Browse content similar to 06/08/2013. Check below for episodes and series from the same categories and more!
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with Alex Jones and Matt Baker. years ago, our guests created a | :00:24. | :00:29. | |
monster. A man so inept, bigoted and egocentric that he could only be a | :00:29. | :00:34. | |
television presenter. It is time to dig out your best sports casuals and | :00:34. | :00:40. | |
tune your dial to North Norfolk Digital. Alan Partridge is back. | :00:40. | :00:46. | |
am one of the more senior district is at this station. I should snap my | :00:47. | :00:54. | |
heels together. Silence! Please welcome the person behind the | :00:54. | :01:04. | |
Partridge, Steve Coogan. Steve... Can I say how wonderful it is to | :01:04. | :01:11. | |
have you on the show. This would be Alan Partridge's dream job, | :01:11. | :01:12. | |
something for everybody, light-hearted chat, answering the | :01:12. | :01:19. | |
big questions. Absolutely, very deep, profound topics, deep waters | :01:19. | :01:27. | |
likely skipped over. You must want to kill that they get every night! | :01:27. | :01:31. | |
There was a time when Allen might have worn a lilac sweater, it | :01:31. | :01:41. | |
probably would have more of a pattern on it, a golf ball. Can you | :01:41. | :01:45. | |
imagine presenting it with Alan? think he would have to present it | :01:45. | :01:53. | |
with Alex! They wouldn't be that dissimilar! If you looked in the | :01:53. | :01:56. | |
mirror, you would not see Alan Partridge but unfortunately I do | :01:56. | :02:01. | |
every morning. As well as talking about your new film, the Ashes might | :02:01. | :02:08. | |
be in the bag but Tuffers has a far more important contest to deal with. | :02:08. | :02:12. | |
We have whittled 700 entries for One Show art competition down to just | :02:12. | :02:18. | |
four finalists. We are keeping them secret but they will be unmasked | :02:18. | :02:23. | |
later. A survey out today suggests 62% of us don't get on with our | :02:23. | :02:26. | |
neighbours and messy gardens are one of the top five reasons. Tony | :02:26. | :02:31. | |
Livesey has joined one team tackling the front garden rubbish dumpers. | :02:32. | :02:36. | |
Stephen Moore to Nan Rebecca Williams work for Leeds council. -- | :02:36. | :02:40. | |
Stephen Norton and Rebecca Williams. They are on a mission to clean up | :02:40. | :02:46. | |
some of the city 's rubbish. The council spends up to �8 million | :02:46. | :02:49. | |
every year to clean up the city but this task force is not only cleaning | :02:49. | :02:52. | |
the rubbish in the streets, it is targeting the rubbish in our own | :02:53. | :03:01. | |
backyards. You have 28 days to get rid of it. If people are keeping the | :03:01. | :03:04. | |
gardens in a really unreasonable state, we will take action. | :03:04. | :03:08. | |
Everybody had a responsibly key to keep it clean and tidy. How does it | :03:08. | :03:13. | |
save you money once they have tidied up? The officers pay for themselves | :03:13. | :03:18. | |
in terms of keeping the budget is under control. We educate and try to | :03:18. | :03:22. | |
work with people and those measures are starting to get across. There is | :03:22. | :03:26. | |
no legal requirement for anybody to keep a manicured lawn but where | :03:26. | :03:33. | |
there is a health risk, action can be taken. We are offering crime and | :03:33. | :03:37. | |
punishment but I have to say I am uncomfortable. My job is to peep | :03:37. | :03:42. | |
into people's gardens, poke into their rubbish. I am not sure what we | :03:42. | :03:50. | |
will find or what reaction we will get. Here goes. While on patrol, we | :03:50. | :04:00. | |
:04:00. | :04:04. | ||
have spotted a waste filled garden home, but then our own shows up. | :04:04. | :04:10. | |
This is regarding the waste in your garden. I have to go to the tip on | :04:10. | :04:16. | |
Wednesdays and Fridays. I wanted to ask what was going on. This will be | :04:16. | :04:25. | |
on the watch it now? Yes. If he says what -- does what he is saying he | :04:25. | :04:28. | |
will do, we will thank him but if not we will go down the Forstmann | :04:28. | :04:34. | |
route. We don't have to walk far to find a bigger problem. This is an | :04:34. | :04:43. | |
ongoing issue that we have got. amazes me that nobody has run you. | :04:43. | :04:47. | |
That is what we are talking about, being proactive, we are asking them, | :04:47. | :04:54. | |
if they come across that sort of thing, to get in contact with us. | :04:54. | :04:58. | |
Leeds is one of a handful of councils taking proactive approach, | :04:58. | :05:02. | |
where officers look for mess whether neighbours complain or not. Last | :05:02. | :05:07. | |
year Leeds council served up 850 clean up notices and the threat of a | :05:07. | :05:14. | |
�100 fine was enough to persuade people to tidy up their act. Dealing | :05:14. | :05:18. | |
some householders have the right to say, get off my land, it is my | :05:18. | :05:24. | |
garden, I can do what I want -- do you think? It is their land but we | :05:24. | :05:27. | |
have to enforce the environment to laws and if it is on their land, | :05:27. | :05:32. | |
they have the duty to remove it. come across another pile of rubbish | :05:32. | :05:37. | |
and the first job is to find out who might have dumped it. You have to be | :05:37. | :05:45. | |
careful, you don't know what you might find. A prescription.We can | :05:45. | :05:50. | |
check and put the name on the system. People won't think about | :05:50. | :06:00. | |
:06:00. | :06:03. | ||
mouse droppings. I tell you what, they have got a really tough job. | :06:03. | :06:08. | |
Look up the mess you are causing. It is unfair. Presumably we don't leave | :06:08. | :06:15. | |
this stuff. Of course not, we are going to put a sign on to let the | :06:15. | :06:18. | |
residents know that we have found evidence and we are going to get it | :06:18. | :06:25. | |
removed as quick as possible. kind of things have you seen? | :06:25. | :06:31. | |
throwing nappies out of the window into the garden. Used nappies. They | :06:31. | :06:37. | |
have gone splat. I started today thinking it wasn't right to sleep in | :06:37. | :06:40. | |
people's gardens but after some of the rot I have seen, I think they | :06:40. | :06:44. | |
are right to clean it up. Before the day is out I get to witness their | :06:44. | :06:49. | |
proactive approach working. Look at this. We have to remember the Ben | :06:49. | :06:55. | |
Nevis of rubbish, they are moving it away. It is a rubbish miracle. And | :06:55. | :07:00. | |
this street will sleep a lot tighter tonight. | :07:00. | :07:04. | |
I wasn't even aware that that happened. It is a shame they didn't | :07:04. | :07:09. | |
come by where I live because my next-door neighbour had a 3-piece | :07:09. | :07:14. | |
old bathroom suite in his garden and an upside-down sofa. I must get rid | :07:14. | :07:21. | |
of the fridge in front of mine! eagerly awaited Alan Partridge film, | :07:21. | :07:26. | |
Alpha Papa, is out tomorrow. Alan Partridge is a lot of things but a | :07:26. | :07:31. | |
movie star? Where did that idea come from? We were talking about it a | :07:31. | :07:35. | |
long time ago. We stopped doing Alan Partridge in about 2001. We left a | :07:35. | :07:41. | |
nine-year gap. I discovered these two new writers, Rob and Neal | :07:41. | :07:46. | |
Gibbons, who are twins, and they injected a new impetus and refreshed | :07:47. | :07:52. | |
the character. We said we would do a film at certain point, it has all | :07:52. | :07:57. | |
been fraught problems, because you don't want to disappoint people when | :07:57. | :08:02. | |
their expectations are so high. It is a tall order and you have got to | :08:02. | :08:05. | |
get it right. Traditionally when they take British sitcoms make them | :08:05. | :08:11. | |
into films, they will take the characters abroad. They always go on | :08:11. | :08:19. | |
holiday and it is very unfunny! ideas did you throw out? We had the | :08:19. | :08:27. | |
idea at one point of him being in a siege by terrorists, Al-Qaeda | :08:27. | :08:32. | |
terrorists at the BBC. We thought it might be a bit too... It might give | :08:33. | :08:39. | |
people ideas so we decided to avoid that. We wanted to keep it... The | :08:39. | :08:42. | |
problem is trying to keep the essence of the character of the | :08:42. | :08:45. | |
people who know him and making it work for people who don't know the | :08:45. | :08:50. | |
character. You can see the film and not know who he is. The problem is | :08:50. | :08:56. | |
if you try to make its cinematic and keep the DNA of Alan. He is a | :08:56. | :09:03. | |
medium-sized man in a small world. It is a big world in this movie. He | :09:03. | :09:06. | |
ends up in the middle of a siege and we will have a quick look at how | :09:06. | :09:12. | |
Alan deals with the police briefing. Do you suffer from nervous | :09:12. | :09:16. | |
conditions, panic attacks? Do I look like I suffer from panic attacks? I | :09:16. | :09:21. | |
have had one Alnwick attack in a car wash. It was a perfect storm of note | :09:21. | :09:27. | |
sleep, no wife and -- one panic attack in a car wash. It was a | :09:27. | :09:33. | |
perfect storm of no sleep, no wife and angry brushes whirring towards | :09:33. | :09:39. | |
me. I have fired several rivals but I have never fired one in anger, or | :09:39. | :09:48. | |
at a cat. What could be quite a serious situation, Alan bizarrely | :09:48. | :09:52. | |
thinks of it as all of his Christmas is coming at once and he enjoys the | :09:52. | :10:01. | |
attention. Yes. Although he is middle-aged, bit like me, he is very | :10:01. | :10:07. | |
happy running his North Norfolk Digital radio station in Norwich. | :10:07. | :10:10. | |
But he still harbours the idea of making a big comeback and then the | :10:10. | :10:14. | |
siege happens, the world's media focused on this little radio station | :10:14. | :10:18. | |
and he sees it as an opportunity to relaunch his career and grab the | :10:18. | :10:23. | |
headlines try to get in of the cameras. Do you find you have more | :10:23. | :10:29. | |
in common with him than you used to, playing him at a young age? All the | :10:29. | :10:32. | |
things I am scared of saying, I have him say out loud. It is all your | :10:32. | :10:40. | |
worst fears. Sometimes, most people might think something very | :10:40. | :10:44. | |
inappropriate, but you don't say it. You edit yourself. With Alan, you | :10:44. | :10:48. | |
say the first thing that comes into your head. The idea was based on not | :10:48. | :10:53. | |
very good television presenters like yourself, but some of the below | :10:53. | :10:57. | |
average ones, shall we say? Where when you are broadcasting, the one | :10:57. | :11:00. | |
thing is you are not allowed to do is stop talking, all leave a dead | :11:00. | :11:07. | |
air. If I stopped talking now, people might change Channel 4 stub | :11:07. | :11:12. | |
you have always got to keep talking. Sometimes your brain is playing | :11:12. | :11:22. | |
:11:22. | :11:25. | ||
in 20 years. When we did the television show I have used make up | :11:25. | :11:31. | |
to give me crows feet but I have now acquired them. I thought you were | :11:31. | :11:36. | |
going to say you have had work. Apart from the Botox and the | :11:36. | :11:41. | |
collagen. The problem is if you do the make up on the big screen, it | :11:41. | :11:46. | |
can look pantomime like and over the top. When you do a character on the | :11:46. | :11:50. | |
big screen, you have to slightly modify the character. He can't be | :11:50. | :11:54. | |
too obnoxious, you have to give him some empathy and make him a little | :11:54. | :11:57. | |
more real. He is still a clown but you have got to make him | :11:57. | :12:04. | |
believable. And I am 47, Alan Partridge is 55. He should be 57 but | :12:04. | :12:10. | |
we thought... I am catching up with him, basically. When I am about 65 | :12:10. | :12:15. | |
we will be the same age. It is a brilliant form and Alan Partridge: | :12:15. | :12:19. | |
Alpha Papa is in cinemas from tomorrow. It is nearly time to | :12:19. | :12:25. | |
reveal the four finalists in The One Show art competition. Tuffers and | :12:25. | :12:29. | |
the judges had some hard decisions to make. | :12:29. | :12:34. | |
In June we launched The One Show art competition 2013, to celebrate the | :12:34. | :12:38. | |
young song amateur artists out there. We were overwhelmed by the | :12:38. | :12:45. | |
response and received over 700 entries -- the unsung amateur | :12:45. | :12:52. | |
artists. We invited viewers to send images which represent the theme, | :12:52. | :13:02. | |
where I live. You sent paintings and drawings in all manner of mediums. | :13:02. | :13:06. | |
The entries were whittled down to a short list of 24. The next stage of | :13:06. | :13:10. | |
the contest is to take four through to the final. It is not going to be | :13:10. | :13:18. | |
easy. But help is at hand. Joining me today are three judges. I like | :13:18. | :13:23. | |
the humour, it is or is nice when humour is injected. Michael Simpson | :13:23. | :13:28. | |
is it creator at the Lowry in Salford and he is interested in | :13:28. | :13:35. | |
modern art. Mina more aid is also a traitor and specialises at the | :13:35. | :13:39. | |
National Gallery of London. The third judge is aid the fashion | :13:39. | :13:45. | |
artist and master of many painting styles. -- is a professional artist. | :13:45. | :13:48. | |
I like the quirkiness, the odd perspective, the strange point of | :13:48. | :13:54. | |
view. 24 very different interpretations of the brief, where | :13:54. | :13:59. | |
I live. There is only room for four in the final. Time to get Syria's. | :13:59. | :14:04. | |
Michael, all amateur artists is on display here, first impressions? -- | :14:04. | :14:09. | |
time to get serious. You would not know a lot of the work is by amateur | :14:09. | :14:13. | |
artists. There is a lot of personality and confidence. You want | :14:13. | :14:17. | |
a work of art that grabs you and stops you in your tracks and makes | :14:17. | :14:21. | |
you look again and a number of these do that. How have they interpreted | :14:21. | :14:25. | |
the brief? They have all got into the spirit of what has been asked | :14:25. | :14:32. | |
and they have done it very well. This bold, abstract work, it is full | :14:32. | :14:38. | |
of paint. It is a staircase going up, it is a strong work. It doesn't | :14:38. | :14:46. | |
push my buttons, I am afraid. It is a bit too messy. You quite like this | :14:46. | :14:53. | |
one, don't you? It is a charming portrait of someone's grandpa and I | :14:53. | :14:59. | |
love the way he is standing in a very informal way in the corner. | :15:00. | :15:07. | |
would be proud if I had done this myself. The next one, where is this? | :15:07. | :15:11. | |
This is on the Orkney Islands. A great place, I have been there. What | :15:11. | :15:15. | |
I love about this painting is the energy of the weather that has been | :15:15. | :15:19. | |
captured beautifully. The real nature of this place, you can feel | :15:19. | :15:22. | |
the wind on your cheeks and the sound of crashed waves. It is really | :15:22. | :15:30. | |
good. This is the second grandfather in | :15:30. | :15:36. | |
the competition. What do you think? I love the way it is larger than | :15:36. | :15:40. | |
life. It is bigger than a human head. I love his big ear, the | :15:40. | :15:46. | |
pinkish touches on his cheek and chin, and the bushy eyebrows. It is | :15:46. | :15:51. | |
a sympathetic portrait of someone that the artist loves. I get a real | :15:51. | :15:56. | |
sense of the person. It is done well, but almost a bit too obsessed | :15:57. | :16:04. | |
with detail. But it is still a smashing portrait. I have a soft | :16:04. | :16:12. | |
spot for. . This is everybody's next door neighbour. It is about the | :16:12. | :16:17. | |
location you live in, but it is also about the people who's around you. | :16:17. | :16:20. | |
You don't get many paintings of knickers in these sorts of | :16:20. | :16:26. | |
exhibitions, so that makes this special. What else is a favourite? | :16:26. | :16:30. | |
This work is Afternoon Sail: Falmouth Harbour. It is using | :16:30. | :16:35. | |
embroidery almost in the same way you would use Ansel. I think it is | :16:35. | :16:45. | |
:16:45. | :16:58. | ||
tougher than they expected. Tuffers is here now. There was lots | :16:58. | :17:05. | |
of squabbling between the judges. New ways to interpret the theme. It | :17:05. | :17:09. | |
was fantastic. The standard was very high. Do you think you have got the | :17:09. | :17:16. | |
right four? Yes. Steve, revealed the first of the finalists. Artist | :17:16. | :17:21. | |
number one is Kerrie Renniegade will stop her paintings entitled Pappy, | :17:21. | :17:28. | |
and it is a portrait of her 79-year-old grandfather, Henry. | :17:28. | :17:33. | |
judges loved the loose, expressive style, and they thought the painting | :17:33. | :17:39. | |
had real peasants. Look at those eyes. Kerrie, why did you choose to | :17:39. | :17:43. | |
have your grandad represent where you live? I grandad lives across the | :17:43. | :17:52. | |
road from me. He loves it! You can see the family resemblance. Steve, | :17:52. | :17:59. | |
number two? Artist number two is Hannah Farley. Her work is called | :17:59. | :18:06. | |
Afternoon Sail: Falmouth Harbour and is drawn on handmade paper using a | :18:06. | :18:12. | |
sewing machine stitch. The judges loved the different take on drawing. | :18:12. | :18:19. | |
Very textural, and exquisite drawing. It is very different to the | :18:19. | :18:24. | |
others. Why did you choose to use different textures? While, I am a | :18:24. | :18:29. | |
textile artist, so I use lots of textures in my work. It comes | :18:29. | :18:35. | |
naturally to use them. Where is this? It is Falmouth Harbour, where | :18:35. | :18:45. | |
:18:45. | :18:46. | ||
we go every year. Let's go onto finalist number three. The artist is | :18:46. | :18:56. | |
Brian. His entry is a drawing of his older brother Alexander. The judges | :18:56. | :19:00. | |
said this was technically very strong, old, with a powerful sense | :19:00. | :19:05. | |
of character. And the detail is amazing. Brian, your brother is very | :19:05. | :19:15. | |
:19:15. | :19:16. | ||
handsome. What did he make of it? think he likes it. And why did you | :19:16. | :19:21. | |
choose your brother to represent where you live? I always associate | :19:21. | :19:30. | |
it with my family. And the last one, Steve? The last finalist is Lucy | :19:31. | :19:36. | |
Howard from Taunton in Somerset. Her entry is an acrylic painting called | :19:36. | :19:40. | |
Roast, which shows her and her dog getting Sunday dinner ready in the | :19:40. | :19:48. | |
kitchen. The judges loved the humour and energy of the painting, and they | :19:48. | :19:53. | |
said it had a real sense of place. It is Sunday afternoon. Lucy, is | :19:54. | :19:59. | |
your kitchen read in real life? but it did not look right for the | :19:59. | :20:09. | |
:20:09. | :20:11. | ||
picture. Artistic licence. Congratulations to all four of our | :20:11. | :20:15. | |
artists. One of them will be crowned the One Show art competition winner | :20:15. | :20:21. | |
next Wednesday, when a real Rolling Stone, Ronnie Wood, will judge the | :20:21. | :20:27. | |
final. But it is not over yet. They must create a new piece of artwork. | :20:27. | :20:32. | |
This time, the theme is summer in Britain. You have only got a week to | :20:32. | :20:38. | |
do it, and the verdict will be delivered next Wednesday. Steve here | :20:38. | :20:43. | |
is not the only person to hit the big-time by creating famous alter | :20:43. | :20:49. | |
ego is. Take, for example, Lobsang Rampa, the mysterious mock monk. | :20:49. | :20:53. | |
think Alan would call this film I Can't Believe It's Not Buddha. | :20:53. | :20:58. | |
Today, thousands of written is have embraced Tibetan culture and its | :20:58. | :21:03. | |
distro religion, but in the 1950s, few had even heard of Tibet. That | :21:03. | :21:08. | |
was all to change when a Tibetan lama arrived in London with a | :21:08. | :21:11. | |
remarkable life story he wanted to publish. The manuscript he brought | :21:11. | :21:18. | |
with him was called the third I. The author was Lobsang Rampa, or was it? | :21:18. | :21:21. | |
Sometimes, the truth is stranger than fiction, but sometimes the | :21:22. | :21:29. | |
fiction is stranger still. I am a Tibetan, one of the few who have | :21:29. | :21:32. | |
reached this strange western world. The golden roofs and domes deemed in | :21:32. | :21:40. | |
the brilliant sunshine. Closer... is a wonderful tale written by a | :21:40. | :21:45. | |
Tibetan about his life in Tibet. He became a lama at the age of six. He | :21:45. | :21:50. | |
had gone into a monastery, and he had gone through the process of | :21:50. | :21:56. | |
initiation which had given him a third I. An operation had been | :21:56. | :22:00. | |
conducted and a whole had been drilled between his two eyes. As a | :22:00. | :22:03. | |
result, you could see the ore is that everybody had. The story opened | :22:03. | :22:08. | |
a window on a hidden world, but when the publishers asked the feud | :22:08. | :22:11. | |
Tibetan scholars in Britain at the time to check its authenticity, the | :22:11. | :22:15. | |
lifestyle of this Lobsang Rampa seemed full of inconsistencies. They | :22:15. | :22:19. | |
suspected he had never even been to debate. The publishers tried to | :22:19. | :22:23. | |
persuade Lobsang Rampa to let them publish the third eye as a work of | :22:23. | :22:28. | |
fiction. But he declined and left the building in a huff. True or not, | :22:28. | :22:31. | |
they sensed that here was something that would levitate naturally and | :22:31. | :22:37. | |
fly off the shelves. They decided to publish all the same. Publishers are | :22:37. | :22:41. | |
not the Reading police. They are not there to say what is or is not | :22:41. | :22:49. | |
true. This book had a market. It was accessible and easy to read about | :22:49. | :22:52. | |
Tibetan Buddhism. It gave a lot of people an introduction into an area | :22:52. | :22:57. | |
of the world they were interested in. Everest was climbed in 1953. | :22:57. | :23:03. | |
People were interested in the area, but there was not information. | :23:03. | :23:07. | |
British public loved it, and within 18 months, 300,000 copies had been | :23:07. | :23:12. | |
sold. But the Tibetan scholars who declared the autobiography a fake | :23:12. | :23:16. | |
were still convinced that the author was not really said he was, so hired | :23:16. | :23:19. | |
a private detective, Clifford Burgess, to investigate Lobsang | :23:19. | :23:26. | |
Rampa. But if he was not a Tibetan Lama, who was he? The detective | :23:26. | :23:34. | |
revealed that Lobsang Rampa was in fact one Henry Hoskins, a plumber's | :23:34. | :23:38. | |
son from Devon. Unable to prove he really was Tibetan, Lobsang Rampa, | :23:38. | :23:44. | |
AKA Cyril, fled for island and then Canada, where he continued to write | :23:44. | :23:48. | |
books including one offering an unusual explanation for his western | :23:48. | :23:52. | |
ancestry. The author claimed that a few years earlier, he had fallen out | :23:52. | :23:55. | |
of a tree and suffered from concussion. When he regained his | :23:55. | :24:00. | |
senses, he was no longer Cyril Hoskin, the plumber's son, his body | :24:00. | :24:04. | |
had been taken over by the astral spirit of a Tibetan lama. Despite | :24:04. | :24:10. | |
being exposed as Cyril, the author continued to write books as Lobsang | :24:10. | :24:16. | |
Rampa, although the plots became even more bizarre. He is picked up | :24:16. | :24:20. | |
by flying saucers and goes to Venus. Then he goes to the centre of the | :24:20. | :24:26. | |
earth. His last book was the dated to him by his cat, Mrs Fifi grey | :24:26. | :24:31. | |
whiskers. So here is a man with great imagination. Whether or not | :24:31. | :24:34. | |
Cyril genuinely believed he was a Tibetan lama, he stuck to his story | :24:34. | :24:39. | |
until his death in 1981. His books have inspired many, ringing Tibet to | :24:39. | :24:44. | |
the Western world, but there were no tributes from the debate and | :24:44. | :24:48. | |
community. The Dalai Lama had led him of fraud and he was disowned by | :24:48. | :24:53. | |
the very people whose lives are so fascinated him. Nevertheless, the | :24:53. | :24:59. | |
third eye remains the bestselling book ever written about Tibet. Not | :24:59. | :25:09. | |
:25:09. | :25:11. | ||
bad for a plumber's boy from Devon. Makes you want to read it. Well... I | :25:11. | :25:16. | |
do, anyway. You started your career as an impressionist, as a very young | :25:16. | :25:24. | |
lad? In the 1970s, when I grew up, there were only three channels and | :25:24. | :25:31. | |
no computers, so TV was King. Shows like that's life would get 20 | :25:31. | :25:38. | |
million viewers. That was all there was, so you just watched TV. And | :25:39. | :25:42. | |
there were no video recorders, so you had to remember what you had | :25:42. | :25:47. | |
seen. If you wanted to talk about it afterwards, you had to tell people, | :25:47. | :25:53. | |
this guy said that in this voice. So I learned to do impersonations and | :25:53. | :25:59. | |
try and relate my favourite shows to people. I did that at school to get | :25:59. | :26:06. | |
out of having to do any work. And it worked out well. Well, we need your | :26:06. | :26:11. | |
help, because if you run a business and you would be happy to have the | :26:11. | :26:14. | |
One Show cameras spend time with you and your staff, we would like to | :26:15. | :26:19. | |
hear from you. The idea is to give some extra professional help in | :26:19. | :26:23. | |
these tricky times, and have some fun as well. If you are interested, | :26:23. | :26:27. | |
e-mail us. Now, if you are anywhere near | :26:27. | :26:33. | |
Weston-super-Mare, you would be mad to miss out on our summer Festival. | :26:33. | :26:38. | |
It kicked off today, with thousands of visitors joining in the fun. | :26:38. | :26:44. | |
Carrie, what has been happening? have had an amazing day. The sun has | :26:44. | :26:49. | |
shone throughout. We have had some singing going on, we have had salsa | :26:49. | :26:55. | |
dancing and all sorts. Angellica, what have you been up to? I have had | :26:55. | :27:02. | |
a wonderful day. I have held a snake. I was singing with you and | :27:02. | :27:08. | |
dancing and hosting the main stage. Everyone has been so friendly. | :27:08. | :27:11. | |
Highlight of the day? In the consumer tent, we played something | :27:11. | :27:16. | |
called Lingo bingo, where we test all the visitors on their financial | :27:16. | :27:20. | |
jargon. If they get a full house, they win a prize, a stick of | :27:21. | :27:25. | |
Weston-super-Mare Rock. The BBC are pushing the boat out! Larry, what | :27:25. | :27:30. | |
have you been up to? Competing with you all singing, all damn thing | :27:30. | :27:38. | |
spectacular, we were singing sea shanties. I love this music. It is | :27:38. | :27:47. | |
of course the Monty Python theme tune. The son of this area is John | :27:47. | :27:54. | |
Cleese, born in 1939. He was six feet tall when he was 13 will stop | :27:54. | :27:57. | |
so to commemorate his birth, we thought we would do a bit of a silly | :27:57. | :28:04. | |
walk play out. Angellica, are you up for this? Anything silly.Lifetime | :28:04. | :28:14. | |
:28:14. | :28:33. | ||
ambition. Larry? Steve Coogan, this is a dream for Alan Partridge. | :28:33. | :28:38. | |
give up the day job. The One Show Summer Festival is open all day | :28:38. | :28:42. | |
tomorrow from 12, and we will be there on the beach tomorrow | :28:42. | :28:46. | |
evening, live at seven o'clock. come down to beat red near the pier | :28:46. | :28:52. |