | :14:53. | |
appealed to me about it, the idea of having left the West End as an | :14:53. | :14:57. | |
overweight mother of one in Baltimore and coming back as a | :14:57. | :15:05. | |
serial killer was appealing! Being able to transform myself and | :15:05. | :15:09. | |
perform Stephen Sondheim's extraordinary music. You are | :15:09. | :15:13. | |
bringing the show to the West End but to started in Chichester. Let's | :15:13. | :15:23. | |
:15:23. | :15:29. | ||
have a look at this. -- you started # Pretty women #. | :15:29. | :15:36. | |
# Sitting in the window, standing on the stairs #. | :15:36. | :15:43. | |
APPLAUSE. That is weird. I went to a hairdresser's, an old-fashioned | :15:43. | :15:48. | |
barbers, to sit and learn how to do the cut-throat razor and they did | :15:48. | :15:53. | |
it on me and it is quite nerve- racking. Is that how you do it's | :15:53. | :15:59. | |
now? No! Having someone do it for you, using a razor, you are in | :15:59. | :16:04. | |
their hands. It does make you think. Was it your idea to bring this | :16:04. | :16:14. | |
back? Yes. I saw it six years ago on Broadway. I had known the music | :16:14. | :16:18. | |
but I had never seen the show before and I thought, I would | :16:18. | :16:24. | |
desperately loved to play the part but to do it on a big scale. We | :16:24. | :16:30. | |
have a cast of 30, an orchestra of 16, and it is at the Adelphi | :16:30. | :16:36. | |
Theatre, which has this big stage. A great big production. We are in | :16:36. | :16:40. | |
rehearsal at the moment. I will be driving back to work through the | :16:40. | :16:44. | |
night to get it ready for Saturday. Were you waiting for him of the | :16:44. | :16:54. | |
:16:54. | :16:55. | ||
Staunton? Yes, she came to do my radio show. -- Imelda Staunton. I | :16:55. | :17:00. | |
could not think of anyone more perfect to play opposite me. I | :17:00. | :17:04. | |
asked three years ago on my radio show and she said yes. I thought, I | :17:04. | :17:09. | |
have got it recorded, there will be a lawsuit if you say no! She has | :17:09. | :17:15. | |
got me back. She has broken my ribs. Seriously. We were recording the | :17:15. | :17:20. | |
album last Saturday and I hurt my back to win the big number. She | :17:20. | :17:25. | |
said, lie-down. She climbed on top of me, to try to kick it back into | :17:25. | :17:32. | |
place, and it cracked my rib. We had some grand plans for another | :17:32. | :17:38. | |
item but we will tell you about it later! Sweeney Todd is at the | :17:38. | :17:40. | |
Adelphi Theatre in London on Saturday. | :17:40. | :17:46. | |
Yesterday, we found out on the show that you should not cuddle a swan. | :17:46. | :17:51. | |
Today's wildlife fact is that 80% of the animal species in the world | :17:51. | :17:57. | |
are insects! And really? This is good news for George McGavin, who | :17:57. | :18:02. | |
tonight is looking at how grasshoppers spring into action. | :18:02. | :18:06. | |
The evolution from hunting with Spears to developing bows and | :18:06. | :18:15. | |
arrows was a massive step for humanity. Exploiting potential | :18:15. | :18:19. | |
energy is the key and it is what makes the bow and arrow such an | :18:19. | :18:26. | |
incredible hunting tour. But 100 million years before us, something | :18:26. | :18:35. | |
else had mastered these principles of physics. The grasshopper. To | :18:35. | :18:39. | |
someone like me, the jump of the grasshopper it is miraculous. For | :18:39. | :18:45. | |
such a small animal, they can jump a very long way indeed. They can | :18:45. | :18:49. | |
jump up to 20 times their own body height so I want to know why and | :18:49. | :18:54. | |
how they can do it. There is only one person I know that can help me | :18:54. | :19:00. | |
get to the bottom of this. My old university lecturer, Dr Henry | :19:00. | :19:05. | |
Devitt clock. If I was hitting a target and hunting an animal and I | :19:06. | :19:14. | |
threw this, it would be very hard. Your muscles work too slowly. | :19:14. | :19:24. | |
:19:24. | :19:27. | ||
doing this as hard as I can! You're on is the equivalent to the | :19:27. | :19:32. | |
muscles of the grasshoppers lakes. -- your arms. These bits of the | :19:32. | :19:36. | |
springs of the knee joint of the grasshopper's leg. The arrow | :19:36. | :19:41. | |
represents the grasshopper. When the grass couple wants to jump, it | :19:41. | :19:49. | |
stores its energy... Then releasing good catch. 20p if you hit the gold. | :19:49. | :19:57. | |
20p! That is just typical of George!, Henry. I have obviously | :19:57. | :20:07. | |
:20:07. | :20:07. | ||
mastered being a notch up. We have a super high-speed camera that will | :20:07. | :20:12. | |
give us the best ever view of the grasshopper as it jumps so | :20:12. | :20:22. | |
:20:22. | :20:24. | ||
hopefully we will be able to see are supposed to do! Jump! Why is it | :20:24. | :20:34. | |
:20:34. | :20:44. | ||
they never jump when you want them time? My powers of persuasion | :20:44. | :20:49. | |
finally started to work and with a few jumps in a can, we can really | :20:49. | :20:54. | |
start to see the finer details. When a grasshopper wants to jump, | :20:54. | :20:58. | |
but first thing it has to do is spend its back legs. A special | :20:58. | :21:04. | |
catch in its new joint, it holds its legs in position as they begin | :21:04. | :21:08. | |
to strain their tendons. This strain creates massive potential | :21:08. | :21:13. | |
energy, so when the need is released, the grasshopper is | :21:13. | :21:23. | |
:21:23. | :21:29. | ||
catapulted into the air with Why did grasshoppers have to jump? | :21:29. | :21:33. | |
It enables them to move much more quickly over the ground because if | :21:33. | :21:38. | |
you progress as the series of hops, you can cover the ground faster. | :21:38. | :21:44. | |
The other thing is that grasshoppers are good bird food. | :21:44. | :21:49. | |
Yummy yummy! If they can see a bird coming at them and then jump out of | :21:49. | :21:57. | |
the way, they will live to fight As if this marvel of microbe | :21:57. | :22:01. | |
engineering wasn't enough, most grasshoppers can also fly. Their | :22:01. | :22:09. | |
wings give them a turbo boost, propelling themselves into full- | :22:09. | :22:12. | |
blown flight. Human beings are constantly trying to invent better | :22:12. | :22:20. | |
ways of doing things, yet nature has evolved one of the neatest | :22:20. | :22:29. | |
examples of micro engineering ever. That was magical. George is jet lag | :22:29. | :22:34. | |
because he is back from a South American trip to the jungle and he | :22:34. | :22:41. | |
has got a travel book... Terrible! Anyway, you had some phenomenal | :22:41. | :22:49. | |
footage. 20 times of a grasshopper. Imagine a human three, 200 times | :22:49. | :22:59. | |
:22:59. | :23:00. | ||
University last year and when they slowed it down, they realised that | :23:00. | :23:04. | |
instead of muscles, they have coiled springs in their legs and by | :23:04. | :23:10. | |
this leave the system, a dig spines in and suddenly we least the coil | :23:10. | :23:16. | |
springs, which causes them for fire for 200 times of their own body | :23:16. | :23:21. | |
length! This is a Bombardier beetle! When it wants to get rid of | :23:21. | :23:25. | |
all of its pests, like bees ands that are bothering it, look at | :23:25. | :23:35. | |
that! -- like these and sos. It is a noxious Clywd. It is an | :23:35. | :23:40. | |
instantaneous hot boiling reaction. It fires be chemical out of its | :23:40. | :23:46. | |
bottom. It can control exactly where it's braise it. It is | :23:46. | :23:50. | |
disgusting and incredibly effective! Bumble bees to finish | :23:50. | :23:56. | |
off. Slow-motion footage. Scientists do not know how bumble | :23:56. | :23:59. | |
bees fly but when a slow it down, they have worked out they flap | :23:59. | :24:04. | |
their wings 230 times every second, and they also fly in a figure-of- | :24:04. | :24:10. | |
eight, which enables them to press down twice as much. Look at them | :24:10. | :24:16. | |
flying through this war tics of smoke. -- a vortex. It enables them | :24:16. | :24:21. | |
to lift up. It is amazing. You liked the Beetle the best! That was | :24:21. | :24:29. | |
An alarming number of adults only have the maths level of an 11-year- | :24:29. | :24:37. | |
old. Earlier on, we put you to that test with a maths test. I had no | :24:37. | :24:44. | |
idea. Before you find out, we sent our reporter to see if one class of | :24:44. | :24:50. | |
kids were better at maths than their mums and dads. | :24:50. | :24:55. | |
Five and five... There is no doubting the enthusiasm in this | :24:55. | :24:58. | |
classroom but outside the school gates, it is a different story. | :24:59. | :25:04. | |
Nearly half of adults only have the maths skills of a child of primary | :25:04. | :25:09. | |
school age and that is a problem for all of us. | :25:09. | :25:13. | |
17 million adults have the maths skills of primary school students. | :25:13. | :25:18. | |
This matters a lot for them and it matters for us as a country. If you | :25:19. | :25:24. | |
are one of those, you are twice as likely to be unemployed. If you are | :25:24. | :25:29. | |
still at school, you are twice as likely to be excluded. If you have | :25:29. | :25:36. | |
basic numeracy, you are likely to earn 26 more -- 26% more. And for | :25:36. | :25:40. | |
that to happen, things have to improve inside and outside the | :25:40. | :25:46. | |
classroom. You have got a very enthusiastic | :25:46. | :25:50. | |
class of six and seven-year-olds. How would you get adults to respond | :25:50. | :25:56. | |
in the same way? Children are so enthusiastic about maths that they | :25:56. | :26:00. | |
go home and it has a knock-on effect. Parents see their children | :26:00. | :26:06. | |
being enthusiastic. They can't wait to have a go. The parents think, my | :26:06. | :26:14. | |
seven-year-old can do it, I can too. How will the parents of a group of | :26:14. | :26:19. | |
nine-11-year-olds do in a One Show Maths Challenge? Who is not looking | :26:19. | :26:29. | |
:26:29. | :26:30. | ||
forward to this? The majority! What is the reaction? Calculator! I hate | :26:30. | :26:38. | |
maths. I haven't got a clue. I am dreading the next question! I am | :26:38. | :26:42. | |
going to play it safe and be the quizmaster and if you are answering | :26:42. | :26:49. | |
at home, no calculators allowed! Here is a few of the 10 questions | :26:49. | :26:54. | |
asked. If I eat two pieces, and she is | :26:54. | :26:59. | |
three pieces of chocolate, which fraction remains? | :26:59. | :27:09. | |
:27:09. | :27:17. | ||
Some grasshoppers at the long jump competition. Calculate how much | :27:17. | :27:27. | |
:27:27. | :27:29. | ||
Who will come out top of the class? The pupils got 80. Collectively. | :27:29. | :27:35. | |
And the adults got... 81. CHEERING AND APPLAUSE. Can I just | :27:35. | :27:39. | |
say, parents, to bring you back down to earth, you should have all | :27:39. | :27:46. | |
got top marks because that maths paper was for 11-year-olds, so your | :27:46. | :27:49. | |
parents got virtually the same score as you. Does that disappoint | :27:49. | :27:58. | |
you? Kind of. How well did you do? I got five, half. That means I am | :27:58. | :28:08. | |
:28:08. | :28:09. | ||
not even at a nine-year-old level! How did you do? I got four. It is | :28:09. | :28:13. | |
still embarrassing that my son is proud of me and the job I have got | :28:13. | :28:19. | |
but... This speaks for itself. it ever too late to learn? | :28:19. | :28:24. | |
Could they improve their maths? Yes! | :28:24. | :28:29. | |
It is the moment of truth. We have your results. I'll be | :28:29. | :28:39. | |
:28:39. | :28:39. | ||
ready? Michael Ball, who scored seven out of 10. -- are we ready? | :28:40. | :28:45. | |
But you have a great voice! Thank you for the photos you have | :28:45. | :28:55. | |
:28:55. | :28:56. | ||
That looks a bit like me! That is journeys from East Sussex. It is | :28:56. | :29:01. | |
like a page boy, I had one like that! What about Geoff Pearson from | :29:01. | :29:08. | |
the West Midlands! He looks a bit Simon Grundy! This is from Sylvia | :29:08. | :29:13. | |
Beaumont in Scotland. With Michael Ball in the 80s! | :29:14. | :29:19. |