Browse content similar to 06/06/2014. Check below for episodes and series from the same categories and more!
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jukebox. It is good, isn't it? I bought it on the Internet from | :00:15. | :00:18. | |
America but I didn't read the small print. These humans will only seeing | :00:19. | :00:24. | |
if requested to do so by a genuine country and Western legend. I have | :00:25. | :00:29. | |
the perfect person. It's me and we need a little 925 to get started. | :00:30. | :00:52. | |
# -- 9 To 5. Welcome to the Friday's One Show | :00:53. | :00:59. | |
with Alex Jones. And Chris Evans, and the one and only, we will always | :01:00. | :01:02. | |
love her, country music legend Dolly Parton. | :01:03. | :01:14. | |
# They just use your mind... # And they never give you credit | :01:15. | :01:24. | |
# It's enough to drive you... Hang on a minute, you were so | :01:25. | :01:32. | |
excited that you forgot your lines. Get on back over here! Do you like | :01:33. | :01:38. | |
the human jukebox? I do, it is a cute idea. We could have used a | :01:39. | :01:42. | |
little more thing macro, though. They were brilliant in rehearsal. | :01:43. | :01:50. | |
Gijon mother tally to keep your feet off the table -- didn't your mother? | :01:51. | :01:57. | |
The reason he has two where the boots is because he has been in the | :01:58. | :02:03. | |
sea, in Normandy, because of the D-Day commemoration. How was it? | :02:04. | :02:09. | |
Beautiful, flat, calm sea, the opposite to D-Day. Everybody a bit | :02:10. | :02:12. | |
tense, you don't want to over celebrate but then you don't want to | :02:13. | :02:18. | |
under commemorate, it is melancholy, so who was the most relaxed, the | :02:19. | :02:22. | |
veterans. Here are some of the scenes from today. It was all over | :02:23. | :02:29. | |
the BBC, it is continuing after we go on the air at 8pm on BBC Two. | :02:30. | :02:35. | |
President Obama, joining him at the seven tree was the Queen, laying a | :02:36. | :02:39. | |
huge wreath, quite rightly so. -- Cemetery. We saw President Obama, | :02:40. | :02:46. | |
the USA bore the brunt of the Allied casualties. How does it make you | :02:47. | :02:52. | |
feel, seeing these pictures? It makes the feel good. Like you say, | :02:53. | :02:56. | |
you don't want to overdo it or under do it, it is a precious time, but to | :02:57. | :03:00. | |
celebrate this is wonderful and to have all of the people around the | :03:01. | :03:03. | |
world do this and having President Obama here makes it feel a bit | :03:04. | :03:07. | |
closer to home. It is a wonderful, wonderful thing and I am glad I have | :03:08. | :03:13. | |
been able to be part of just the conversation. Going out there on the | :03:14. | :03:17. | |
Eurostar yesterday, we had 12:25pm train and the Queen was on the one | :03:18. | :03:23. | |
before us, and on the way back, she was on the one after us, trying to | :03:24. | :03:28. | |
avoid me. President Obama, he slept on his own destroyer, just off the | :03:29. | :03:35. | |
coast. He is very cool. Our forces sweetheart, Vera Lynn, she has been | :03:36. | :03:40. | |
in the news this week, 90 years old, she is fantastic and she baked as a | :03:41. | :03:46. | |
cake on Wednesday. Where is the pecan pie, Dolly Parton? I should | :03:47. | :03:51. | |
have brought one, had I known! She said this week that in her eyes, you | :03:52. | :03:56. | |
are very similar in terms of being forces sweetheart. That is so sweet, | :03:57. | :04:06. | |
how old is she? 97. And I am only 9 To | :04:07. | :04:09. | |
how old is she? 97. And I am only 5. She is good, isn't she? To good | :04:10. | :04:16. | |
finisher. We asked you for the family pictures you have of D-Day to | :04:17. | :04:22. | |
share with us on this special day. Here are a few. This is a picture of | :04:23. | :04:30. | |
Helene's late father being expected by President Eisenhower, the one | :04:31. | :04:34. | |
closest to us on the left. Second on the right he is Lucy Shaw's father. | :04:35. | :04:40. | |
They were ready to jump, the sixth airborne crew. Claire Clemence, her | :04:41. | :04:43. | |
father James is pictured here, thank you for the picture, having | :04:44. | :04:46. | |
something pointed out to him probably by his commanding officer. | :04:47. | :04:52. | |
And the last one, Carol Love sent this one in of the landings, it is | :04:53. | :04:58. | |
not her dad but her dad did take the picture. He came through D-Day | :04:59. | :05:02. | |
without injury but was wounded in 1945, two days before his 19th | :05:03. | :05:07. | |
birthday. Just a few of the 5,000 ships that set sail birthday in the | :05:08. | :05:13. | |
largest armada ever seen. We are going to forward all of your | :05:14. | :05:16. | |
pictures to the Imperial War Museum so more people can see them for | :05:17. | :05:20. | |
years to come. It is not just photographs people have found, one | :05:21. | :05:23. | |
viewer found a diary that uncovered a secret D-Day mission. | :05:24. | :05:30. | |
For decades, sheltered underneath a route into freeze, Scotland, lay a | :05:31. | :05:37. | |
picnic hamper. Its contents remained undisturbed -- in Dumfries. It was | :05:38. | :05:43. | |
only when the owners died and the attic was cleared that the secret | :05:44. | :05:47. | |
supper hamper were revealed. It belonged to Cecil Riding. When his | :05:48. | :05:50. | |
nieces and nephews unpacked it, they were astonished at what they found | :05:51. | :05:55. | |
inside. A swastika flag, an SAS beret, a silk handkerchief covered | :05:56. | :06:01. | |
in code, a minute compass and maps. Perhaps most exciting was this | :06:02. | :06:06. | |
notebook, all written in shorthand, and a transcription written out in | :06:07. | :06:11. | |
long hand. It turned out to be a diary and it tells in extraordinary | :06:12. | :06:15. | |
detail two commando operations, a story of who dares wins. On June | :06:16. | :06:22. | |
six, 1944, the Allies launched operation overlord, which began with | :06:23. | :06:26. | |
the D-Day landings. Three days later, the special air service | :06:27. | :06:34. | |
parachuted 12 men into Nazi occupied France. Amongst them, the author of | :06:35. | :06:38. | |
the diary, Lieutenant Cecil Riding. He had the silk coded handkerchief, | :06:39. | :06:44. | |
the maps and compass and a carrier pigeon. He wrote, "I don't think the | :06:45. | :06:48. | |
pigeon enjoyed the trip anymore than I did... However, we fitted the | :06:49. | :06:53. | |
message in the little container strapped to its late but to our | :06:54. | :06:57. | |
dismay, the bird flu to a top of a tree and sat there for an hour. But | :06:58. | :07:02. | |
we heard later it was one of the few that ultimately reached England". | :07:03. | :07:05. | |
All the family knew about his war record was that he had been awarded | :07:06. | :07:09. | |
the Military Cross. When you read the diaries, what | :07:10. | :07:15. | |
specifically struck you? Just amazed that he seemed to take everything in | :07:16. | :07:19. | |
his stride, whereas many a person would crack up in that situation. He | :07:20. | :07:24. | |
was obviously not that kind of person. Their mission was to disrupt | :07:25. | :07:29. | |
communications by blowing up railway links, preventing the movement of | :07:30. | :07:35. | |
Nazi troops and supplies. Cecil names all of his SAS colleagues, | :07:36. | :07:39. | |
including Jimmy Watson. Watson family had the same photo of Jimmy | :07:40. | :07:45. | |
with a man they knew as Jock Riding. It prompted Jimmy's Sun and his wife | :07:46. | :07:50. | |
to head to Dumfries Museum to find out more about the hamper. My wife | :07:51. | :07:55. | |
was reading the diary and said, you need to rediscover your dad is in | :07:56. | :08:00. | |
the diary. "The Colonel said he would like to speak to Jimmy Watson | :08:01. | :08:09. | |
and I went to and sort out the redoubtable Watson." It is amazing, | :08:10. | :08:12. | |
blowing up trains and getting inside. Had dad and Jock being | :08:13. | :08:16. | |
caught, they would have been executed and some SAS guys were. We | :08:17. | :08:24. | |
put ?6 charges on the cylinder blocks and blew the engine | :08:25. | :08:31. | |
sky-high. Michael's father died without | :08:32. | :08:34. | |
talking about his time in the SAS. All they have is the wartime | :08:35. | :08:41. | |
letters. It is sent in 1945, saying a plane was shot out of the sky and | :08:42. | :08:46. | |
I stopped a few of its bullets. The tear in this paper is caused by a | :08:47. | :08:51. | |
fragment. I had one in the lead, one in the head but I have had worse | :08:52. | :08:58. | |
cuts in peacetime. Don't worry about it. The diary says something quite | :08:59. | :09:05. | |
different, doesn't it? "I fell out of a puncture, just at the time a | :09:06. | :09:11. | |
Fokker wolf aircraft decided to strafe the convoy. Jimmy got | :09:12. | :09:23. | |
injured, I suppose I caused this by altering the column order." So your | :09:24. | :09:32. | |
uncle blamed himself for the injury. I am sure he didn't blame Jock, they | :09:33. | :09:36. | |
were great friends after the war, so they could not have fallen out over | :09:37. | :09:40. | |
it. The diary was tucked away, rather than hidden. It was kept safe | :09:41. | :09:44. | |
for the next generation to discover at another time. It was almost like | :09:45. | :09:49. | |
getting to know him better than when he was alive. It was very, very | :09:50. | :09:54. | |
special and very emotional. I am incredibly proud of him. | :09:55. | :10:00. | |
Thank you so much to David and Michael for sharing that with us. | :10:01. | :10:06. | |
All right, so, new single time, Dolly Parton is back. I am back and | :10:07. | :10:11. | |
I am glad to be back, it has been three years. | :10:12. | :10:13. | |
Dolly Parton is back. I am back and I am glad to be back, it has been I | :10:14. | :10:14. | |
have always got something going on and we have a new album coming out | :10:15. | :10:18. | |
on Monday, Blue Smoke, and we are on and we have a new album coming out | :10:19. | :10:20. | |
on Monday, Blue Smoke, and we are a World Tour, called the Blue Smoke | :10:21. | :10:24. | |
World Tour, travelling all over Europe. Of course, we are doing | :10:25. | :10:28. | |
England and then on to Germany and Sweden and Switzerland and Lord, I | :10:29. | :10:33. | |
don't know where, all over Scotland and Ireland. Hold that thought, | :10:34. | :10:38. | |
let's have a listen to the new single. Home. | :10:39. | :10:44. | |
# Home, down to the hills with the Bluebell Fields | :10:45. | :10:49. | |
# Home... Darling, darling, it's a smash. That | :10:50. | :11:12. | |
is the first single from the new CD and it talks about missing home and | :11:13. | :11:17. | |
it also talks about by early days, heading out to want to become a star | :11:18. | :11:21. | |
and when you travel all over the world community home sick, so that | :11:22. | :11:25. | |
is what the song is about. You are booked to play Glastonbury. Yes, I | :11:26. | :11:29. | |
have heard about Glastonbury all these years, everybody said I had to | :11:30. | :11:35. | |
play it, so now I get to play it and we are very excited about that. It | :11:36. | :11:39. | |
is a fantastic festival. Will you be there again? I am sorry about that, | :11:40. | :11:45. | |
I will be there. What have you heard about it? I have heard it's a lot of | :11:46. | :11:49. | |
fun, everybody loves coming from all over, all types of people come and I | :11:50. | :11:57. | |
have heard about the mud. Here's mud in your eye, mud in your face, I | :11:58. | :12:03. | |
thought about writing a song called Mode, just in case. But I don't | :12:04. | :12:08. | |
care, if they can stand in the mud, so can I. I grew up in mud. You can | :12:09. | :12:14. | |
have a rhinestone wellies. Metallica are playing on the Saturday night, | :12:15. | :12:18. | |
will you go and see them? I don't know if we will get a chance to see | :12:19. | :12:23. | |
other things because we are doing so many things, but I am going to see | :12:24. | :12:26. | |
what I can and I know Robert Plant is going to be there. Blondie are | :12:27. | :12:32. | |
going to be there. I love Blondie, maybe I will get a chance to see | :12:33. | :12:36. | |
some of the others. We can show you around. I have just been told that | :12:37. | :12:39. | |
Blondie was a secret and I shouldn't have said anything. Let's just say I | :12:40. | :12:46. | |
am Blondie, I and Blondie two. Last time Dolly was on, we showed you the | :12:47. | :12:50. | |
children who received books from her Imagination Library charity. We have | :12:51. | :12:55. | |
caught up with them and you will be very pleased with the effect your | :12:56. | :12:58. | |
books have had. Yes, I am very proud of the programme. | :12:59. | :13:08. | |
# Working 9 To 5, what a way to make a living... My name is Tommy and I | :13:09. | :13:13. | |
am nine years old and I love reading and playing the piano. Howdy, Dolly, | :13:14. | :13:18. | |
since you gave me the books, I wanted to read more and more and now | :13:19. | :13:26. | |
I have read over 500 books. The types of books I like to read our | :13:27. | :13:30. | |
fact books, because you learn really a lot of things in them. My | :13:31. | :13:44. | |
favourite book is ocean ology, about Jules Verne. I like reading, | :13:45. | :13:47. | |
favourite book is ocean ology, about Jules Verne. I because you can | :13:48. | :13:49. | |
concentrate more, because like me, I can read for hours and hours -- | :13:50. | :13:58. | |
Oceanology. # Love is like a butterfly... | :13:59. | :14:08. | |
Hello, I am Megan and I am seven years old. | :14:09. | :14:16. | |
# My Coat Of Many Colours... My favourite book is the Secret Seven, | :14:17. | :14:26. | |
because I like the way they solve them. It wasn't that much of a | :14:27. | :14:30. | |
mystery, but there was a bit of a mystery. | :14:31. | :14:33. | |
# In my Coat Of Many Colours my momma made for me. My name is Ruby | :14:34. | :14:44. | |
and I am eight and my favourite book is Operation Bunny. It is about a | :14:45. | :14:48. | |
girl called Emily and there is a witch and she tries to save all of | :14:49. | :14:52. | |
the people from the pink bunny rabbits. When you read your book, it | :14:53. | :14:57. | |
makes your imagination go, you imagine loads of pictures. I have | :14:58. | :15:02. | |
written this book for you, Dolly, called Strawberry Lane. It is about | :15:03. | :15:08. | |
Anjali robbery. It was a brilliant plan, but there was one problem. -- | :15:09. | :15:13. | |
a jelly. He didn't have enough people and if he did, how would he | :15:14. | :15:18. | |
carry all of the jelly? I just want to say thank you for all of the | :15:19. | :15:23. | |
books and I really like your songs. # Crazy if you let it | :15:24. | :15:27. | |
# 9 To 5! She's asked tows give it to you. | :15:28. | :15:43. | |
That -- us to give it to you. That makes it all worthwhile, knowing | :15:44. | :15:46. | |
little children love to read. We were happy with the whole programme. | :15:47. | :15:52. | |
Love you very much. Thanks for putting that together for me. It | :15:53. | :15:57. | |
touches my heart. If you do it again in three year, we'll do it all | :15:58. | :16:04. | |
again. It has touched their lives in that way.ly treasure this. Thank | :16:05. | :16:07. | |
you! Those kids will be eternally | :16:08. | :16:13. | |
grateful to you. As a child yourself growing up there were no books n | :16:14. | :16:17. | |
fact there was nothing. You were one of 12 in a two bedroomed house, a | :16:18. | :16:26. | |
very poor family. It didn't stop you from having a lot of ambition. The | :16:27. | :16:31. | |
kids would eat the pages and tear them up. We had the Bible in the | :16:32. | :16:36. | |
house. My mother used to read it us. I used to love at school and I loved | :16:37. | :16:44. | |
all the fairytales. A lot of my relatives didn't get a chance to | :16:45. | :16:48. | |
have an education in the mountains. It started out as a personal thing. | :16:49. | :16:54. | |
Started in the United States, Canada and now we are spreading out all | :16:55. | :16:59. | |
over the world. We have given out 70 million books since we started. | :17:00. | :17:00. | |
Let's see this little kid in action. How about that! Where did you get | :17:01. | :17:21. | |
that? Weven the sound on it. That was you. You were about 10 years | :17:22. | :17:26. | |
old. What do you remember that? I was less than that in that | :17:27. | :17:29. | |
particular show. I remember loving the music. My mother's people were | :17:30. | :17:33. | |
all very musical. I showed early signs of wanting to do more with it. | :17:34. | :17:39. | |
My Uncle Bill used to take me around to those little shows. My mum used | :17:40. | :17:44. | |
to make me little things to wear like. That and so, it started out | :17:45. | :17:49. | |
very early. I started singing on radio and TV when I was ten. I moved | :17:50. | :17:55. | |
to Nashville when I was 18. I used to make trips between | :17:56. | :17:59. | |
to Nashville when I was 18. I used get somebody to listen to | :18:00. | :17:59. | |
to Nashville when I was 18. I used It was 200 miles from my home. We | :18:00. | :18:06. | |
used to sleep in the car, packed our sandwiches and lived in the car. | :18:07. | :18:11. | |
After I graduated, in 1964, I moved to Nashville and stayed. | :18:12. | :18:16. | |
Back in the early days though, you had a bit of difficulty getting a | :18:17. | :18:20. | |
record contract. What do you think the reason for that was then? | :18:21. | :18:25. | |
Actually I was luckier than a lot of the people in being a country girl | :18:26. | :18:30. | |
and just being a girl in general. I actually got lucky with my song | :18:31. | :18:34. | |
writing and I got on a small salary when I moved to Nashville. I had | :18:35. | :18:39. | |
better luck than a lot do. It was my dream. I walked up and down the | :18:40. | :18:44. | |
streets, knocking on doors, trying to get recorded. Finally I got a | :18:45. | :18:50. | |
deal with Monument Records. They owned a publishing company. I got a | :18:51. | :18:54. | |
little salary and they worked with me on getting the records done. So, | :18:55. | :19:00. | |
it is a long climb. You go hungry and lonely a lot. You work until you | :19:01. | :19:05. | |
get it done if you have a dream. Let's look at the next one. That's | :19:06. | :19:09. | |
you and Porter there. Let's see you in action on the same | :19:10. | :19:12. | |
show. She had a hit called Dumb Blond. She | :19:13. | :19:27. | |
ain't no dumb blond though. Dolly Parton. | :19:28. | :19:31. | |
# Don't try and cry # Your way out of this | :19:32. | :19:38. | |
# Don't try and lie # Or I'll get you... | :19:39. | :19:42. | |
APPLAUSE That eye make-up and that hair! | :19:43. | :19:51. | |
What is extraordinary is you have a massive voice. It is | :19:52. | :19:54. | |
What is extraordinary is you have a isn't it? Well, it sounds small, but | :19:55. | :19:59. | |
I do have a lot of power. It looks effortless. Is that because you sang | :20:00. | :20:04. | |
from being so young? I guess! Music was always part of my family. My | :20:05. | :20:08. | |
mother was a great singer. My sisters, all my family can sing. | :20:09. | :20:13. | |
That was just a gift. I just love to sing. What is it like when the | :20:14. | :20:18. | |
Partons get together? Is there a warning because it is so loud! We | :20:19. | :20:24. | |
are so loud. A loud bunch of people. We love to sing. What a day that | :20:25. | :20:31. | |
would be! Have you ever done a TV show with the whole family? Yes. I | :20:32. | :20:37. | |
whatted a variety show back -- I had a variety show back home. I would | :20:38. | :20:41. | |
have my sisters and my brothers. Actually a lot of my sisters and | :20:42. | :20:46. | |
brothers work at Dollywood. We have a lot of music back at my theme park | :20:47. | :20:52. | |
back there. The family, a lot travel around a little bit and try and | :20:53. | :20:57. | |
sing. So, music is a big part of all of us. We could hear your stories | :20:58. | :21:03. | |
all night. We hear Dolly is about to embark on her new show. For big | :21:04. | :21:07. | |
crowds, the crowd normally turns up hours in advance. When the curtain | :21:08. | :21:12. | |
comes down, they all want to leave at the same time. You are at a | :21:13. | :21:16. | |
concert or a football match. You are stuck in a massive crowd. You are | :21:17. | :21:21. | |
all relentlessly travelling in the same direction. | :21:22. | :21:27. | |
Crowds can feel claustrophobic and overwhelming. Has skinss got a | :21:28. | :21:30. | |
solution to the seeming -- science got a solution to the bottle-neck? | :21:31. | :21:35. | |
Football, more than any other sport, has been affected by the dangers of | :21:36. | :21:39. | |
crowd safety. Keith Still is a professor of crowd | :21:40. | :21:45. | |
science, improving crowd safety at venues all over the world, including | :21:46. | :21:52. | |
here in Manchester. If the crowd has not been designed, | :21:53. | :21:56. | |
the crowds don't move sufficiently through the space. It can jam in | :21:57. | :22:02. | |
places. Crowds move differently from individual pedestrians. We have | :22:03. | :22:06. | |
created a crowd from seven people and a ring of string. The denser the | :22:07. | :22:10. | |
crowd, the less freedom of movement and the more you are carried along | :22:11. | :22:15. | |
with it. One person here ends up going side ways. You know tlis is a | :22:16. | :22:21. | |
drop. Five, a significant drop in flow. | :22:22. | :22:26. | |
It may seem obvious, but this wasn't a principle considered when stadia | :22:27. | :22:31. | |
were first designed. Exit routes and buildings for use by | :22:32. | :22:36. | |
crowds have been designed based on the assumption that people flow like | :22:37. | :22:41. | |
of grains of sand in an egg timer. The fastest moving down through the | :22:42. | :22:46. | |
middle. The professor discovered this is flawed T realisation came | :22:47. | :22:53. | |
when he thought he was off duty. 22 years ago, standing in a queue at | :22:54. | :23:00. | |
Wembley for the Freddie Murkry concert. We were in the middle. In | :23:01. | :23:04. | |
this environment, the crowd were moving faster around the edge, it | :23:05. | :23:10. | |
was the opposite di nap Turkey what we expected T more I dug --. The | :23:11. | :23:18. | |
opposite dynamic. The more I dug into it, I saw a different episode. | :23:19. | :23:23. | |
He had to think how we get people in and out of stadiums. The solution | :23:24. | :23:27. | |
came up with something something in the way of the exits. Keith's | :23:28. | :23:35. | |
research is based on the research of anti-chaos theory, where a chaotic | :23:36. | :23:39. | |
system can become more ordered by small changes. If, for example, we | :23:40. | :23:43. | |
have a door way, and we are trying to get people through the doorway, | :23:44. | :23:47. | |
they will all get jammed up. Whereas, if we put a barrier in the | :23:48. | :23:54. | |
way of the doorway, like that, we reduce the interactions between | :23:55. | :23:59. | |
people. They will filter through more easily and they won't get | :24:00. | :24:03. | |
jammed up. Now, what I need is some volunteers. | :24:04. | :24:06. | |
Oh, hello! Hello! | :24:07. | :24:13. | |
We are at Birchfield's Primary, in Manchester. We have randomly given | :24:14. | :24:18. | |
half the children brightly coloured hats. Follow the green dots from | :24:19. | :24:22. | |
above and you can see which bits of the crowd are flowing freely. | :24:23. | :24:25. | |
You have a stopwatch, you the crowd are flowing freely. | :24:26. | :24:29. | |
control it. I have crowd control in hand. Are you ready? ALL: Yes! | :24:30. | :24:38. | |
Away you go! Just like Keith's experience at | :24:39. | :24:42. | |
Wembley, the children in the middle are getting jammed. Those on the | :24:43. | :24:46. | |
outside are getting through more easily. | :24:47. | :24:52. | |
Nearly! And through! | :24:53. | :24:55. | |
About one minute. Time to do it again. This time with what appears | :24:56. | :25:00. | |
to be an obstacle in the way. Here we go, guys! | :25:01. | :25:05. | |
Away you go! Now, you see immediately the | :25:06. | :25:10. | |
difference in movement. It would seem that the proof of the | :25:11. | :25:15. | |
pudding is in the time. Exactly! The last few people through you go and | :25:16. | :25:17. | |
through! last few people through you go and | :25:18. | :25:20. | |
58. That was about 10 seconds faster. That is more than 10%. For a | :25:21. | :25:26. | |
small crowd of 100 well-behaved children. Multiply that by 80,000 in | :25:27. | :25:31. | |
a stadium rum and you can understand hue -- stadium and you can | :25:32. | :25:35. | |
understand how this is a significant result. Crowd safety is serious, | :25:36. | :25:39. | |
especially if you are somebody who designs or builds the venues that | :25:40. | :25:45. | |
we, the public, attend. Thanks to scientist, Freddie Murkry and an egg | :25:46. | :25:53. | |
time -- mur curry and an egg timer you -- Murcury, you can rest assure | :25:54. | :25:59. | |
in a crowd. The boss of London 2012 - Sebastian | :26:00. | :26:07. | |
Coe is here. APPLAUSE Hello. | :26:08. | :26:11. | |
So nice to see you. Hello. Lord Coe. And of course this is the | :26:12. | :26:17. | |
Commonwealth Games baton - it is the Queen's Baton. I have been working | :26:18. | :26:19. | |
on that all day! How is it working? Looks good! You did very good. | :26:20. | :26:33. | |
So, the Commonwealth Games, what are you doing with the baton? What have | :26:34. | :26:39. | |
you done with it yourself? I have walked across the floor from your | :26:40. | :26:42. | |
live audience, put it perfectly in the stand and I am here to celebrate | :26:43. | :26:47. | |
it. It is a fantastic event the Commonwealth giants. I have an | :26:48. | :26:54. | |
abject set of performances - missed the first one, and ran like a sewer | :26:55. | :26:59. | |
on the next two. I am here on fraudulent reasons. It is an | :27:00. | :27:05. | |
unbelievable event. The guys have done an unbelievable job. Have they | :27:06. | :27:09. | |
phoned you up for advice? All events help each other. There are a lot of | :27:10. | :27:13. | |
the guys and girls working on London who have helped up in Scotland. It | :27:14. | :27:19. | |
has been a fantastic event up there. It reminds me of the torch relay. | :27:20. | :27:24. | |
The baton relay has started to galvanise communities. It is on the | :27:25. | :27:28. | |
Olympic Park on Sunday, to showcase 30 different sports and you know, | :27:29. | :27:31. | |
the opportunity for kids to pick up those sports, so it will be | :27:32. | :27:41. | |
fantastic. Another great summer! You are always a golden boy. I had | :27:42. | :27:47. | |
my day in Los Angeles. The question is this - we know you are here to | :27:48. | :27:51. | |
talk about the baton, which is great. We love the baton on the | :27:52. | :27:53. | |
show. This is always a worrying! Are you | :27:54. | :28:00. | |
going to join the BBC? I am here, aren't I? Are you going to be our | :28:01. | :28:06. | |
new big cheese? It is a very flattering thought. I have been | :28:07. | :28:09. | |
slated for all jobs at the moment. I am thinking about it. At the moment | :28:10. | :28:13. | |
I am really enjoying what I am doing. It has to be fitted... I have | :28:14. | :28:18. | |
other commitments. The British Olympic Association and carrying the | :28:19. | :28:22. | |
torch across the floor. Across the floor. It is not a no! | :28:23. | :28:27. | |
You could just drop the application form in there. On the way home! OK, | :28:28. | :28:36. | |
making tea or something! You have to start somewhere. Thanks to all of | :28:37. | :28:41. | |
our guests. Thanks to Lord Coe and especially to Dolly Parton. | :28:42. | :28:48. | |
And Dolly's tour starts on Sunday. OK, we have time for one more human | :28:49. | :28:53. | |
jukebox track. What would you like to hear, Dolly? Islands in the | :28:54. | :28:56. | |
stream. # Islands in the stream | :28:57. | :29:04. | |
# That is what we are # No-one inbetween | :29:05. | :29:08. | |
# How can we be wrong # Sail away with me to another world | :29:09. | :29:15. | |
# And we rely on each other # Ah-ha | :29:16. | :29:20. | |
# Ah-ha 'I'm going on an adventure.' | :29:21. | :29:25. | |
Wow. That is a long way. | :29:26. | :30:00. | |
Quite a bit of it is on bikes. | :30:01. | :30:04. |